Broadcast Journalism School Weekly Updates

There are certain themes that I return to again and again. One of them — which current and former students will quickly recognize — is “I have seen the future, and it is on the phone.” Mobile phone, that is. The latest evidence comes from the BBC, as it prioritizes full motion video in its news app. Studies have shown that post engagement soars when you include video. This is a great time to be studying Broadcast Journalism, as we specialize in creating short-form, non-fiction video. You can’t find a more relevant course of study. Not so long ago, the BBC redesigned all of its websites in order to optimize them for mobile.
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And speaking of the NYFA Broadcast Journalism course of study, a skill we put a great deal of emphasis on is the ability to conduct effective interviews. Getting the right “sound bite” takes one approach, while asking someone to speak directly “from the heart” is something else entirely. One of my favorite interviewers is Audie Cornish, who is an anchor/correspondent for NPR. (Formerly National Public Radio, but they changed their name to simply NPR so they didn’t seem wedded to a dinosaur technology. Personally, I love radio. But that’s another story…)

The Columbia Journalism Review is doing a series on interviewing, and the most recent edition features Audie Cornish. (I’ll have more to say about Columbia University a little later.)

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Being a journalist isn’t easy. But some of the people who practice our craft are literally risking their lives to deliver the news. Wired posted an article about a journalist who is “defying ISIS one video at a time.” It is a tremendous read. Yes, it is an old-fashioned “article.” But don’t let that put you off. There are important themes discussed here. And while most of us never have to make the sacrifices that the journalist being profiled regularly endures, inevitably during the course of your career you will be asked to make difficult decisions. The question is: What will you do?
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So perhaps you were watching the National Geographic cable channel last night. The evening was called “Earth Live,” and it was a real-time, worldwide exploration of the planet’s wildlife. Absolutely amazing! Equally amazing, there were about 50 music segments in this “live” program, all of which were skillfully integrated by NYFA’s own Joel Spector. Joel is the audio wiz behind NYFA News, and he has been with the program since it started. We are incredibly lucky to have Joel, and he asked me to pass along a message to our current students: “Don’t over-modulate your audio! You can’t fix that in post-production!”

OK … He really didn’t ask me to say that. But if he did request me to say something, it would likely be somewhat similar. Our graduates can attest to that.

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Arrivals and departures are an essential aspect of our craft, and this week I announce the departure of our personal journalism instructor, Thor Neureiter. Thor worked with the Fall 2016 1-year students along with the Spring 2017 1-year class, and he did an outstanding job. How “outstanding”? So outstanding that he has been hired by Columbia University to direct their Video Journalism program. It is a great opportunity for Thor, though we will miss him. (And I still think, if you want to become a multimedia journalist, NYFA is the place to go.)

That’s Thor below, with a fellow attendee at the (non-alcoholic) “toast” following the graduation of the Fall 2016 1-year Broadcast Journalism students. And its a good thing that glass is filled with seltzer, as some of the other attendees were a bit on the young side. (Look carefully…)

Good luck, Thor…
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Meanwhile, NYFA Broadcast Journalism graduate Christian Good continues his “world video tour,” this time shooting in Reykjavik, Iceland. And once again, he faces the difficult task of figuring out how to say “Good Morning” to the locals. “Góðan daginn, or something,” he writes.
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NYFA NEW YORK WELCOMES “BROWN NATION” TEAM TO GUEST SPEAKER SERIES

NYFA New York City recently welcomed a part of the team behind the Netflix Original Series, “Brown Nation” to our Guest Speaker Series. NYFA musical theatre conservatory alumnus Jaspal Binning stars in “Brown Nation,” which is directed by NYFA filmmaking graduate Abi Varghese. Joining them was “Brown Nation” producer and line producer Atit Shah. Students viewed a special screening of “Bown National” Season 2 as well as the trailer for Jaspal Binning’s upcoming production, “Doomsday.”

The sense of NYFA community ties was strong, as Abi Verghese greeted his audience of students with, “We’re very excited to be here at New York Film Academy.”

New York Film Academy’s Director of Recruitment Roger Del Pozo moderated a conversation that saw many students leap at the chance to ask all three guests focused questions on navigating the industry, on topics that ranged from securing visas for international students to finding distribution for original work. Students were also treated to behind-the-scenes insights on the making of “Brown Nation.”

Citing influences like “The Office” and “Arrested Development,” director Abi Varghese shared that part of the inspiration behind “Brown Nation” was a desire to see more South Asian content on television. He and his writing partners created a script that drew on personal experiences, and he advised students to never let themselves feel stuck with writer’s block when writing: “Get collaborators, that’s an easy way to do it.”

Verghese and his collaborators spent about three months in auditions to find their cast, including lead actor Jaspal Binning. After filming the pilot and showing to investors, they decided to figure out distribution independently because, Varghese shared with a laugh, they thought the “networks took too long.”

Varghese recalls that they went on to film all 10 episodes of the first season in just 30 days, “wanting to do it on our own and see what happened.” It’s highly unusual to film a whole series without distribution, and Varghese laughed, “Don’t know if it’s the wisest thing to do.”

Obviously, the risk worked well in the case of “Brown Nation.” Verghese pointed out, “With platforms with Netflix and Amazon they’re pushing new content, so it’s a good time for all of us. It was just about being in the right place at the right time.”

Producer Atit Shah agreed that finding producers and distribution can be a challenge, and explained the reason pilots are generally created with partnerships already in place. “If you really have something for a network pilot you’re generally not recommended to produce a pilot independently on your own,” He said. “One, it’s too expensive, and two, you really want backing to come from network or studio. But if you’re doing something much smaller, I do think [a pilot] helps attract producers.”

Actor Jaspal Binning explained that it was the team’s management that helped them secure the deal with Netflix, which has been a fruitful partnership.

The busy actor recently turned his hand at directing in the upcoming series “Doomsday,” for which Binning won the best director award at New York Television Festival. Binning shared that it was actually the process of using the Meisner acting technique that inspired him to want to direct, saying, “Working with actors and also seeing them get better really excited me.”

Binning himself had no formal training before his studies at the New York Film Academy. “I really did learn everything here,” he said, pointing out many of his former teachers in the audience, including out Deidre Goodwin, Rob Maitner, Anna Peters, Paul Warner, Michelle Potterf. He told students, “You have a great outlet in terms of the faculty here because they’re all working actors, producers, directors as well, so I heavily encourage you to maintain those relationships and ask as much advice as you can. That’s what I did.”

Producer Atit Shah also offered students insights on pitching projects to producers. He used his own experience on “Brown Nation” as an example. “I was not involved in the pilot,” he revealed. “I saw pilot then got involved in the production. I don’t necessarily know if I would have gotten involved if I had just read it; it definitely helps to have something visual to show.”

Many international students in the audience were inspired by Jaspal Binning’s example. The actor was happy to speak candidly on his experience as a British national pursuing both an education and a career in the United States. His advice to students was to work as much as possible to gain experience and build a strong case for Visa paperwork. He said it was also important to find an entertainment lawyer and master American accents through the use of the phonetic alphabet. “It is an honor to work here,” he said, “And good luck.”

Atit Shah noted that an entertainment lawyer can also serve to help aspiring artists access with navigating legal contracts, and more: “If you don’t have something specific in terms of a contract that need to be reviewed, an entertainment lawyer can double sometimes as a producer and help you find access to resources.”

The New York Film Academy would like to thank Jaspal Binning, Atit Shah, and Abi Verghese for sharing their expertise with our community in the Guest Speaker Series.

NYFA New York Welcomes “The Magicians” Actress Jade Tailor as Guest Speaker

Actress Jade Tailor of Syfy’s fantasy series “The Magicians” received a warm welcome to NYFA New York City’s campus as a recent Guest Speaker. NYFA Acting for Film Chair Glynis Rigsby hosted the event, guiding the conversation through many inspiring stories from Tailor’s career. 

“The big key is knowing your work so well that it doesn’t feel like work anymore,” Tailor told her audience of NYFA acting for film and musical theatre students. “Then you just get to play and enjoy it in the moment.”

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Tailor is perhaps best known for her starring turn as Kady Orloff-Diaz in “The Magicians,” but NYFA students were inspired to hear the multifaceted artist’s story. The actress pursued her childhood dream despite various obstacles, and continues to nurture a passion for using her work as a platform to benefit others.

“I’ve always wanted to fight for people who were not privileged, who had a difficult time,” Tailor shared, “And I am blessed to have this platform, and I feel it’s my duty to utilize it in any way I can. I think that’s what the drive is, now that I have some semblance of being in the spotlight: I want to utilize that for good. And I want to do work that inspires me and inspires others.”

Growing up in Los Angeles with a mother who had worked as an actress in the 1970s and a father who had served in the Israeli Army’s Mossad division, Tailor says her family background gave her a unique perspective and helped her prepare for the realities of the industry, with a deep appreciation for training and craft.

“In a lot of ways those two aspects [of my parents] were a foundation of me working that hard,” Tailor explained. She learned to overcome nerves as a child in acting classes with actress Dee Wallace, of “E.T. the Extraterrestrial” fame. Upon deciding to pursue acting as an adult, Tailor candidly shared that there were years of “literally counting pennies to pay the rent,” a reality that encouraged many students to hear acknowledged by a working actor.

“It was definitely a long arduous road,” Tailor said. “But I knew I would get there if I put everything into it.”

The actress repeatedly emphasized the importance of developing confidence and making the decision to focus on the craft above all. She shared that this shift in mindset helped her enjoy the process and connect with her character during a pivotal audition for the producers of “True Blood,” where she went on to portray lead actor Stephen Moyer’s first victim.

“I really let go in that room and went, who is this character, what is her intention here? And I connected to the work and who she was, and I got a call a couple of hours later that I got the job.”

After booking “True Blood,” Tailor shared, “I was like ‘Yes I made it!’ and then I got no work. There are gonna be moments where you get this great gig and then there’s a lull for a long time.”

She stressed the importance of “having a great team behind you” as an actor, as well as “being conscious of the fact that you are going to have to sustain” through slow seasons as well as busy seasons. Tailor’s hard work was rewarded in 2015 when she booked “Aquarius” with David Duchovny: “I’ve been lucky to work with amazing people,” she said. 

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It was while working on “Aquarius” that Executive Producer John McNamara approached Tailor about reading for a role in “The Magicians,” which turned out to be a surprising story as well. Tailor originally auditioned for the role of Margot, but producers decided the role of Kady was a better fit, a character very different from the roles Tailor had previously portrayed on television. 

“I am so lucky to be on this amazing show that I love and that’s really fun with a great cast and crew,” Tailor said of “The Magicians.” Yet even in this busy season, the actress has her vision cast for the long term, and is working to develop projects through her own production company, Eyeris Entertainment.

Tailor executive-produced “But I Love Him,” a film born through the actresses’ volunteer work as a domestic violence counselor. The piece dramatizes a woman’s experience through the cycle of abuse, and premiered at various festivals. “But I Love Him” is now used by various organizations as an education tool for raising awareness about domestic violence.

Among the many nuggets of wisdom Tailor shared, she advised students to trust their own uniqueness, bring their own authenticity to each role, and build confidence through hard work. This is advice Tailor puts into practice herself. “The work is so important to me,” shared Tailor, “And I always want to do work that is meaningful and inspires me and inspires others. I think when you’re inspired yourself it’s going to read to other people and then other people are going to be inspired too.”

When students asked about her acting technique, Jade jokes that she calls herself an “eclectic realist,” pointing to the uniqueness of each human being. “We have different things that will resonate, with some of us more so than others,” she explained. “Some people are more logical beings, some of us are more emotional beings. For me, I’m instinctively more emotional.”

In imagining what’s next for her, Tailor shared she’d love to return to live performance. She has a passion for theatre, having sung at The Blue Note and performed in “How to Succeed in Business Without Really Trying.” Of the stage, Jade says, “It’s my background and my heart, and to go back to Broadway at some point would be amazing … but to do good work that inspires people, that’s really the end goal.”

Season 2 of “The Magicians” is now available on Netflix. The New York Film Academy would like to thank Jade Tailor for her visit in our Guest Speaker Series.

NYFA Summer Camp Students Enjoy Special Screening of “Top Gun”

_A4A1610On Saturday, July 1, teens and tweens participating in the New York Film Academy Summer Camp in Los Angeles took a break from the hard work of filmmaking to see a summer blockbuster classic. “Top Gun” was screening in the field at the Autry Museum.  

Usually, the students are hard at work developing their film projects. Most days, they are learning the difference between camera lens sizes, rehearsing a new acting technique, experimenting with the latest 3D technology, revising a script or shooting on a professional backlot. On this night, however, their hard work was rewarded with a special screening.

 

_A4A1611This screening was unique because it was surrounded by some of the top food trucks in Los Angeles. For many of the students, this was the first time they had seen a movie under the stars. The combination of live music and multicultural food trucks made the night an event.

The head of Summer Camps, Ale Salinas said, “This is a unique and fun experience.
We’re doing this for the students to bond and watch fun movies in a Hollywood way.”_A4A1582

The New York Film Academy is proud of the great strides out Summer Camp students are making and hope their night off was a fun one.  

 

NYFA Photography BFA Student Omar Alturk Featured on Al Arabiya

Thamer_0217_0040-2New York Film Academy BFA photography student Omar Alturk has been busy creating visual stories on two continents, but the 25-year old photographer recently found the time to appear on-camera for a spotlight on Al Aribiya, to share his perspective as a Middle Eastern photographer working in the U.S. media capital of Los Angeles.

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Photo by Omar Alturk

Still in the midst of his studies at NYFA Los Angeles, Alturk has already built a diverse portfolio as a photographer, working as a behind-the-scenes photographer on film sets as well as creating editorial and fashion stories in the U.S. and in his home country of Saudi Arabia. Recently, he created a campaign for Royal Legacy.

He told Al Aribiya’s audience in the Middle East that he believes photographers in Saudi Arabia stand a great chance of making the crossover to the American market. “The thing that makes you different from the rest of the photographers here is to make a Middle Eastern touch on the photograph or the model or anything you have,” said Alturk. “That I think is what makes you different and creates a different opportunity for you as a photographer in the U.S.”

We had a chance to catch up with Alturk to hear more about his approach to photography and what has been inspiring him lately.

NYFA: Can you tell us a little bit about your journey and what made you decide to leave Saudi Arabia to attend the New York Film Academy?

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Photo by Omar Alturk

OA: After I graduated from high school, I honestly didn’t know what I should do. I’ve studied in three colleges but I didn’t finish a semester in any of them, so I decided to work. I worked in customer service at a rent-a-car company, then after a while I got a job at the NBC Bank. All that time I wasn’t really happy with what I was doing, even though I was in a good status at the Bank. I had this feeling that this is not what I’m born for.

So I decided to move to the U.S., but before I went I decided that I wanted to study something I love and I care about. I had photography as my number one interest on my list. After some research I found NYFA, and I found that I can get BFA in photography in Los Angeles California, where everyone wants to be!

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Photo by Omar Alturk

NYFA: What inspired you to become a photographer?

OA: Since I was a kid, I was obsessed with photography.

I think what made me crazy about it was that my mom used to take a lot of picture of me and my sisters with film camera, and whenever I had the time I used to check the prints of the film and look at it. Every time I checked the pictures, I liked the fact that I could remember everything in that moment: my age, the way I looked, what my interests were. That’s what made me become a photographer: to keep these moments of life in my hard drive and my memory.

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Photo by Omar Alturk

NYFA: How has your experience in the photography school been?

OA: When I started studying at NYFA my experience in photography wasn’t perfect. I knew how to use a camera, but I had never touched any lighting equipment before. So when I started, I was so happy that the school provides any equipment I could ask for.

That helped me a lot in the learning process, and I became knowledgeable in lighting and how to use it in proper way — what lights I should use if I want some type of style in mind.

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Photo by Omar Alturk

NYFA: Can you tell me about some of the campaigns and projects you’ve worked on?

OA: There are many projects I have done through 2016 until today. I’ve worked on over 10 short films as behind-the-scenes photographer, and on one feature film as behind-the-scenes photographer, too.

There are also many small gigs I’ve worked on that gave me a good experience in photography in Los Angeles. Lately I photographed the owners of a clothing store in Beverly Hills and their collection, which was a big thing for me.

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Photo by Omar Alturk

NYFA: Are there any projects that particularly stand out for you, that you’re the most proud of?

OA: For me, I am proud of all of them. But I would say the project which I enjoyed the most was the feature film I’ve worked on. The shoot was 21 days, for 12 hours a day. It was a lot of fun and a challenge at the same time, since I had school on some days of the shooting, but luckily it all worked for the good!

NYFA: Do you plan on returning to Saudi Arabia to continue your photography career, or rather stay in the U.S.?

OA: This is still a big decision to me since I’m still studying, but I would say that I can work on both and that what I’m aiming for. I don’t want people to know me only as a Saudi photographer, and that’s it! I’d rather be an international photographer who’s traveling all over the world for photography, and I want to be known worldwide — not only in my city or my country, or even only the U.S.

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Photo by Omar Alturk

NYFA: Can you tell me about your upcoming project taking place in Saudi Arabia?

OA: The project I’m trying to do is to use my skills I gained at NYFA in photography to show different sides of the holy cities in Saudi. I’m starting at Madina, which is my hometown, then to Mecca, where the Grand Mosque is.

The New York Film Academy would like to thank Omar Alturk for taking the time to share some of his story with the NYFA community.

 

NYFA Alumnus Manuel Garcia-Rulfo Screens “Magnificent 7” at Los Angeles Campus

Screenshot 2017-07-17 13.23.05On Thursday, July 6, New York Film Academy alumnus, Manuel Garcia-Rulfo, gave a Q & A at the Los Angeles campus. Garcia-Rulfo is known for his work on the “From Dusk Till Dawn” television series, “Cake” starring Jennifer Aniston, and “180 Grados.” 

The Q&A event with Garcia-Rulfo included a special screening of “Magnificent 7,” and was attended by students currently enrolled at the NYFA college as well as the tweens from the NYFA summer camps. Associate Chair of the Acting Department Miguel Cruz hosted the evening.

Garcia-Rulfo has achieved an incredible feat by working professionally in the entertainment industry both Mexico and the United States. He said he was able to achieve this by being selective with what acting projects he accepted early in his career.

As a young actor in Mexico, Garcia-Rulfo was constantly offered roles in the telenovelas. “They offer you everything, in the beginning, to work on these soap operas. And you’re very hungry in the beginning. But I knew what I wanted my career to look like. I said no to a lot of things early in my career.”Screenshot 2017-07-17 13.23.22

While he may have said no to parts that did not feel authentic, he poured everything into what he did love, including his studies in the 1-Year Acting for Film Program at the New York Film Academy’s Los Angeles campus.

Of his time at NYFA Garcia-Rulfo said, “New York Film Academy really gave me the chance to work in front of the camera – a lot! Having that experience makes you comfortable to be in front of the camera. Once you get out of here [NYFA] you know everything. I already knew all the aspects of the camera setup and crew when I was on set – having that prior knowledge was one of my favorite things. NYFA gave me a base upon which to build. For that, I am very thankful.”

Garcia-Rulfo shared a story with the students about his time at NYFA. He and a friend decided that if they were going to work after the graduated they would need representation. They each had a reel and a short film finished. Thinking this would be enough to win over an agent, they decided to rent out the ballroom of a fancy hotel in Beverly Hills. They shipped out fancy baskets filled with chocolate to every representative. “Manuel is a great Mexican actor,” Garcia-Rulfo would tell agents over the phone. They ordered cases of champagne and food. The ballroom was decorated and soon the big day arrived.

“I don’t think even my mother showed up,” Garcia-Rulfo said.

The point of the story, according to Garcia-Rulfo, is that craft should always come first.

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“There’s no formula to this thing we’re doing,” Garcia-Rulfo explained. “If I have any advice to actors it’s this: just buckle up because it’s going to be a bumpy ride. It’s very tough. But, I think we have to enjoy that experience as well. Nurture your craft.”

The New York Film Academy would like to thank Manuel Garcia-Rulfo for taking the time to speak with our summer camp students and our college students. Garcia-Ruflo will be starring in the remake of “Murder on the Orient Express” alongside Johnny Depp, Daisy Ridley, Michelle Pfeiffer, and Penélope Cruz coming out November 10, 2017.

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NYFA LOS ANGELES WELCOMES ACTING FOR FILM ALUMNUS MANUEL GARCIA-RULFO FOR SPECIAL SCREENING OF “MAGNIFICENT 7”

The New York Film Academy Los Angeles recently welcomed acting for film alumnus and international film actor Manuel Garcia-Rulfo as the guest of honor in a Guest Speaker Series event. Garcia-Rulfo is perhaps best known for his work in “Magnificent 7.” The actor has also appeared in “From Dusk Till Dawn,” “Cake” (starring Jennifer Aniston), and “180 Grados.”

The New York Film Academy Los Angeles recently welcomed acting for film alumnus and international film actor Manuel Garcia-Rulfo as the guest of honor in a Guest Speaker Series event. Garcia-Rulfo is perhaps best known for his work in “Magnificent 7.” The actor has also appeared in “From Dusk Till Dawn,” “Cake” (starring Jennifer Aniston), and “180 Grados.”

The Guest Speaker event was hosted by Associate Chair of the Acting Department Miguel Cruz, and included a Q&A with Garcia-Rulfo following a special screening of “Magnificent 7.” Attending the event were enthusiastic students both from NYFA college and summer camp programs.

Garcia-Rulfo is notable for his achievement of establishing a career in the entertainment industries in both Mexico and the United States, a feat the actor says is partially due to making carefully selective decisions early in his career.

As a young actor in Mexico, Garcia-Rulfo said he was offered roles in telenovelas that he decided to turn down. “They offer you everything, in the beginning, to work on these soap operas,” he told students. “And you’re very hungry in the beginning. But I knew what I wanted my career to look like. I said no to a lot of things early in my career.”

Saying no to roles is difficult for any aspiring actor, but Garcia-Rulfo made the choice to focus on pouring his energies elsewhere, such as in his studies at the New York Film Academy. He proceeded to graduate from the 1-Year Acting for Film conservatory program at NYFA’s Los Angeles campus.

Of his time at NYFA Garcia-Rulfo said, “New York Film Academy really gave me the chance to work in front of the camera – a lot! Having that experience makes you comfortable to be in front of the camera. Once you get out of here [NYFA] you know everything. I already knew all the aspects of the camera setup and crew when I was on set – having that prior knowledge was one of my favorite things. NYFA gave me a base upon which to build. For that, I am very thankful.”

In recounting his days as an acting student, Garcia-Rulfo shared an anecdote about his early foibles in seeking representation. Together with a friend, he decided organizing his own special event for prospective representatives. He rented the ballroom of a fancy Beverly Hills hotel and shipped out gift baskets filled with chocolate to every representative. “Manuel is a great Mexican actor,” Garcia-Rulfo would tell agents over the phone.

“I don’t think even my mother showed up,” Garcia-Rulfo said. The point of the story, according to Garcia-Rulfo, is that craft should always come first.

“There’s no formula to this thing we’re doing,” Garcia-Rulfo explained to his audience of NYFA students. “If I have any advice to actors it’s this: just buckle up, because it’s going to be a bumpy ride. It’s very tough. But, I think we have to enjoy that experience as well. Nurture your craft.”

Garcia-Ruflo will be starring in the remake of “Murder on the Orient Express” alongside Johnny Depp, Daisy Ridley, Michelle Pfeiffer, and Penélope Cruz, to be released November 10, 2017.

The New York Film Academy would like to thank Manuel Garcia-Rulfo for visiting our summer camp students and our college students as a Guest Speaker.

Behind the Scenes of “Spider-Man: Homecoming” With NYFA Alum & Digital Compositor Francesco Panzieri

FRAN EDITED IMAGE 2NYFA alumnus Francesco Panzieri has been busy since completing his studies at the New York Film Academy, with credits running the gamut from the realism of “Mad Men” to the visionary science fiction of “Star Wars: The Force Awakens.” Most recently, Panzieri has turned his hand as an in-house digital compositor with Marvel Studios for “Spider Man: Homecoming,” which opens July 7.

“Spider Man: Homecoming” is the first installment of a new Spidey trilogy created through the first-time partnership between Marvel Studios and Sony Pictures.

According to Panzieri, “Spider-Man: Homecoming” will stand apart due to its combination of great storytelling, and a focus on the superhero’s dual struggles to become an Avenger and survive high school.

“I believe ‘Spider-Man: Homecoming’ balances in a very successful way two key-elements of Peter Parker’s life in this movie, which are his teenage life as a high-school student and the struggles of a superhero to become an Avenger,” explains Panzier. “I think that the high-school part makes the character extremely compelling because it gives the audience a shared point of view with Peter, since all of us have been through similar life moments.”

Panzieri muses that films in the Marvel Cinematic Universe continue to attract audiences not only through their jaw-dropping visuals, but primarily through their great storytelling. “Write something good,” he says, “Something really good, that people can relate to, and then use visual effects to enhance your cinematic vision of that story.”

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NYFA 3D Animation alumnus Francesco Panzieri (right) pictured with actor Michael Mando (left), who plays Mac Gargan in “Spider-Man: Homecoming.”

Along with a great story, Panzieri points to a new colorspace technology created by the Academy of Motion Picture Arts and Sciences called ACES (Academy Color Encoding System) as a vital ingredient to the look of “Spider-Man: Homecoming.” Panzieri says, “It was a cool experience for me to test it for the first time in my career and I look forward to ACES being the soon-standard-to-be on features, episodic and commercials.”

He describes an atmosphere of camaraderie and excitement on set: “Since Sony Pictures owns the film rights to Spider-Man, the whole post-production process took place on the Sony Studios lot, in Culver City, California. Each morning, I got to walk by the original ‘Ghostbusters’ Ecto-1 car on my way to work, and that was a very stimulating and inspiring environment.”

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Panzieri pictured with the original “Ghostbusters” Ecto-1 car.

“In the studio we had every day all the top-notch leadership team of Marvel Studios surrounding us,” Panzieri recalled. “While we were working on the visual effects for the feature film, they were focused on refining and improving editing and storytelling with the director. What surprised me in a truly unique and positive way, was seeing first-class executives such as the Marvel ones hard at work from dawn’s early lights until late at night. In those moments I realized the true strength and secret of Marvel Studios that deservedly brought them to be number one in the entertainment industry: the love and energy that they put into each and every production they make. Everyone who works at Marvel is an extremely genuine, passionate and dedicated fellow; it’s a huge, big family where there is a unique synergy between all the roles.

Transitioning from film school to major blockbuster productions is entirely a matter of building relationships, according to Panzieri — and being prepared for high-skilled hard work.

“My job, it’s all about networking,” Panzieri reveals. “So what happened is that a connection that I had from when I worked on ‘Star Wars’ had called me to work on Spider-Man.”

Panzieri points to his training at the New York Film Academy as playing a valuable role in preparing him for his work: “I must say that the long hours of classes and lab at the NYFA were definitely an advantage to me on every project I worked on thus far … I can definitely say that the instantaneous hands-on environment I found myself in during my time at NYFA was a true testament to how you’ve got to be when working in Hollywood. Visual effects is art, technology and science at the same time, and as such you need to be really focused, dedicated and good at craftsmanship to keep up with its high quality demands you face in entertainment.”

“Spider-Man: homecoming” is the first installment of a new Spider-Man trilogy created through a first-time collaboration between Sony Pictures and Marvel Studios. Box Office Pro has projected a box office opening of $135 million, which ScreenRant notes would make this the 6th largest opening out of 16 Marvel films.

 

NYFA Gold Coast Celebrates the 4th of July

NU4A0357In keeping with the New York Film Academy’s international community spirit, around 70 students and staff from New York Film Academy Gold Coast celebrated the American holiday 4th of July, at the Southport Campus.

Acting and filmmaking students from all intakes came together with the 1-week teen campers to celebrate this all-American themed event.

The celebrations also fell on orientation day for the July 2017 actors, filmmakers and screenwriters, who joined the festivities, as they were welcomed to NYFA Australia.

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Students and staff partied to all of the great American songs while indulging in hot dogs, snow cones and an array of red, white and blue candy. Students also had fun posing at the American-themed photo booth and tested their knowledge on a 4th of July Quiz.

And, to connect the American celebrations to a universal love for film, the movie “Independence Day” was screened at the on-campus theatre for students to enjoy.

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Campus Manager DJ Stonier said of the event: “The students and staff all in attendance had a blast and it was wonderful to see everyone enjoying each others company. It’s important to celebrate significant events that bring staff and students together that are also equally important across our campuses globally. At NYFA Australia our philosophy is to create a sense of belonging, community and celebration, both within and outside of the academic realm.”

January 2017 Diploma Acting student Evelyn Dolan said, “Wow, it was so amazing to be part of this celebration for all of the students and the Academy. I can’t wait until next year’s.”