Life in Color is an official selection in the 2018 Cannes International Film Festival Emerging LGBTQ Filmmakers category, starring New York Film Academy (NYFA) Acting for Film alum Ioanna Meli. The film shares a touching portrait of an aging, closeted gay man with Alzheimer’s who struggles against his strong-willed daughter to hold on to the memory of the long-lost love of his life. The film is directed by Bishal Dutta, who also wrote it together with Matt McClelland. Along with the prestigious honor of screening at Cannes, the film has shown as part of the Silicon Beach Film Festival in LA.
— Ioanna Meli (@ioanna_meli) April 12, 2018
In the midst of all the excitement, Meli took the time to sit down with the NYFA Blog to talk about the film, screening at Cannes, and what’s next.
NYFA: First, can you tell us a little bit about your film at Cannes and your role?
IM: Life in Color was created by a collective of young artists and it tells the story of an aging, closeted gay man with Alzheimer’s who struggles against his strong-willed daughter to hold on to the memory of the long lost love of his life. Working with the team and developing the role of Beth, the daughter, was one of the most rewarding experiences I’ve had as an actor so far. Beth’s torment in trying to understand her father and the childhood she was deprived of, while fighting her own beliefs was a challenging journey to go on to. And to be honest, I always feel a little extra lucky getting to work with directors as generous as Bishal Dutta; his direction was insightful and clear, yet allowed for the building of the characters and the relationships between them to develop organically.
NYFA: How did you come to this project? What inspired you about it?
IM: I submitted myself through the breakdowns and was called in to read for Beth. The sides I read at the audition and callback were an excerpt from the script at the time; even though it was an early draft, it was clear that both the scenes and the characters were constructed in-depth. The final script is also characterized by minimal dialogue, and that’s definitely one of the most inspiring parts for me — the storytelling that happens without the need for too many words. I got a sense of Beth’s character from the beginning, and her struggle in finding the right way to help her father intrigued me. Most importantly, the story touches upon sensitive issues that are most relevant in our world today and is told in such a way that really draws the audience into the characters’ conflicting realities. I’m truly grateful to have been a part of telling this story.
NYFA: Are you attending Cannes? Or, can you speak to what this experience means to you?
IM: It’s still barely sinking in but yes, I will be attending Cannes! I’m not sure how to express how much this means to me. I am excited beyond words, but it’s also a little unreal. I realized that every time I imagined participating in such an event, I pictured myself older. I guess I thought that the chances of getting there would be higher later on in my career. But here we are now, and all of a sudden I get to attend Cannes for the first time with a short film I am so proud to be a part of. I’m looking forward to screening our work in such a unique environment as part of the Emerging Filmmakers LGBTW Showcase; to experiencing this magnificent festival to the fullest in the company of a great group of young artists; to exploring all it has to offer and meeting fellow professionals from around the world. Preparing for this trip to be able to make the most of this opportunity is what I’m focused on right now. But also looking forward to the french croissants, if I’m honest.
NYFA: Can you tell us a little bit about your journey and what brought you to NYFA?
IM: I was born and raised in Athens, Greece, where I would perform on stage at school as well as with the school choir around Europe. I got to experience the world of performance through that, but also because we grew up always playing music all together and going to the theatre with my family. Studying theatre arts was something that came naturally to me; I went on to get my undergraduate degree in drama and theatre arts from Goldsmiths College University of London, and that helped me build a strong base as a performer and creator. Before graduating, I was cast as the lead in the Greek feature film Elvis’ Last Song, which had a very successful festival run, and it was what introduced me to the world of acting on camera. I knew right then that it was what I wanted to train in further; I looked for a graduate program in Acting for Film and that led me to NYFA. Soon after, I moved to Los Angeles, completed my MFA at NYFA, and I was later in the first ever group to graduate from UCLA’s Professional Program in Acting for Camera. Today, I am truly grateful to say that I have seen my work be recognized at Festivals around the world and to have worked with masters such as Steven Spielberg, Meryl Streep, and Dwayne “The Rock” Johnson. It’s a business where you definitely take one step at a time, and I still have a million of those I want to take. But now, it’s time for Cannes!
NYFA: What’s next for you after Cannes?
IM: We just held a private screening of a pilot for our TV series Dirty Laundry. It’s a dramedy about a dysfunctional family of sorts, comprised of people from different walks of life who form a support group at a local laundromat. In that, I play a cheerful kindergarten teacher, Annie, who is trying to help her older sister survive the sudden death of her husband. The concept is unique and the screening was received enthusiastically by the audience; the production team will begin pitching the show later this month. Other than that, I’m currently completing my own script for a pilot of a comedic series that I want to shoot in Greece and in Los Angeles. I’ll have more information to share about that soon! I’m trying to keep my website updated with everything that’s going on, so go to www.ioannameli.com to stay posted!