New York Film Academy (NYFA) welcomed Evercoast’s BEN NUNEZ and SEBASTIAN MARINO as part of The 20/20 Series, created by NYFA’s Creative Director of Filmmaking and Cinematography, Liz Hinlein. The conversation was moderated by Hinlein and was held virtually, allowing individuals to join NYFA and the special guests from all over the world.

The 20/20 Series, created by Hinlein, is a virtual pop-up event that takes us into the homes, hubs, and workspaces of an array of dynamic creative visionaries to allow for relaxed, engaging conversations on craft, creation and artistic vision.

Ben Nunez and Sebastian Marino both work at Evercoast, a volumetric capture service provider. Evercoast provides high-quality, cost-effective volumetric capture, rendering, and streaming platform, turning people into 3D holograms in full motion for both live and recorded volumetric content. Some of their clients include Verizon, Comcast, WarnerMedia, NBCU, Intel, and others.

In a world where motion capture is the standard in animation technology for big-budget films, Evercoast’ Nunez and Marino are helping to usher in a new era of volumetric capture, a cost-effective and more accessible method of producing animation results. The difference between motion capture and volumetric capture depends on what is being tracked to be transformed into what the audience ends up seeing on the screen.

“Motion capture is a process of animation results of a character being tracked and it’s typically used for creature effects,” shared Marino. “Volumetric capture captures the actor in 3D.”

Hinlein urged both Marino and Nunez to share what about volumetric capture is so exciting and important for all kinds of creatives and storytellers who may use this method in the future. “It’s such an interesting space,” Marino began. “We think of film being the center of the world, but it is not when it comes to tech. It directly captures the subject. If you want to motion capture a character, you have to model that character and rig them and there is a ton of pre and post-production. volumetric capture is almost immediate.”

While volumetric capture can be applied almost immediately for an on-hand 3D asset, Marino noted it is still a difficult process to edit, which is, presently, one of the only drawbacks with the technology.

“Volumetric capture is not just for VR, it’s for everything including your mobile phone,” revealed Nunez. “Our whole world is going from 2D to 3D. It’s how our eyes see and it’s how we want to consume content.” Marino agreed and added that this technology is also becoming more accessible. “The cameras that we use cost on average $200 – $300 each. To do what we do at a small cost is enabling content creators all over the world.”

But who is already using this technology? Nunez and Marino explained that a mix of all kinds of industries are jumping on the volumetric capture bandwagon and producing innovative use cases from 3D telecommunication and 3D concerts to hospitals training doctors how to perform surgery. At the least, the technology can also be used as a way for creators to produce an essential pre-visualization for a full concept.

In the future, both Nunez and Marino urge the public to be ready to see this technology in more of everyday life as more companies are beginning to adopt this technology and innovate across industries to provide a whole new world of entertainment and communication experiences.

New York Film Academy would like to thank Evercoast’s Ben Nunez and Sebastian Marino for joining the NYFA global community to discuss volumetric capture for The 20/20 Series, created by and moderated by Liz Hinlein.

These guests are not faculty and do not teach at NYFA, but they have appeared to share their stories and experience with our students. As guest speakers are scheduled based on their availability, NYFA cannot guarantee whether a guest speaker will visit during a student’s attendance or who that guest speaker may be. This guest speaker forum is not part of any NYFA curriculum and attendance at guest speaker events is purely voluntary. Students should be aware that guest speaker events do not represent a job opportunity nor are they intended to provide industry connections.

New York Film Academy is excited to share that alum Akinola Davies Jr. has won the Short Film Grand Jury Prize at the 2021 Sundance Film Festival for his film Lizard.

The award was presented during the virtual Sundance Film Festival awards ceremony on Tuesday, February 2, 2021. The film was written by Davies and his brother Wale Davies, and was backed by BBC Film and producer Rachel Dargavel. Lizard follows an eight-year-old girl, Juwon, who has the ability to sense danger. After getting ejected from a Sunday school service, Juwon witnesses the underbelly in and around a Mega Church in Lagos, Nigeria. In addition to the Sundance win, the film was also nominated for an ALFS Award by the London Critics Circle Film Awards.

Davies has previously made short films Zazzau and Unity Is Strength. The UK-Nigerian filmmaker is known for his exploration of themes of community, race, spirituality, identity, and gender. Ultimately, through his work in film and music videos, Davies aims to navigate the collision of both colonial and imperial tradition, whilst advocating a return to indigenous narratives. His next slated project will be sci-fi film X Us.

“I’m overwhelmed and as much as I’d love to gloat, filmmaking is really crazy hard,” shared Davies on his Instagram. “Big love to all those who were part of the shorts program – it’s an honour to be amongst such brilliant films. I have to say this award is really for the whole cast and crew who worked so hard and committed their all to this little film pre and during a global pandemic. I’m so proud this was made in Lagos by the many hands that make up the beautiful people of Nigeria.”

To view the full list of Sundance Film Festival winners, click here.

New York Film Academy congratulates Akinola Davies Jr. on his important Grand Jury win at Sundance for his short film Lizard and looks forward to seeing the film’s impact and Davies’ upcoming projects.

Please note: NYFA does not represent that these are typical or guaranteed career outcomes. The success of our graduates in any chosen professional pathway depends on multiple factors, and the achievements of NYFA alumni are the result of their hard work, perseverance, talent and circumstances.

On February 9, 2021, New York Film Academy (NYFA) had the pleasure of hosting a live video Q&A with the President of MGM’s Motion Picture Group, Pam Abdy, to discuss the film production process with NYFA students and alumni. Tova Laiter, Director of the NYFA Q&A-List Series, curated and moderated the event.

Pam Abdy is the current President of MGM’s Motion Picture Group and oversees the development, production, and post-production for all MGM and Orion films. Abdy is currently developing a multitude of films such as Fiddler on The Roof, Project Hail Mary, and Ron Howard’s Thirteen Lives, amongst others.

At her previous position, Makeready Films/eOne, the company financed and produced Queen & Slim from director Melina Matsoukas and writer Lena Waithe and A Million Little Pieces from director Sam Taylor-Johnson. Previously, Abdy served as President of Production at New Regency, where they released the acclaimed Alejandro González Iñárritu’s Academy Award-winning Birdman, David Fincher’s Gone Girl, Darren Aronofsky’s Noah, Adam McKay’s Academy Award-winning The Big Short, and Iñárritu’s The Revenant in 2016, which received twelve Academy Award nominations, including Best Picture, and Best Actor for Leonardo DiCaprio.

Laiter began the conversation by asking Abdy what a day in the life of the President of MGM Motion Picture Group looks like. Abdy explained that most days consist of hours of Zoom meetings from pitching and financial planning to meetings with production staff and discussing forward slate planning. “It’s an all-encompassing job especially being at home with my daughter in the next room,” shared Abdy. “It’s a little chaotic, but that was just today. Every day is different.”

Abdy, whose original plan to be a dancer got derailed by injury, got her first big break as Danny DeVito’s assistant, after working at the front desk at DeVito’s Jersey Films. “It was a life-changing opportunity for me,” she remembered. “He is a mentor to me and a second father. I learned how to make movies at that company and was given space to grow and they [the whole team] really taught me how to make films and be on set.”

Sometimes the best education is watching and observing something Abdy does to this day, even as President at MGM Motion Picture Group. She urged NYFA students to remember that no job is too small to do no matter how many years of experience you have. “It doesn’t matter what I have to do. Every job is meaningful and nothing is beneath me,” said Abdy. “I will do whatever it takes to navigate a problem. I feel like some people think things are not their job, but to be a great producer, you have to manage so many different personalities and money. It’s an incredible responsibility that doesn’t get enough credit.”

Part of being a great producer means being able to collaborate with the director, something Abdy mentioned as being one of the most important parts of putting a movie together and in production. “It’s everything to find the right director for your film,” she emphasized. “If it’s not the right director the film won’t have the right point of view. The best day of a producer’s life is getting the director on the movie, but it’s also the worst day because it becomes the director’s and you may not agree with everything they do. Your vision may not be their vision. But when that person comes on and they elevate that, there’s nothing better.”

At MGM, Abdy shared that their vision is focused on filmmakers and their ability as storytellers, and what gets the studio’s attention is their point of view. You need a vision and a collaborative view. The studio doesn’t have to be a bad place, they can be a partner. Our whole mission is to make a safe and filmmaker-friendly studio for people, so be clear about your vision.”

One of the career highlights for Abdy has been the vision of Melina Matsoukas and Lena Waithe, with whom she worked with on Queen & Slim. While on the film, Abdy learned a very important lesson that has stayed with her to this day. “I usually have to be part of everything and find solutions. That movie wasn’t about that. It was about creating a safe space and giving Melina and Lena the floor while I stand in the background to help navigate things as they needed them,” she began. “What was so joyful about that film is both of those women are such visionaries. Allow artists and visionaries to have the space to tell their stories. Don’t impose your own on their process. I learned about creating space for artists’ voices and it was the greatest joy of my career.”

Abdy, like many others in the film industry, is continuing to adapt to the film industry facing restrictions due to the COVID pandemic. “Before, you hustled, made major movies, dealt with your budget, and put the movie together which – sometimes things took longer. Now, you don’t have the luxury of time anymore. You are locked down. If you are not working in a pod, then you leave the set. It’s not as fun,” she laughed. “Sometimes magic happens when you are making a film and I worry that the new rigidness may impact that work. There’s no answer right now as to when this part is going to stop, and it’s so expensive. What it’s doing is putting a burden on film budgets for COVID costs. There is a danger that good movies won’t get made because the cost is too burdensome.”

One student asked Abdy how to become a better producer. Abdy urged them to get their hands on as many scripts as possible, even the one that got made already. “Study filmmakers. Filmmakers love to know their producers understand other filmmakers’ work. Take time and watch how filmmakers grow. See what changes. Watch the language and understand the common thread of their films throughout. Then, define your taste and identify what actually is your taste.”

As Laiter closed the discussion and thanked Abdy for her generous wisdom, Laiter asked Abdy what has made her so successful in her career. Abdy replied it’s all the positives and the negatives about herself combined. “As I get older I recognize my flaws and I’m trying to do better with delegating. Be kind and be generous to everyone. This whole business is based on relationships and the experience of those relationships.”

Abdy’s upcoming slate includes Joe Wright’s Cyrano, Ridley Scott’s Gucci, Channing Tatum and Reid Carolin’s Dog, and Paul Thomas Anderson’s untitled upcoming film. New York Film Academy would like to thank Pam Abdy for sharing her time and invaluable knowledge of the film business with NYFA students and looks forward to welcoming her back again in the near future.

To watch the full conversation, click here or view the video below:

These guests are not faculty and do not teach at NYFA, but they have appeared to share their stories and experience with our students. As guest speakers are scheduled based on their availability, NYFA cannot guarantee whether a guest speaker will visit during a student’s attendance or who that guest speaker may be. This guest speaker forum is not part of any NYFA curriculum and attendance at guest speaker events is purely voluntary. Students should be aware that guest speaker events do not represent a job opportunity nor are they intended to provide industry connections.