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  • NYFA Celebrates a Historic Year at the Oscars: Chloé Zhao, Emerald Fennell, Daniel Kaluuya & More

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    Hollywood’s biggest night celebrated some of the industry’s finest as the 93rd Academy Awards went off without a hitch (well, almost), awarding some of the top talents in the business with the coveted golden Oscar statue. The awards show took a break from multiple traditions for this year’s ceremony, the most notable being the ceremony itself taking place inside of Union Station in Los Angeles, a break from the classic Dolby Theatre.

    Kicking off the Steven Soderbergh-directed awards show was actor-turned-director Regina King, whose directorial debut film One Night in Miami was also up for multiple awards that night. King kicked off her speech noting the real-world issues at play outside of the realm of the Oscars ceremony.

    “We are mourning the loss of so many, and I have to be honest, if things had gone differently this past week in Minneapolis, I might have traded in my heels for marching boots,” she began. “Now, I know that a lot of you people at home are going to reach for your remote when you feel like Hollywood is preaching to you, but as a mother of a Black son, I know the fear that so many live with and no amount of fame or fortune changes that.”

    King then explained to attendees and those watching at home that this year’s ceremony would be treated like a movie set. Nominees would be allowed to remain maskless while on camera but would place their masks back on during each commercial break.

    The first award of the night went to Emerald Fennell for Best Original Screenplay. Her film Promising Young Woman is, staggeringly, the first screenplay penned by a woman to win this award since Diablo Cody’s Juno in 2008.

    Nomadland director Chloé Zhao is the first woman of color to win the Oscar for Best Director and only the second woman to win this award in the history of the Academy Awards. In her acceptance speech, Zhao paid tribute to her dad and her Chinese heritage with a short passage from the Three Character Classic (三字经), citing the translation as “at birth, people are innately good.” Zhao also became the second Asian woman, after Parasite‘s Kwak Sin-ae last year, to pick up an Academy Award for Best Picture, the most coveted award of the night.

    In perhaps one of the most powerful acceptance speeches of the night, Judas and The Black Messiah actor Daniel Kaluuya paid tribute to his parents and Black Panther Party chairman Fred Hampton for his monumental Best Supporting Actor win and called out to the audience to unify in these trying times. “When they play divide and conquer, we say unite and ascend. There’s so much work to do, and that’s on everyone in this room.”

    After three previous Black nominees in the category for Best Live-Action Short, Travon Free became the first Black winner in the category for his film Two Distant Strangers, which he shared with co-director, Martin Desmond Roe. 

    Mia Neal and Jamika Wilson celebrated their huge win for their work on Ma Rainey’s Black Bottom as the first Black winners for Makeup & Hairstyling to ever receive an Oscar. “I stand here, as Jamika and I break this glass ceiling, with so much excitement for the future,” beamed Neal. “Because I can picture Black trans women standing up here, and Asian sisters, and our Latina sisters, and indigenous women, and I know that one day it won’t be unusual or groundbreaking, it will just be normal.”

    In one of the most charming acceptance speeches of the night, Korean screen legend and Minari actress Yuh-Jung Youn picked up a Best Supporting Actress Oscar. In her speech, Youn joked with Minari producer Brad Pitt about where he was for the duration of the film production, forgave everyone who ever butchered her name, and dedicated her Oscar to her first director, Kim Ki-young. Youn, along with her Minari co-star and fellow Oscar nominee Steven Yeun are the first actors born in Korea to earn Oscar recognition for their performances in Minari.

    (Left) Sharon Choi standing next to (Right) Bong Joon-ho (Academy of Motion Picture Arts and Sciences)

    Outside of the winner’s circle, this year’s Oscars pushed for more diversity overall with 2020 Oscar-winner Bong Joon Ho presenting the Best Director category completely in Korean, with English translation by Sharon Choi, while Marlee Matlin presented the two documentary categories in American Sign Language (ASL). Also, in a new development, this year there was also an ASL interpreter made available in the Oscars’ press room. 

    While there is still a way to go for, as Mia Neal puts it, for the Oscars to present a diverse pool of winners where it “won’t be unusual or groundbreaking” this year’s nominees and winners proved that the Academy is working to make strides for the “new normal” and awarding deserving talent that are bringing never-before-heard voices to the forefront of audience’s screens worldwide.

    New York Film Academy congratulates this year’s Oscar winners and nominees and looks forward to seeing what 2021 has in store for the industry’s most innovative and dedicated storytellers. 

    Here is the full list of 2021 Oscar Winners

    Best Picture

    • “The Father” (David Parfitt, Jean-Louis Livi and Philippe Carcassonne, producers)
    • “Judas and the Black Messiah” (Shaka King, Charles D. King and Ryan Coogler, producers)
    • “Mank” (Ceán Chaffin, Eric Roth and Douglas Urbanski, producers)
    • “Minari” (Christina Oh, producer)
    • “Nomadland” (Frances McDormand, Peter Spears, Mollye Asher, Dan Janvey and Chloé Zhao, producers) – WINNER
    • “Promising Young Woman” (Ben Browning, Ashley Fox, Emerald Fennell and Josey McNamara, producers)
    • “Sound of Metal” (Bert Hamelinck and Sacha Ben Harroche, producers)
    • “The Trial of the Chicago 7” (Marc Platt and Stuart Besser, producers)

    Best Director

    • Thomas Vinterberg (“Another Round”)
    • David Fincher (“Mank”) 
    • Lee Isaac Chung (“Minari”) 
    • Chloé Zhao (“Nomadland”)  – WINNER
    • Emerald Fennell (“Promising Young Woman”) 

    Best Actor in a Leading Role

    • Riz Ahmed (“Sound of Metal”) 
    • Chadwick Boseman (“Ma Rainey’s Black Bottom”) 
    • Anthony Hopkins (“The Father”) – WINNER
    • Gary Oldman (“Mank”) 
    • Steven Yeun (“Minari”) 

    Best Actress in a Leading Role

    • Viola Davis (“Ma Rainey’s Black Bottom”) 
    • Andra Day (“The United States v. Billie Holiday”) 
    • Vanessa Kirby (“Pieces of a Woman”) 
    • Frances McDormand (“Nomadland”) – WINNER
    • Carey Mulligan (“Promising Young Woman”) 

    Best Actor in a Supporting Role

    • Sacha Baron Cohen (“The Trial of the Chicago 7”) 
    • Daniel Kaluuya (“Judas and the Black Messiah”) – WINNER
    • Leslie Odom Jr. (“One Night in Miami”) 
    • Paul Raci (“Sound of Metal”) 
    • Lakeith Stanfield (“Judas and the Black Messiah”)

    Best Actress in a Supporting Role

    • Maria Bakalova (‘Borat Subsequent Moviefilm”) 
    • Glenn Close (“Hillbilly Elegy”) 
    • Olivia Colman (“The Father”) 
    • Amanda Seyfried (“Mank”) 
    • Youn Yuh-jung (“Minari”) – WINNER

    Best Animated Feature Film

    • “Onward” (Pixar) 
    • “Over the Moon” (Netflix) 
    • “A Shaun the Sheep Movie: Farmageddon” (Netflix) 
    • “Soul” (Pixar) – WINNER
    • “Wolfwalkers” (Apple TV Plus/GKIDS) 

    Best Adapted Screenplay

    • “Borat Subsequent Moviefilm.” Screenplay by Sacha Baron Cohen, Anthony Hines, Dan Swimer, Peter Baynham, Erica Rivinoja, Dan Mazer, Jena Friedman, Lee Kern; Story by Sacha Baron Cohen, Anthony Hines, Dan Swimer, Nina Pedrad
    • “The Father,” Christopher Hampton and Florian Zeller – WINNER
    • “Nomadland,” Chloé Zhao 
    • “One Night in Miami,” Kemp Powers 
    • “The White Tiger,” Ramin Bahrani 

    Best Original Screenplay

    • “Judas and the Black Messiah.” Screenplay by Will Berson, Shaka King; Story by Will Berson, Shaka King, Kenny Lucas, Keith Lucas
    • “Minari,” Lee Isaac Chung 
    • “Promising Young Woman,” Emerald Fennell – WINNER
    • “Sound of Metal.” Screenplay by Darius Marder, Abraham Marder; Story by Darius Marder, Derek Cianfrance
    • “The Trial of the Chicago 7,” Aaron Sorkin 

    Best Original Song

    • “Fight for You,” (“Judas and the Black Messiah”). Music by H.E.R. and Dernst Emile II; Lyric by H.E.R. and Tiara Thomas – WINNER
    • “Hear My Voice,” (“The Trial of the Chicago 7”). Music by Daniel Pemberton; Lyric by Daniel Pemberton and Celeste Waite
    • “Húsavík,” (“Eurovision Song Contest”). Music and Lyric by Savan Kotecha, Fat Max Gsus and Rickard Göransson
    • “Io Si (Seen),” (“The Life Ahead”). Music by Diane Warren; Lyric by Diane Warren and Laura Pausini
    • “Speak Now,” (“One Night in Miami”). Music and Lyric by Leslie Odom, Jr. and Sam Ashworth

    Best Original Score

    • “Da 5 Bloods,” Terence Blanchard 
    • “Mank,” Trent Reznor, Atticus Ross 
    • “Minari,” Emile Mosseri 
    • “News of the World,” James Newton Howard 
    • “Soul,” Trent Reznor, Atticus Ross, Jon Batiste – WINNER

    Best Sound

    • “Greyhound,” Warren Shaw, Michael Minkler, Beau Borders and David Wyman
    • “Mank,” Ren Klyce, Jeremy Molod, David Parker, Nathan Nance and Drew Kunin
    • “News of the World,” Oliver Tarney, Mike Prestwood Smith, William Miller and John Pritchett
    • “Soul,” Ren Klyce, Coya Elliott and David Parker
    • “Sound of Metal,” Nicolas Becker, Jaime Baksht, Michelle Couttolenc, Carlos Cortés and Phillip Bladh – WINNER

    Best Costume Design

    • “Emma,” Alexandra Byrne 
    • “Mank,” Trish Summerville 
    • “Ma Rainey’s Black Bottom,” Ann Roth – WINNER
    • “Mulan,” Bina Daigeler 
    • “Pinocchio,” Massimo Cantini Parrini

    Best Animated Short Film

    • “Burrow” (Disney Plus/Pixar)
    • “Genius Loci” (Kazak Productions) 
    • “If Anything Happens I Love You” (Netflix) – WINNER
    • “Opera” (Beasts and Natives Alike) 
    • “Yes-People” (CAOZ hf. Hólamói) 

    Best Live-Action Short Film

    • “Feeling Through” 
    • “The Letter Room” 
    • “The Present” 
    • “Two Distant Strangers” – WINNER
    • “White Eye” 

    Best Cinematography

    • “Judas and the Black Messiah,” Sean Bobbitt 
    • “Mank,” Erik Messerschmidt – WINNER
    • “News of the World,” Dariusz Wolski 
    • “Nomadland,” Joshua James Richards 
    • “The Trial of the Chicago 7,” Phedon Papamichael 

    Best Documentary Feature

    • “Collective,” Alexander Nanau and Bianca Oana
    • “Crip Camp,” Nicole Newnham, Jim LeBrecht and Sara Bolder
    • “The Mole Agent,” Maite Alberdi and Marcela Santibáñez
    • “My Octopus Teacher,” Pippa Ehrlich, James Reed and Craig Foster – WINNER
    • “Time,” Garrett Bradley, Lauren Domino and Kellen Quinn

    Best Documentary Short Subject

    • “Colette,” Anthony Giacchino and Alice Doyard – WINNER
    • “A Concerto Is a Conversation,” Ben Proudfoot and Kris Bowers
    • “Do Not Split,” Anders Hammer and Charlotte Cook
    • “Hunger Ward,” Skye Fitzgerald and Michael Scheuerman
    • “A Love Song for Latasha,” Sophia Nahli Allison and Janice Duncan

    Best Film Editing

    • “The Father,” Yorgos Lamprinos
    • “Nomadland,” Chloé Zhao 
    • “Promising Young Woman,” Frédéric Thoraval 
    • “Sound of Metal,” Mikkel E.G. Nielsen – WINNER
    • “The Trial of the Chicago 7,” Alan Baumgarten 

    Best International Feature Film

    • “Another Round” (Denmark) – WINNER
    • “Better Days” (Hong Kong)
    • “Collective” (Romania) 
    • “The Man Who Sold His Skin” (Tunisia)
    • “Quo Vadis, Aida?”(Bosnia and Herzegovina) 

    Best Makeup and Hairstyling

    • “Emma,” Marese Langan, Laura Allen, Claudia Stolze
    • “Hillbilly Elegy,” Eryn Krueger Mekash, Patricia Dehaney, Matthew Mungle 
    • “Ma Rainey’s Black Bottom,” Sergio Lopez-Rivera, Mia Neal, Jamika Wilson – WINNER
    • “Mank,” Kimberley Spiteri, Gigi Williams, Colleen LaBaff
    • “Pinocchio,” Mark Coulier, Dalia Colli, Francesco Pegoretti

    Best Production Design

    • “The Father.” Production Design: Peter Francis; Set Decoration: Cathy Featherstone
    • “Ma Rainey’s Black Bottom.” Production Design: Mark Ricker; Set Decoration: Karen O’Hara and Diana Stoughton
    • “Mank.” Production Design: Donald Graham Burt; Set Decoration: Jan Pascale -WINNER
    • “News of the World.” Production Design: David Crank; Set Decoration: Elizabeth Keenan
    • “Tenet.” Production Design: Nathan Crowley; Set Decoration: Kathy Lucas

    Best Visual Effects

    • “Love and Monsters,” Matt Sloan, Genevieve Camilleri, Matt Everitt and Brian Cox 
    • “The Midnight Sky,” Matthew Kasmir, Christopher Lawrence, Max Solomon and David Watkins
    • “Mulan,” Sean Faden, Anders Langlands, Seth Maury and Steve Ingram
    • “The One and Only Ivan,” Nick Davis, Greg Fisher, Ben Jones and Santiago Colomo Martinez
    • “Tenet,” Andrew Jackson, David Lee, Andrew Lockley and Scott Fisher – WINNER

    Jean Hersholt Humanitarian Award

    • Tyler Perry
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    April 26, 2021 • Entertainment News, International Diversity • Views: 416

  • NYFA Celebrates the 93rd Academy Award Nominees and Winners

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    This year, NYFA celebrated instructors and alumni being among those nominated for this year’s Oscar’s shortlist. As the list dwindled down it was 1-Year Screenwriting alum Shivani Rawat’s film The Trial of The Chicago 7 that earned six nominations including Best Picture. The Aaron Sorkin film was one that Rawat produced along with Marc Platt and Stuart Besser.

    Also among the nominees was producer and NYFA guest speaker Christina Oh, who helmed the A24 Lee Isaac Chung drama Minari, which also earned six nominations including Best Picture. Oh is the first Asian American woman to receive a nomination for best picture.

    Oscar nominees (Photo Credit: Screen Rant)

    Other historic nominations this year include:

    • The first time two women are nominated for Best Director: Emerald Fennel (Promising Young Woman) and Chloé Zhao (Nomadland).
    • Netflix setting a record for distributors with 35 total nominations in 2021. The streaming giant also leads the Best Picture category with two nods, while Amazon, A24, Focus, Searchlight, and Sony Classics held one nomination each. This year, major studios were not present in this category, a notable exception given the tumultuous distribution efforts major studios faced with releasing tentpole and lower budget films across the production slate in 2020.
    • Chadwick Boseman has become the seventh actor to receive a posthumous nomination for his work on Ma Rainey’s Black Bottom.
    • Riz Ahmed is the first Muslim actor to be nominated in the Best Actor category for his performance in The Sounds of Metal.
    • Steven Yeun, the first Asian American to receive a Best Actor nod, and Best Supporting Actress nominee Youn Uh-Jung are the first actors born in Korea to earn Oscar recognition for their performances in Minari.

    After many delays due to the pandemic, Hollywood’s biggest night is ready for a night of normalcy with the tentpole of awards shows back on the air with an in-person ceremony at the Dolby Theatre on April 25th after its original February 28th date was pushed back. 

    Here is the full list of 2021 Oscar Nominations:

    Jean Hersholt Humanitarian Award – Tyler Perry

    Best Picture

    • “The Father” (David Parfitt, Jean-Louis Livi and Philippe Carcassonne, producers)
    • “Judas and the Black Messiah” (Shaka King, Charles D. King and Ryan Coogler, producers)
    • “Mank” (Ceán Chaffin, Eric Roth and Douglas Urbanski, producers)
    • “Minari” (Christina Oh, producer)
    • “Nomadland” (Frances McDormand, Peter Spears, Mollye Asher, Dan Janvey and Chloé Zhao, producers) – WINNER
    • “Promising Young Woman” (Ben Browning, Ashley Fox, Emerald Fennell and Josey McNamara, producers)
    • “Sound of Metal” (Bert Hamelinck and Sacha Ben Harroche, producers)
    • “The Trial of the Chicago 7” (Marc Platt and Stuart Besser, producers)

    Best Director

    • Thomas Vinterberg (“Another Round”)
    • David Fincher (“Mank”) 
    • Lee Isaac Chung (“Minari”) 
    • Chloé Zhao (“Nomadland”)  – WINNER
    • Emerald Fennell (“Promising Young Woman”) 

    Best Actor in a Leading Role

    • Riz Ahmed (“Sound of Metal”) 
    • Chadwick Boseman (“Ma Rainey’s Black Bottom”) 
    • Anthony Hopkins (“The Father”) – WINNER
    • Gary Oldman (“Mank”) 
    • Steven Yeun (“Minari”) 

    Best Actress in a Leading Role

    • Viola Davis (“Ma Rainey’s Black Bottom”) 
    • Andra Day (“The United States v. Billie Holiday”) 
    • Vanessa Kirby (“Pieces of a Woman”) 
    • Frances McDormand (“Nomadland”) – WINNER
    • Carey Mulligan (“Promising Young Woman”) 

    Best Actor in a Supporting Role

    • Sacha Baron Cohen (“The Trial of the Chicago 7”) 
    • Daniel Kaluuya (“Judas and the Black Messiah”) – WINNER
    • Leslie Odom Jr. (“One Night in Miami”) 
    • Paul Raci (“Sound of Metal”) 
    • Lakeith Stanfield (“Judas and the Black Messiah”)

    Best Actress in a Supporting Role

    • Maria Bakalova (‘Borat Subsequent Moviefilm”) 
    • Glenn Close (“Hillbilly Elegy”) 
    • Olivia Colman (“The Father”) 
    • Amanda Seyfried (“Mank”) 
    • Youn Yuh-jung (“Minari”) – WINNER

    Best Animated Feature Film

    • “Onward” (Pixar) 
    • “Over the Moon” (Netflix) 
    • “A Shaun the Sheep Movie: Farmageddon” (Netflix) 
    • “Soul” (Pixar) – WINNER
    • “Wolfwalkers” (Apple TV Plus/GKIDS) 

    Best Adapted Screenplay

    • “Borat Subsequent Moviefilm.” Screenplay by Sacha Baron Cohen, Anthony Hines, Dan Swimer, Peter Baynham, Erica Rivinoja, Dan Mazer, Jena Friedman, Lee Kern; Story by Sacha Baron Cohen, Anthony Hines, Dan Swimer, Nina Pedrad
    • “The Father,” Christopher Hampton and Florian Zeller – WINNER
    • “Nomadland,” Chloé Zhao 
    • “One Night in Miami,” Kemp Powers 
    • “The White Tiger,” Ramin Bahrani 

    Best Original Screenplay

    • “Judas and the Black Messiah.” Screenplay by Will Berson, Shaka King; Story by Will Berson, Shaka King, Kenny Lucas, Keith Lucas
    • “Minari,” Lee Isaac Chung 
    • “Promising Young Woman,” Emerald Fennell – WINNER
    • “Sound of Metal.” Screenplay by Darius Marder, Abraham Marder; Story by Darius Marder, Derek Cianfrance
    • “The Trial of the Chicago 7,” Aaron Sorkin 

    Best Original Song

    • “Fight for You,” (“Judas and the Black Messiah”). Music by H.E.R. and Dernst Emile II; Lyric by H.E.R. and Tiara Thomas – WINNER
    • “Hear My Voice,” (“The Trial of the Chicago 7”). Music by Daniel Pemberton; Lyric by Daniel Pemberton and Celeste Waite
    • “Húsavík,” (“Eurovision Song Contest”). Music and Lyric by Savan Kotecha, Fat Max Gsus and Rickard Göransson
    • “Io Si (Seen),” (“The Life Ahead”). Music by Diane Warren; Lyric by Diane Warren and Laura Pausini
    • “Speak Now,” (“One Night in Miami”). Music and Lyric by Leslie Odom, Jr. and Sam Ashworth

    Best Original Score

    • “Da 5 Bloods,” Terence Blanchard 
    • “Mank,” Trent Reznor, Atticus Ross 
    • “Minari,” Emile Mosseri 
    • “News of the World,” James Newton Howard 
    • “Soul,” Trent Reznor, Atticus Ross, Jon Batiste – WINNER

    Best Sound

    • “Greyhound,” Warren Shaw, Michael Minkler, Beau Borders and David Wyman
    • “Mank,” Ren Klyce, Jeremy Molod, David Parker, Nathan Nance and Drew Kunin
    • “News of the World,” Oliver Tarney, Mike Prestwood Smith, William Miller and John Pritchett
    • “Soul,” Ren Klyce, Coya Elliott and David Parker
    • “Sound of Metal,” Nicolas Becker, Jaime Baksht, Michelle Couttolenc, Carlos Cortés and Phillip Bladh – WINNER

    Best Costume Design

    • “Emma,” Alexandra Byrne 
    • “Mank,” Trish Summerville 
    • “Ma Rainey’s Black Bottom,” Ann Roth – WINNER
    • “Mulan,” Bina Daigeler 
    • “Pinocchio,” Massimo Cantini Parrini

    Best Animated Short Film

    • “Burrow” (Disney Plus/Pixar)
    • “Genius Loci” (Kazak Productions) 
    • “If Anything Happens I Love You” (Netflix) – WINNER
    • “Opera” (Beasts and Natives Alike) 
    • “Yes-People” (CAOZ hf. Hólamói) 

    Best Live-Action Short Film

    • “Feeling Through” 
    • “The Letter Room” 
    • “The Present” 
    • “Two Distant Strangers” – WINNER
    • “White Eye” 

    Best Cinematography

    • “Judas and the Black Messiah,” Sean Bobbitt 
    • “Mank,” Erik Messerschmidt – WINNER
    • “News of the World,” Dariusz Wolski 
    • “Nomadland,” Joshua James Richards 
    • “The Trial of the Chicago 7,” Phedon Papamichael 

    Best Documentary Feature

    • “Collective,” Alexander Nanau and Bianca Oana
    • “Crip Camp,” Nicole Newnham, Jim LeBrecht and Sara Bolder
    • “The Mole Agent,” Maite Alberdi and Marcela Santibáñez
    • “My Octopus Teacher,” Pippa Ehrlich, James Reed and Craig Foster – WINNER
    • “Time,” Garrett Bradley, Lauren Domino and Kellen Quinn

    Best Documentary Short Subject

    • “Colette,” Anthony Giacchino and Alice Doyard – WINNER
    • “A Concerto Is a Conversation,” Ben Proudfoot and Kris Bowers
    • “Do Not Split,” Anders Hammer and Charlotte Cook
    • “Hunger Ward,” Skye Fitzgerald and Michael Scheuerman
    • “A Love Song for Latasha,” Sophia Nahli Allison and Janice Duncan

    Best Film Editing

    • “The Father,” Yorgos Lamprinos
    • “Nomadland,” Chloé Zhao 
    • “Promising Young Woman,” Frédéric Thoraval 
    • “Sound of Metal,” Mikkel E.G. Nielsen – WINNER
    • “The Trial of the Chicago 7,” Alan Baumgarten 

    Best International Feature Film

    • “Another Round” (Denmark) – WINNER
    • “Better Days” (Hong Kong)
    • “Collective” (Romania) 
    • “The Man Who Sold His Skin” (Tunisia)
    • “Quo Vadis, Aida?”(Bosnia and Herzegovina) 

    Best Makeup and Hairstyling

    • “Emma,” Marese Langan, Laura Allen, Claudia Stolze
    • “Hillbilly Elegy,” Eryn Krueger Mekash, Patricia Dehaney, Matthew Mungle 
    • “Ma Rainey’s Black Bottom,” Sergio Lopez-Rivera, Mia Neal, Jamika Wilson – WINNER
    • “Mank,” Kimberley Spiteri, Gigi Williams, Colleen LaBaff
    • “Pinocchio,” Mark Coulier, Dalia Colli, Francesco Pegoretti

    Best Production Design

    • “The Father.” Production Design: Peter Francis; Set Decoration: Cathy Featherstone
    • “Ma Rainey’s Black Bottom.” Production Design: Mark Ricker; Set Decoration: Karen O’Hara and Diana Stoughton
    • “Mank.” Production Design: Donald Graham Burt; Set Decoration: Jan Pascale -WINNER
    • “News of the World.” Production Design: David Crank; Set Decoration: Elizabeth Keenan
    • “Tenet.” Production Design: Nathan Crowley; Set Decoration: Kathy Lucas

    Best Visual Effects

    • “Love and Monsters,” Matt Sloan, Genevieve Camilleri, Matt Everitt and Brian Cox 
    • “The Midnight Sky,” Matthew Kasmir, Christopher Lawrence, Max Solomon and David Watkins
    • “Mulan,” Sean Faden, Anders Langlands, Seth Maury and Steve Ingram
    • “The One and Only Ivan,” Nick Davis, Greg Fisher, Ben Jones and Santiago Colomo Martinez
    • “Tenet,” Andrew Jackson, David Lee, Andrew Lockley and Scott Fisher – WINNER

     

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    April 23, 2021 • Entertainment News • Views: 926

  • NYFA Alum Rajni Mysore Chamaraj Selected For Star Collective Program

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    New York Film Academy is excited to announce that alum Rajni Mysore Chamaraj, along with her sister, Shynica Mysore Chamaraj, has been selected to participate in the novel Stars Collective program and will be supported with mentoring from Hollywood luminaries, funding, and creative resources from Starlight.

    Founded by Starlight Media CEO Peter Luo (producer of Crazy Rich Asians, Marshall, Midway). the Stars Collective program supports young emerging filmmakers and artists and heightens diversity in the global entertainment ecosystem with potential funding of up to $100 million collectively. The esteemed group of Stars Collective mentors includes director Sam Raimi, Chinese actor Xiaoming Huang, and producers Donna Gigliotti, Gianni Nunnari, Chris Lee, Sanping Han, Paula Wagner, Patrick Wachsberger, Eric Heumann, and Liming Ke.

    “As we wade through the film industry looking for a middle ground between our creative expression and the logistical roadblocks, initiatives like these give artists a launchpad and opens up the industry to a more diverse range of content and transforms the ecosystem of both the makers and the audience,” shared Chamaraj. “Collectively, I believe the media industry has just started to come of age and it’s a great time to jump on to this bandwagon of independent filmmaking.” 

    Photo courtesy of Rajni Mysore Chamaraj

    Chamaraj is a Film & Media Production MA alum from NYFA’s Los Angeles campus. Her film The Day I Met Joshua was recently named an Official Selection at the prestigious Carmarthen Bay Film Festival in the UK, which is a BAFTA qualifying festival. She currently resides in India and recently wrote, directed, and edited a short Spanish web series in LA called Finding Home, which is streaming on Amazon Prime UK and US. As of now, she is working on the set of a four-part anthology series about the lives of four urban Indian girls living in different cities of India. The NYFA alum is also working as a screenwriter for an Indo-American feature film to be shot in mid of 2022.

    New York Film Academy is proud of the well-earned success of alum Rajni Mysore Chamaraj and is excited at the prospect of more projects from the NYFA alum as a result of the wonderful achievement of being a Stars Collective participant.

    Starlight has a mission to create content that amplifies diverse voices, and a central focus of the program is helping to promote the next generation of aspiring filmmakers and creative storytellers. Starlight guides filmmakers through the development of projects including indie features, documentaries, and animation, helping them balance art and commerce, while encouraging them to form their own styles of storytelling that not only manifest personal creative visions but catch the zeitgeist of the times.

    The majority of filmmakers selected to the program are female, and represent a highly diverse mix of nationalities, ethnicities, races, and personal and professional backgrounds. The Stars Collective program integrates global resources in order to spark the production of more films of distinctive styles and genres.

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    April 22, 2021 • Acting • Views: 517

  • NYFA Filmmaking Alum Indranil Banerjee Creates India’s First Anthology Horror Miniseries “4 Shades of Leap”

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    From his early childhood, Indranil Banerjee remembered watching Toy Story, Jurassic Park, Satyajit Ray’s Gupi Gyan Bagha Byan, and James Cameron’s epic film Titanic. He recalled how, as a kid, crying when Jack died, imagining himself proposing several times to Rose and talking with his friends at school about why his mom had to close his eyes at the theatre in several scenes of the film. It was movies that excited Banerjee at such a young age, and that captivation for filmmaking continued as he grew up. 

    Photo courtesy of Indranil Banerjee

    “When I grew up, I understood that film was something that was very attractive to me. , I started doing photography and slowly started learning about film and camera,” shared Banerjee. “From there, I began to comb through the filmography of some of the world’s best filmmakers.” 

    The likes of James Cameron, Spielberg, Francis Ford Coppola, and more inspired the aspiring director. Filmmakers like Quentin Tarantino inspired Banerjee to learn storytelling through camera tactics, while Satyajit Ray taught Banerjee how characters can come to life and music can elevate each story. 

    Film poster for “The Chase”

    After attending film schools in the UK, France, and the U.S, Banerjee’s sister told Banerjee about New York Film Academy (NYFA), where Banerjee enrolled in an 8-Week Filmmaking Workshop at the New York campus. 

    The filmmaking alum has directed the short film The Chase, which was recognized at the prestigious Los Angeles Cenefest. His other shorts include The Mirage, Trinyani, One Night Stand, and Hello. Banerjee also directed Bahannoborti (52), a television film for one of the most highly recognized Bengali channels in Kolkata, India. 

    Film posters for Banerjee’s anthology series “4 Shades of Leap”

    Now, the filmmaking alum is changing the way India is consuming horror, by launching the first horror anthology miniseries. 4 Shades of Leap is a series of four shorts that are about five minutes each. “The Idea Came in my head at the end of 2019. It was winter and me and my cinematographer Tuhin Dasgupta were having coffee in my terrace and discussing the new Indian Hindi-language anthology horror film on Netflix called Ghost Stories. We then planned to do our own research on some actual horror events in Kolkata, India.” 

    For one month, Banerjee and Dasgupta talked with individuals, visited many abandoned houses, and began forming the script for four individual stories based on real-life incidents. “As a filmmaker, I wanted to make this extremely natural and as real as I could. I used various cinematic elements as a poignant part of each and every tale; the shadows in the first episode, the rain in the second, the match cuts in the third, and the faces of various animals in the last episode.”

    Banerjee behind the scenes

    Banerjee and his crew finished filming the series just before the pandemic and the series has been met with critical acclaim and such a huge response that the series will return for a second season.

    “People like to watch spooky, but there is a difference between Ghostbusters and Insidious. All I can say 4 Shades Of Leap will Just take twenty minutes from your life to make you feel the various waves and stages of horror, with all four episodes based on real incidents. So, you will definitely enjoy it, and, yes, you will remain in shock.” 

    New York Film Academy recognizes the incredible achievement of filmmaking alum Indranil Banerjee and his latest project 4 Shades of Leap. You can watch the horror anthology on Amazon and Apple TV.

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  • NYFA Musical Theatre Alum Felipe Vasquez Encamilla to Perform in BroadwayMania’s Virtual Production of “In The Heights”

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    A performer and an alum of NYFA’s 2-Year Professional Conservatory of Musical Theatre (PCMT) program, Felipe Vasquez Encamilla, like many others, was devastated when the pandemic hit and productions shuttered their doors and performers could no longer perform live and in-person. 

    Now, with Broadway and other theatre institutions around the world slowly beginning to open their doors again, the performing arts world is starting to rejoice as productions are being cast and virtual performances continue, one of which is the BroadwayMania virtual production of Lin Manuel Miranda’s In The Heights, where Encamilla will perform as the Piragua Guy.

    Promotional photo of Felipe Vasquez Encamilla for “In The Heights”

    In The Heights is one of the most wonderful musicals that I have ever known,” shared Encamilla. “It has a special value for me because the musical represents the Latinx community of which I’m proudly part. It is so important to have a voice and In The Heights is giving me a huge voice. We, as a cast, are recording videos and the audio from our own homes, and then the production and editing team do the incredible magic to put the show together.”

    Encamilla came to study at NYFA in 2018, where he credited instructors like Deidre Goodwin, Michelle Potterf, Kristy Cates, James T. Lane, Kevid David Thomas, D. Michael Heath, Wysandria Woolsey, Mark Price, T. J. Mannix, Stephen Nachamie, among many others, for providing such an immersive experience in the Musical Theatre program. 

    “They are legends! I had heard about them in Chile before, so you can imagine how excited I was to know them [the instructors] in person,” said Encamilla. “ Another big reason for coming to NYFA was the possibility to make a movie musical in the second year. None of the academies or schools that I had seen had this in their curriculums and I consider it so important! Actually, the pandemic has made me use a lot of the things that I learned at NYFA about how to perform musicals in front of the camera.” 

    Encamilla as Monsieur Thénardier in “Les Misérables”

    From playing King Herod in Jesus Christ Superstar to Pirelli from Sweeney Todd, Encamilla revealed that his favorite part of performing is the relationships formed on and off stage. “For me, it’s the relationships with my colleagues and the connections that we can create on stage. Not only because the characters have to have a connection, but also because all the good energy is reflected when you are performing. People can totally see those connections. And that is so beautiful! I think if you work with love, respect and kindness your performance always will be the best.”

    As for what’s next after In The Heights, Encamilla is developing a few projects with his husband Pablo, including producing the play Llamada Entrante (“Incoming Call” written by Pablo and directed by Encamilla), which they are looking to expand after a few successful live online performances. 

    Felipe Vasquez Encamilla in “Sweeney Todd”

    “We are also are writing a musical that talks about homoparental adoption, which is a huge topic for so many people, especially in countries like Chile where it is not allowed. We think that we need more representation in the Musical Theatre world: one of my huge dreams is to write more musicals that contain more representation to the Latinx Community, gay people, immigrants, and people who came to this country to contribute with their talents but so many times they are non seen.”

    An advocate for the voiceless and determined, Encamilla urges those looking to expand their craft to follow their dreams no matter the circumstances. “You have to follow your dreams and make it real. It’s hard, I know. Sometimes you feel that they never will come true. Many times nobody believes in you, including yourself. But you have to find the strength to fight and don’t give up. You deserve it. Never stop dreaming!”

    Official poster for “In The Heights”

    New York Film Academy congratulates Felipe Vasquez Encamilla on the exciting opportunity to be part of BroadwayMania’s production of In The Heights. You can see the show online, with performances streaming on May 15 at 7:00 pm ET, May 16 at 2:00 pm ET, and May 22 at 7:00 pm ET. For tickets and more information, click here.

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  • Films From NYFA Australia Alumni Will Screen at 2021 Gold Coast Film Festival

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    New York Film Academy Australia is excited to share that alumni Stephen Osborne, Josh Hale, and Luke Speech have been selected to screen their films at the 2021 Gold Coast Film Festival (“GCFF”). This year, NYFA Australia is the only film school to have more than one alum featured among the festival’s robust lineup of curated film selections.

    An official GCFF selection, Osborne was invited to screen his film Strangeville at this year’s festival and compete in the Best Australian Indie Film category. The sci-fi dramedy centres in on an outback town, plagued with alien abductions, that must battle unknown forces and dismantle a law enforcement cover-up in the process.

    Still from Stephen Osborne’s “Strangeville”

    Osborne has previously received recognition for the short film Roommate Wanted For The End of The World, winning Best Short Screenplay at the Rome Prisma Independent Film Awards and Screenwriter of The Month for The Monthly Film Festival. His short film Jane also earned Osborne an award for Best First Time Director at the Oniros Film Awards, which he completed during his studies at New York Film Academy.

    In addition to being written and directed by Osborne, Strangeville also includes 21 members of the cast and crew who also attended NYFA’s Gold Coast campus. Among them is Vito Leo who plays Miles in one of the film’s leading roles. Leo has worked most notably on Thor: Ragnorok and the highly-anticipated Godzilla vs. Kong.

    Also on the slate for the GCFF is Hale’s House of Inequity, which will appear in the ‘Dark Nights and Fantastic Fans’ portion of the program, alongside screenings of Willy’s Wonderland and The Lord of The Rings trilogy. The film follows a group of friends that experience a day trip gone wrong after investigating an abandoned house where they must figure out how to survive the night.

    Still from Josh Hale’s “House of Inequity”

    The NYFA Australia alum is known for his critically acclaimed film Digital Athlete: The Road Set League, which earned Hale an IndieFEST Film Award of Merit, a Festival Award at the Festigious International Film Festival, and a Best of the Year Award nomination at the Gold Movie Awards. The producer-director is also in production on the documentary Do or Die and is currently in the development of the thriller Force of Evil.

    Hale’s House of Inequity was originally supposed to have its world premiere at the 2020 GCFF but was put on hold due to the COVID-19 pandemic. The film credits 17 NYFA Australia alumni among the film’s cast and crew and features the work of NYFA Australia faculty members Stuart Lumsden (NYFA Australia Deputy Chair of Acting for Film), sound design instructor Vic Kaspar (House of Flying Daggers, Harry Potter and The Prisoner of Azkaban), and Patrick Ryan (NYFA Australia Associate Chair of Short-Term Filmmaking).

    “I am so proud of what we achieved,” shares Hale. “A local cast and crew utilising the incredible Gold Coast and its glorious production value. I am proud of this film.”

    Film poster for “Paint” by Luke Speech

    Also screening at GCFF is Speech’s Paint. The NYFA Australia alum’s film will screen as part of the EMERGE! showcase of short films that celebrates the best and brightest film talent from Queensland’s next generation of filmmakers.

    NYFA Australia is proud of Filmmaking alumni Stephen Osborne, Josh Hale, and Luke Speech, as well as the incredibly talented group of NYFA Australia alumni and faculty who served as the cast and crew for Strangeville and House of Inequity.

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  • New York Film Academy Awards MultiChoice Talent Factory Academy Students With 8-Week Program Scholarship

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    MultiChoice Talent Factory (MTF), a New York Film Academy (NYFA) partner, recently announced the graduation of 60 students from the Lusaka, Nairobi, and Lagos MTF Academy hubs. 

    Through their partnership with NYFA, MTF Academy students have the opportunity to graduate with not only an MTF graduate qualification but also walk away with accreditation from NYFA as well. 

    MultiChoice Talent Factory (MTF) graduates

    Originally a 12-month course, MTF students experience an extended period of study to 18 months due to the COVID-19 pandemic, allowing for students to complete an intensive 3-week online NYFA course on the production of micro-documentaries, PSAs, and music videos and also worked with the United Nations on the global #PledgeToPause campaign, exposing the young creatives to global networks.  

    Having received both their MTF and NYFA qualifications, MTF graduates are made even more sought-after candidates as they re-enter their respective local film and TV sectors as highly qualified industry professionals. 

    Africa’s creative industries are custodians of the continent’s cultural heritage, and as Africa’s most-loved storyteller, MultiChoice has always put to use its burning desire to develop and invest in African talent through initiatives such as MTF. And like the previous cohort, the skills gained by the Class of 2020 once again shone through during their course.

    In addition, NYFA also awarded an 8-week scholarship, which goes to the top-performing graduate per region, to the below MTF graduates:

    • Abisola Aboaba (Nigeria)
    • Daisy Masembe (Uganda) 
    • Maira Tauacale (Mozambique).

    MTF Academy graduate and NYFA scholarship recipient Abisola Aboaba

    “This is a proud moment for everyone involved in ensuring that the students became graduates. It’s also been fulfilling to see just how in-tune this next generation of African storytellers are with the importance of being multi-skilled and intuitive creatives,” shared Yolisa Phahle, CEO of General Entertainment and Connected Services, MultiChoice Group. “All this would not have been possible without the collaboration and commitment of our fantastic partners.”

    New York Film Academy congratulations to the class of 2021, who are now alumni of the exceptional MTF Academy program, a proud partner of NYFA.

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    April 15, 2021 • Entertainment News, Film School, Filmmaking, International Diversity • Views: 728

  • NYFA Welcomes Producer Hilary Shor to The Q&A-List Series

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    New York Film Academy (NYFA) had the honor of hosting a live video Q&A with producer Hilary Shor to discuss her work as an executive producer on the Oscar-nominated film The United States vs. Billie Holiday with NYFA students and alumni. Tova Laiter, Director of the NYFA Q&A-List Series, curated and moderated the event.

    Hilary Shor is a producer who has worked on multiple critically acclaimed films including Alfonso Cuarón’s Children of Men. Shor has had a longstanding relationship with Oscar & Emmy nominated director Lee Daniels (Precious, Empire), and has worked with him as producer/executive producer on The United States vs. Billie HolidayThe Butler with Oprah Winfrey, Forrest Whitaker, Lenny Kravitz, and The Paperboy starring Nicole Kidman and Zac Efron. She has also served as an executive producer on Eye of The Beholder, starring Ewan McGregor and Ashley Judd.

    Hilary Shor (Left) and Tova Laiter (Right) for NYFA’s Q&A-List Series

    One of Shor’s first big productions, Children of Men, came to be after Shor optioned the book and held on for nine years. It was a testament to her ability to see a story worthy of being made and betting on the talent. It paid off when the-now-Academy Award-winning director Alfonso Cuarón directed the film and went on to be nominated for three Academy Awards.

    Hilary Shor (Right) on set of Lee Daniels’ “The Paperboy”

    Shor has also had a longstanding relationship with her frequent collaborator and friend of 30 years Lee Daniels. “Back when we were both agents, [Daniels] would always try to sign my clients behind my back,” joked Shor. Eventually, Shor and Daniels began working together on his films, noting their shared love of humor on set, for Daniels’ films The Butler, The Paperboy, and now The United States vs. Billie Holiday.

    “It’s the first music-driven film I have worked on and it was really wonderful to see the period come alive,” Shor shared about working on The United States vs. Billie Holiday. “There’s such a richness. It was really wonderful to gather this extraordinary cast including the incredible Andry Day, who is nominated for Best Actress at this year’s Oscars.”

    “Emily in Paris” star Lily Collins (Left) and Hilary Shor (Right)

    Laiter also commented on Shor’s ability to focus on people, remained a trusted friend among Hollywood’s top talent including Nicole Kidman, Lily Collins, Charlie Hunnam, and more. “My role as a producer is to protect the environment [on set]. Talent instinctively knows who is a safe resource. I love them [the actors] and I really see them. When I work on a film, I want the actors to know I am really there for them and I’m in their corner.”

    New York Film Academy would like to thank Hilary Shor for sharing her time and invaluable knowledge of the producing world with NYFA students and alumni and showing students that, no matter how high you climb in the business, taking your ego out of the equation will always get you farther.

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    April 13, 2021 • Guest Speakers, Producing • Views: 633

  • NYFA Filmmaking Instructor Braden Duemmler’s Film “What Lies Below” Lands on Netflix

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    NYFA instructor Braden Duemmler’s film What Lies Below is currently has the the #1 spot on Netflix’s Top 10 in the U.S. Today spot, a coveted ranking across all streaming services.

    Duemmler, who wrote and directed the film, is a filmmaking instructor at NYFA’s Los Angeles campus. What Lies Below is a horror-thriller film that tells the story of a teenage girl who comes back home from camp, only to realize that her mother’s attractive new boyfriend is too good to be true.

    Braden Duemmler (Left) and Ema Horvath (Right) on the set of “What Lies Below”

    The film stars Ema Horvath (who was recently cast in the upcoming Lord of The Rings series for Amazon Prime), NYFA guest speaker Mena Suvari (American Beauty, American Pie), and Trey Tucker (who was recently cast in the upcoming show Heels on Starz).

    For Duemmler, What Lies Below was a labor of love, and seeing all of the work that went into writing the film as well as seeing it cast and begin shooting was an incredible moment for the director. “It was wonderful and terrifying at the same time. I still remember the first table read with Ema, Trey, and Mena going through the lines. I had tears in my eyes at the end because I just couldn’t believe I was sitting there, with these incredibly gifted actors, listening and watching them bring the story to life!”

    Behind the scenes of filming “What Lies Below”

    “As we were making the film, it was a battle. Every day had its trials and triumphs and you just had to stay focused on the scene, the shot, the moment, every step of the way,” shared Duemmler. “Every time we wrapped a day, and I knew in my head we got what we needed, I felt the same as I did at that table read: this is happening, this is working, this is awesome!”

    Mena Suvari in “What Lies Below”

    What Lies Below has now been picked up and released by streaming giant Netflix, which has been the launching point for many directors and multiple genres of content for the past decade.

    “It’s very exciting. We’re being released the same week as a film starring Idris Elba! It makes me appreciate the platform [Netflix] and its unique ability to bring films from all genres, budgets, and styles to one place.”

    Trey Tucker in “What Lies Below”

    According to the filmmaking instructor, audiences will be able to enjoy the “intensity of the story” and the mystery that is riddled throughout the film. But most of all, he hopes audiences will argue over the ending. “It is a very polarizing finale and I’ve already seen some great fan theories on the internet. All I’ll say is the ending is not open-ended; it is very definitive and all the answers to the mystery are layered into those final two shots. I hope people enjoy picking it all apart and trying to figure it out!”

    Braden Duemmler on the set of “What Lies Below”

    For anyone out there looking to make their own film, Duemmler says it’s time to stop asking for permission. “You don’t need the studios, or Sundance, or a big-time producer. All you need is a great script and a little start-up capital that will allow you to attach a cast that is recognizable enough to get you your full budget! The cast is EVERYTHING and they care about great scripts!”

    New York Film Academy congratulates filmmaking instructor Braden Duemmler on the release of his first feature film What Lies Below, which is now available to stream on Netflix. Once audiences finish arguing over the ending of What Lies Below, it won’t be long before Duemmler releases his next film Mold, which will begin casting this summer.

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    April 7, 2021 • Entertainment News, Faculty Highlights, Filmmaking • Views: 791

  • One Year Success for NYFA 3-D Animation & VFX Alum Marthinus Philippus (MP) Rabie

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    To say 2020 was a difficult year, would be an understatement. However, during these uncertain times, Marthinus Philippus Rabie (MP) was not only able to make the most of his final semester of the 1-Year Conservatory program for Animation, but he also landed his dream job at the previsualization, postvisualization, and virtual reality company, The Third Floor (TTF).

    Originally from South Africa, MP was excited by the idea of studying abroad in America. When asked how he decided on animation, Rabie said, “It’s one of those very scarce skills.” Having already tried getting into 3-D animation for several years, he wasn’t able to get the answers he sought on his own, ultimately holding him back from being able to learn and have the ability to create the images that were stuck in his head. MP admits that, “Sure YouTube is a thing, but that only helps you to a certain extent and you don’t really learn that much. It’s better to be taught by a professional who can answer all those burning questions.” Between conversations amongst friends during lunch breaks at his old film school to the many Instagram posts, NYFA seemed like the right place to go.

    NYFA alum MP Rabie

    Much to MP’s delight, the 3-D Animation & Visual Effect’s 1-Year program at NYFA’s Los Angeles campus had no shortage of professionals to answer those burning questions. “Having actual professionals that work in the industry today as teachers is probably the best thing the school could’ve done. Not only are they very knowledgeable about their crafts, but they also have tons of connections and real experience.” Most notably for Rabie was Animation Supervisor and NYFA instructor, Gael Harlow.

    For MP, “all the staff at NYFA are very helpful but sometimes there’s a teacher that’s just an extra ray of sunshine. Gael Harlow is one of them. She goes above and beyond all her duties. Her patience, care about student growth, and passion for what she does is undeniable.” In fact, it was at Harlow’s suggestion that MP look into working in previsualization.

    Work from MP’s Drawing Class at NYFA

    “At the time I had no idea what it was [however], the more she explained the more I liked it!” When it came to Harlow’s attention that The Third Floor was actively hiring, she informed Rabie who wasted no time getting in touch. “[Following my certificate from the program] I got all my stuff together and made a new reel, cover letter, and resume. I sent my reel to Gael, and she sent it to her friends at TTF. They gave me some suggestions, and I changed my reel accordingly; within less than two weeks I got a booking.” This isn’t to say that the road to getting any 3-D generalist’s dream job as a postvis artist was without its fair share of challenges.

    2020 left and continues to leave a significant impact. For Rabie, it meant not being able to see his family for more than two years as well as making the most of his time while living in isolation. “It’s difficult not being able to visit the ones who you care about most in this world, especially if you’re trapped alone in a room by yourself for such a long time. So, I distracted myself by learning as much as I could to try and make everything worth it.” I think it’s safe to say it was definitely worth it. 

    MP replicating lighting for a NYFA assignment

    When asked what advice he’d give to current students and those interested in pursuing animation, MP relayed the following, “learn with intent, practice doesn’t make perfect, good practice makes perfect. The school will give you everything you’ll need to succeed, all you have to do is your part. Just attending classes and doing your assignments isn’t enough, it’s a very tough industry, one where skills are prioritized over certification. So put in your hours after classes, and apply what you learn on your OWN personal projects. That’s how you will get good, very fast.” 

    He went on to say that, “[animation] seems very intimidating for the first two months… every day you will learn something new about the programs you use no matter how experienced you are. That’s what makes it fun, it’s all just one big sudoku puzzle, the more you fill in the better and faster the process becomes. If you love animation enough and can make it through those first two months without quitting then I can safely say that you should stick with it!”

    Photo courtesy of MP

    As for what’s next, only time will tell, that being said, MP has his sights set on becoming a supervisor. “It’s just such a respectable title to hold, everything about it screams experience. I would love to get to that level and be able to run a team of artists as one big collaborative group to create something amazing.” 

    For more information about MP and his work, check out his website or follow him on Instagram @mp.rabie. To learn more about NYFA’s programs for 3-D Animation & VFX, check out our website for more details on our course offerings.

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