On Wednesday, April 29, New York Film Academy (NYFA) had the honor of hosting director and producer MARK PELLINGTON and recurring guest, writer, director, and producer, SARAH PIROZEK, as part of The 20/20 Series, created by NYFA’s Creative Director of Filmmaking and Cinematography, Liz Hinlein. The conversation was moderated by Hinlein and was held virtually, allowing individuals to join NYFA and the special guests from all over the world.

The 20/20 Series, created by Hinlein, is a virtual pop-up event that takes us into the homes, hubs, and workspaces of an array of dynamic creative visionaries to allow for relaxed, engaging conversations on craft, creation and artistic vision.

Special guest Mark Pellington is a director and producer who got his start directing music videos for U2, Crystal Waters, De La Soul, and Pearl Jam. His video for Pearl Jam’s “Jeremy” won four MTV Music Video awards in 1993, including ‘Best Director’ and ‘Video of the Year,’ and his video for Whale’s song “Hobo Humpin’ Slobo Babe” won the inaugural MTV Europe Music Award for ‘Best Video’ in 1994. Pellington has also worked with musical artists Michael Jackson, Demi Lovato, Imagine Dragons, Foo Fighters, Nine Inch Nails, Linkin Park, Echosmith, Dave Matthews, Moby, Damian Marley, Bruce Springsteen, and many more.

Pellington has also had a career of directing feature films, including period drama Going All the Way, starring Ben Affleck and Rachel Weisz, paranoia thriller Arlington Road, starring Tim Robbins and Jeff Bridges, cult film The Mothman Prophecies with Richard Gere, and Nightwalkers with Game of Thrones actor Alfie Allen. Pellington also recently created the 13-part series, Survive, starring Sophie Turner and Corey Hawkins for the new, innovative mobile streaming app, QUIBI.

Hinlein, who moderated the conversation, began the Q&A by asking both Pirozek and Pellington how they feel about “being called an artist.” Pellington remarked, “I don’t think I called myself an artist until somebody else did.” He noted that being an artist meant that you were doing many different things, and not always for yourself. “I’m here to create and sometimes it’s to make people feel less alone, sometimes it’s to sell something, sometimes it’s to entertain, or, sometimes, it’s some combination [of all].”

Pirozek, who began her career as a painter, added, “I was brought up with the idea that I could survive as an artist…and I found that filmmaking is such a beautiful, collaborative art form because you’re dealing with music, editing, and the visualization of it [the film].” She remarked that being an artist can be “a beautiful mess sometimes,” but you eventually find your way to pull things together and create something.

With both Pirozek and Pellington having a background in music videos, the conversation eventually steered to how, as a filmmaker, music can be an essential part of your production. “The music leads,” says Pellington. “I was trained to do the music first. In a way, you are letting the content and emotion lead you.”

Hinlein then posed a question to both creatives and asked, “what’s one thing [or multiple things] that every director should know?” Pellington replied, “dream your dream, but know what your tools are and don’t give up. Don’t let anyone tell you what you can’t do.”

He then continued by saying that directors should respect their audience, but if they don’t like something it’s not the end of the world. “Not everybody watches the same film the same way,” he continued. “You’ve got to make your own dish [film] and you have to be your own audience.” Pirozek agreed, then added, “If you’re bored, everyone else will be bored too. Make sure you don’t bore yourself.”

New York Film Academy would like to thank Mark Pellington and Sarah Pirozek for taking the time to speak with the global audience on their careers as filmmakers and beyond for The 20/20 Series, created by and moderated by Liz Hinlein.

To watch the full conversation, view the video below or watch on our Youtube channel.

These guests are not faculty and do not teach at NYFA, but they have appeared to share their stories and experience with our students. As guest speakers are scheduled based on their availability, NYFA cannot guarantee whether a guest speaker will visit during a student’s attendance or who that guest speaker may be. This guest speaker forum is not part of any NYFA curriculum and attendance at guest speaker events is purely voluntary. Students should be aware that guest speaker events do not represent a job opportunity nor are they intended to provide industry connections.

New York Film Academy (NYFA) Acting for Film alum, Natasha Thahane, stars in South African teen drama Blood and Water. The series was released on May 20, 2020 and is available to stream on Netflix as part of Netflix’s “Originals” lineup.

Thahane was born and raised in South Africa and graduated from NYFA’s New York City campus in 2018 after completing her 1-Year Conservatory program in Acting for Film.

Thahane has appeared in television series such as Skeem Saam, The Queen, and Lockdown, and is a brand ambassador for Garnier Fructis. Thahane now stars in her biggest role to date as Wendy Dlamini, an opinionated, “woke” high school student, in the Netflix teen drama Blood and Water.

The Netflix series takes place in South Africa and centers around teenager Puleng Khumalo, who transfers to the prestigious Parkhurst College after suspecting that one of the students there is actually her long lost sister, who was abducted at birth. In addition to Thahane, the series boasts a leading female cast including fresh faces Ama Qamata, Khosi Ngema, Cingy Mahlangu, and Gail Mabalane. The series is also directed by South African female director Nosipho Dumisa, who previously directed the critically acclaimed film Number 37.

Blood and Water is six episodes long and is being hailed as “the next Gossip Girl” by Glamour Magazine, so there is already hope for a season two.

Thahane recently shared the show’s trailer to her Instagram profile with the caption, “Welcome to the jungle…It’s about to get hectic.”

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New York Film Academy would like to congratulate Natasha Thahane on her new starring role and encourages everyone to check out Blood and War, now available to stream on Netflix.

Please note: NYFA does not represent that these are typical or guaranteed career outcomes. The success of our graduates in any chosen professional pathway depends on multiple factors, and the achievements of NYFA alumni are the result of their hard work, perseverance, talent and circumstances.

On Wednesday, May 6, New York Film Academy (NYFA) had the honor of hosting Emmy and Grammy Award-winning songwriter and producer PETER ZIZZO as part of The 20/20 Series, created by NYFA’s Creative Director of Filmmaking and Cinematography, Liz Hinlein. The conversation was moderated by Hinlein and held virtually, allowing individuals to join NYFA and the special guests from all over the world.

The 20/20 Series, created by Hinlein, is a virtual pop-up event that takes us into the homes, hubs, and workspaces of an array of dynamic creative visionaries to allow for relaxed, engaging conversations on craft, creation and artistic vision.

Special guest Peter Zizzo has sold, in excess, over one hundred million records worldwide and has written songs for, and with, award-winning artists like Jennifer Lopez, Celine Dion, Avril Lavigne, Billy Porter, Jason Mraz, Diana Ross, Pixie Lott, and many, many more. As a talent developer, he was instrumental in the early careers of Avril Lavigne, Vanessa Carlton, Billy Porter, and Pixie Lott.

Zizzo’s songs have also been featured in many major films including P.S I Love You and The First Wives Club. As a composer for children’s television, he has written and produced the theme songs for hit Nickelodeon series such as the smash Blue’s Clues reboot, Rusty Rivets, Middle School Moguls, and The Fresh Beat Band, as well as countless other songs for TV shows including Peter Rabbit and Winx Club.

Hinlein, who moderated the event, began the discussion by asking Zizzo what a talent developer, like himself, does in the music industry. “Sometimes that definition is different depending on the talent developer and the artist,” Zizzo began. “It involves finding something unique and special in that person [an artist] that sets them apart but that is also unformed and unworked.” That’s where someone like Zizzo would step in; to help guide an artist and introduce them to the right people in the music biz, while also helping them develop their own craft.

Zizzo then brought up Avril Lavigne and how, immediately after listening to her, knew there was something about her and he wanted to help. “I was involved in those early days [of Lavigne’s career] showing her the ropes and how to write melodies and was involved in getting a label down to come see her when we had a few songs to show.” The rest, as they say, is history, as Avril went on to become one of the most prolific musicians and personalities of her time.

The conversation then steered towards creativity and how someone like Zizzo, or an aspiring songwriter, can find their own original ideas rather than derivative ones. “I don’t know if there’s a one size fits all answer for that. Sometimes when you’re writing songs, you need to be derivative,” says Zizzo. He then gave an example of a studio like Nickelodeon calling him up and asking for a theme song for a new show. “They will give you a brief of exactly what they are looking for [genre, tempo, lyrics] and you will have to do research into what the demographic is, what the style of the show is, and what’s going to work and not work.” Zizzo, who has worked for studios like Nickelodeon before, comments that it’s opportunities like this that are essential as they still add to your experience as an artist.

On the opposite side of the spectrum, Zizzo remarks that aspiring songwriters should be open to all genres and styles of music when developing their own style. “Be all over the place. Be into all of it and just do it all with the same passion because, on its own, it’s just going to become your thing.” Zizzo then uses the example of listening to an album by an individual or a group. Though each song may evoke a different theme or style, the lyrics and the music all come from that artist’ inspiration and it doesn’t always have to carry a “one size fits all” pattern.

M2M’s “Don’t Say You Love Me” written by Zizzo

Hinlein then relayed a question from the global audience that asked Zizzo how to deal with self-criticism as an artist. “Self-criticism is actually great as long as it’s a self-criticism on the way to productivity. Don’t just convince yourself that something is good just because you’re afraid it might not be good,” he remarked.

He then used the analogy of songwriting to writing a movie script:

• ACT I – You meet your main characters and you are excited because this is what the story is about and it’s a wonderful beginning.
• ACT II – You go on your journey with the characters, but then something happens in Act II that turns the entire story on its head and you are at the end of Act II thinking that all is lost and the “bad guys” are going to win.
• ACT III – The characters in the story remember something from Act I that they never tried before and it’s all they have, and it ends up helping them defeat what it was they were fighting.

“It’s the same thing when you are writing a song,” Zizzo points out, noting that sometimes what one may think isn’t working may actually work out for another moment in the song or even for something completely different. “Next thing you know, you finish the song and you did it. You went through that story. Eventually, the song you wrote may get rejected, so you may have a whole other movie to go through.” Zizzo then gave a closing remark in relation to the self-criticism question by saying, “you’ve got to be willing to withstand your own resistance.”

New York Film Academy would like to thank Peter Zizzo for taking the time to speak with the global audience on the songwriting process and understanding the music industry as a whole for The 20/20 Series, created by and moderated by Liz Hinlein.

To watch the full conversation, view the video below or watch on our Youtube channel.

These guests are not faculty and do not teach at NYFA, but they have appeared to share their stories and experience with our students. As guest speakers are scheduled based on their availability, NYFA cannot guarantee whether a guest speaker will visit during a student’s attendance or who that guest speaker may be. This guest speaker forum is not part of any NYFA curriculum and attendance at guest speaker events is purely voluntary. Students should be aware that guest speaker events do not represent a job opportunity nor are they intended to provide industry connections.