The regular Stranger Than Fiction spring season is shown at IFC Center every Tuesday night at 7:30 p.m. for eight weeks, plus two Thursday night screenings, all starting April 17.
The new season’s lineup kicked off with Sara Driver’s Boom for Real: The Late Teenage Years of Jean-Michel Basquiat (April 17), about the pre-fame years of artist Jean-Michel Basquiat; and will close with Jason Kohn’s Love Means Zero (June 5), about the controversial tennis coach Nick Bollittieri. Other works include New York rappers Nas and Dave East in Rapture (May 1).
Legendary Queens rapper Nas
Each event includes a discussion with the filmmaker or special guests, followed by a gathering at a nearby bar. The full season schedule appears at the bottom of the blog. For detailed information, visit here or IFC Center’s website.
Tickets for Stranger Than Fiction screenings are $17 for the general public and $14 for IFC Center members. A Season Pass, good for admission to all 10 evenings, is available for $99 ($80 for IFC members). A NYFA ID gets you nearly a 20% discount at the door!
View the full schedule below:
Jean-Michel Basquiat from Boom For Real
April 17 – Opening Night: BOOM FOR REAL: THE LATE TEENAGE YEARS OF JEAN-MICHEL BASQUIAT (2017, 78 min) Q&A w/ dir Sara Driver
April 19 – Thursday Special:HAIKU ON A PLUM TREE (2016, 78 min) Q&A w/ dir Mujah Maraini-Melehi
April 24: THE WEATHER UNDERGROUND (2003, 92 min) Q&A w/ dir Sam Green & prod Carrie Lozano
May 1: RAPTURE: NAS & DAVE EAST (2018, 63 min) Q&A w/ dir Sacha Jenkins & EP Ben Selkow
May 8: GOTTI: GODFATHER AND SON (2018, 90 min) Q&A w/ dir Richard Stratton & subject John Gotti Jr
May 15: THE GOSPEL ACCORDING TO ANDRÉ(2017, 94 min) Q&A w/ dir Kate Novack
May 22: THE FOURTH ESTATE (2018, 90 min) Q&A w/ dir Liz Garbus
May 24 – Thursday Special:A JIHAD FOR LOVE (2007, 81 min) Q&A w/ dir Parvez Sharma
May 29: ATOMIC CAFE (1982, 92 min) Q&A w/ dirs. Pierce Rafferty, Kevin Rafferty & Jayne Loader
June 5 – Closing Night:LOVE MEANS ZERO (2017, 89 min) Q&A w/ dir Jason Kohn
This April, the New York Film Academy (NYFA) Los Angeles was proud to host Greenlight Women for a special screening of the documentary A Classy Broad, followed by a Q&A with the film’s director, prolific editor Anne Goursaud, and it’s subject, Marcia Nasatir — the first woman to be vice president of production in a major Hollywood studio.
From left to right: Marion Rosenberg, Anne Goursaud, Marcia Nasatir, Lawrence Kasdan, and Meg Kasdan.
Anne Goursaud is known for her work as an editor on films including Francis Ford Coppola’s Bram Stoker’s Dracula and The Outsiders. Her 2016 documentary A Classy Broad chronicles Marcia Nasatir’s career from her beginnings as a literary agent in New York City to making history as the first woman to become vice president of production at United Artists, as well as her continuing career as an independent producer. Nasatir is known for driving such films as The Big Chill and Hamburger Hill.
Moderated by manager/producer Marion Rosenberg, the Q&A event was introduced by actress Piper Laurie and Greenlight Women President Ivy Kagan Bierman. Marion Rosenberg opened the event by asking how Anne Goursaud and Marcia Nasatir met.
Anne Goursaud reminisced about going to a yard sale hosted by Marcia Nasatir, and striking up a friendship. Marcia then passed Anne’s name along to Fred Roos — leading to Goursaud becoming Francis Ford Coppola’s editor.
Ivy Kagan Bierman, Lucy Webb, and Kim Ogletree.
“She immediately took me in, like she does everybody,” Goursaud recounted fondly.
The conversation turned to films, and Rosenberg asked, “Do you think it’s possible to make a good film from a bad or moderately well-written script?”
Marcia responded positively, saying that for her, “It’s not always about all the words, it’s about characters you care about … you go to the movies, or you begin to hear a story that sort of interests you, and you wanna find out what’s gonna happen.”
Marion Rosenberg, Marcia Nasatir, Piper Laurie, and Anne Goursaud.
Hanan Higgi, a recent documentary filmmaking alumna, asked, “Do you have any tips for how to get mentors?”
Goursaud advised, “You never know where you’re going to meet people. You go to festivals … keep the relationships, keep telling people what you’re doing … have coffee with them … people in the industry are actually very nice.”
To illustrate Goursauds advice, special industry guests were in attendance for the evening, including writer/director Lawrence Kasdan, known for Empire Strikes Back, The Big Chill and recently, Solo: A Star Wars Story, and his wife, Meg Goldman Kasdan. Nancy Schreiber, the fourth woman ever voted into membership of the prestigious American Society of Cinematographers, and recipient of the 2017 ASC President’s Award, was also present.
The New York Film Academy would like to thank Marcia Nasatir, Anne Goursaud, Marion Rosenberg, Piper Laurie, Ivy Kagan Bierman, and Greenlight Women for joining us to host this wonderful event.
There is no better source of information regarding trends in American journalism than the Knight Foundation. The foundation is funded by the proceeds of the sale of the national Knight-Ridder newspaper chain, which took place just before the business model for local newspapers collapsed.
Strictly nonpartisan, and rooted in the realities of journalism today, the foundation just posted a report on the impact of new media on local TV news. The summary is well-worth reading, as it explains how local TV news has — so far — avoided the dramatic decline in viewership seen by network news programs. It also exams the strategies stations are using to become cross-platform distributors of news.
Ongoing trade tensions between the United States and China have meant some very long days for NYFA Broadcast Journalism grad Grace Shao. Here is her summary of one of those days, reporting for CGTN from Beijing:
What a day! Woke up at 0500 to the White House’s announcement of a proposed tariff on 100 bln dollars worth of Chinese goods … then proceeded to do a live cross with DC at 0800, 0900, 0930 and live cross with Beijing at 1400 while waiting for the Chinese MFA & MOFCOM’s official response … at 1700 I aired a pkg summarizing the U.S.-China trade tension which was aired again at 1900 … at 2030 MOFCOM held a press briefing and I finally got to wrap up the day with the official response, finishing a final package at 2300….and now sitting on my couch, I’ve never felt more satisfied eating a tub of ice cream!
Closer to home, alum Melissa Aleman has moved from New York City to the heart of Texas — Dallas, to be precise. And after doing some freelance work, she is about to start working at CW 33.
I wanted to fill you in on the CW 33 journey. I got the job as AP for NewsFix! I’m very excited for this opportunity. I will be starting April 18! Thank you for everything you and the instructors taught me in NYFA!
BTW, you may have seen Melissa’s picture in the current NYFA Viewbook. That’s Melissa on the right … Her classmate with the camera, Lara Gato, is now an Associate Producer at CBS News.
As for myself, I am just back from Vietnam where I was working on a joint China/Vietnam/U.S. project. It’s something of an understatement to say it was a “challenge” working in three languages, but it was a great experience. I ended up spending a good deal of time in the countryside, including up in the Central Highlands, which saw far too much fighting during what is known there as “The American War.” Da Nang, which used to be more of a small town than a city, has grown exponentially…
“What I’ve mainly learned from NYFA is to be able to tell stories. Of course, I’ve learned about image and sound, which are also important, but being able to include some kind of drama in a story stands out above the rest. As a matter of fact, during the final editing process of Soul, I would call the director while he was editing the film and, after watching the cuts together, he applied what I was discovering at NYFA. I think is has helped the film.”
Already a successful journalist in Egypt, Abdallah came to NYFA to study filmmaking and enhance his storytelling skills. He is keenly aware of the impact movies can have on people and his thesis film, Doors of Mercy, seeks to shed light on the plight an Egyptian woman can face when giving birth to a child out of wedlock.
Monika is a portrait and fashion photographer whose work has been published in IKONA, L’Officiel, Elegant Magazine, Promo Magazine, Shuba Magazine, Eden Magazine, Fayn Magazine, Stilius Magazine, Zurda Magazine (online), The Wrap (online), and Luxure Magazine. Her work was also featured at the 2017 edition of Photoville, one of New York’s premier photography festivals.
A New York Film Academy MFA Screenwriting alum, Melarissa wants to help grow the film industry in her native Indonesia and empower women by telling their stories. She has said that being a Fulbright scholar and being able to make personal and professional connections throughout the course of her studies has been a life-changing experience. Of her time at NYFA she’s said:
“I learned a lot about structure, dialogue, character. I feel like I now have the skills that are expected of me. That’s why I want to use my voice to speak for those who can’t.”
Already a founder of a production company in his homeland of Angola, Hugo earned his Master of Fine Arts in Filmmaking at NYFA’s Los Angeles Campus. Even though he was encouraged to pursue medicine and engineering, of which Angola is in dire need, he replied, “To me, culture is just as important as those other things.”
Few people have the grit and the determination to become a Navy SEAL, but New York Film Academy alum Kenny Sheard has shown that no matter what he sets his mind to, he brings in the full force of his incredible work ethic, talent, and stamina. After honorably serving in the Navy for 12 years and attaining a place with the world famous, elite Navy SEALS, Sheard has managed to forge an entirely new and challenging path for himself in the civilian world as an actor and stunt performer in some of Hollywood’s biggest blockbusters and series.
Sheard booked his first stunt job in the Transformers franchise while still actively serving in the reserves, and from there, came to NYFA to master new skills in Filmmaking. Since then, his creative career has skyrocketed, with stunt credits in Agents of S.H.I.E.L.D, Fear of the Walking Dead, Logan, and the upcoming Avatar 2, among many many more. His acting credits continue to build up as well, with his most recent appearance alongside Chris Hemsworth in 12 Strong, now available to stream on Amazon.
NYFA alum Kenny Sheard via IMDB
Through it all, Sheard has worked hard to keep learning, stay humble, and encourage fellow veterans as they transition to civilian life. Here, he shares his best advice and some of his story with the NYFA Blog. Check out what he has to say:
NYFA: First, can you tell us a bit about your journey and what brought you to NYFA?
KS: I’m originally from Miami, FL, and attended College in Newburg, NY, for a few years, but didn’t finish. I moved home, joined the military in May of 2001, and served on active duty until May 2013. In 2010, while assigned to a training command, I was given an opportunity to use my saved up leave (vacation time) to play a minor stunt/acting role on Transformers 3. That experience and a multitude of things that followed are what ultimately lead me to the Filmmaking course at NYFA.
NYFA: Why filmmaking? What inspires you most about film? What stories are you most passionate to tell?
KS: Films have entertained and inspired me as far back as I can recall. I enjoy reading; however, films have had a more substantial impact on me. In my experience, I’m able to feel and perceive the world through this visual medium in ways that I might not ever have had the chance to, like through a mother’s loving eyes or a tormented serial killer. Personally, I prefer fiction over reality-based stories. That said, some of the most influential films I’ve seen have also been “based on true story” movies. The stories I’m passionate to tell lean on the darker and grittier side.
NYFA: Do you have any favorite NYFA moments from your time studying with us?
KS: I don’t have any favorite standout moments, but I got a ton out of the experience. The teachers were knowledgeable and went above and beyond.
NYFA: As a veteran, what is your best advice to fellow veterans and active service members interested in transitioning into the visual and performing arts?
KS: My advice would be to stay focused on your goals/dreams, be true to who you are always, and destroy the ego. Use the discipline, structure, and attention to detail you’ve acquired from your time of service and apply it to your new creative ventures in life.
Have a work hard, hustle attitude, with a positive and open mind. Don’t ever hang your choice to serve over anyone’s head, ever.
Sounds like a cheesy poster, but hey, get after it!
NFYA: You launched your career in the Transformers franchise while still serving in the reserves. What was that experience like?
KS: Being a part of Transformers was awesome. I met Michael Bay and Harry Humphries through a friend, Echy.
I can’t say enough great things about Bay and being exposed to a film set like that. I enjoyed every moment, and it came at a time when I had no idea what to do next in life. If I tried to put words to the whole experience and what it’s meant to me, it would degrade it.
NYFA: You’ve worked in some incredibly successful, major films — from John Wick to 13 Hours and Transformers: Age of Extinction. What is your best advice to our students to prepare for the transition from school to a large-scale blockbuster set?
KS: That’s a tough one. I think some people get it, and some don’t. I can’t imagine anything I write here might shatter any glass for readers. See my advice to veterans; it applies to all.
NYFA: Acting and stunts — how does your preparation process change depending on your work?
KS: These are two very different worlds, which I’m on the bottom of the barrel in both. When it comes to acting, I’m just playing myself. Other than knowing my lines, which have yet to be extensive, there’s not a ton of prep for me.
Stunts, on the other hand, require a ton of prep. I think I need to point out here that I’m relatively green in the stunt world. The pool of talent I’ve had the honor of working with in the stunt world is insane, and I’m far from being considered anyone of a high caliber. My tactical background has helped me out tremendously, but I’m still learning a ton every project I’m on.
NYFA: What is your favorite part of working in stunts? Have there been any surprises and challenges along the way, and how do you overcome them?
KS: My favorite part of working in the stunt community has been the people. Every project I’m on, I’m always impressed with the talent and comradery. I can’t say that I’ve ever been surprised, but it’s always challenging and fun.
NYFA: Can you tell us a bit about 12 Strong? What was that filming experience like?
KS: 12 Strong was an outstanding experience. From meeting the guys whom the story was about, to working with all the talented actors and stunt team, it was awesome. I wouldn’t know where to start, the director and producers were solid to work for as well.
It’s a hard thing telling a true story, and I think Nicolai Fuglsig did an exceptional job. The men who the story is about were very pleased with it, and you can’t ask for anything better than that. I was deeply honored to play Bill Bennett, a medic who later lost his life overseas in Iraq in 2003.
The New York Film Academy would like to thank Kenny Sheard for taking the time to share his story with the NYFA community. 12 Strong is available to stream on Amazon.
The Los Angeles Campus of the New York Film Academy welcomed back actress Candy Clark following a screening of the classic film American Graffiti. Previously, Clark had joined us for a Q&A following the classic David Bowie Film, The Man Who Fell to Earth. Prolific Film Critic Peter Rainer moderated the event.
Candy Clark has worked in the film industry for nearly four and a half decades, with roles in classic films including George Lucas’ American Graffiti, The Man Who Fell to Earth, David Fincher’s Zodiac, Steven Soderbergh’s The Informant!, and Buffy the Vampire Slayer. Clark has also worked on TV series including Magnum P.I.,Criminal Minds, anda few episodes of the 2017 version of Twin Peaks.
Peter Rainer has been in the industry for over 30 years, and currently writes for NPR, The Los Angeles Times, and the Christian Science Monitor. He’s also the author of Rainer on Film: Thirty Years of Film Writing in a Turbulent and Transformative Era.
George Lucas’ American Graffiti is a coming-of-age comedy based heavily on Lucas’ own teenage years in Modesto, CA. It was a huge success, and is one of the films that led to the start of the “summer blockbuster.” The film’s success also gave Lucas the funding for a film he’d wanted to do for a long time — a space opera that eventually became Star Wars.
Rainer and Clark opened the discussion by talking about the doubts studio executives had about American Graffiti, specifically: “they hated the title … nobody knows what graffiti means.”
Producer Francis Ford Coppola asked everyone on set — actors included — to come up with a new title. Coppola’s suggestion was “Rock Around the Block,” but Clark said they held firm. “American Graffiti has a good rhythm … it just sounds great.”
One audience member asked if Clark always knew the film would be a success. With a big smile on her face, Clark said that she always thought it would be a hit. Earlier in the Q&A, Clark even talked about how she had a first audition before she’d seen the script, and after reading it, she insisted her agent get her another audition so she could do the writing justice. She really identified with the characters, as she had spent her youth cruising between drive-ins in Fort Worth, Texas.
Clark talked about her experiences on set, including the fact that “there would not be many takes at all, they had to move on.” Regardless, Clark said she always had confidence in her portrayal of Debbie, who she felt was an easygoing and kind character.
Clark also reminisced fondly about her castmates and told stories from their time together, including one about Richard Dreyfuss: He was late meeting her for dinner because Harrison Ford and Paul Le Mat threw him in the hotel swimming pool.
The New York Film Academy would like to thank Candy Clark for coming back and speaking to our students about this classic film, and Peter Rainer for his insightful moderation.
On Monday, April 2, the New York Film Academy (NYFA) was honored to host Saudi Arabia’s General Authority of Culture (GCA) at our Los Angeles campus as a part of the Authority’s “Saudi Cultural Days.”
Traditional Arabic coffee and caramelized sesame-covered dates were served, as Saudi students mixed and mingled before a screening of student work in the New York Film Academy’s theatre, followed by a Q&A.
“Today is about embracing our culture, and inspiring kids from all over Saudi,” Rakan Anneghaimshi said with enthusiasm. He and Maan Bin Abdulrahman hosted the Q&A with legendary Hollywood producer Ted Field, best known for both Jumanji movies, The Chronicles of Riddick franchise, Bill and Ted’s Excellent Adventure and much more.
During the event, NYFA had the honor of hosting distinguished guests including Khaled Al Saqer, Meshal AlSaleh, Abdulaziz AlMutairi, Faisal Al Houli, and Abdulla Alsaboosi. News channels from Saudi Arabia, including Saudi Channel 1 and Rotana, were also in attendance.
From left to right: Aziz AlMutairi, Faisal AlHouli, Khaled AlSaqer, Dan Mackler, and Meshal AlSaleh.
Preceding the Ted Fields Q&A, NYFA screened seven short filmsfor these impressive guests, each directed and/or produced by a Saudi student or alumni. Each filmmaker had the incredible opportunity to show these guests their passion for cinema, and display skills they had gained by dedicating themselves to the craft of storytelling at NYFA.
Following the screening of the short films by NYFA students, Guest Speaker Ted Field said of the work, “I was truly touched … The editing was masterful; the pacing was perfect … whatever mentoring was involved was first class.” Field said he could tell the instructors have a considerable amount of passion for what they do. Convinced that the students’ work could be accepted into Sundance and Cannes film festivals, he also encouraged the students to submit their films to the Academy Awards.
New York Film Academy Dean of Enrollment Services Tami Alexander said of the event, “The Academy is very proud of our Saudi students and alumni, and we are honored to be able to host the GCA at NYFA Los Angeles. What a wonderful way to celebrate Saudi Culture, our students and the important work the GCA is doing. We look forward to future collaborations.”
The mission of the GCA involves creating change, delivering to the world something unique from Saudi Arabia, and increasing cultural acceptance through art such as film, music, and theatre. After a 35-year ban on theatres in Saudi Arabia, as of December 2017, The Kingdom is embracing the cinematic arts by opening theaters across the country. According to the GCA’s VP of Foreign Affairs, it is a massive step forward for Saudis, who can now contribute more directly to this global and unified language.
The New York Film Academy would like to thank Saudi’s General Authority for Culture, our honored guests, and all those involved in the creation of this event for their contribution to this important mission.
The New York Film Academy (NYFA) is proud to be a promotional partner of the Indian Film Festival of Los Angeles (IFFLA), the premiere showcase of groundbreaking Indian cinema. Screening from April 11-15 at Regal LA Live, this year’s lineup features award-winning new work from Indian filmmakers around the world, and NYFA alumni, students, faculty, and staff will be on hand to experience it from beginning to end.
“I’ve been attending the Indian Film Festival since 2004, when I introduced and moderated a shorts program and Q&A,” said directing instructor Nick Sivakumaran. “The window it presents into the diversity and quality of Indian cinema never ceases to amaze me.”
IFFLA 2018 Opening Night Film In The Shadows stars Manoj Bajpayee, Ranvir Shorey, and Neeraj Kabi, in a drama about surveillance and memory.
IFFLA has graciously invited NYFA students to two programs of short films on April 13 and 14, and provided the NYFA student community a discount code for $2 off tickets.
Filmmaking Department Coordinator Prarthana Joshi noted that she had already watched several of the short films, and was excited to see the features — particularly Bornila Chatterjee’s The Hungry, an adaptation of Shakespeare’s Titus Andronicus, that was screened at the Toronto Film Festival last September.
“Bornila Chatterjee is a young female filmmaker working outside of the traditional Bollywood system,” said Prarthana. “I’m really looking forward to seeing her film and learning more about how she is making her career happen.”
Rima Das’s “Village Rocksters” features a powerful female-led narrative and will be the Closing Night film of IFFLA 2018. The screening will be preceded by an Awards Ceremony featuring a prestigious jury: Reza Aslan, Saudi filmmaker Haifaa Al-Mansour, and Sundance breakout Aneesh Chaganty.
Acting for film student Pauline Yang (Fall 2017 1 Year Acting for Film) will be volunteering for the Festival. “I really like being a part of film festivals because it brings a community together,” she said. “Everyone is always so excited to be a part of it, and the audience seems to always have a great time.”
In addition, NYFA alumni Rukmani Jones (Jan 2009 MFA Producing) and Ruchi Kishore (Sep 2012 MFA Filmmaking) both work for the Festival, with Rukmani serving as Filmmaker Liaison and Ruchi as Volunteer Manager.
“This is my fourth year being involved with the Indian Film Festival of Los Angeles,” said Ruchi, “And with every year my love and appreciation for the IFFLA community grows deeper.”
To see the full line-up of films, please visitwww.indianfilmfestival.org. The NYFA community can use the promotion code NYFA2018PP for a $2 discount off all tickets.
HBO’s Women in Comedy Festival (WICF) is an inclusive event focused on smashing gender inequality in comedy, where they flip the usual gender ratio in comedy: 80% of WICF performers are women.
The ninth annual WICF will be held April 19-22 in Boston. Along with HBO, this year’s event is sponsored by NBC, ImprovBoston, and Le Chevalier. Major stars are headlining, including Wanda Sykes and Tig Notaro, with additional performances by Kat Radley, Gina Yashere, Emma Willman, and Kelly McFarland.
Although Wynona Barbera studied documentary filmmaking at NYFA, El Cat is a fiction film — which just goes to show how NYFA students can apply their skill set in so many ways as they forge their own paths as storytellers.
“Congratulations to Wynona,” said NYFA New York Chair of Documentary Filmmaking Andrea Swift. “HBO’s Women in Comedy Festival is a major player in launching the next generation of leaders and innovators in comedy. It just goes to show the skills NYFA Documentary Filmmaking students develop here can be applied to all kinds of content, especially fiction films. Can’t wait to see what’s next!”
El Cat will be competing in the The HBO Insider Comedy Short Challenge and WICF Comedy Short Contest with Paul Feig on Saturday, April 21, in Cambridge, MA. #WomeninFilm #WomenOfNYFA
Every year, thousands from the art industry attend ArtExpo New York in search of trendsetting art and artists that will be shown in galleries worldwide. Hosting more than 35,000 avid art enthusiasts annually, ArtExpo is the largest international gathering of qualified trade buyers — including gallery owners and managers, art dealers, interior designers, architects, corporate art buyers, and art and framing retailers.
Kingi Kingibe’s photography
There will be 400+ innovative exhibiting artists, galleries, and publishers from across the globe, showcasing exciting original artwork, prints, paintings, drawings, sculpture, photography, ceramics, giclee, lithographs, glass works and more — all under one roof at Pier 94.
New York Film Academy artist/alumni featured at ArtExpo 2018 include:
Kingi Kingibe: From Nigeria, Kingibe has explored the devastating effects of cotton; from its role in the enslavement of African American people to its damaging effects on the planet. In a recent exhibit, the artist framed cotton plants in gold and transfers stunning portraits of Black women in vintage cotton clothing onto actual raw cotton. The exhibit juxtaposes the ubiquity of cotton with its barbaric origins.
Photos by NYFA alum Jon Henry
Jon Henry: Henry graduated from the New York Film Academy Photography School’s 1-Year Conservatory and is a teaching assistant at the New York City campus. In his visual artwork, he focuses primarily on the black family and the community at large. He also explores the representation of athletes in fine art. His Stranger Fruit in Smack Mellon’s Hot Picks 2017 and you can read about him on the NYFA blog.
NYFA alum Ana Paula Tizzi
Ana Paula Tizzi: The work she will be showing is entitled Dear Fubá, which illustrates her father’s advice via letters from Brazil. She uses photographs and cinemagraphs (photos with certain features that are animated). The artist says, “Among these are how to achieve self- acceptance, the importance of moderation and the need for persistence in work and life.”
Alejandro Ibarra: LGBTQ+ families are often labeled “non-traditional,” and NYFA MFA grad Ibarra photographs both straight and LGBTQ+ family portraits in his series Piece by Piece, and addresses the irrelevancy of sexual orientation as it pertains to how families are classified.
Photography by NYFA Alum Alejandro Ibarra
Natasha Rudenko: Bodily Confessions examines “femininity, national identity, and gender politics as a Russian born, white woman living in the United States.” Rudenko comes from a conservative background in Russia so her viewpoint is a unique one. The artist says, “This project is about my journey of recognizing and interpreting my whiteness, my body, my power, my presence and place through photography.