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  • Award-Winning Actor Alec Baldwin Holds Live Q&A on Acting Technique for NYFA Students

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    On Tuesday, July 21, 2020, New York Film Academy (NYFA) had the honor of hosting a live video Q&A with award-winning and celebrated actor Alec Baldwin to discuss the acting craft with NYFA students and alumni. Tova Laiter, Director of the NYFA Q&A Series, moderated the event.

    Alec Baldwin has received a Tony nomination for his performance in A Streetcar Named Desire, a supporting actor nomination at the Oscars for The Cooler (2004), and he has won three Emmy awards, three Golden Globes and seven consecutive Screen Actors Guild Awards for ‘Best Actor in a Comedy Series’ for his role as Jack Donaghy on NBC-TV’s 30 Rock.

    Tina Fey (Left) and Alec Baldwin (Right) pose with their SAG Awards for ‘30 Rock’

    Baldwin’s filmography also includes the critically acclaimed film The Hunt for Red October, for which NYFA’s Founder, Jerry Sherlock, was Executive Producer, as well as Glengarry Glen Ross, It’s Complicated, The Departed, Pearl Harbor, Blue Jasmine, Still Alice, Mission Impossible: Rogue Nation, and many more.

    More recently, Baldwin has gained critical acclaim and popularity surrounding his portrayal of President Donald Trump for Saturday Night Live, joining the cast regularly for ongoing appearances as the 45th President.

    Tova Laiter (Left) and Alec Baldwin (Right) for The NYFA Q&A Series

    Laiter began the Q&A by asking Baldwin about his successful career and finding his place in Hollywood. “In the beginning, you have a boyish gratitude [on set], similar to being a guest in someone’s house,” he began, “everyone on the set knows more than you, but that changes later on when you are on a film and someone says something to you and you go ‘no, I think it’s this,’ as you begin to understand what will make a scene work.”

    The conversation then switched to Baldwin’s successful career as not only a dramatic actor, but a comedic performer, where Laiter brought up Baldwin’s hilarious and well-timed character Jack Donaghy on NBC’s critically acclaimed TV series 30 Rock. “The show, to me, is one of the ultimate examples of me being the beneficiary of very good writing,” he shares. “The writing was the best I had ever seen in terms of comedy and it was natural to me.”

    Baldwin on set for Martin Scorsese’s ‘The Departed’

    One student asked Baldwin about how he chooses the right script as an actor. Baldwin responded: “I try to decide ‘is this movie a movie I want to make or I want to see?’ Then, I look at my character. I’ve played parts where my character wasn’t the biggest role or well-served in terms of page count, but there was an opportunity to me where I could see that character having an impact on that film.” When it comes to looking at a script, Baldwin explains that it’s about the quality of storytelling and the impact of your character that matters.

    Another student asked Baldwin about what it can be like for an actor when giving a performance in a film versus acting in television series.

    Baldwin as President Donald Trump for ‘Saturday Night Live’

    “Moviemaking is intense because you have to narrow everything down to what is worthwhile and what works,” he shares. “Television allows for more time to spread your character arc or story along. There is more complexity involved because there is more time. If not in this episode then in the next…”

    To the question of whether one should try everything or stick to the one that already works, Baldwin recommended that when you are just starting out and you are young, to try everything to become the actor you can be and want to be, Baldwin reminded students that it isn’t just about finding an agent, “making it,” or getting everything “right” after studying acting: “Join a rep company. Do as many shows as you can. Do as many roles as you can off the beaten path so you can make your mistakes under the radar before you get typecast.”

    Steve Martin (Left) and Alec Baldwin (Right) host the 82nd Academy Awards

    Baldwin also provided profound advice to students when auditioning for a role. “Remember they asked you there.” He explains that it can be easy to go into an audition with a “people pleasing attitude,” but “they want what you have; they invited you to come to audition and they need you. You are a professional and they are looking for someone to play a part, and you give everything you’ve got in the audition. Once you walk into the room and realize no one is doing anybody any favors, it’s business, and you’re a part of that business, then everything is going to change for you.”

    Baldwin closed the conversation by thanking Laiter for the conversation and the students for their time, and expressed that he hoped his words were helpful to those looking at a career in acting.

    New York Film Academy would like to thank the talented Alec Baldwin for sharing his time and acting experience with NYFA students and alumni.

    To listen to the full conversation, click the video below or check it out on our YouTube channel here.

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    July 27, 2020 • Acting, Guest Speakers • Views: 170

  • New York Film Academy Welcomes Acclaimed ‘American Beauty’ Actress Mena Suvari for The NYFA Q&A Series

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    On Tuesday, July 14, 2020, New York Film Academy (NYFA) had the pleasure to hold a live video Q&A with critically acclaimed actress MENA SUVARI to discuss her acting career with NYFA students and alumni. Tova Laiter, Director of the NYFA Q&A Series, moderated the event.

    Mena Suvari is an award winning actress known for her roles in hits such as American Pie (1999) and the five-time Oscar-awarded American Beauty (1999). Directed by Sam Mendes, her genuine and moving performance as the character Angeles Hayes in American Beauty earned her a ‘Best Supporting Actress’ nod by BAFTA and a SAG Award for ‘Best Ensemble Cast.’ Suvari also won a Movieline Award for ‘Breakthrough Performance’ for her role.

    Following the success of American Pie, she reunited with Jason Biggs in Amy Heckerling’s romantic comedy Loser (2000) and continued to show her acting range in projects like Jonas Åkerlund’s cult-classic Spun (2002), Rob Reiner’s Rumor Has It (2005), Tony Scott’s Domino (2005), and Factory Girl (2006), amongst others.

    Tova Laiter (Left) and Mena Suvari (Right) during live Q&A

    Laiter opened the conversation by discussing Suvari’s career in the entertainment industry, which began with Suvari booking modeling and commercial jobs, which then turned into guest star roles on television. After booking her first film, Nowhere (1997), other indie film gigs soon opened up for the actress, eventually leading her to her biggest break yet, a lead role in the cult-classic, blockbuster film American Pie.

    Suvari recalls the audition for high school chorus student Heather being very relaxed and not as intense as her audition for American Beauty. After shooting American Pie, Suvari remembers going into film Sam Mendes’ heavily awarded film American Beauty, playing a more dramatic role as Angela Hayes, known for her iconic, risqué rose petal scenes throughout the film.

    “I honestly remember thinking, at the time, ‘I’m so happy to have a job’ not necessarily the big names around me and they [American Pie and American Beauty] saved me at the time during a very personally challenging moment in my life.”

    Kevin Spacey (Left) and Mena Suvari (Right) in ‘American Beauty’

    Suvari, who has experienced shooting some intimate scenes across her filmography, also touched on what it can be like for actors on set when filming a very sensual or more explicit scene.

    “It can definitely be awkward sometimes,” she laughs, “I have worked in all types of scenarios, but when you are shooting intimate scenes you want to keep the crew as small as possible and make everything feel very considerate.” For American Beauty, Suvari recalls everything being handled very professionally and carefully and remembers that Mendes was “very supportive” throughout the process.

    Mena Suvari in ‘American Pie’ (1999)

    A student then asked Suvari how she personally gets into approaching a role when reading a script. “It depends on the project,” she shared. “I am currently working on a project now, for example, where there is a tight family dynamic and I am trying to understand where the characters are coming from and their motivations.”

    Ultimately, Suvari explains, approaching a script is really about collaboration, as well. “I want to approach the writer, the director, and whoever I can to understand the genesis of the story and what it means to them, and ask as many questions as I can.”

    Mena Suvari (Left) and Alicia Silverstone (Right) in ‘American Woman’

    Suvari closed the conversation, by sharing some advice with NYFA students that has always stuck with her throughout her career while she was shooting Orpheus in 2007. “It was something that you think would be so simple, but the director [Bruce Beresford] just said ‘listen, listen listen,’ which can be tricky if you think about it, because you already know the script and what will happen because you are familiar with everything, but you need to be as present as possible in the moment.”

    Laiter then thanked Suvari for joining the conversation and giving students some excellent insight for their future productions in front of the camera or for those directing actors, while Suvari exclaimed she was so happy to be part of the conversation and to speak with the students.

    New York Film Academy would like to thank actress Mena Suvari for sharing her time and her experiences working on set from being a young actress to a seasoned performer. NYFA encourages everyone to check out Suvari’s upcoming film Grace and Grit, set to release later in 2020.

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    July 15, 2020 • Acting, Guest Speakers • Views: 128

  • Masters of Game Design Series: Exploding Kittens Creator Elan Lee Shares His Story with NYFA

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    On July 9th, Game Designer Elan Lee talked with NYFA’s Scott Rogers as part of the Masters of Game Design speaker series.

    Elan Lee (Left) and NYFA’s Scott Rogers (Right)

    Lee discussed his origins working at Microsoft on classic games such as Halo. Lee chronicled his co-creating the Alternate Reality game genre with Jordan Wiseman on the Steven Spielberg’s the Beast. Rogers and Lee chatted about projects I Love Bees and Why So Serious? and Year Zero which were created by Lee’s 42 Entertainment. Lee discussed his transition from digital to tabletop games and the design and marketing of the Kickstarter record-breaking game Exploding Kittens. Lee also took questions from the Zoom audience.

    Exploding Kittens game created by Elan Lee

    A recording of this talk with Elan Lee will be available at a future date. To learn more about upcoming Masters of Game Design speakers, please join the NYFA Game Mentor Network at Meetup.com. For more on NYFA’s School of Game Design, click here

     

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    July 13, 2020 • Game Design, Guest Speakers • Views: 160

  • NYFA South Beach Instructor Peter Baloff Holds Virtual Q&A with Emmy Award-Winning Producer and Director Michael Pressman

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    We’re collaborative artists. Our creative process involves working face to face and hand to hand, finding common objectives and making it all happen. As an instructor at NYFA South Beach during this pandemic, I miss the personal connection with my students and I know my students miss the social and professional interactions with their fellow students. We all miss being there.

    Peter Baloff (Left) holds virtual Q&A with Michael Pressman (Right)

    I keep looking for silver linings in this time of pandemic. I’m upgrading my landscaping, enjoying my wife’s new-found love of baking, reading more and catching up on some pretty good movies and TV shows. But it’s been hard finding silver linings teaching my students on Zoom. But this week, at long last, a silver lining appeared on Zoom, which I’d like to share with you here.

    For the past few years I’ve wanted to invite guest artists to our South Beach campus – accomplished actors, directors, producers, casting directors, cinematographers, so many other journeymen filmmakers with whom I’ve worked over the course of thirty years writing, producing and directing in Los Angeles. 

    As it turns out, Zoom opened the door for my first guest artist invitation. For those who attended, there’s no doubt a good time was had by all – by not only our South Beach students, but all students across NYFA’s campuses. 

    Michael Pressman (Right) on set with Richard Pryor for ‘Some Kind of Hero’

    Michael Pressman directed his first feature film when he was only 26 and went on to direct quite a few big studio hits, including Dr. Detroit and Some Kind of Hero, starring Richard Pryor. He ventured into television, directing TV movies and dozens of episodes of quality TV shows, such as Law and Order, Grey’s Anatomy, The Guardian and Sneaky Pete. As an Executive Producer, Michael became an experienced “Show Runner,” winning two Emmys for the acclaimed series, Picket Fences. His IMDB speaks for itself. 

    A natural story-teller, Michael regaled us with tales of working with famous actors, dealing with the studio system, casting, getting the most out of collaborating artists and coping with the ever-changing filmmaking technology. He advised our students on breaking into the business and offered strategies for success. 

    I’m convinced the intimate Zoom platform, allowing Michael and I to talk to each other like old friends, was an ideal and more comfortable format for Michael – far better, I believe than a staged event before a live audience. I’m told by those who watched it, the Zoom meeting with Michael Pressman resembled a late night talk show, as entertaining as it was informative. 

    Let’s all keep looking for those silver linings, knowing we’ll get together in person very soon.

    For more information on our NYFA South Beach programs, please contact  southbeach@nyfa.edu or check out our website here.

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    July 10, 2020 • Filmmaking, Guest Speakers, Producing, South Beach • Views: 197

  • New York Film Academy Welcomes Director Tânia Cypriano and NYFA Student Jude Washock for a Q&A on Groundbreaking Documentary ‘Born to Be’

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    On Tuesday, June 23, 2020, New York Film Academy (NYFA) hosted a live video Q&A with the talented documentary filmmaker Tânia Cypriano to discuss her much admired and trailblazing documentary film Born to Be. Cypriano was also joined in conversation by NYFA Acting for Film Conservatory student, and consultant for the film, Jude Washock. Tova Laiter, Director of the NYFA Q&A Series, moderated the event.

    Director Tânia Cypriano has been working between her home country of Brazil and the United States for over thirty years. Her films and videos have won international awards including ‘Best Documentary’ at Joseph Papp’s Festival Latino in New York, the Pan African Film Festival in Los Angeles, and Fespaco in Burkina Faso. Her work has been shown in the world’s most prestigious institutions including The Museum of Modern Art (MoMA), Hong Kong Arts Center, the Jerusalem Film Festival, the Amsterdam Documentary Film Festival, and the Berlin International Film Festival.

    (Clockwise) Tova Laiter, Tânia Cypriano, and Jude Washock for Q&A Series

    Her television credits include documentaries for PBS, the History Channel, NHK in Japan, GNT in Brazil and Channel 4 in England. Cypriano has co-organized a series of films with the MoMA, the Anthology Film Archives, Exit Art, the Museum of Image and Sound in São Paulo, and the Grazer Kunstverein in Austria. She has also previously worked on productions for Bill Moyers, Martin Scorsese, Kent Jones and Nelson Pereira dos Santos.

    Dr. Ting walks with one his patients in the Center for Transgender Medicine and Surgery wing of Mount Sinai Hospital (‘Born to Be’)

    Cypriano’s latest documentary, Born to Be, follows the work of Dr. Jess Ting at the groundbreaking Mount Sinai Center for Transgender Medicine and Surgery in New York City —where, for the first time ever, all transgender and non-binary people can have access to quality transition-related health and surgical care. The film received critical acclaim upon its original release in the 2019 festival circuit and was hailed by Variety as “a lively and moving documentary,” and “a film that distinguishes itself with a sensitive, human portrait” by Hollywood Reporter.

    A patient awaiting consultation from Dr. Ting (‘Born to Be’)

    Cypriano remembers wanting to make this documentary after hearing about the Center for Transgender Medicine and Surgery in New York from her producer, noting it was “a historical moment for New York City, and also for healthcare.” After deciding she wanted to do this documentary, Cypriano recalls staying in the clinic and documenting the surgeries with the crew, noting how many of the characters in the film “understood the importance of that moment [of filming] because these surgeries were just made available, and the importance of them was so great to the [transgender] community.”

    Washock, a SAG-AFTRA member and NYFA student who served as a consultant for the film, explained that his role was “to ensure that the stories being told by the characters, who were receiving surgery, were portrayed in a humane way and were not damaging or exploitive.” Consultants like Washock are especially important for documentary filmmakers so they can ensure they do the subject matter, and story, justice.

    Dr. Ting posing with one of his patients (‘Born to Be’)

    One student asked Cypriano how she was able to compose herself during the documentary shoot. “It was a tough one,” she recalls, “I think that is why I chose to live outside of my family because it was emotionally draining, but nothing compares to what I imagine Dr. Ting goes through because he is over there listening to those stories everyday.”

    Film poster for ‘Born to Be’

    In addition to discussing the film, Cypriano also encouraged NYFA students to tell stories because they can. “You have to put yourself out there, work hard, be patient, and persevere. If you hang in there, you can do it.” Washock, who got involved in the project just by talking to Cypriano at an event added, “put yourself out there and have conversations with people and just talk, you would be surprised.”

    Washock also encouraged students in the New York City area to look into volunteering or becoming a member at IFP (Independent Filmmakers Project), where Washock praised his experience there networking and attending informative panels.

    Cypriano thanked Laiter and the NYFA students for joining the call and also extended gratitude to NYFA student Jude Washock for joining the conversation.

    New York Film Academy would like to thank the talented Tânia Cypriano for sharing her time and expertise with the students and NYFA Acting for Film student Jude Washock for sharing his experience as a consultant on Born to Be. NYFA also encourages everyone to keep an eye out for the forthcoming theatrical and streaming release of the film.

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  • Masters of Game Design: David Jaffe interviewed by NYFA Games

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    On June 18, 2020, Video Game Designer David Jaffe talked with NYFA’s Scott Rogers as part of the Masters of Game Design speaker series.

    Game designer David Jaffe

    Jaffe discussed how he entered the games industry, ending up at Sony Santa Monica. Jaffe chronicled his experiences working on games such as Mickey Mania before leading a team to create the car combat game Twisted Metal.

    Original cover art for ‘Mickey Mania’ video game

    Jaffe touched on the subsequent games of the classic game franchise and the origins of the acclaimed action game God of War. Jaffe also discussed starting his own companies – Eat Sleep Play and the Bartlett Jones Supernatural Detective Agency – and the games those teams created: Calling all Cars and Drawn to Death. Jaffe also took questions from the Zoom audience.

    A recording of this talk will be available at a future date. To learn more about upcoming Masters of Game Design speakers, please join the NYFA Game Mentor Network at Meetup.com. For more on NYFA’s School of Game Design, click here

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    June 23, 2020 • Game Design, Guest Speakers • Views: 20

  • Congratulations to the Spring Class of 2020 at New York Film Academy Los Angeles (NYFA-LA)

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    The end of May was an exciting time at New York Film Academy (NYFA) for the Spring Class of 2020, where students and instructors witnessed the culmination of their hard work over multiple days of final screenings, presentations, pitches, and of course, graduation ceremonies. 

    Actor Vincent D’Oforino (Left) and Dean of Academic Advising for NYFA Los Angeles, Mike Civille (Right)

    This year, NYFA graduations, like many across the country, were held virtually with students and their families tuning in from all over the world to celebrate as NYFA graduates proudly accepted their diplomas and tossed their caps in the air.

    Guest speaker Vincent D’Onofrio joined in the commencement ceremony by delivering a speech that encouraged BFA and MFA students as they go into working more closely with the industry after graduation. He encouraged students to continue to remember what they know, but to constantly be willing to learn and grow along the way throughout their respective careers.

    New York Film Academy congratulates all of the incredible students of the class of Spring 2020 who have dedicated so much time and hard work into completing their training here. We look forward to celebrating all their wonderful achievements to come!

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  • New York Film Academy (NYFA) Hosts SAGindie Executive Director Darrien Gipson on the State of the Industry During Covid-19

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    The New York Film Academy recently hosted an Industry Speaker session with the Executive Director of SAGindie, Darrien Gipson. Students and Faculty from all NYFA campuses attended as Gipson addressed the state of the industry during Covid-19.  With all sectors of the industry focused on returning to work, it was a prescient discussion moderated by NYFA Producing Chair Neal Weisman.

    Gipson spoke of the various protocols that are being proposed once production resumes. While a certain degree of uncertainty prevails, and as the industry awaits government guidelines, a consensus around various parameters is formulating.  They include reduced crew sizes, staggered work hours, “pods” of crew alternating on set, various departments working timed shifts, longer days sanctioned by the unions, strict enforcement of social distancing, personal and set/equipment sanitizing regimes, monitoring for symptoms, and isolating actors.

    NYFA Producing Chair Weisman with SAGindie’s Darrien Gipson

    On a positive note, various “silver linings” are beginning to emerge from the current environment. Smaller productions with lower budgets, like student films and web series, are going to find it easier to handle the logistics and flexibility required to move forward. There will be a great hunger for projects as a result of the freeze on production in effect since March. 

    The smaller productions that can proceed at a quicker pace than the larger, more cumbersome projects will be better positioned for distribution. Gipson cited that a smaller number of “starry” submissions to festivals like Sundance will enhance the chances of less high profile films obtaining top-tier festival launches. Streaming platforms and other distribution entities will be seeking more product than ever. These observations connected with the NYFA audience as the conversation made it more apparent that there has rarely been a better time for emerging producers, filmmakers, writers, and actors to create content for a voracious audience. 

    The New York Film Academy has a long standing relationship with SAGindie, and thanks Executive Director Darrien Robbins for her insight and generosity. SAGindie is an invaluable resource for the NYFA community, as they not only assist in navigating the various paths forward working with the Screen Actors Guild, SAGindie will also offer guidance on a host of matters from financing to festival strategies, and more.  SAGindie welcomes NYFA students who would like to reach out and learn more. 

    For more information on SAGindie and how to contact them click here.

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    June 2, 2020 • Entertainment News, Filmmaking, Guest Speakers, Producing • Views: 737

  • New York Film Academy (NYFA) Welcomes Golden Globe Nominated Actress Beanie Feldstein

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    On Monday, May 11, New York Film Academy (NYFA) had the pleasure of hosting a live video Q&A with Golden Globe American actress Beanie Feldstein on the occasion of the national release of her latest film How to Build a Girl, in which she has a starring role. Tova Laiter, Director of the NYFA Q&A Series, moderated the event.

    Beanie Feldstein grew up with a love of theatre and the arts, which led her to pursue musical theatre and eventually a career in acting. “I was obsessed with musicals,” she tells Laiter. “It was all I ever wanted to do [to perform]. I did community theatre my whole upbringing.” After her senior year of college studying Sociology, Feldstein decided to begin auditioning for acting roles and eventually landed her first speaking role on Orange is the New Black in 2015 followed by Neighbors 2: Sorority Rising, The Female Brain, and the HBO pilot for The Devil You Know; launching Felstein’s screen actor career.

    Tova Laiter & Beanie Feldstein discuss Feldstein’s prep for her latest film ‘How to Build a Girl’

    Feldstein’s SAG nominated performance in Greta Gerwig’s Oscar-worthy Lady Bird that Feldstein cemented her rise to prominence. That same year, she starred as Minnie Fay in the Broadway revival of Hello Dolly! alongside Feldstein’s hero and Broadway legend, Bette Midler. The musical went on to receive a Tony Award for “Best Revival of a Musical” and Feldstein received critical acclaim for her performance on the live stage.

    Feldstein was then cast in the highly anticipated film Booksmart, which served as actress Olivia Wilde’s directorial debut and Feldstein’s first role with top billing. The role earned her a Golden Globe nomination for “Best Performance by an Actress in a Motion Picture – Musical or Comedy” and the film went on to win the 2020 Independent Spirit Award for “Best First Feature.”

    Beanie Feldstein as Johanna Morrigan in ‘How to Build a Girl’

    Following a screening of the film’s trailer, Laiter opened up the Q&A by commenting on how Feldstein was able to nail her British accent and asked her how she first came to be involved with the production.

    Feldstein read the script for the film while she was still performing onstage for Hello Dolly!. As she read the script, Feldstein recalls that she couldn’t help but feel that she knew this character. “She loves the world, she loves to write, she really is a giving and imaginative spirit, and I just knew her even though I grew up in Los Angeles and was born in the ‘90s. Caitlin’s writing is so deeply felt and it sparkles.” When Feldstein called her agent back, she remembers telling him, “I’ve never been more scared of anything in my life, ever, but I HAVE to try.”

    After co-starring with Kaitlyn Dever in Booksmart, Feldstein remembers being really nervous and excited all at once for landing the starring role and leading the entire cast for How to Build a Girl. “I thought, ‘What do I want the crew and the cast and Coky [Giedroyc] to remember me by?’ Then I remembered I’d rather be kind than good in a scene.”

    Saorise Ronan (left) and Beanie Feldstein (right) in Greta Gerwig’s ‘Ladybird’

    A filmmaking student then asked Feldstein how directors can better work with their actors when on set, to which Feldstein responded, “the greatest gift all of the beautiful and incredible directors that I have worked with have given me is a feeling of stability and calm.” Feldstein then recalled her time working with Olivia Wilde on Booksmart and how Wilde would say, “sets are like construction sites.”

    “Stay very calm and clued into what they [your actors] are doing and what they are feeling because there is so much beautiful chaos on a set, especially when you are in a time crunch,” Feldstein replied. “The greatest gift you can give is to just say ‘it’s you and me, I’ve got this, and I’m here for you’.”

    Feldstein on set during the filming of ‘Booksmart’ with co-star Kaitlyn Dever

    Feldstein then concluded that, overall, no matter what role you play on a film set, take advantage of as many opportunities as possible, and if you lose a job, put yourself in another person’s shoes. “You might be perfectly right for something, but if not, it’s the other girl or guy’s best day of their lives. If you don’t get something, it’s the best day of another person’s life.”

    New York Film Academy would like to thank the gracious Beanie Feldstein for sharing her time and expertise with the students and encourages everyone to watch her latest starring role in How to Build a Girlnow available to stream, and to keep an eye out for Feldstein as Monica Lewinsky in Ryan Murphy’s American Crime Story: Impeachment, which has yet to start production.

    To listen to the full conversation, click the video below our check it out on our YouTube channel here.

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    May 18, 2020 • Guest Speakers • Views: 402

  • Masters of Game Design Series: Bill Roper Talks Games With NYFA

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    On April 8, 2020,  video game industry legend Bill Roper talked with NYFA’s Scott Rogers as part of the Masters of Game Design speaker series.

    Roper discussed his career at Blizzard Entertainment, starting with him creating music and performing as a voice-over actor for the hit game Warcraft.

    Video game designer Bill Roper

    Roper chronicled his rise to creative director, leading the teams for Diablo and Starcraft. He discussed starting his own company, Flagship Entertainment, and creating Hellgate: London. Roper also talked about his time as Vice-President at Disney Interactive, guiding the teams for Disney Infinity and Fantasia: Music Evolved. He talked about his recent transition to Chief Creative Officer at AuthorDigital/Adept Games. Roper also took questions from the Zoom audience.

    ‘Hellgate: London’

    A recording of this talk will be available at a future date. To learn more about upcoming Masters of Game Design speakers, please join the NYFA Game Mentor Network at Meetup.com. For more on NYFA’s School of Game Design, click here

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    April 13, 2020 • Game Design, Guest Speakers • Views: 26