New York Film Academy Students to Attend the Women’s International Film & Arts Festival

 

As International Women’s Day approaches, the New York Film Academy (NYFA) is excited to announce that we’re giving away a number of tickets to a lucky few NYFA students at the New York City campus to attend the Women’s International Film & Arts Festival (WIFF). Though this year is the first time the festival is held in New York City, WIFF is celebrating its 12th anniversary.

Launched in Miami, WIFF is a leading international film festival and two-day conference. This year, it will screen more than 40 films made by or about women in addition to hosting panels, lectures, and conversations about the state of the industry.

The New York Film Academy is hosting a raffle for students to enter for a chance attend the red carpet premiere of Culture of Fear on March 8. Set in a dystopian future, the film examines the abuse of power after the internet is banned from society. Golden Globe nominee Malcolm McDowell, Steven Bauer, and director Kayla Tabish will also attend the premiere.

Culture of Fear film poster via IMDB
Culture of Fear film poster via IMDB

NYFA raffle winners will also get a chance to attend WIFF’s Women in Film and Entertainment Conference. Some panels will look into what happens as women navigate from film school to film set, while others will provide tips for how to build a successful pitch. The full agenda is available on the WIFF site. For students who’d like to attend, there are tickets available for purchase as well. You can learn more here.

To continue the celebration of Women’s History Month even beyond International Women’s Day, NYFA is sharing daily #WomenOfNYFA tweets on social media. Every day throughout the month, a new graduate will be showcased via the @NYFA account. Tune in to learn more about our illustrious alumnae.

Fair Use, Syria, Music Therapy, and James Blunt: Updates from the New York Film Academy Broadcast Journalism School

Copyright is an issue that producers come up against again and again. Students often ask me about using clips from well-known films and TV programs, or portions — sometimes very long portions — of popular songs. My response is always the same: Everything is owned by somebody. In fact, usually a number of somebodies…

In news, we will often acknowledge the source of a few seconds of borrowed video with a “courtesy,” listing the source of the material. Here in the United States, there is a principle called “fair use.” If you do not diminish the ability of the owner of the material to sell it, or use the material as the basis of commentary or for an educational purpose, and you don’t use a lot of it, you are probably OK. Or you’re not. This why TV stations and networks have lawyers. (This legal interpretation applies only in the United States: Every country has its own copyright rules and regulations.)

A recent court decision involving Fox News further clarifies this issue. A company went into business selling digital “clips” of Fox News programming to subscribers. They termed it “fair use,” claiming they were only redistributing material that has already been distributed freely by the copyright holder. The court said NO, the material belonged to Fox, and distributing it to subscribers without permission from Fox was like selling somebody else’s chicken. (OK … I added the chicken part, but the principle is the same — if you don’t own it, you can’t sell it.)
There is no “fair use” outside of news. To give you an example, a number of years ago I used a clip from a classic 1930s Hollywood film called The Maltese Falcon. It was part of the tease for the first episode of a PBS documentary mini-series called The Stuff of Dreams. (Extra points if you can name the classic English-language author who originally used that phrase. Answer below…)

To use the clip, I had to negotiate payments for two actors (both dead), the director (dead), the writer (dead), the composer (dead) and the studio which currently owns the film (not the studio who originally made it). I did all of that before the program was broadcast, because afterwards these folks (or their legal heirs) can ask whatever they want, and you have to pay because you cannot “un-broadcast” the program.
And the author? William Shakespeare who, as he has been dead for centuries, does not have a lawyer. Plus the filmmakers used it before I did. Of course, they’re all dead.
I heard from NYFA Broadcast Journalism grad Ahlam Tabra via Facebook last week. The TV channel she works with broadcasts from Dubai, and is one of the most reliable sources of information about what is going on inside Syria.
“Since I have come back from NYFA, I have done a lot at work. Doing a daily talk show is amazing, but it is exhausting. As you said, there is never enough time, budget, or people. We run all day long to do a watchable 52 minutes.”

Keep up your important work, “Loumi.”
Also via Facebook, I got to see former NYFA student Georgia Hammond’s latest project, a wonderful short video about how music therapy is part of the treatment program at Sydney Children’s Hospital.

It’s Music Therapy Week and we can definitely say Sydney Children’s Hospital is a much happier (and louder) place thanks to the amazing work of the Music Therapy Team. In this video Music Therapist Matt shares how music can bring comfort and joy to patients and their families when they need it most.

And, thanks to Facebook (I see a trend here…), I found out that Brazilian NYFA grad Livia Fernanda recently interviewed British music star James Blunt. She got to use both the interviewing skills she developed at NYFA, and the English she had a chance to practice while she was in New York:

Momento em que gastei meu inglês. Entrevista com o dono de “You’re beautiful”, James Blunt ?? #jamesblunt #theafterlovetour

 

I also learned that emojis mean the same things in both Portuguese and English. At last, a true international language…

Unwritten Obsession Screens for New York Film Academy Guest Speaker Series

This February, the director and stars of Lifetime Television’s Unwritten Obsession stopped by New York Film Academy (NYFA) Los Angeles for a special screening and Q&A with our students. The evening was hosted by NYFA Instructor and Co-Chair of the Producing Department Roberta Colangelo.

In attendance were the film’s director, NYFA Instructor David Martín Porras, and leading actors Haley Webb and Chelsea Lopez, who spoke about the filmmaking process from pre-production through post.

Unwritten Obsession follows the story of Skye (Lopez), a struggling writer who loses her husband to suicide. In desperate need of money, she decides to mentor a young fan, Holly (Webb). When Holly completes her book, it is better than anything Skye had ever written. Devastated, Skye submits the book to her publisher with her own name on the cover. When Holly finds out, she decides to take what she’s learned about Skye and use it against her.

From left to right: NYFA moderator Andres Rosende with Unwritten Obsession Director David Martin Porras and Actors Chelsea Lopez and Haley Webb.

Webb spoke about her process for getting into character. One of her more ambitious strategies was to begin writing a novel of her own. “I didn’t finish it,” Webb admitted. Yet the process of beginning a novel helped her get into the right headspace.

“I focused a lot on the justice Holly was trying to get,” Webb explained. “She may seem evil at times, but there’s more happening underneath the surface.”

Adding to the discussion of an actor’s preparation, Lopez shared that, for her, the rehearsals were the most important aspect of developing her character. She remarked that it isn’t often that actors have time to rehearse before production begins.

Actors Chelsea Lopez and Haley Webb.

“Getting to hear David’s thoughts on each scene and how my character evolves was very helpful,” she said.

For Porras, on the other side of the camera, the hardest part of completing the film was finding a way to make two characters in a house feel dramatically interesting for an hour and a half.

“Slowly I realized none of the characters were as transparent as I thought,” Porras said. He got to work reorganizing portions of the script so the film would feel more like a thriller, and focused on working with his actors to illuminate the motives of their character. Porras described this process as “a pleasure.”

Both Lopez and Webb spoke highly of their time on set, reminiscing that between takes they would have fits of laughter.

Director David Martin Porras and Actors Chelsea Lopez and Haley Webb.

“It was a really great set, said Webb. “When a director is grounded in what they’re doing, they create a domino effect. They set the tone for the rest of the crew. It allowed us to perform and be present.”

One student wanted to know if Parra had given his actors a specific theme or note to follow throughout the film. Webb jumped in and said, “Maintaining secrecy and holding secrets in my body posture was something we spoke about a lot.”

“We spoke about journaling too,” Lopez added. The actress shared that journaling isn’t something that is usually a part of her process, but she found it was helpful in Unwritten Obsession. “We shared our journals with David. He was able to use each of our internal motivations and drives to help us bring life and depth to our characters.”

From left to right: NYFA moderator Andres Rosende with Unwritten Obsession Director David Martin Porras and Actors Chelsea Lopez and Haley Webb.

The New York Film Academy would like to thank David Martin Porras, Chelsea Lopez, and Haley Webb for taking the time to speak with our students. To learn more about New York Film Academy’s Guest Speaker series, click here.

The Young Saudi Film Festival Heralds a New Generation of Filmmakers

On Sunday, February 18 the New York Film Academy (NYFA) hosted the second annual Young Saudi Film Festival (YSFF) at the Harmony Gold Preview House in Hollywood, California. In the festival’s first year, the goal was to provide Saudi filmmakers a space to screen their work. This year the festival grew in audience and scope, receiving over 80 submissions and featuring eight outstanding films that told stories ranging from comedy to tragedy. With the ban on movie theaters lifted in Saudi Arabia it is a great time to showcase the next generation of Saudi filmmakers.

The highly anticipated event was well attended by internationals and locals alike including NYFA students and alumni, local Saudi community members, producer and film distributor Diane Taren, and representatives from the Kuwaiti and Emirati consulates.

NYFA MFA Filmmaking Alumnus, Maan bin Abdulrahman of Prince of Arabia Entertainment, hosted the evening. He introduced Director of NYFA Los Angeles, Dan Mackler who, in his opening remarks, emphasized how storytelling is a universal means of uniting different cultures, “The New York Film Academy believes that storytelling unites us internationally, across cultures and through perceived differences. We’re very proud of the films we’re screening tonight because they exemplify those ideals.”

President of the YSFF, Rakan Anneghaimshi (Spring 2016 BFA Acting for Film), spoke briefly to the audience thanking everyone who made the event possible and congratulating the participants on their hard work. Finally, NYFA Instructor and one of the judges of the competition, James Rowe, addressed the audience.

In a moving speech, Rowe detailed his experience as one of the members of the selection committee. “Submissions to this festival have come from all over the world. We were looking for stories and perspectives that surprised us and left us feeling something long after the credits had rolled.”

Rowe attributed the great stories coming out of Saudi Arabia to a need humans have to share their experiences. “Great art is born out of urgency,” Rowe began. “There is a burning need to tell stories that have gone untold for some time. There exists a desire to express ideas that have remained unspoken.”

Rowe concluded, “One of the true joys I get from teaching at the New York Film Academy is teaching students to discover that they do have something unique and personal to say right now. All of the films here tonight, clearly have something to say. They are a reminder that art captivates and compels us most when it feels urgent; as if the artist couldn’t have waited one more moment to tell us their story.”

Following the screenings, there was a Q and A session with the filmmakers who joined Maan bin Abdulrahman on the stage to take questions from the audience. The first question went to filmmaker Yassin Koptan (Filmmaking, 2014). His film, Piece of Wood, follows skateboarders in Egypt and the discrimination they face. He was asked what the skateboard in his film symbolized. “It’s a symbol for resistance,” he responded. “It’s a symbol for unity. It’s a symbol for fighting for what’s rightfully yours.”

Maan bin Abdulrahman wanted to know how filmmaker Meshaal Al Jaser (Screenwriting, 2019) was able to pull such a captivating performance from a child actor. In his film, Under Concrete, a Syrian girl relives instances from her life while buried under rubble following the bombing of her home. “All of the actors were Syrian. They were already heartbroken. They felt it more than I ever could.”

President Anneghaimshi wrapped up the Q&A stating, “We try, as much as possible, to reflect society as we see it,” he began. “We want to see the authentic stories coming out of our community. One of the goals of the YSFF was to help bring our global community together. We had comedic films, we had dramatic films, and we had family-oriented films. I couldn’t be more proud.”

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The New York Film Academy would like to thank all of the participants, the audience, and the Young Saudi Film Festival for allowing us to take part in such a special and momentous evening.

Bloodline written and directed by Saud Al-Moghirah, produced by Javier Olmo

Coexistence by Musab Alamri

Hero Complex written and directed by Mohamad AlYamani, produced by Mohamad AlYamani and Douglas Spain

The Nostalgia written by Sarah Lotfy, directed and produced by Moataz Badran

Piece of Wood by Yassin Koptan

The Scapegoat written by Charlie H. Millen & Stephen Ranieri, directed by Talha B., produced by Maan B.

Spirit of North by Mohammad Ali Almarhabi

Under Concrete by Meshal Al Jaser

 

Hollywood Talent Manager Brian Medavoy Holds Q&A at Los Angeles Campus

The New York Film Academy was excited to welcome Talent Manager, Producer, and Emmy Award winner Brian Medavoy to the Los Angeles campus whose TV productions include Darma and Greg, American High, and Just Shoot Me. He’s also helped craft the early careers of Ryan Reynolds, Josh Brolin, Jason Bateman, Jenna Elfman, Craig Sheffer, David Schwimmer, and Toby Maguire. The evening’s conversation was hosted by Director of Guest Lecture Series, Tova Laiter.

Hollywood born and raised, Brian grew up with a unique understanding of the movie business. His father, Mike Medavoy was a manager to big talents like Steven Spielberg and Francis Ford Coppola before Co-Founding Orion Pictures. But while that connection helped Brian to get into the mailroom at a talent agency, he had to build his own career through strategic, hard work. After working for legendary agent Ed Limato at ICM, Medavoy moved on to work as Erwin More’s assistant. Shortly after, at his young age of 23, he and More formed More/Medavoy Mgmt and went on to produce nine pilots.

At the time, Talent Management was mostly for rock stars. In 1998, there were very few managers. “I spent most of my time explaining to people what a manager does,” Medavoy said. His first client was Craig Sheffer. Hoping to help him land his first big role, Medavoy had to use his connections and some unconventional tactics.

Robert Redford was casting A River Runs Through It, and River Phoenix was supposed to play Brad Pitt’s brother in the film. “I called Redford during casting,” Medavoy began. Redford told him the protocol is to call the casting director but not wanting to wait, Medavoy drove a tape of his actor’s recent performance and brought it to Redford. After watching the tape, Redford decided to hire Sheffer for the role.

Upon learning that Medavoy had at one time wanted to be an actor, Laiter asked, “If you were an actor today what advice would you give to yourself to make it in the business? How would you distinguish yourself from the crowd?”

“If you’re not singing on the way to the audition,” Medavoy began, “you should turn around.” In other words, he encouraged actors not to think about trying to get the part but to focus on bringing a character to life. “Enjoy every aspect of the audition.”

This idea of focusing on what is happening in the moment radiated throughout Medavoy’s discussion. Helping others is a key component to success. Jealousy, he warned, can lead to destruction. “In life,” Medavoy suggested, “if you know what you’re great at and you use it to help people, that’s when you reap the benefits spiritually and financially.”

He offered additional advice about supporting your peers, “When you watch the award shows, and you see a peer of yours winning an award, the minute you’re looking at the TV and think ‘that should be me’ is the minute it won’t be you. You’ll know you’re succeeding when you want to hug that person.” Medavoy admitted the advice sounds strange but “You get when you give.”

Medavoy believes that a big part of a person’s success comes from having a passion for what you’re doing. This belief was nurtured from a young age: as a child, his mother sent him to musical theatre productions, and during performances, he would look out at the audience and see the joy on their faces. This experience instilled the desire to be an actor and evoke that same joy in audiences. However, after performing on stage he realized he was better suited to working with actors as their manager. “I was able to find unique talented individuals,” he said. “You can see it their eyes. I always say I build stars from stars.”

One student, who is currently working his way through comedy festivals, asked who he should choose if he gets offers for management. “The key is to understand the landscape of the business.” With an abundance of information readily available, he suggested that actors do their research before making a selection. Before meeting with potential clients or business partners, Medavoy often uses social media to create a picture of that person. “It’s much harder for people to hide who they are now,” Medavoy said.

One insider tip Medavoy gave students was to look for different strengths in their manager and agent. “You usually want one (of the two) first. Discover their strengths. Then find one with strengths in a different area.”

To demonstrate this, Brian asked another student a series a of questions to help reveal the student’s strengths a uniqueness. Brian then told him to “own it” to which NYFA students applauded appreciatively.

The New York Film Academy would like to thank Brian Medavoy for taking the time to speak with our students. His (motivational) blog is www.brianmedavoy.com.

Tony Winner Jeff Marx Visits New York Film Academy

Jeff Marx
Avenue Q’s Jeff Marx

Tony Award-winning composer and lyricist Jeff Marx visited the New York Film Academy at our New York City Theatre in late February, much to the delight of our Musical Theatre students.

Marx is best known for Avenue Q, the innovative musical starring both human and puppet characters that instantly earned critical acclaim and won over audiences across the country. It went on to win three Tony Awards, including Best Musical. It is currently running Off-Broadway and has toured the country and been produced in both the West End and Las Vegas.

Before writing Avenue Q, Marx passed the New York State Bar exam, planning to be a lawyer. He met partner Robert Lopez shortly after at the BMI Lehman Engel Musical Theater Workshop, writing a spec Muppet film as a pre-cursor to their collaboration on Avenue Q. Since winning his Tony, Marx has gone on to write for the musical episode of NBC’s Scrubs, as well as songs for Bear in the Big Blue House and The Book of Pooh. He also co-wrote the theme song for Logo TV’s Rick & Steve: The Happiest Gay Couple in All the World.

Speaking with the students of NYFA’s Professional Conservatory of Musical Theatre, Marx highlighted his indirect path to Broadway stardom, mentioning that he didn’t even start writing until he was 28 years old. “The greatest thing that I can wish for you,” Marx told the audience of aspiring Broadway stars, “is hunger.” He also shared anecdotes about the making of Avenue Q.

Jeff Marx visits NYFA
Highlights from the @newyorkfilmacademy Instagram story featuring Jeff Marx’s visit to NYFA #PCMT

In addition to inspiring students with his story, he also brought a special and well-received guest — puppet and star of Avenue Q, Nicky. Avenue Q’s cast of puppet characters included both rod puppets and live-hands, the latter of which are often operated simultaneously by two puppeteers. Nicky is a live-hands puppet, and students were delighted to see him in action on stage with Marx.

Nicky wasn’t all Marx brought with him on his visit to NYFA. In addition to Nicky, he brought along his Tony Award, Broadway’s highest honor. Musical Theatre students were thrilled when Marx allowed them to hold it and pass it around — an inspiring moment for those learning at NYFA and hoping to win one of their own in the not-too-distant future.

By the time the students had to say goodbye to Marx and Nicky, they had learned and laughed, and were extremely grateful for the generous time, energy, and inspiring words Marx brought with him to the New York Film Academy.

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Interested in joining the magical and puppet-filled world of musical theatre? Check out the programs of New York Film Academy’s Professional Conservatory of Musical Theatre.

New York Film Academy Grad Ayane Stars in Walking With My Grandma

Photo courtesy of Ayane

If you haven’t heard Ayane’s name yet, you soon will: the New York Film Academy (NYFA) Acting for Film graduate will soon be a household name in the third largest movie market in the world: Japan.

This year, Ayane stars as Natsumi in Walking with My Grandma, a film poised for international success as it releases in over 10 countries. The touching film follows Natsumi as she prepares for her upcoming wedding by helping to rehabilitate her injured grandma, Kiyo (Mitsuko Kusabue), in the hope that they can walk down the aisle together during the ceremony.

After its international release in April 2018, Walking with My Grandma will also be available for travelers to view in-flight on their way to many international destinations.
Helming the project is renowned Japanese director Tetsuo Shinohara, whose 39 directing credits include Heaven’s Bookstore and Inochi. Shinohara is nominated this year for Japan’s Director of the Year award.
Walking with My Grandma is the latest credit in an already impressive resume for the NYFA alum, who has appeared in eight films as well as eight plays and TV shows. Ayane graduated from NYFA New York City’s Acting for Film Conservatory in 2013. In addition to her starring turn in Walking with my Grandma, Ayane will star alongside Reiko Takashima in upcoming Japanese feature film Omiokuri, which opens in March 2018. 

? 敵は常に己の中にあり。 #対話

A post shared by 文音 Ayane official Instagram (@ayanestagram_official) on

With box office earnings topped only by China and the U.S., Japan’s film industry generated an astounding box office take of $2 billion in 2017, and it’s exciting to see Ayane poised as a major player for 2018. Congratulations, Ayane!

Celebrate Women’s History Month at the New York Film Academy

This Women’s History Month, which also includes International Women’s Day on March 8, the New York Film Academy joins the conversation on gender inclusivity with an updated Gender Inequality in Film Infographic as well as a full slate of events across its campus locations.

From International Women’s Day industry panel events to film screenings and raffles, check out NYFA’s calendar of Women’s History Month activities, below, and join us on campus in Los Angeles, New York City, South Beach, and NYFA Australia, Gold Coast. And on social media, we’ll be shouting out to many of the Women of NYFA — alums who are doing incredible work in the community, in the entertainment industry, and beyond.

New York Film Academy Women’s History Month events will include:

Los Angeles

MARCH 7 – Stand Up for Women Comedy Night

Host:

  • Lisa deLarios – Lisa has toured the country featuring for Zach Galifianakis, Paul F. Tompkins, Anthony Jeselnik, and Maria Bamford among others. She was showcased on Comedy Central’s Live at Gotham and has been a frequent guest on Doug Loves Movies.  

Featured Comedians:

  • Laura House – Laura is a headlining comedian who has performed on HBO, Comedy Central, NBC, and starred in MTV’s Austin Stories. She written on the Emmy-winning shows Mom and Samantha Who, BAFTA-winning Secret Lives of Boys, as well as Nicole Byer’s Loosely, Exactly, Nicole, The George Lopez Show, Mad Love, Blue Collar TV & more.
  • Jackie Kashian – Jackie is a comic whose new album, I Am Not The Hero Of This Story, was the #1 comedy album on iTunes and Amazon. She is in the 12th year of her podcast The Dark Forest and has a new podcast on the Nerdist Network called The Jackie and Laurie Show.
  • Jena Friedman – Jena is a comedian, writer, filmmaker and political satirist who recently appeared on Conan. Her Adult Swim special Soft Focus with Jena Friedman aired in February. She has been a field producer at The Daily Show with Jon Stewart and has written for Late Show with David Letterman. ​
  • Annie Lederman – Annie was the co-host of We Have Issues on E! and has been a cast member on Chelsea Lately, Girl Code, @midnight, and Impractical Jokers.
  • Kate Willett Kate tours nationally and internationally, has been featured on Viceland’s Flophouse and Comedy Central’s This is Not Happening, and recently taped a Netflix special.
  • Vanessa Gonzalez – Vanessa was recently voted “Best Stand-up Comic” in the Austin Chronicle readers’ poll, and created and stars in the Mas Mejor web series Ms. Vanessa.
  • Jessica Sele– Jessica is a stand-up comedian who tours across the country, and has performed at the Bridgetown Comedy Festival and SF Sketchfest. She was written about in HuffPost.
  • Ellington Wells – Ellington is a filmmaker and comedian who hosts the monthly stand-up show Blackberry Jam, and has worked on television shows such as Insecure, It’s Always Sunny in Philadelphia, and Baskets.

March 8 – International Women’s Day: A Perspective on Women in Entertainment: Industry Panel Discussion

Moderators:

  • Mike Civille
  • Lydia Cedrone

Panelists

  • Dea Lawrence – CMO of Variety
  • Kelly Gilmore – Sr. VP Marketing at Warner Bros.
  • Barbara Bain – 3 time Emmy Winning Actress
  • Jeanette Collins – Producer/Writer: Big Love, Drop Dead Diva, Suddenly Susan
  • Winship Cook – Producer: K-19: The Widowmaker, Sound the Crossing,Family Plan
  • Valorie Massalas – Casting Director/Producer: Back to the Future 2 & 3, Indiana Jones, Total Recall
  • Ronnie Yeskel – Casting Director: Pulp Fiction, Reservoir Dogs, Curb Your Enthusiasm  
  • Elvi Cano – Executive Director EGEDA U.S.
  • Lisa Guerriero – Camera operator: Suicide Squad, Mad Men, Mission Impossible, Fight Club

New York City

FEB. 28,  6:30 PM EST – Heroin(e) SCREENING & Guest Speaker Event

  • Exclusive screening of Oscar-nominated Netflix short documentary Heroin(e) with the film’s editor and special guest lecturer Kristen Nutile.

MARCH 5-6 – Women’s International Film Festival Raffle

TBD – NYFA Women in Film Screening Series

  • Further details coming soon.

MARCH 21 – Women in VR: Chat with Vice Chair of the Producers’ Guild of America New Media Council & NYFA Instructor Caitlin Burns 

  • Further details coming soon.
Vice Chair of the Producers’ Guild of America New Media Council & NYFA Instructor Caitlin Burns

South Beach

March 21 – NYFA Women in Film Screening and Q&A

  • A screening of the 2016 drama Hidden Figures
  • A Q&A led by South Beach Filmmaking chair Maylen Dominguez

March 21 – NYFA Women in Film Industry Panel

  • An all-woman panel featuring Rhonda Mitrani, Susie Taylor, Maha McCain, Elli Ventouras, and Giorgia Lo Savio

NYFA Australia, Gold Coast

March 8 – International Women’s Day Film Series

  • A screening series of films focused on female protagonists, including The Color Purple, Joy, Thelma & Louise, and Whip It.

For updates on Women’s History Month events at the New York Film Academy, and to join us for International Women’s Day, be sure to follow us on social media.

New York Film Academy Students Attend Red Sparrow World Premiere

From its home base at the crossroads of the world, students at the New York Film Academy’s New York City campus are often at the cutting edge of industry news and events. This week, NYFA students received an exclusive invitation from 20th Century Fox to the world premiere of one of the season’s most-anticipated films: Red Sparrow.

NYFA students dressed in their best business attire for the opening, and had a chance to see director Francis Lawrence together with the films stars Jennifer Lawrence and Joel Edgerton, who attended the Feb. 26 premier at Lincoln Center’s Alice Tully Hall.

Based on the book by Jason Matthews, Red Sparrow is a spy thriller starring Jennifer Lawrence and Joel Edgerton. The story follows ballerina Dominika Egorova, a young woman forced by necessity to navigate a complex web of international intrigue, violence, and intelligence when she is persuaded to join Sparrow School, a training ground for elite secret agents.

In order to survive and regain control of her life, she must learn to play the game better than anyone else. The all-star cast also includes Matthias Schoenaerts, Charlotte Rampling, Mary-Louise Parker and Jeremy Irons.

While NYFA students were treated to this VIP World Premier, audiences across the U.S. will have a chance to see Red Sparrow in theatres nationwide on March 2.