New York Film Academy Acting for Film alumna Ingrid Vollset was born in Los Angeles to Norwegian parents and moved back to Norway at an early age where she spent her childhood and early adolescence. Growing up she was drawn towards storytelling — through the craft of acting, writing and directing — with the belief that film and theatre are some of the most important tools we have to change the world.
Since graduating from NYFA’s New York location, she has been in numerous independent films, including the upcoming film, “You Can’t Say No,” which stars the legendary “Easy Rider” actor Peter Fonda. Vollset is also active on the writing, producing and directing side of things and is currently working on a script for an independent feature.
We had a chance to catch up with Ms Vollset to find out more about the film and her career post-NYFA.
Congrats on your upcoming film, “You Can’t Say No.” Can you tell us in your own words, what you believe this film is about?
To me, this film is about social, moral and relationship values; integrity of character and sanctitude of bonds between human beings. It is about soul-mates and serendipity, about honesty and commitment, and about being willing to think outside-the-box and follow your dreams without losing sight of what is most important at the end of the day — taking care of yourself and the one’s you love the most.
How did the role of Allison come about for you?
Allison is a nomadic vagabond free-spirited young woman in the midst of her journey of life discovery. Her and Hank’s serendipitous crossing of paths turns out to be that of a very valuable friendship for the both of them — driving the story forward in a way where Hank’s value system and integrity is challenged, and he ultimately ends up earning a place in all our hearts by the end of their arc.
What were some of the challenges of getting into your role?
The subtle balance of naiveté and bravery. Allison is so willing to put her heart on the line — to risk being hurt — just to stay true to every present moment and living it freely. Accessing her vulnerability and her loneliness and yet letting her strength supersede it all — she is someone with an amazing capacity for forgiveness, understanding and compassion. She will willingly dry her eyes and smile at the world, no matter how many times it seemingly lets her down — she doesn’t see it that way and accepts whatever comes her way as ‘meant to be’.
Were you able to work directly on set with Peter Fonda?
Unfortunately, my shooting days were not aligned with Peter Fonda’s, as our characters did not meet in the film. I heard amazing stories of the other actors and crew members of how much they learned from him and enjoyed having him on set!
Would you say your NYFA experience was useful in terms of being prepared to perform in this film and other films/shows you’ve worked on?
I’ve learned many valuable skills and tools at NYFA that I have been able to use in all my work as an actor. Acting for Film classes with Paul Warner taught us how to meticulously break a script down and unveil beats, actions and tactics that ultimately help reveal the physical life of your character.
The Improv classes were extremely helpful as so much of the work on set and in rehearsal is improv based. And the Meisner work helping to get you out of your head as an actor and better trust your instincts and impulses in the moment.
The Shakespeare classes with David Vando taught us how to let the text float as a boat on the river of the inner life that is present in the actors. And our scene study classes with Glynis Rigsby taught us to understand our characters on a deeper level, ask questions, be curious and connect with the story and the objectives in a way where you end up having real skin in the game. The wide variety of classes offered allowed us as students to find out where our strengths and weaknesses as actors lie.
Also, the experience of acting in the directing students’ short films created amazing hands-on experience that prepared us for professional settings in the safest of circumstances.
Which role are you most proud of thus far? Why?
The role I am most proud of this far is the one of Paula in “Paula, Why?” This is a film I wrote and produced myself, and has a very autobiographical component to, so it was one of the most challenging parts I have ever had to play.
Are you currently working on anything new and exciting that you’d like to share?
Currently, I am co-producing and acting in the first season of a dramedy webseries where we are hoping for an early 2017 release. Two friends decide to open up an Airbnb in their apartment to cover their NYC rent and do not expect it to be a life-changing experience.
I am in post-production for “Paula, Why?” where we are hoping for a late 2017/early 2018 release mainly geared towards the festival market. The music and boxing themed story of an immigrant brother and sister’s survival in the outskirts of NYC.
We will be going into production before the end of the year on a short film called “Tendencies”: the story of two sisters cleaning out their mother’s house as she needs to move into a retirement home due to early onset Alzheimer’s and everything they discover over the course of that weekend.