film festival

Study How to Make Movie Musicals Like “La La Land” at NYFA

As BroadwayWorld.com recently put it: “La La Land isn’t the only vehicle opening the door for a new era of movie musicals. NYFA’s original productions feature Tony Award winner James Monroe Iglehart (Hamilton, Aladdin), Tony Award nominee Charlotte d’Amboise (Pippin, A Chorus Line), Jen Perry (Kinky Boots) and others.” With “La La Land” breaking Oscar-nomination records, movie musicals are in the spotlight. And NYFA is the only school in the world where students can learn to perform in professionally produced original movie musicals. It’s not only an option but an explicit opportunity, and we a write up in The Huffington Post to prove it. 

Mike Olsen, who chairs NYFA’s musical theatre program, stresses that making movie musicals at NYFA is an incomparable experience: “Imagine being a student of musical theatre and having a team of professionals gather to collaborate with you on the creation of an original movie musical,” he says, “Where the character you portray is written for you, the songs are devised around your unique sound and capability, the movement and dance elements reflect your personal wheelhouse, and the whole endeavor is a highly professional journey that culminates in a fully edited, professionally engineered final half-hour movie musical that gets submitted to festivals across the country.

 

 

“No other training academy has our unique capacity to bring filmmaking and musical theatre together to create such a practical and highly professional educational experience,” Olsen continues. “We are on the cutting edge of this and if I were a young musical theatre talent, and while this popularity swells, I would jump at the chance to get this valuable training.”

Today, the critically-acclaimed movie musical everybody’s talking about in Hollywood and beyond is, of course, “La La Land.” The movie made headlines once again after scoring 14 Oscar nominations.

“While this has been percolating recently in our culture, the recent film ‘La La Land’ has tipped the scales,” says Olsen. “Film producers are now putting movie musicals in their top priority file. As America experiences a new renaissance of the movie musical, it is an exceptional piece of good fortune that the musical theatre program at the New York Film Academy is on the cutting edge of training young talent to meet this new demand.”

Olsen isn’t the only one to point out the cultural relevance of movie musicals. New York Times writer Manohla Dargis recently penned a piece about how “La La Land” gives musicals new importance.

At NYFA, students can merge stage talent with the technical training necessary to bring an original musical vision to the big screen.

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“While the primary training focus of the Musical Theater Department remains rooted in the traditional elements of solid stagecraft, NYFA is also uniquely in the lead when it comes to getting movie musical experience,” says Olsen. “Students in the advanced stages of their training enjoy an unprecedented chance to collaborate with the creative process of writing a movie musical, working in a professional studio to lay down vocal tracks, and being on set and on location, acting and performing, in a fully realized movie making experience.”

Picture this: You and your NYFA classmates making the next “La La Land.” It could happen! Apply for our musical theatre program today.

Everything That Makes the 2016 Toronto Film Festival Great

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Aspiring filmmakers and movie enthusiasts are always looking forward to September. The Toronto Film Festival never fails to inspire, providing us with a look at promising movies, rising stars, and the veteran actors and actresses we love to see on the big screen. This year’s Toronto Film Festival is full of all the reasons reasons why each year we count down the days until this legendary event begins — plus a few extra reasons for the NYFA community to get excited.

NYFA Alum and Instructor Screening Films

This year, the Academy is especially proud of two of our own who debuted new work at Toronto: alumnus Eric Janvier and editing instructor Bob Eisenhardt both screened original films. Their two movies are:

“Gods Acre” – directed by Kelton Stepanowich and produced by NYFA alumnus Eric Janvier.

“Citizen Jane: Battle for the City” – directed by Matt Tyrnauer and edited by NYFA instructor Bob Eisenhardt.

Congratulations! This is truly an accomplishment worth celebrating. And there is plenty more at the festival to get excited about…

The Oscar Buzz

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While many films are shown during the 10-day event, only so many of them are considered great — and of those great films, even less receive Oscar buzz. It just wouldn’t be the Toronto Film Festival without a handful of movies already receiving enough acclaim and positive reviews to be considered worthy of an Oscar nomination.

One of these films is “The Finest,” directed by Lone Scherfig and starring Sam Claflin, Gemma Arterton, and Bill Nighy. And “Moonlight,” a coming-of-age story adapted from a biographical play and co-produced by Brad Pitt, is also making waves at TIFF 2016 — enough that the word masterpiece is already being thrown around.

After being a hit at the Venice Film Festival, “Jackie” continued its bid for Oscar contender by being well-received at this year’s event as well. Directed by Pablo Larrain and written by Noah Oppenheim, this film stars Natalie Portman as Jacqueline Kennedy and is set during the immediate aftermath of John F. Kennedy’s assassination.

The Rising Stars

One of the best things about the Toronto Film Festival is that you can expect to see some of your favorite actors and actresses. Of course, it’s also exciting seeing up-and-coming stars begin their ascent to fame  by featuring in a project shown at the anticipated event.

Sophie Nélisse is a 16-year-old Canadian actress doing just that as part of the Rising Stars program. Mylène Mackay, Jared Abrahamson, and Grace Glowicki are other young talents to keep an eye on at this year’s festival and beyond.

The Premieres

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There’s no shortage of things to check out at every Toronto Film Festival, and this year’s event is no exception. Of course, the reason this renowned film festival remains influential after 40 years is because it gives people a first look at the next films to hit theaters across the globe.

The show kicked off with the premier of “The Magnificent Seven,” a remake of Akira Kurosawa’s classic “Seven Samurai” starring Denzel Washington. Leonardo DiCaprio’s environmental documentary “Before the Flood” also saw its first showing at the event. The film features DiCaprio himself as he campaigns to bring awareness about the threat of climate change.

Other notable premieres include “Nocturnal Animals” starring Amy Adams and Jake Gyllenhaal, sci-fi film “Colossal” starring Anne Hathaway, and Ben Wheatley’s “Free Fire.” 3D musical comedy “Sing” was another anticipated premiere with Matthew McConaughey, Reese Witherspoon, Seth MacFarlane, Scarlett Johansson, and John C. Reilly being only a handful of the many big stars offering their voices for the film.

The Best Dressed Stars

Each day gets off to a stylish start as beautiful ladies and gents hit the red carpet. While some Hollywood people attract the wrong kind of attention with their attire, this year we are seeing plenty of fashionable stars making their presence known the right way. Among these include Reese Witherspoon and her trendy off-the-shoulder floral brocade dress made by Ulyana Sergeenko Couture.

Other A-listers who wowed us with their wardrobe choice include Natalie Portman, Scarlett Johansson, Amy Adams, Camila Alves. On the men’s side, guys like Matthew Mcconaughey, Gerard Butler, Armie Hammer, Leonardo DiCaprio, and Christian Bale.

What were your favorite moments of TIFF 2016? Let us know in the comments below!

4 Cannes 2016 Performances that Lived Up to the Hype

As NYFA looks forward to our participation at the Venice International Film Festival, it’s always fun to check in and remember more of the years’ stand-out film performances. It’s not too early to start your Oscar predictions — and before we lose our hearts at the star-studded festivals in Venice and Toronto, let’s take stock of some of the Cannes performances that won us over. This is a handy roundup of Cannes 2016 performances that lived up to the hype — and then some. 

1. Dave Johns and Hayley Squires in “I, Daniel Blake”

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What better way to start than with the British film that took home the coveted Palme d’Or this year. Director Ken Loach delivers a captivating story where we see a realistic scenario of regular people getting cheated by the system. Those of you familiar with Loach’s past works know that he often works with bureaucratic injustice as his central theme.

“I, Daniel Blake” tells the tale of widower Daniel Blake (Dave Johns) and his battle to receive benefits after suffering a heart attack. Denied for no apparent reason, he finds himself in a welfare office where he meets Katie (Hayley Squires), a single mother with two kids who is also struggling to make ends meet.

Together, Johns and Squires do a fantastic job of portraying this desperate, unlikely pair as they see navigate a cruel system. Johns’s performance is both powerful and believable, allowing the audience to see Daniel as a decent but devastated man. Squires also delivers, imbuing her character with complex and subtle layers.

2. Jaclyn Jose in “Ma’ Rosa”

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“Ma’ Rosa” is Filipino director Brillante Mendoza’s latest film, and a return to the same style that made his 2009 film “Kinatay” an international hit. While Mendoza didn’t win another Best Director Award this year, lead actress Jaclyn Jose proudly won Best Actress.

In “Ma’ Rosa”, a woman named Rosa (Jose) owns a small convenience store with her husband in Manila. But with four children to feed, the couple is forced to sell illegal drugs from the store to make ends meet. After they is caught and arrested, their children must do what they can to save up enough money to free their parents.

Jose’s performance of a graceful yet resilient mother left an impression on the audience and jury members alike. It was a huge departure from her previous roles, which were often more bombastic and active. Jose’s historic win marks the first time a Filipino has ever won an acting award at the Cannes Film Festival.

3. Joel Edgerton and Ruth Negga in “Loving”

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Both Negga and Edgerton gave viewers a memorable performance in this film about a mixed-race couple fighting for justice and equality during the late ’50s. Jeff Nichols’ historical drama has received widespread acclaim and was even given a standing ovation upon its first showing at Cannes 2016.

“Loving” weaves a charming tale of a Virginian couple who tied the knot — despite the fact that mixed-race marriage was illegal at the time. Their decision sparked enough controversy and outrage that the Supreme Court passed laws declaring their marriage unconstitutional.

Although the film went home with no prizes, Edgerton and Negga’s touching performances were considered among the best in the festival. The fact that “Loving” focuses less on the civil rights movement and more on the couple’s relationship allowed the talented actor and actress to deliver an intimate, heartwarming story.

4. Shahab Hosseini in “The Salesman”

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In 2011, Asghar Farhadi saw his hard work pay off with “A Separation.” The Iranian drama film won several awards, including the Academy Award for Best Foreign Film. With “The Salesman,” Farhadi has crafted yet another thrilling film that’s sure to be a contender at the next Oscars.

Along with Best Screenplay, “The Salesman” snagged the Best Actor award for Shahab Hosseini’s performance. The film combines elements of murder mystery and drama, creating a revenge thriller that left Cannes viewers with eyes glued to the screen.

The film tells the story of Emad (Hosseini) and Rana (Taraneh Alidoosti), a young married couple involved in a small theater’s production of Arthur Miller’s “Death of a Salesman.” While living in a shoddy apartment previously inhabited by a prostitute, Rana is beaten and possibly raped by a man who was looking for said prostitute. Hosseini delivers a convincing performances as an angry husband tracking down the unknown man.

With Cannes 2016 behind us, we still have much to look forward to — whether catching up on these incredible performances, enjoying new festival surprises, or placing our bets in the inevitable Oscars race ahead.

What are you favorite film festival performances of 2016? Let us know in the comments below!

6 Must-See Films at Toronto International Film Festival 2016

Filmmakers and movie lovers alike are counting down the days until Toronto International Film Festival 2016. The annual public event brings in thousands of people from across the globe for an 11-day celebration of our favorite entertainment media. Last year, over 473,000 attendees showed up to enjoy the festival alongside more than 5,400 industry professionals and over 1,200 journalists.

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The TIFF has grown to become the world’s most influential film festival for giving us a sneak peak at rising stars and possible box-office hits. Many films who had their North American premiere here went on to win awards and widespread acclaim, including “The King’s Speech,” “Argo,” “Slumdog Millionaire,” and “Silver Lining Playbook.”

Boasting an impressive lineup of almost 400 films and including more than a dozen galas and nearly 50 special presentations, this year’s festival is set to be another groundbreaking affair. But with so much to keep track of, perhaps you’re wondering which movies and stars are the ones you don’t want to miss.

To help you out, we’ve provided a round-up spotlighting films that you should definitely look out for. Whether it features a renowned actor or is an anticipated follow-up by a breakout director, you can bet these films already have people talking as we get closer to TIFF 2016’s opening on September 8.

1. “A Monster Calls”

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A. Bayona is known for directing a number of lauded films, including “The Orphanage” and “The Impossible.” The Spaniard’s ongoing success has earned him a directing gig for the sequel to 2015’s “Jurassic World.” But before he prepares to direct arguably his biggest project yet, Bayona is preparing a fantasy adventure drama based on an award-winning children’s book.

“A Monster Calls” tells the story of a young boy who is overcome with grief as his ill mother inches closer to death. During this time of loneliness, he encounters a tree-like monster that comes to his room each night and tells him stories. Notable stars featured in this adaptation include Felicity Jones, Sigourney Weaver, and Liam Neeson — as the monster.

2. “Blair Witch”

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In 1999, the remake of “The Haunting” was predicted to take the spotlight as the top horror movie of the year. Instead, that honor went to a low-budget movie (less than $60,000!) with no famous actors or use of CGI whatsoever. Yet “The Blair Witch Project” was a runaway success, confounding all expectations and launching the career of NYFA grad Joshua Leonard. Leonard went on to prolific work in film and TV, with such high profile projects as “If I Stay,” “Humpday,” “Bates Motel,” and the current Duplass brothers’ show “Togetherness” on HBO.

“The Blair Witch Project” was a classic tale of David vs. Goliath, as the breakout indie feature was able to outperform star-studded “The Haunting” via a genius marketing campaign and word of mouth.

Despite it’s success, the 1999 summer flick was also a very divisive film; people either hated it or loved it. Yet both fans and critics of the original “The Blair Witch Project” are anxious to see what director Adam Wingard does with this unexpected sequel. Judging by early opinions from San Diego Comic-Con attendees who saw the surprise trailer, horror film fans won’t want to miss it.

3. “Lion”

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“Lion” will serve as Garth Davis’ first feature-length film after finding success as director for several episodes of “Top of the Lake.” The film is an adaptation of a novel and features a number of notable actors, including Nicole Kidman, Dev Patel, and David Wenham.

In “Lion,” a young Indian boy finds himself thousands of kilometers away from his home after boarding the wrong train. He manages to survive many challenges and is eventually adopted by an Australian family. More than two decades later, he uses modern technology like Google Earth to find the location of his real family.

4. “Jackie”

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One of the most impactful events in 20th century American history was the assassination of John F. Kennedy in 1963. In “Jackie,” we get to see the aftermath of the the president’s untimely death through the eyes of the person closest to him: former First Lady Jacqueline Kennedy.

“Jackie” stars Natalie Portman and is directed by Pablo Larrain, a Chilean filmmaker who is also behind the upcoming biography drama “Neruda.” Portman has been eyed to portray the beloved First Lady since 2012, and may earn herself another Oscar win should the film live up to expectations.

5. “Planetarium”

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Natalie Portman also stars in this upcoming film alongside Lily-Rose Depp, as the women portray two spiritualist sisters in 1930s Paris with the ability to commune with the dead. The sisters are discovered by an influential French film producer who becomes so intrigued by their supernatural gift that he hires the pair to shoot a provocative film.

“Planetarium” is written and directed by Rebecca Zlotowski, a French filmmaker herself. She has gained fame in recent years with excellent films like “Belle épine,” “Grand Central,” and “You and the Night.”

6. “Trespass Against Us”

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This crime drama is directed by English award-winning filmmaker Adam Smith and features an experienced cast of talented actors, including Michael Fassbender, Sean Harris, Brendan Gleeson, and more.

In the film, a man named Chad Cutler (Fassbender) struggles to leave behind a life of crime by cutting all ties from his outlaw relatives. As you’d expect, his family isn’t too keen on the idea and make his life hell. “Trespass Against Us” will no doubt show us another side of the gritty truth behind organized crime — and who better to help deliver it than Fassbender.

The New York Film Academy is proud and excited to congratulate 2008 producing program alum Eric Janvier on the Toronto International Film Festival premier of his movie, “Gods Acre.”

“I was able to use the skills I learned at NYFA after graduating,” said Janvier. “I want to thank the staff at NYFA for all the great things they’ve taught me, and I wouldn’t be where I am without the school.”

Honorable Mentions

  • “American Pastoral”
  • Dog Eat Dog
  • “Catfight”
  • “The Age of Shadows”
  • “Sing”
  • “JT + The Tennessee Kids”
  • “Frantz”
  • “The Magnificent Seven”
  • “The Bad Batch”
  • “Bleed for This”

Which films are you most excited to see at Toronto International Film Festival 2016? Be sure to let us know in the comments!

Venice Film Festival Spotlight on: Giorgio Pasotti

With the 73rd Venice Film Festival rapidly approaching, it’d be remiss to waste the opportunity to highlight a familiar face on the scene: former NYFA acting alumnus Giorgio Pasotti, acclaimed Italian actor and former European martial arts champion.

While Pasotti is now a highly celebrated actor in his native Italy and beyond, it wasn’t originally something he’d set out to become. In fact, it was the film industry that came knocking on his door, far away from home.

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At the young age of just six, Pasotti’s father – a martial arts expert – introduced him to karate and wushu, and young Giorgio quickly took to the discipline, achieving the highest rank in the Chinese martial arts. This lead him to seek out further training in the Far East where he refined his skills further, eventually moving to China permanently in 1992.

The plan was to carry on pursuing martial arts. Yet fate, as it often does, had other ideas.

The Rise of a Dragon

A year after Pasotti’s relocation to China, a small production company based out of Hong Kong was searching in vain for a classically good-looking Westerner who also displayed extreme prowess in karate. Luckily they found then-20-year-old Pasotti, who agreed to take on the challenge of playing an American who was destined to become a shaolin monk.

“Treasure Hunt” was released in 1993, and did well enough to attract Pasotti further work with “Two Shaolin Kids in Hong Kong” and “Dragon Fury II.” Despite further offers and the underground success of these kung fu titles, Pasotti felt that his time in China had run to a natural close and made plans to return to his native Italy.

The acting bug, however, had bitten, and Pasotti’s homecoming took a surprising turn.

Pasotti’s intention was to focus on martial arts. He  became a member of the Italian Wushu Team and won numerous international events. Yet it wasn’t long before the pull of acting lured him to yet another part of the world; with his established sporting career giving him greater freedom of movement, Pasotti set his sights on Los Angeles.

From East to West

It was here that Pasotti pursued a new passion, enrolling in the New York Film Academy’s Los Angeles campus to study acting at a formal level. The driven performer managed to keep up with martial arts while simultaneously working towards his acting degree.

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The rest, as they say, is history. Following an intense program of training, Pasotti returned to Italy as a NYFA graduate and immediately began climbing the ladder to stardom, becoming an in-demand actor in not just film (winning the Shooting Star award at the 2004 Berlin Film Festival) but also on television, theater and in music video. As if that weren’t enough, he’s also turned his hand to directing with the 2004 short, “The Never Say Goodbye.” Pasotti has also supported important causes by directing awareness ads for HIV prevention.
Given that Pasotti’s hometown of Bergamo is only a couple of hours away from the City of Bridges, it’s perhaps no surprise that he’s regularly seen at the Venice Film Festival — and this year is no exception.

The Festival Begins

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The New York Film Academy is proud and honored that Giorgio will appear for a rare Q&A as our special guest at NYFA’s student showcase in the 73rd Venice Film Festival. Pasotti will speak about his career after NYFA, introduce the screenings of five exceptional short films, and take questions in an informal reception during the event.

This invitation is extended to anyone who’s in the Venice area on September 1, 2016 — and there’ll be plenty of opportunity to network with the industry and press in attendance at our cocktail hour between 1:15 to 2:15 p.m.

Of course, the stars of the show will be the five filmmakers featured during the event, spanning the gamut of genres from animation to documentary.

See this post for more information regarding the event and the films being shown. We hope to see you at the Excelsior Hotel on Sept. 1!

Jozi Film Festival

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Taking place February 19-22 in Johannesburg, South Africa, the fourth annual version of the Jozi Film Festival will bring four days of original feature, short, and documentary films to the vibrant and historic city. As the first major film festival of the year in South Africa, the Fourth Annual Jozi Film Festival showcases four days of South African and international films. While past editions of the festival have occurred over three days, this will be the first year that the festival has expanded to four days due to the sheer number of quality submissions received.

The festival’s opening night will feature the Johannesburg premiere of Jenna Cato Bass’s Love the One You Love which earned the Best South African Feature Film at last year’s Durban International Film Festival and stars actress Chi Mhende. In addition, this year’s Jozi Film Festival will play host to the South African premiere of the Canadian film Mommy, which was directed by Xavier Dolan and has won numerous awards around the world. The last night of the festival will present the feature length British documentary Garnet’s Gold directed by Ed Perkins. To see a full list of the films screening at the Fourth Annual Jozi Film Festival, please click here.

The festival focuses on feature and short films and feature and short documentary films with the submitted films competing in such categories as Best Feature Film, Best Feature Documentary Film, Best Short Fiction, and Best Documentary Short. In addition, attendants have the opportunity to attend masterclasses at the Goethe-Institut with classes taught by directors Zola Maseko, Jenna Cato Bass, Enrest Nkosi, and Mark Middlewic, amongst others.

Tickets for the festival go on sale on February 3 with screenings taking place The Bioscope Independent Cinema and Cinema Nouveau. Tickets can be purchased at either The Bioscope’s website or at Cinema Nouveau’s website. To learn more about the Fourth Annual Jozi Film Festival, please visit the official site here.

Los Angeles Amazigh Film Festival

LAAFFIn support of the indigenous people of North Africa, the Tazzla Institute for Cultural Diversity is holding its 6th annual Los Angeles Amazigh Film Festival on Saturday, December 6, from 2:30 pm to 7:30pm at the Wells Fargo Theater.

Tickets are available on their web site www.laaff.org for $15.00 each, and at the door the day of the event for $20.00.

This year’s festival will offer the West Coast premieres of three award-winning documentaries regarding Morocco. Two of the films are directed by well known producer, Izza Genini (Vibrations in the High Atlas and Nuptials in the Middle Atlas). LAAFF will also salute the work of Dounia Benjelloun (Sand Hill Production, Casablanca and New York), who has contributed each year to this festival, by showing her award-winning 2012 documentary Palm Grove School. In addition, the program will feature the very special documentary created by Dr. Wassim Korbi, recipient of several awards, called Azul (Tunisia).

Among the attendees, LAAFF will be honored by the presence of Moroccan producer, Mr. Ahmed Baidou, who will present a short on the city of Agadir, which was devastated by a 1960 earthquake. He will also be screening his latest feature film, Aghrabou (the Boat), which won the Best Film Award at last year’s festival.

“We have selected visual productions of quality to illustrate the Amazigh (Berber) culture of North Africa in its wealth and variety. All presentations are subtitled in English. We hope you will join us for an afternoon of good films, and good cheer.” – LAAFF

This event is primarily sponsored by the BMCE Fondation of Morocco, and by A.C.A.A., Amazigh Cultural Association in America.

Chick Flicks Film Festival

Chick Flicks Film FestivalThe Women in Film Dallas (WIFD) provides a wonderful opportunity for women filmmakers to showcase their work. They accept narrative, documentary, animated, and experimental short films in any genre with a runtime of 35 minutes or less. The 2014 categories are Female Filmmakers and Flicks by Texas Chicks, and they are now accepting short film submissions for the 13th Annual Chick Flicks Film Festival, which will be held on October 2, 2014 at the Angelika Film Center in Dallas.

In honor of WIFD’s 30th Anniversary, winners will be awarded cash prizes. The Best of Fest winner will take home $1,000.00 and the Best Student Film will win $300.00.

To learn about Chick Flicks Film Festival rules, guidelines, and fees please visit http://www.wifdallas.org/page-969702 or www.wifdallas.org. 2014 Submissions will be accepted up until August 28th, 2014.

The United Film Festival Los Angeles

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The United Film Festival Los Angeles will be returning to the City of Angels for its 7th year at the Los Feliz 3 from September 5th through the 11th. The festival will be screening great independent films, both features and shorts, and a midnight screening of their cult classic documentary, The Rock- afire Explosion.

Selections include:

  • Live-In Fear on Friday, September 5th at 9:30pm (In order to escape the anxieties and fears of their normal lives, four emotionally distant friends travel to the Utah mountains to try and reconnect but it only ends up driving them further apart. They soon find the world coming down on them as they must face their fears and a deranged cult hell-bent on waking something ancient and evil up from a thousand years of sleep.)
  • Chasing Notes on Saturday, September 6th at 7:00pm, (The first documentary of its kind – focusing on the real-life challenges and demands faced by film composers who apply their craft in an intensely competitive field. Broader than that, however, it captures the spirit of chasing one’s dreams, which is an aspect of life that everyone can relate to. This film will allow you to meet the personalities of those who write the music we love in our movies, showing you a human side of an overlooked industry. As you get to know the key players of film composing, and hear their widely entertaining (and at times painful) tales of experience, you will also witness the emotional journey of an emerging composer attempting to break through into the industry at all costs. Capturing the very essence of the independent spirit, Chasing Notes shares candid stories intertwined with behind-the- scenes access about what it’s really like to be a composer in Hollywood today, and how some will brake for nothing to succeed at it.)
  • Legend of the Red Reaper on Sunday, September 7th at 6:30pm (For a thousand years, the Reapers guarded mankind from the demons that wait in the dark. Now, at the beginning of a new age, the Reapers are betrayed and slaughtered. Only one Reaper remains – Red, and she’s out to exact revenge.)
  • Echoes on Tuesday, September 9th at 7:00pm (Struggling with horrifying, sleep-paralysis induced visions, a young writer retreats with her boyfriend to an isolated desert house. As the visions intensify, she finds herself on the verge of losing her mind…or uncovering a life-threatening secret.)
  • Furthest From The Wild on Wednesday, September 10th at 7:00pm (Chronicling the many struggles that non-profit animal sanctuaries must face, Furthest From the Wild is a window into the world of captive animals. It offers a unique look at the lives of those who care for beautiful, and at times, dangerous creatures.)

Jason Connell is the founder and director of the United Film Festival, which started in Tulsa in 2002 and then spread to Los Angeles & New York in 2007 and next to San Francisco, Chicago & London in 2009. The festivals have a rich tradition of screening exceptional independent films and have gained a respectable reputation in only a few years time. Connell’s distribution division, the appropriately named United Films, has grown rapidly and now represents an impressive and constantly expanding library of independent films.

If you’d like to check out the full schedule or buy tickets, visit: theunitedfest.com/LosAngeles!

NOTE: Tickets for most screenings are $10, with the only exception being the midnight screening, which is 2 for $10.