New York Film Academy Sits Down with Actress Kim Cattrall

This past Friday, Dec. 9th, the New York Film Academy’s new theater at 17 Battery Place hosted Kim Cattrall for an exclusive Q&A with Acting for Film Chair Glynis Rigsby and Chair of the Department of Contemporary Photography Ralph Gibson.

kim cattrall

While known by an entire generation for her role as Samantha Jones in the HBO hit series, “Sex and the City” — for which she received five Emmy Award nominations and four Golden Globe Award nominations, winning the 2002 Golden Globe for Best Supporting Actress — some in the audience were surprised when Cattrall admitted, “I’m not like Samantha at all, but I’d like to have some of that.”

Cattrall has starred in many popular films such as “Porky’s,” “Police Academy,” “Big Trouble in Little China,” “Mannequin,” “Masquerade,” “Star Trek VI: The Undiscovered Country,” and “Ice Princess.”

Aside from her film and TV career she also starred in the 1986 original Broadway production of “Wild Honey,” as well as staged productions of “Antony and Cleopatra” at the Liverpool Playhouse, “Private Lives” on Broadway, and “Sweet Bird of Youth” at London’s Old Vic. Since 2014, she has starred in her passion project, the HBO Canada series, “Sensitive Skin,” which she is also an executive producer on.

Cattrall eloquently elaborated on her long career in show business and gave an abundance of advice on the craft of acting. She also discussed the challenges of her new endeavor as executive producer of “Sensitive Skin,” which she says has a cadence to it that feels very British. Having been involved with the arduous process of bringing the show to life, Cattrall feels she now knows what it’s truly like to be an executive producer. “Don’t assume that everybody is on the same page,” she says. “There is a clear path to inviting people into your story.”

Like many of the students in the audience, Cattrall’s dream coming out of high school was to go to New York to study theater. “It was a chance to experience living in others people’s shoes,” said Cattrall, who grew up in a middle-class Canadian family. Trained in Stanislavsky, Cattrall says, “Every line I’m trying to get something from the other person. I know when I land a moment.” She did add, “What makes my job easier is a good script. That’s why I like to do Shakespeare.”

While many artists seek perfection in their work, Cattrall admitted, “There are always going to be glitches. You can’t hold onto perfection. You will learn more from when you fail than when you succeed.”

kim cattrall at nyfa

When asked by Ralph Gibson how she sees the camera, Cattrall said, “The camera is always connected to the cinematographer, so I always flirt with the cinematographer. I try to make the cinematographer be somebody who I can possibly be in love with.”

For acting students going on auditions, Cattrall remembered the advice she had been given, “Someone told me when I come into a room to audition that I should be auditioning them.”

The entire day was filled with golden nuggets of advice for actors and storytellers. Cattrall said she knows when she puts on a good show if the audience members are leaning forward in their chairs. Well, the entire hour talk had NYFA students leaning forward to listen to her captivating words of wisdom.

Author .

Comments

Comments

Written by:

Published on: December 13, 2016

Filled Under: Acting, Guest Speakers

Views: 2916

Tags: , , , , ,