New York Film Academy (NYFA) is thrilled to announce that MFA Filmmaking alum Meital Cohen Navarro has won the George Sidney Independent Film Competition for best narrative short film at the world-class San Luis Obispo International Festival (SLO Film Fest) for her NYFA thesis film, Over My Dead Body. The film screened at the festival March 9 – 14, 2021.
Film poster for “Over My Dead Body”
Over My Dead Body is written, directed, and produced by Israeli-born female filmmaker Meital Cohen Navarro. Her short film explores the taboo of religious intolerance and inter-cultural marriage after a young Jewish Persian-American woman named Isfahan tells her parents that her fiancé is Muslim.
Over My Dead Body had its world premiere at the prestigious UK Jewish Film Festival in London last November and its North American Premiere at the Atlanta Jewish Film Festival. Ahead of the film’s West Coast premiere at SLO Film Fest last week, Cohen Navarro also received critical acclaim for Over My Dead Body from Voice of America, National Magazine Kayhan London, and the Jewish Journal.
NYFA alum Meital Cohen Navarro
“As a grandchild of immigrants, making this film was an amazing journey,” recalled Cohen Navarro. “I hope the film helps families with intergenerational rifts to better understand each other: for parents to see the toll it has on their children and for the younger generation to acknowledge their parents’ equally heartbreaking cultural challenges.”
Behind the scenes during filming “Over My Dead Body”
Shot in English and Farsi, Over My Dead Body features Muslim, Christian, and Jewish actors and iconic stars of Persian cinema Mary Apick (Dead End) and Bahram Vatanparast (Zan-e bakere) in leading roles.
“I believe our role as filmmakers is to project a view of our daily lives onto the silver screen with such sincerity and honesty as possible,” shared Apick. “Each character must face all challenges and obstacles that we all face every day in today’s world. Meital Cohen Navarro has certainly accomplished that delicately and beautifully in the film Over My Dead Body.”
New York Film Academy congratulates Meital Cohen Navarro on her well-deserved win for her film Over My Dead Body at the SLO Film Fest, and looks forward to when her short film will be available to the public.
Please note: NYFA does not represent that these are typical or guaranteed career outcomes. The success of our graduates in any chosen professional pathway depends on multiple factors, and the achievements of NYFA alumni are the result of their hard work, perseverance, talent and circumstances.
On Wednesday, March 3, New York Film Academy (NYFA) welcomed NYFA Cinematography instructor and Director of Photography TOMMY MADDOX-UPSHAW, ASC as part of The 20/20 Series, created by NYFA’s Creative Director of Filmmaking and Cinematography, Liz Hinlein. The conversation was moderated by Hinlein and was held virtually, allowing individuals to join NYFA and the special guests from all over the world.
The 20/20 Series, created by Hinlein, is a virtual pop-up event that takes us into the homes, hubs, and workspaces of an array of dynamic creative visionaries to allow for relaxed, engaging conversations on craft, creation, and artistic vision.
Liz Hinlein (Left) and Tommy Maddox-Upshaw (Right) for The 20/20 Series
Tommy Maddox-Upshaw is currently lensing the sixth season of Fox’s hit series Empire for creators Lee Daniels and Danny Strong. He recently wrapped shooting the third season of FX’s Snowfall, chronicling the crack cocaine epidemic in 1980s Los Angeles. Previously, Maddox-Upshaw shot the second season of Netflix’s breakout hit On My Block and the first season of Huge in France, also for Netflix, starring Gad Elmaleh as a successful French comedian who moves to the U.S. and suddenly finds he’s no longer a star.
Prior to his run of Netflix shows, he lensed BET’s The Comedy Get Down for director Stan Lathan as well as the first season of Tales for creator Irv Gotti. For features, Maddox-Upshaw shot Kalushi: The Story of Solomon Mahlangu for director Mandla Dube, an official selection at the 2017 Camerimage Festival. He is a Cinematography instructor at New York Film Academy’s Los Angeles campus.
Tommy Maddox Upshaw shooting “Kalushi”
“NYFA means a lot to me and has been my laboratory for years,” began Maddox-Upshaw when asked about his work as an instructor in the Los Angeles Cinematography department. “It has helped me approach my projects like Snowfall and On My Block.”
Maddox-Upshaw discussed with Hinlein how all cinematographers have different visions and can go through different phases in their career using Roger Deakins as an example, who shot both Blade Runner 2049 and The Shawshank Redemption; two totally different films with different styles of photography.
“It’s definitely about what is on the page of the script. As cinematographers [Liz], our visions wouldn’t look the same. We wouldn’t be chosen necessarily for the same thing. Different artists have different ways of approaching things and I think it’s more about what’s important for the script,” he explained.
As for what style Maddox-Upshaw is focused on right now, he shared: “I like to express through color. My style is very much based on visiting my foundation into the film business altogether, leaning into the colorfulness of the hip hop music videos I was introduced to in the business from the 90s.”
Leading up to Maddox-Upshaw’s work on the hit show Snowfall, the NYFA instructor worked on a show on BET called Tails, an anthology hip hop show where each week there was a different story. “I had different approaches for each episode depending on the music. That show and On My Block set the foundation for me going into Snowfall.” Maddox-Upshaw also shared that it was the late John Singleton (Boyz n The Hood, Poetic Justice) who brought Maddox-Upshaw onto the show and the rest is history.
A member of the audience then asked Maddox-Upshaw about whether film school can be a good choice for someone pursuing a career in filmmaking to which Maddox-Upshaw shared that ultimately, it is a good investment. “What you are paying for in film school is the critique. It’s about understanding your decision-making. I think it’s good and it helps you understand the story, structure, arcs, and why you are making the decisions that you are.”
Maddox-Upshaw shared important insight as to how he shoots Black and Brown skin tones on a film camera, an important part of being a DP that Maddox-Upshaw approaches very carefully and urged the audience to study.
New York Film Academy would like to thank Tommy Maddox-Upshaw, ASC for joining the NYFA global community to discuss everything from how he got started in the business to shooting the hit series Snowfall for The 20/20 Series, created by and moderated by Liz Hinlein.
These guests are not faculty and do not teach at NYFA, but they have appeared to share their stories and experience with our students. As guest speakers are scheduled based on their availability, NYFA cannot guarantee whether a guest speaker will visit during a student’s attendance or who that guest speaker may be. This guest speaker forum is not part of any NYFA curriculum and attendance at guest speaker events is purely voluntary. Students should be aware that guest speaker events do not represent a job opportunity nor are they intended to provide industry connections.
On Monday morning, Oscar hopefuls awaited as the Academy of Motion Picture Arts and Sciences (“The Academy”) announced the highly anticipated list of Academy Award nominees vying for a gold statue at the 93rd Annual Academy Awards.
With the COVID-19 pandemic, the award ceremony got pushed from its normal February/early March broadcast and will now be held on Sunday, April 25, 2021, honoring the films released in 2020.
(L-R): Riz Ahmed (“Sound of Metal”), Chadwick Boseman (“Ma Rainey’s Black Bottom”), and Steven Yeun (“Minari”)
In the midst of Hollywood’s pandemic year, the 2021 Oscars nominations shattered many records related to diversity and historic milestones that have cemented this year’s ceremony as one to watch, with nods that include:
Netflix setting a record for distributors with 35 total nominations in 2021. The streaming giant also leads the Best Picture category with two nods, while Amazon, A24, Focus, Searchlight, and Sony Classics held one nomination each. This year, major studios were not present in this category, a notable exception given the tumultuous distribution efforts major studios faced with releasing tentpole and lower budget films across the production slate in 2020.
Chadwick Boseman has become the seventh actor to receive a posthumous nomination for his work on Ma Rainey’s Black Bottom.
Riz Ahmed is the first Muslim actor to be nominated in the Best Actor category for his performance in The Sounds of Metal.
Steven Yeun, the first Asian American to receive a Best Actor nod, and Best Supporting Actress nominee Youn Uh-Jung are the first actors born in Korea to earn Oscar recognition for their performances in Minari.
Best director nominees Chloé Zhao (Left) and Emerald Fennell (Right)
While there are already incredible highlights from this year’s nominees, the most striking and celebrated have been the nominations received among women, with multiple records being shattered across various categories including the best director category, which has received criticism in the past for the lack of women’s representation.
“NYFA is celebrating Women’s History Month by recognizing the women making history at the 93rd Academy Awards. 70 women received 76 nominations – the most in a given year! It’s the first time the Academy nominated two women – Chloé Zhao and Emerald Fennell – for Best Director at the same time. Zhao is the first woman of color to get a nod in that category and also nabbed nominations for Best Adapted Screenplay and Best Film Editing. Fennell’s nomination is also the first time a woman has been nominated for her first feature.
Viola Davis is the most-nominated Black actress ever, with her fourth Oscar nod. Women are also getting the spotlight in the Best Documentary Feature category with 4 of the 5 nominated films being directed by women. We’d like to also give special recognition to a former NYFA grad, Shivani Rawat (1-Year Screenwriting alum), who executive produced The Trial of Chicago 7 – a Best Picture nominee. We look forward to watching these inspirational ladies take the red carpet on April 25th!” – NYFA’s Diversity, Equity, and Inclusion Council
(L-R): Shivani Rawat (“The Trial of The Chicago 7”), Viola Davis (“Ma Rainey’s Black Bottom”), Christina Oh (“Minari”), and Ann Roth (“Ma Rainey’s Black Bottom”)
Other notable records made this year include a historic nomination for Minari producer and NYFA guest speaker Christina Oh, who is the first Asian American woman to receive a nomination for best picture. Meanwhile, costume designer Ann Roth ties for the oldest Oscar nominee-at-large and is nominated for her work on Ma Rainey’s Black Bottom at age 89.
New York Film Academy is incredibly excited to congratulate the talented and diverse group of nominees representing the body of work at this year’s Academy Awards and will be cheering on NYFA alum Shivani Rawat’s The Trial of The Chicago 7, which is nominated for six awards.
On Monday morning, Oscar hopefuls awaited as the Academy of Motion Picture Arts and Sciences (“The Academy”) announced the highly anticipated list of Academy Award nominees vying for a gold statue at the 93rd Annual Academy Awards.
With the COVID-19 pandemic, the award ceremony got pushed from its normal February/early March broadcast and will now be held on Sunday, April 25, 2021, honoring the films released in 2020.
(L-R): Riz Ahmed (“Sound of Metal”), Chadwick Boseman (“Ma Rainey’s Black Bottom”), and Steven Yeun (“Minari”)
In the midst of Hollywood’s pandemic year, the 2021 Oscars nominations shattered some historic milestones that have cemented this year’s ceremony as one to watch, with nods that include:
Netflix setting a record for distributors with 35 total nominations in 2021. The streaming giant also leads the Best Picture category with two nods, while Amazon, A24, Focus, Searchlight, and Sony Classics held one nomination each. This year, major studios were not present in this category, a notable exception given the tumultuous distribution efforts major studios faced with releasing tentpole and lower budget films across the production slate in 2020.
Chadwick Boseman has become the seventh actor to receive a posthumous nomination for his work on Ma Rainey’s Black Bottom.
Riz Ahmed is the first Muslim actor to be nominated in the Best Actor category for his performance in The Sounds of Metal.
Steven Yeun, the first Asian American to receive a Best Actor nod, and Best Supporting Actress nominee Youn Uh-Jung are the first actors born in Korea to earn Oscar recognition for their performances in Minari.
Best director nominees Chloé Zhao (Left) and Emerald Fennell (Right)
While there are already incredible highlights from this year’s nominees, the most striking and celebrated have been the nominations received among women, with previous records being shattered across multiple categories including the best director category, which has received criticism in the past for the lack of women’s representation.
“NYFA is celebrating Women’s History Month by recognizing the women making history at the 93rd Academy Awards. 70 women received 76 nominations – the most in a given year! It’s the first time the Academy nominated two women – Chloé Zhao and Emerald Fennell – for Best Director at the same time. Zhao is the first woman of color to get a nod in that category and also nabbed nominations for Best Adapted Screenplay and Best Film Editing. Fennell’s nomination is also the first time a woman has been nominated for her first feature.
Viola Davis is the most-nominated Black actress ever, with her fourth Oscar nod. Women are also getting the spotlight in the Best Documentary Feature category with 4 of the 5 nominated films being directed by women. We’d like to also give special recognition to a former NYFA grad, Shivani Rawat (1-Year Screenwriting alum), who executive produced The Trial of Chicago 7 – a Best Picture nominee. We look forward to watching these inspirational ladies take the red carpet on April 25th!” – NYFA’s Diversity, Equity, and Inclusion Council
(L-R): Shivani Rawat (“The Trial of The Chicago 7”), Viola Davis (“Ma Rainey’s Black Bottom”), Christina Oh (“Minari”), and Ann Roth (“Ma Rainey’s Black Bottom”)
Other notable records made this year include a historic nomination for Minari producer and NYFA guest speaker Christina Oh, who is the first Asian American woman to receive a nomination for best picture. Meanwhile, costume designer Ann Roth ties for the oldest Oscar nominee-at-large and is nominated for her work on Ma Rainey’s Black Bottom at age 89.
New York Film Academy is incredibly excited to congratulate the talented and diverse group of nominees representing the body of work at this year’s Academy Awards and will be cheering on NYFA alum Shivani Rawat’s The Trial of The Chicago 7, which is nominated for six awards.
_______________________
BEST PICTURE
“The Father”
“Judas and the Black Messiah”
“Mank”
“Minari”
“Nomadland”
“Promising Young Woman”
“Sound of Metal”
“The Trial of the Chicago 7″
ACTRESS IN A SUPPORTING ROLE
Maria Bakalova, “Borat Subsequent Moviefilm”
Glenn Close, “Hillbilly Elegy”
Olivia Colman, “The Father”
Amanda Seyfried, “Mank”
Youn Yuh-jung, “Minari”
ACTOR IN A SUPPORTING ROLE
Sacha Baron Cohen, “The Trial of the Chicago 7”
Daniel Kaluuya, “Judas and the Black Messiah”
Leslie Odom Jr., “One Night in Miami”
Paul Raci, “Sound of Metal”
Lakeith Stanfield, “Judas and the Black Messiah”
INTERNATIONAL FEATURE FILM
“Another Round” – Denmark
“Better Days” – Hong Kong
“Collective” – Romania
“The Man Who Sold His Skin” – Tunisia
Qu Vadis, Aida? – Bosnia and Herzegovina
DOCUMENTARY (SHORT)
“Colette”
“A Concerto Is a Conversation”
“Do Not Split”
“Hunger Ward”
“A Love Song For Latasha”
DOCUMENTARY FEATURE
“Collective”
“Crip Camp”
“The Mole Agent”
“My Octopus Teacher”
“Time”
ORIGINAL SONG
“Fight For You” from “Judas and the Black Messiah”
“Hear My Voice” from “The Trial of the Chicago 7”
“Husavik” from “Eurovision Song Contest: The Story of Fire Saga”
“lo Sì (Seen)” from “The Life Ahead (La Vita Davanti a Se)”
Film director, writer, and producer Kushaal Chawla has directed multiple advertisements for some of India’s top brands. Most recently, the MA Film & Production alum directed the music video commercial for LG Electronics featuring popular Indian rapper Badshah.
Chawla also produced the commercial, which promoted the LG Tone Free Earbuds, under his production house Dream Slate Pictures, based out of New Delhi.
“I had the opportunity of being taught by some really good instructors who taught me the most practical things about film directing, which I will continue to use forever,” shared Chawla. “A special mention to Mr. David Newman who is responsible for all the directing tactics and perfectionism that he instilled in me, and also Mr. Neil Casey, who enhanced my knowledge of cinematography and helped make me a technically sound director.”
NYFA alum Kushaal Chawla
“In addition to the instructors, NYFA has a great curriculum that includes practical applications and multiple filming projects at the best studios of Hollywood that make students well versed with the practicality of making movies by actually filming them as opposed to just learning about them.”
“Another Time” film poster
In addition to being the Executive Director of his own company and producing stellar content for clients, Chawla is also focused on feature films. He is currently working on a new screenplay for an upcoming feature film, and his most recent film, Another Time, which has been part of fifteen international film festivals and has won a handful of awards. It can currently be seen on Amazon Prime Video in the US and UK.
New York Film Academy congratulates Kushaal Chawla on his growing production company and looks forward to seeing more content from the alum in the near future.
It’s music’s biggest night and this year, NYFA Acting and Filmmaking alum Priya Darshini is nominated for Best New Age Album at the 63rd Annual Grammys for her debut album Periphery.
The NYFA alum will be competing against four other albums for the coveted Gold gramophone from The Recording Academy in her category, while Taylor Swift, Dua Lipa, and Post Malone will battle it out in their own category for Album of The Year.
Darshini studied 4-Week Acting for Film and 8-Week Filmmaking at NYFA’s New York campus. After her studies, she appeared in The Letters and went to Bollywood. She then decided to pursue her first love of music and began focusing on her recording career.
“I craved to create original music,” she told the Indian Express. American musician Roy Wilfred Wooten even chose her for his famed Black Mozart Ensemble, which combined jazz with classical music, hip hop and bluegrass. She also became the Artistic Director of Brooklyn Raga Massive and co-led Women’s Raga Massive. Darshini has been featured by Elle India and was recently named by Tatler Magazine Malaysia as one of “Six Asian Women Around The World Changing the Face of Music.”
Album cover for Priya Darshini’s “Periphery”
Her debut album Periphery is an East-West crossover that blends Darshini’s Indian classical training with influences of American folk and pop. The album was recorded in an abandoned church in Brooklyn, New York over 12 days. Darshini also worked with collaborators Nicholas Prout (Recording Engineer), Max ZT, Dave Eggar, Chuck Palmer, and Will Calhoun.
New York Film Academy is proud to see Priya Darshini be recognized for her outstanding achievement by The Recording Academy and wishes her the bust of luck. The 63rd Annual Grammys will be televised on Sunday, March 14 on CBS (8:00 p.m. ET/5:00 p.m. PT).
Please note: NYFA does not represent that these are typical or guaranteed career outcomes. The success of our graduates in any chosen professional pathway depends on multiple factors, and the achievements of NYFA alumni are the result of their hard work, perseverance, talent and circumstances.
Music’s biggest night of the year will include NYFA Acting and Filmmaking alum Priya Darshini, who is nominated for Best New Age Album at the 63rd Annual Grammys for her debut album Periphery.
Darshini studied 4-Week Acting for Film and 8-Week Filmmaking at NYFA’s New York campus. After her studies, she appeared in The Letters and went to Bollywood. She then decided to pursue her first love of music and began focusing on her recording career.
Album cover for Priya Darshini’s “Periphery”
“I craved to create original music,” she told the Indian Express. American musician Roy Wilfred Wooten even chose her for his famed Black Mozart Ensemble, which combined jazz with classical music, hip hop, and bluegrass. She also became the Artistic Director of Brooklyn Raga Massive and co-led Women’s Raga Massive. Darshini has been featured by Elle India and was recently named by Tatler Magazine Malaysia as one of “Six Asian Women Around The World Changing the Face of Music.”
Her debut album Periphery is an East-West crossover that blends Darshini’s Indian classical training with influences of American folk and pop. The album was recorded in an abandoned church in Brooklyn, New York over 12 days. Darshini also worked with collaborators Nicholas Prout (Recording Engineer), Max ZT, Dave Eggar, Chuck Palmer, and Will Calhoun.
New York Film Academy is proud to see Priya Darshini be recognized for her outstanding achievement by The Recording Academy and wishes her the bust of luck. The 63rd Annual Grammys will be televised on Sunday, March 14 on CBS (8:00 p.m. ET/5:00 p.m. PT).
Born in Beirut and brought up in Abu Dhabi and Canada, Alex Lampsos was always drawn to film and entertainment. From his beginnings in the film festival to producing indie films and music videos for the stars of Ru Paul’s Drag Race, Lampsos has also produced commercials for Marvel, Disney, Sony, and LA Models in collaboration with Sir Elton John.
After working managing festival experiences and logistics at the Toronto International Film Festival for two years, Lampsos then decided it was time to dive into the technical and creative world of filmmaking itself and moved to Los Angles where he enrolled in NYFA’s 1-Year Filmmaking Conservatory. “Halfway through, I honed into my love of producing and took on as many projects that came my way, starting with thesis short films through the school network and slowly expanding into the real world,” he recalled.
NYFA alum Alex Lampsos
The NYFA alum has since gone to produce music videos for Ru Paul’s Drag Race stars which have garnered millions of views and have been featured in Forbes, Entertainment Tonight, Entertainment Weekly, Billboard, Paper Magazine, Out, and more.
He has also produced incredible projects, from Cherry Pop, a NYFA thesis project that got picked up by Netflix, to feature Breaking Fast, which is now available to rent. Collectively, both films have garnered over 30 awards and have had an impact in the queer and indie film community.
Film poster for “Breaking Fast”
His latest feature film, Breaking Fast, is a romantic comedy that follows Mo, a practicing Muslim still reeling from heartbreak. When a guy named Kal offers to join him in his nightly Iftars – the traditional meal eaten by Muslims during Ramadan – meal after meal, the two start to discover they have more in common than they initially thought.
Lampsos first got involved on the project after a serendipitous encounter with the film’s writer and director Mike Mosallam. “A friendship quickly bloomed, leading us to collaborate on the short film version of Breaking Fast – the genesis of the feature,” recalled Lampsos. “After finding much success with the short, we spent approximately three years developing the feature with a team of leading producers, finally securing the funding and entering production in 2018.”
Alex Lampsos at premiere for “Cherry Pop”
As for what he has taken with him since studying at NYFA, Lampsos shared that it’s all about community. “NYFA taught me the importance of building a filmmaking family that can grow and prosper collectively over time, often with fellow students that eventually become long-term collaborators,” he remarked. “It [NYFA] also gave me the framework to approach the industry with a strong sense of ambition and a self-starting mentality; the ‘it’s what you make of it’ mindset, while giving me the technical foundation to thrive.”
New York Film Academy congratulates Alex Lampsos on his latest release Breaking Fast and looks forward to sharing new updates on what’s next from the talented alum. Click here to learn more about Breaking Fast and where to watch the film.
In a February profile piece, The New York Times (NYT) penned a profile citing a boom in comic books and graphic novels that focus on Afrofuturism, a cultural aesthetic that describes the intersection of African diaspora culture with technology. The term was originally coined in the 1990s and for decades has been used by Black creators to envision an alternative present and future that celebrates the African diaspora.
Among those creators is NYFA 3D Animation & VFX instructor Tim Fielder, who the NYT included in its latest article about the boom of Afrofuturism that goes beyond the popular Marvel comic Black Panther.
Illustration by Tim Fielder for Aja Oba, an African king cursed with eternal life (Harper Collins)
Fielder is an illustrator, concept designer, cartoonist, animator, and creator of the graphic novel series Matty’s Rocket and the critically acclaimed INFINITUM: An Afrofuturist Tale. He has worked over the years in the storyboarding, film visual development, gaming, comics, education, and animation industries. Fielder has served clients such as Marvel Comics, The Village Voice, Tri-Star Pictures, Ubisoft Entertainment, and New York University. He is an active contributor to the body of work surrounding Afrofuturism, citing Samuel R. Delany, Octavia Butler, Pedro Bell, and Overton Lloyd as his major influences.
Fielder recently released his latest book INFINITUM in January, which melds a tale of African kings and space battles and journeys from the creation of the universe and the dawn of mankind to the rise and fall of great African kingdoms. Fielder’s new release was mentioned by The Times as a body of work that contributes to the boom of Afrofuturist titles being released this year.
Fielder, who illustrates his work on his computer, is also the creator of Matty’s Rocket, a graphic novel series following space pilot Matty Watty. The story was inspired by Fielder’s parents and grandparents who never saw themselves represented in films or books in fantasy or sci-fi situations. “I wanted to restore parity in that area while I am blessed to still have my parents, both born in the 1930s Mississippi,” he shares on his website. “My art gives me the power to fill that void with an adventurous narrative.”
New York Film Academy is proud of the well-deserved recognition of instructor Tim Fielder and looks forward to seeing the reception of Fielder’s latest book INFINITUM and for what’s to come from the talented author and illustrator.
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