New York Film Academy Master Class With Lyle Kessler Wraps With Impressive Performances

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NYFA Master Class with Lyle Kessler

NYFA Master Class with Lyle Kessler

This December, students from the New York Film Academy’s Acting for Film 2-Year Conservatory performed scenes written and directed by renowned actor/playwright Lyle Kessler. The performances were the culmination of an 8-Week Master Class taught by Kessler, who has been an icon in the world of theatre for several decades.

Kessler studied acting under industry legend Lee Strasberg and has been a longtime member of the famed Actor’s Studio. Kessler had the opportunity to play Strasberg in the 2001 biopic “James Dean.”

Kessler is best known as a playwright though, with numerous works that have helped shape the modern era of American theatre. For Peter Allen Stone, New York Film Academy’s Chair of Acting for Film, Kessler was a vital part of his education. “I used to dig through his plays in my college library looking for monologues and scenes many years ago,” remarked Stone, “so it was something special for me to get to know him and come full circle.”

Scene from "The Display Man"

Scene from “The Display Man”

The best known work written by Kessler is “Orphans,” which first debuted in 1983 at Chicago’s world-renowned Steppenwolf Theatre and was originally directed by Gary Sinise. It was later adapted into a feature film starring Matthew Modine and Albert Finney, and has been performed on Broadway as recently as 2013 with Alec Baldwin and Ben Foster.

After running the playwriting division of the Actor’s Studio in Los Angeles for many years, Kessler is still active and working with the Actor’s Studio in New York City. The NYFA students attending Kessler’s Master Class were able to visit the Actor’s Studio as part of their course. Student Elizabeth Hopland reflected that “going to the Actor’s Studio was a highlight of my acting career so far, thanks to Lyle.”

The NYFA students who were privileged to work with Kessler started in Fall 2016, and began their 2nd Year training in the summer of 2017. Each session of the 8-week Master Class focused on a specific aspect of the craft, like the inner anger of a particular character. The acting students worked on scenes from new works written by Kessler, who directed and worked closely with them throughout the course.

Scene from "Prisoner"

Scene from “Prisoner”

The scenes were two-person dialogues, with the acting students performing multiple roles and plays. One of Kessler’s new works included “Prisoner,” about a privileged woman tied up during a burglary, who poked and prodded her captor while trying to learn more about him. Other new works included “The Display Man” and “The Great Divide,” the latter concerning two brothers dealing with a woman claiming to be pregnant with the older brother’s child.

The final session of the Master Class included performances of the scenes for a small audience, including New York Film Academy president Michael Young. The final scenes of the evening were from another of Kessler’s new works—“Temptation”—about inappropriate sexual behavior between a psychiatrist and his patient, a story and theme that is especially relevant in today’s current Hollywood climate.

Kessler Directing "Prisoner"

Kessler Directing “Prisoner”

One of the performers, student Agnes Hedwall Schmidt, remarked “What I liked most about working with Lyle was the way he made the work a collaboration. We give him our view of the text and the character, he gives his, and together we create a scene that is so much fun to act in, and allows me to keep growing and learning as an actor.” Schmidt added, “I had so much fun working with Lyle!”

The appreciation was mutual—the performances ended with Kessler thanking the students for their strong, courageous work, and the students overwhelmingly thanking Kessler for his invaluable training and direction. Of the students, Kessler said he was “very impressed by the work and talent of the group of actors at NYFA who acted in my plays. They kept growing in their roles. A real commitment.”

The Acting for Film students couldn’t ask for a better compliment from an artist of Kessler’s stature. The New York Film Academy thanks Lyle Kessler for giving our students a once-in-a-lifetime opportunity to study and learn from one of the theatre world’s greats.

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