The Biggest Writers Guild of America Award Winners

February is an exciting time to be a fan of film and television. The BAFTAs arrive early in the month to honor the top British and international contributions to the industry. At the end of the month we of course have arguably the biggest film celebration of them all — the Academy Awards.

But right in between those two red carpet events, we get to recognize the best writing achievements of the past year. Below are some of the most notable winners from the 69th Writers Guild of America Awards, which took place Sunday Feb. 19, 2017.

“Moonlight” Takes Home Best Original Screenplay

The award for best original screenplay has always served as one of the top honors of the awards show, and this year it went to “Moonlight.” This coming-of-age story by an independent team has been racking up an impressive collection of trophies and is nominated for eight awards at the Oscars next week.

Winning this award meant defeating many other films that have been earning their own trove of awards this season, including big favorite “La La Land” as well as “Loving,” “Manchester by the Sea,” and “Hell or High Water.”

“Arrival” Bounces Back from Golden Globes

Fans of the sci-fi movie were no doubt bummed by the results at the Golden Globes. “Arrival” was nominated for best performance by an actress (Amy Adams) along with best original score, but won neither. But at the WGAs, “Arrival” earned one of the biggest awards of the night: best adapted screenplay.

Things could get even better, as “Arrival” enters the Academy Awards with eight different nominations. Among those categories include best picture, best director, best adapted screenplay, and best cinematography.

The Best in Interactive Storytelling

No one can deny the growth and influence of video games in the last few decades. As computer technology advances at a quick pace, so too does the ability for games to absorb us into virtual worlds. Now, video games are considered one of the best forms of storytelling since only they can offer choices, nonlinear narratives, and more.

The big winner at the WGAs was Uncharted 4: A Thief’s End, an action-adventure game that follows a treasure hunter named Nathan Drake around the world. To many of us this win is no surprise, considering Naughty Dog’s reputation for providing some of the best story-driven games of all time. Other nominees were MR. ROBOT 1.51exfiltratiOn, Far Cry Primal, and Call of Duty: Infinite Warfare.

FX Goes Home Happy

The 21st Century Fox channel has once again proven itself one of the best producers of excellent TV shows. Three of their latest series left the WGAs with some of the best awards the night has to offer.

While “The People vs. O.J. Simpson: American Crime Story” took home the adapted long form award, “Atlanta” won both best new series and best new comedy. “The Americans” also beat strong contenders like “Game of Thrones,” “Stranger Things,” “Better Call Saul,” and “Westworld” to win best drama series.

What did you think of this year’s WGA winners? Let us know in the comments below! Interested in screenwriting? Learn more about the craft at NYFA’s Screenwriting School.

Should You Upload Your Screenplay Online?

Screenwriters often feel like they’re stuck between the rock of getting noticed and the hard place of not being taken advantage of.

When you’ve put in the hours at screenwriting school and have crafted an industry killer script that you’re keen to get optioned, it seems silly to stop short of going the final mile; to not do everything within one’s power and pursue all options for getting it noticed by The Powers That Be.

The first port of call in this situation is, more often than not, to upload the script to as many submission websites as possible…

… but the debate currently raging is a fierce one:

Should You Ever Upload Your Screenplay Online?

With the Internet in its adolescence, these kinds of websites—not to mention the many scriptwriting advice blogs out there—are legion and have been around for quite some time already. The idea is a simple one: you upload your screenplay to a centralized repository, producers (or their associates) crawl the repository for some untapped gold, and hopefully you’re the person with whom they get in touch.

All well and good, except that as mentioned, there’s a thousand and one such sites and they all promise the same kind of exposure and increased odds of being discovered; you never know which ones truly attract any kind of appreciable attention, and which ones attract only tumbleweed.

But even still… what if you somehow know for a fact that a script website’s claims are true? Or is there even any harm in shotgunning a load of websites with your script in an attempt to maximize your chances?

In a nutshell, yes. And here are the main risks you should consider:

1) You Could Be Throwing Cash Down the Drain

Without naming names, some script websites charge a fee (or require paid membership) before you can upload your work for the world to see.

That can be a costly business if you’re hitting up a number of different sites at once with little or zero to show for it. Only you can decide if it’s worth it in individual cases, but be suspicious of inflated claims that all the big producers are personally combing their archive—look beyond this for evidence of the site’s success rate and efficacy.

2) You Could Even Hurt Your Chances

Which, of course, is the opposite outcome that you’re after.

Some producers and agents get turned off by work that has been floating around in the public for all to see, with some even using it as a litmus test to save them some time—if that screenplay has been sitting on this site for X years without being optioned, it’s probably not worth bothering with.

In addition, you stand a better chance of gaining attention with a well-targeted, personalized pitch than by simply throwing it out there and hoping for the best. And that leads to our next point….

3) It Breeds Inertia

Many people get lulled into a false sense of security by uploading their scripts onto websites, thinking that the golden phone call might be just around the corner. In turn, that leads to inactivity at a time when you should be at your most active—after all, your job is not over until you’ve finally gotten that deal, and simply uploading the script to a few places usually won’t cut it.

4) Copyright

Disclaimer: this is actually a very minor concern. Everyone is terrified that other screenwriters are going to steal their work, but the frequency at which this occurs is practically negligible. Still, throwing your screenplay out there does put you at a greater risk—while your work is automatically copyrighted to you at the point of its creation without any need to register it (contrary to an enduringly popular myth), you may wish to file your script with either the U.S. Copyright Office or the Writers Guild of America for extra protection. The former costs a mere $30, the latter only $20 (and includes membership).

In conclusion, uploading your screenplay to one or more script websites may lead to great success… but you shouldn’t count on it. Quite often, there’s no substitute to just getting out there and leveraging your contacts.

Don’t have any contacts yet? Make them. Attending screenwriting school is a useful way of expanding your network, and a few very careful email queries can get you the rest of the way there.

Best of luck!