It’s been a busy semester at for the Acting for Film Department at the New York Film Academy Los Angeles. In addition to our fabulous curriculum, we also hosted industry guests speakers, produced student directed plays, a 10-minute play festival, and presented our second successful alumni industry showcase.
Industry Guest Speakers
Next up was veteran Casting Director Tineka Becker, former Manager of Feature Casting at Paramount Pictures. She told tales from the trenches of working with Tom Ford and Robert Zemekis, and on such projects as “Twilight: New Moon” and “X-Men: Apocalypse.”
Finally, Image Consultant and Branding Specialist Tom Burke was a huge hit with students as he helped them recognize what type they are most likely to be hired to play, and how to best promote themselves in a crowded market.
The upcoming guest list includes managers, agents and an expert on creating internet content (her music videos have gone viral with millions of views). Stay tuned!
Student Directed Plays
It was an exciting semester of student directed plays. The students were ambitious with their self-generated projects. The plays included the dark drama, “Mujeres De Arena,” by Humberto Robles (directed by Guillermo Orozoo). This courageous play explores sex trafficking and the exploitation of women.
“All this Intimacy,” by Rajiv Jospeh (directed be Roberto Jadue) explores the protagonist’s inability to have intimate relationships with various women, ultimately causing him isolation and despair.
The very complex play “Arcadia,” by Tom Stoppard (directed Daniel Pareja) is a play concerning the relationship between past and present, chaos and order, certainty and uncertainty.
“A Wrinkle in Time,” by Madeleine L’Engle (directed by Timothy Herrera), is a science fantasy about time travel, finding home, and ultimately that one cannot live without love.
Congratulations to all the students involved this semester!
Alumni Industry Showcase
After an exciting round of auditions, 15 alumni students were selected to participate in our second industry showcase directed by Associate Chair Anne Moore. The actors were showcased in both film and live performance. The turnout was terrific, and many of our actors had opportunities to meet with top agents and managers, as well as casting directors from ABC, NBC, CBS, Warner Brothers, and Sony Pictures.
Our alumni chosen this round were Jordan Knapp, Gonzalo Martin, Jolie Chi, Christopher Akens, Martta Rebekka, Reinaldo Garcia, Demyra Ravyne Payne, John R. Twohy, Victoria Schneider, Christopher Allyn Rybka, Nathan Rosado, Brieyonna Monet, Aditya Joshi, Camila Mejia Duque, and Matt JJ Miller.
The Graveyard Plays
Our second playwriting festival was a huge success. The idea for the 10-minute festival originated in David Robinette’s Playwriting Studio Class. He saw it as a great opportunity for our actors to develop their voices as writers. This semester’s location was set in a graveyard. Given the opportunity they had to choose directors, cast the play, and get the plays on their feet for a live performance.
The playwrights chosen were Sam LaFrance, Miranda Guzman, Zane Hudson, and Luis Alfredo Gonzalez. The event was stage managed by our wonderful student Simmie Sangian, Morgan Aiken, and set design was done by Daniela Gerdes.
May 2017 Graduation
It was a beautiful day at Harmony Gold. Lynda Goodfriend gave a touching farewell to our students. Joshua Bitton, our guest speaker, brought lots of laughter and great industry advice to our spring graduates. We want to wish our students great success in their future endeavors. All that hard work paid off. Congratulations, Class of May 2017!
Pierre Marais comes from a family of circus performing trapeze artists from Ringling Brothers’ Barnum and Bailey, who were undoubtedly influential towards his aspirations to perform in his own way.
“I still have very vivid memories of watching them perform and wanting to be up there with them,” said Marais.
It wasn’t long until Marais got his first break in the industry when he met Jean-Claude Van Damme at a training facility in his hometown of Cape Town, South Africa.
“We met and struck a conversation; being from Belgium we immediately had a few things in common,” recalled Marais. “By the time I had gotten home, without my knowledge, Jean-Claude had called the producers of the movie, told them to fire the kid they cast as his son, and hire me instead.” Two days later, Marais was screen testing to play his son in “The Wake of Death,” which was about him being captured by the Triads and Van Damme coming for revenge.
After coming to the realization that he would need to move to the U.S. to further pursue his career as an actor and performer, Marais decided to take up the 2-Year Musical Theatre Conservatory at the New York Film Academy.
“Broadway is a billion dollar industry; my New York training had a musical theater focus and most of the connections I made at college were in the theater world,” said Marais. “Taking classes with the right choreographers and casting directors has directly led to more job offers than I can count. Loyalty is certainly not dead. So taking classes and improving is a part of life. My friends who have been on Broadway for decades still take classes for acting, singing and dancing regularly.”
Since graduating, Marais has continued to work steadily as a performer. He recently finished performing in the musical “Rock of Ages.”
This summer he will be in Niagara Falls as a lead singer for a show called “Dancing Queen,” and then after that he will be doing “West Side Story” and “Saturday Night Fever” at the Ivoryton Playhouse in Connecticut.
“Doing different shows presents new challenges and those are the things that keep me excited,” said Marais.
Though he continues to book show after show, Marais said he still has a strong desire to return to Broadway. Surely, it’s only a matter of time. His next stop will be portraying the role of Paul in the national tour of “A Chorus Line,” directed by Bayork Lee next year.
In an age where information is readily available through everyday technology, former New York Film Academy student Atif Ali Khan’s documentary “ED Vs IT: SOS” explores the role of education in an information driven age — how we have to dissect and deploy the online IT tools to create a giant technological leap forward to educate our next generation. The documentary investigates how, if we don’t make the amends, our lives will be controlled by robots.
Khan’s thought-provoking documentary, which is now available on Amazon Prime, has peaked our curiosity, leading us to an interview with the director to find out more about him and his film.
Congrats on your recent documentary, “ED Vs IT”! Let’s begin by telling us where you’re from, and what brought you to NYFA?
Originally from Pakistan, NYFA was my ticket to Hollywood. It is where you get firsthand exposure with industry professionals, who have not only “been there and done that,” but are also actively involved in various projects too. They also recommend you, if you have outstanding skills.
In fact, for me it became a mode of networking with the top notch professionals in Hollywood. NYFA surpassed my expectations of what I had envisioned. The faculty not only gives you the hands-on skills, but they teach you the creative process of storytelling. A giant leap in confidence. Shooting at Universal Studios backlot was a dream. From the Golden Age of Cinema to the Silversceen VOD age of today, I saw it all from the Kodak Theater, where the Oscars are held, to the actual locations where top-grossing movies are made. We embraced it all during our thesis film project.
They were shooting “Modern Family” and Sofia Vergara was right behind our shooting location on the European set. I recovered all the money I had invested at NYFA within two months of my graduation with a bunch of projects. It is that good. It is like an interneship at Paramount. The NYFA jacket is an easy pass to enter anywhere — be it press coverage or a movie set.
New York is the TV hub of the world and doing it at the LA Campus I got exposed to film fraternity of the highest cadre in the world. Needless to say, I received a host of discounts against my NYFA student ID from B&H to Amazon and from Best Buy to Apple. I got many projects just by “name-dropping” NYFA. It is the most respected name be it Tokyo, China, Italy, Abu Dhabi and from the East to the West Coast. Ten years from now, every film project in the world will have a NYFA alumni in one form or another.
Additionally, I became friends with Craig Fox, in New York, who is a leading stand up comedian and whom I later found is a teacher of Acting for Film at NYFA in New York. He introduced me to a range of actors, who are either studying at NYFA or are graduates. All are very active on Broadway (theater) and the improv scene in New York.
How did this documentary “ED Vs IT” come about? What drew you to this subject?
I saw online platforms emerging at a dynamic pace, from entertainment to mobile and from Amazon to banks.
The production design tips, given by my teacher Jack Daniels at NYFA, really came in handy. I did all of the production from shoot to special FX and editing. Finally, the film was made on a shoe string budget with no production compromises at all. You really don’t need a studio to back your project — if you learn the NYFA guerrilla filmmaking.
What do you hope to achieve with this documentary? What is your overall message?
It is a wake up call. Virtual Reality and Artificial Intelligence is steering forward at an alarming pace. Automation is taking over human capital way faster than ever anticipated. We need to overhaul the outdated education modules with a sense of urgency. We can’t stay complacent as self-driving cars and automated businesses are quickly replacing human resources. If we don’t take active measures there will be a resource apocalypse, which might lead to a ‘Terminator sort of situation’ where robots will be used as bodyguards and there will be no checks and measures in place for their legal litigation. People will fight amongst themselves, with machines to win their livelihood.
Do you think NYFA’s training was useful in terms of being able to create this documentary?
Absolutely, it is like assisting a movie with Stanley Kubrick. If you follow how they instruct and “walk you through” various technical nuances, you will develop a huge conceptual framework overnight. It is like a firsthand experience because they run you through all the litmus tests of past, present and future of filmmaking. I learned from NYFA how to stage a scene, how to convert my vision into telling my story with words and visuals. Like I said earlier, NYFA is a lifestyle; it is a fraternity where recommendations are made, where your teachers and former students all interact and integrate to create a future for you in media industry. With future of video so bright with Netflix, Amazon Video, YouTube and MSM (Mainstream Media), I think I did myself the best favor of my life to enroll at NYFA. Every penny that I invested has given my 1000% returns and I am just in the second year of since graduating.
My teacher Brendan Davis at the LA campus taught me that ‘film is a collaborative art’ and it really helped me to liaise with people whom I interviewed for the documentary. I was cultured about the artist protocols in terms of getting work done on time and drawing the best talent out of voice-over talents who narrated my project. Without NYFA I wouldn’t have been able to bring it all together.
I also now provide stock footage to famous Video Blocks that outsource for more than 15 leading TV channels including Discovery, MTV and History.
How did your relationship with Amazon Prime come about?
Documentary is the next big thing. After winning several Oscars, Oliver Stone recently made a documentary about Putin for Showtime. Every evening I see at least one documentary on Amazon or Netflix. While Netflix distribution is rather lengthy, I sent my demo to Amazon Studios and got an instant approval. Amazon Studios is an amazing platform where you can DIY everything from script to approval and release.
Studying at NYFA I got the membership for Without a Box. Not only did I learn how the film industry in VOD age works, but I also learned how to submit my film to festivals across the globe in a tapeless format. My student film (that I wrote, directed & produced at NYFA) went on and got selected in the pro categories across the globe and got top spots in London Intl. Film Festival and various others. Building on that experience and response, I have now submitted this documentary in many Oscar qualifying film festivals. So I am keeping my fingers crossed for the next level.
Are you currently working on any other projects?
Yes, I am working on a psychological horror feature film, based in NY. I am using improv actors and special FX like Neon Demon to create a new wave feature project. The project named “Disowned” is starring Michael S. Benjamin and Heather Cole as the lead.
I am also covering IIFA (International Indian Film Academy) Awards on July 16, 2017 at MetLife Stadium, New Jersey. IIFA is the equivalent to Oscar for Bollywood film industry. I also provided press coverage to their conference at Sheraton Times Square on June 1, 2017 — live streaming from Mumbai.
Lastly, as a follow up to the script I wrote for the documentary, I have been offered a writing deal to the book covering the same theme but a step forward in terms of its criticality. “Automation vs. Autocracy.”
New York Film Academy instructor Bill Duke, who has an extensive background in acting and filmmaking, returned to the directing chair in his upcoming legal drama, “Created Equal.” Duke is coming off of directing the documentary “Dark Girls,” which premiered on OWN in June 2013 and was nominated for an NAACP Image Award.
The script was written byNed Bowman,Michael Ricigliano Jr., andJoyce Renee Lewis. The film was produced byThada CatalonofT-Cat Films. The film will star Aaron Tveit as the lawyer opposite Edy Ganem (“Devious Maids”) as the female lead, along with Lou Diamond Phillips (“Longmire”) and Greg Alan Williams (“Greenleaf”).
In a world where gender equality remains a critical issue, this controversial film doesn’t set out to challenge the Catholic Church doctrine, but asks a very modern question: Should women be allowed into seminaries to study for the priesthood?
“Created Equal” is based on a novel written by Roger A. Brown —who is also serving as executive producer on the film. Duke’s filmsheds light on a delicate issue, women becoming priests — Alejandra Batista (Edy Ganem) is a devoted Catholic who feels the calling to become a priest. Because the Catholic Church law forbids women from entering the seminary, Allie files suit against the Archdiocese of New Orleans for sex discrimination without justifiable cause with the help of a young and successful attorney, Tommy Reilly (Aaron Tveit). As Allie’s case starts to make headlines both she and Tommy face serious backlash from the people in their lives. As the trial unfolds an extremist concocts a plot to stop the heresy against the church by attacking Alejandra and threatening to kill her if she doesn’t back off.
The film will premiere at the American Black Film Festival.
Growing up in Manchester, UK, Mica “Ione” Townsend began developing her singing chops at three-years old in her church choir. From there, she progressed through classical vocal training and performances to sharing her gift with renowned professionals around the world.
At just 14, Ione became a session singer and backing vocalist, displaying an outstanding vocal talent that earned her the opportunity of performing with the likes of Gorrilaz, Errol Brown (Hot Chocolate) and Heather Small.
In 2007, Ione moved to London to further her career and was soon invited to join a European and American Tour as backing vocalist to singer Adam Green. The success of the tour proved a catalyst for her career and Ione moved to the U.S. to fulfill her dream of studying at the Musical Theatre School at the New York Film Academy.
“I think to train at NYFA, in New York, where musical theatre was born, has been extremely useful,” said Ione. “The focus was always on the acting and the story, and singing and dancing were an extension of that. I was also taught, at NYFA, not to limit myself; it was always inspiring that the teachers were on Broadway, taught, then would do other projects. I don’t have to choose between all the things I love.”
After finishing NYFA and moving back to the UK, Ione toured as a soloist in the ”Hacienda Classics,” an experience which involved re-working dance classics with a 70 piece orchestra. She is now a lead in the West End musical ”Thriller Live,” which celebrates the music of Michael Jackson. The highly successful stage production has become the 15th longest running musical in the West End.
As an artist who certainly doesn’t want to limit herself, Ione has continued to write her own songs, which gave her the impetus to showcase them as a singer in her own right.
“The music industry is great,” says Ione. “Anybody can ‘release’ music, but in the same breath that means so many more people have music out there, so I would say the promotion of music as an artist, the staying on top of it, is most difficult for me.”
In 2013, Ione released her debut EP “Fighting Fear,” which gave a nod to her musical theatre background in the haunting ballad “My Love.”
Her first single “Back in the Day,” released in 2014, is an eclectic mix of soul and pop music with electronic sounds and is a blend of everything she loves in music. The song was heavily supported by BBC INTRODUCING and was aired by Tom Robinson Mixtape on BBC Radio 6. It was also chosen by songwriter Mark Hadfield, who has written for NEYO and Iggy Azalea, to be played on Huw Stephens’ show on BBC Radio 1.
“Growing up around powerful and knowledgeable women gave me the landscape to share these life experiences in my work,” says Ione.
Ione is also curently recording new material which is set to be released Spring 2017.
While those who identify as LGBTQ+ can often share a common bond remembering the moment they officially “came out,” the way in which he or she comes out is hardly ever a similar experience. After discovering this through a conversation with a friend, New York Film Academy MFA Photography alumnus Alejandro Ibarra decided that he would dedicate his class project to individuals’ “Coming Out Stories.” His series, in which Ibarra photographs his subjects and asks them to write about their “coming out” experience, has recently caught the attention of BuzzFeed and the Huffington Post.
We recently had a moment to chat with the graduate about his inspirational “Coming Out Stories,” his time at NYFA, and what’s to come in his photography career.
Can you tell us where you’re from and what made you decide to attend NYFA’s MFA Photography Program?
I’m from San Diego, CA — although I’ve lived kind of all around the States — and was raised primarily in Mexico. I had been a commercial photographer for about five years, and my knowledge of the medium was strictly technical, so I decided to pursue an MFA because I wanted to broaden my understanding of photography, and to go beyond the technical so that it would enhance my work.
When did you know you wanted to be a photographer?
I honestly don’t remember ever making that decision or anything; in a way, it sort of just happened. I began taking pictures, portraits specifically, after my brother passed away. This was before smartphones were the norm and everyone had countless pictures and selfies, and we realized we didn’t have a single decent picture of his to use for the funeral. We ended up cropping him out of a family photo that was taken with a tiny point-and-shoot and then blowing it up. It didn’t look great, and it didn’t do him justice, so I decided to begin shooting everyone in my life after that; not in case anyone died or anything, more-so because I think I realized back then the importance and the power of capturing at least part of someone’s essence in an image.
What inspired you to create “Coming Out Stories” as one of your NYFA projects?
The inspiration for the series came after a friend of mine told me about how he came out to his family. My own experience was very different from his, but I somehow really related to it. I realized that there’s an entire community who has experienced this key moment in various ways, and that it would be potentially appealing to other people who didn’t identify as LGBTQ+, because the themes are universal. At the same time, for a final in one of my classes in my first semester, we had to come up with a book project that we were actually going to have printed. The series then made sense to do as a book because of the narrative element of the handwritten text over the images.
Can you tell us a little bit about the process of finding your subjects? Was there any pushback or did you find that most people were proud to participate?
At first, I photographed a couple of friends as a way of testing the concept. Once I finalized the aesthetic, I put them out on social media and invited people who wanted to participate. It was all word-of-mouth and social media up until BuzzFeed and other media outlets began publishing articles on the series. Now it’s mainly people messaging me through instagram. There have definitely been several people whom I approached who didn’t feel comfortable doing it, especially now that there’s a larger audience for it on social media.
A few people I had shot over a year ago actually didn’t give permission to appear in any articles because the amount of attention it would receive. The people who did give permission, however, have been as happy and grateful as I am, and it’s been so wonderful seeing their friends and family now saying how proud they are of them.
Would you say your NYFA experience was useful in terms on working on this project?
Oh, definitely. Having critiques when the series was in its early stages was super helpful in terms of figuring out how to get the right look, and how to make the text pop without it being hard to read, and all sorts of details and ideas that might’ve never occurred to me. Furthermore, I was able to pitch the project to BuzzFeed while attending the Palm Springs Photo Festival last month with the school, so the exposure she series has had never would have happened had I not been invited by the school.
Is all of your work this personal?
All of my work is personal, whether in film or still photography, so all of my projects deal with themes of equality and identity, specifically from the Latin-American and LGBTQ+ perspective. “Piece by Piece,” which was my thesis project, was about challenging the terms “non-traditional” and “traditional” families, and addressing the irrelevancy of sexual orientation as it pertains to what constitutes a family. It originated after a series of pro-traditional families (a.k.a. anti-gay rights) nation- wide marches that took place in Mexico last year. It’s currently showing at Bergamot Station in a group exhibition.
Do you have any other projects coming up that you’d like to share with us?
Other than focusing on my celebrity editorial work, my goal right now is to turn “Coming Out Stories” into a book. Furthermore, I want to keep telling stories of real people in real life situations, similar to this project.
The New York Film Academy invites you to submit your photographic artwork for consideration in our 2017 Photoville Exhibition. Now in its sixth year, Brooklyn’s waterfront photography exhibition provides photographers of all stripes to come together and interact with a diverse audience — a veritable cross-section of the world’s photographic community. This year’s Photoville will once again take place at the Brooklyn Bridge Park from September 13-24, 2017.
All NYFA students and alumni, from campuses worldwide, are invited to apply. There is no fee to submit work. Current faculty members are not eligible. If accepted, the New York Film Academy will handle the final printing and presentation of the accepted artwork, at no cost to the artist.
Please submit up to 5 jpegs, no larger than 2,500px on the long edge at 72 dpi of your best photographic images. Please also include a brief statement, in 500 words or less, explaining what the artwork is about. Final high resolution tiff image size should not be smaller than 16” x 20” at 240 dpi.
Submissions are open now. CLICK HERE for Submission information and forms.
The DEADLINE for submitting images is Midnight EST Monday, July 10th, 2017.
Notification of acceptance: Monday, July 17th, 2017.
Born in Izmir and growing up in Istanbul, Turkey, Didem Civginoglu says she has always wanted to take the photos that she had imagined in her mind for so many years.
“I had been working in corporate life for the last nine and half years and I was feeling as if I was missing something in life,” said Civginoglu. “I wanted to be out there to catch all of those instant unexpected moments, knowing life changes in an instant. I wanted to be present in the moment.”
Miss Vogue Turkey
In order to accomplish her photographic aspirations, Civginoglu decided to move to New York where she attended the Photography School at the New York Film Academy.
“I was lucky to be a part of an amazing class of talented people who were so willing to learn and share and be as curious as I am,” said Civginoglu about her experience at NYFA. “They were all from different disiplines and cultures, so it made it even more authentic. In addition to our creative and supportive spirit in our class, our instructors and teachers were very open and tolerant. They shared their attention with us generously and patiently.”
Since graduating, Civginoglu has worked on numerous projects including Miss Vogue Turkey and Xoxo Guillaume Canet. “My agency 85|90 Projects showed my portfolio to the Vogue team and they offered to do the photo shoot with Sima, Miss Turkey,” said Civginoglu. “For the XoXo Guillaume Canet photo shoot, they needed a photographer together with an interviewer, so my journalist friend who was assigned to do the interview recommended me as a photographer and it happened.”
While she continues to work on projects in Turkey, Civginoglu is currently based out of New York. She recently worked on a cookbook project called Teldolap, which incorporates backstage photos into a story, as well as a documentary called “Kim Mihri.” She is also working on an upcoming publishing project with a fashion designer.
Last week the New York Film Academy held its commencement and final film screening for the Summer 2016 Section A & B Filmmaking students. Students had the opportunity to work on eight films over the year, including a thesis film, which screened at the NYFA theater in Battery Park.
Following the reception, introductions were given by Senior Executive Vice President David Klein, Filmmaking Chair Claude Kerven, and Directing Instructors Brad Sample and Paul Warner.
“On behalf of all the staff and teachers at the New York Film Academy, we would like to offer our sincerest congratulations on your competition of this very difficult, very rewarding year. As instructors and administrators, we witness firsthand the effort you all collectively put in to create the astounding number of films required in this program,” said Kerven. “This isn’t easy by any stretch of the imagination. The fact that you are here today to screen these cuts of your thesis films is a testament to your hard work, your commitment, and your desire to excel in filmmaking.
Graduates of the program join a large international network of alumni who have gone on to much success in the industry.
The following films screened over a two day span at the Academy.
Beginning her career in Los Angeles as a literary agent assistant at the William Morris Agency in 1982, Denise Meyers always felt the drive to pursue screenwriting as her main career in life.
“I thought that since I’d watched hundreds of movies growing up, I understood what went in to a good screenplay,” said Meyers in an interview with the Black List. “I wasn’t a terrible writer, but I wasn’t a great writer either.”
still from “The Dark of Night”
After 12 years of exhausting her contacts with her material and getting nowhere fast, Meyers moved onto a different career as a gourd artist, but, at the end of the day, her heart wasn’t in it as much as screenwriting.
“I set a goal for myself to learn how to write screenplays the way they are supposed to be written, with no expectation that I would ever get any farther in the film business than I had ever been before,” said Meyers. “I wanted to master the art form, in the same way I taught myself how to work with gourds.”
Meyers took advantage of an 8-Week Screenwriting scholarship at the New York Film Academy Los Angeles, where she hoped to truly master the craft.
“I won an eight-week screenwriting scholarship to NYFA a few years ago, and the experience was invaluable,” she said. “I use everything I learned at NYFA in every script I have written since then, and it has helped elevate my career beyond what it was before.”
Since attending NYFA, Meyers has won a number of screenwriting competitions, including a spot on the Athena List (with a script she wrote at NYFA), the Atlanta Film Festival, Table Read My Screenplay Austin, and several others.
From there, she wrote a short screenplay called “The Dark of Night,” which won the grand prize at Table Read My Screenplay Austin in 2015.
“Denise Carlson, an instructor at NYFA, told me about a short script writing contest she had plans to participate in called the NYC Midnight Short Screenwriting Contest,” Meyers recalls. “Twelve hundred people from across the globe signed up to participate, so there were groups of 40 people each who were given a genre, a character and a setting. My group received the following prompts; suspense, a diner, and an unemployed man or woman. We had eight days to write 12 pages, then, if we survived each heat, we were given a new genre, character and setting. I came up with the idea almost immediately, though God knows where it came from. The story is set in 1930. A woman on her way to Chicago for a job interview seeks refuge in the diner where she encounters a waitress, a drifter, and a cop, each with dark and dangerous secret.”
Meyers gave the script to Robin Wright’s assistant and, before she knew it, she was getting a call from Wright who wanted to direct the film, along with some of her cast members from “House of Cards.” In fact, 80 crew members from “House of Cards” signed on to work on the film including the director of photography, Dave Dunlap, and costume designer, Jessica Wenger. Boris Maldin, the producer of “House of Cards,” loaned his cameras and equipment.
Robin Wright with Denise Meyers
After that, Leslie Bibb, Sam Rockwell, Callie Thorne and Michael Godere signed on to act in the film for scale.
Meyer’s “The Dark of Night” recently premiered at the Cannes Film Festival. The black and white film noir is about a woman seeking refuge from a storm who takes matters into her own hands when she encounters a drifter and a waitress at an isolated diner where everyone has a secret and nothing is what it seems.
Meyers says she just finished a one-hour pilot episode based on “The Dark of Night” that she is developing with TV producer Michelle Rubenstein. She also completed a new feature about Frank Lloyd Wright and Mamah Cheney that she hopes to get in front of Brad Pitt, and is currently working on a World War II drama about a battle in the Pacific that only a handful of people know about. Finally, she’s working on a web series based on her experiences as an award-winning screenwriter who still fixes toilets for a living.