The New York Film Academy Los Angeles campus recently teamed up with the Screen Actor’s Guild of America for a one day “Make a Film a Day Workshop” with the Actor’s Fund.
Within the Actor’s Fund is a program called Looking Ahead. The aim is to take students to colleges all over Los Angeles and New York City. When Mason Richards, Chair of Community Outreach, heard they were coming he decided to team up with Lynda Goodfriend, Chair of the Acting for Film Department and the Admissions Department, to do a little something extra for the students when they came to the New York Film Academy.
The students spent the day learning crew roles, how to operate a camera, and how to work as a team. Acting for Film Instructor Christopher Cass led the class.
Richards was excited about the engagement saying, “All of them were students who are working actors, but they were all interested in being on the crew. We have students who, after participating in the workshop, were signing up for school.”
Founded in 1992, the New York Film Academy College of Visual and Performing Arts (NYFA) has a long history of supporting the military and veteran communities. The College has been privileged to enroll more than 1250 veteran students at our campuses in New York City, Los Angeles, CA and South Beach, FL., since 2009.
Recently, Colonel Jacobs and NYFA’s senior leadership met with several major studios including SONY Pictures, NBCUniversal, DreamWorks, and Voltage Pictures to increase support in helping NYFA student veterans obtain internships and employment opportunities.
The entertainment and media industry leaders that the NYFA delegation met all spoke very highly of the veterans that they have employed in their companies, and expressed keen interest in partnering with NYFA as an obvious pathway to hire additional well-trained veterans that have been educated in the fields related to filmmaking.
“Veterans are some of the most creative people in the visual and performing arts,” states Colonel Jacobs empathically. “They are strong leaders and their life experiences will be an asset to any company that hires them.”
NYFA’s Veterans Advancement Program continues to bring unique opportunities to its veteran students. As an example, NYFA provided veteran students the opportunity to work on the production of the New York City Veterans’ Day Parade in collaboration with the United War Veterans Council (UWVC).
On another occasion, veteran students worked with LA Mayor Garcetti on his 10,000 Strong Hiring Initiative by filming the major event and interviewing the Mayor and other VIP participants. This activity was held in celebration of Mayor Garcetti’s one-year anniversary of the launch of the 10,000 Strong Hiring Initiative. The New York Film Academy received a Certificate of Appreciation from Mayor Garcetti on behalf of the city of Los Angeles and its residents for delivering impactful media services.
Veterans also had the good fortune to produce a video for the California Department of Veterans Affairs for service members transitioning out of the military. Other projects have included directing, producing and filming public service announcements—on a pro-bono basis— for veteran non-profit organizations. All of these opportunities provided many of the veteran students with their first chance to work on professional productions.
Colonel Jacobs noted, “We hope that by developing these relationships we will be able to help more student veterans and add to the number of veterans that graduated from NYFA that are currently working and finding success in the industry.”
Born in Wiesbaden, Germany, New York Film Academy Photography Instructor Chris Knight’s work has appeared in Vogue, People, MSNBC, ABC, Ocean Drive, GQ and others. Knight says photography started as a hobby for him until it became compulsive.
“It was something that appealed to me in a lot of different ways — technically and creatively,” he says. “Once I had a few years under my belt, part-time, I figured ‘why not?’ and dove head first. I didn’t quite know what I was getting into, but somehow managed to come out okay on the other side. I consider myself very lucky that I am able to work in a field that is my passion and fulfills me creatively.”
Chris Knight
Knight is the recent author of the book, “The Dramatic Portrait.” The book is a photography education book that talks about the techniques and creative use of lighting, styling, retouching, and developing your own personal creativity.
“It was something of a bucket list item for me,” said Knight. “I had always wanted to write a book and about a year ago had the opportunity to do so. It has been a labor of love for about a year, and I’m thrilled to finally be able to release it.”
Knight also recently completed his work with RGG EDU (rggedu.com), which is a video tutorial / documentary that covers the process of him creating and photographing three different shoots. “It’s a companion piece to the book, and the images I made for it are some of my favorite I’ve ever done,” said Knight.
photo by Chris Knight
Given his work, book, and teaching, Knight has been named one of Profoto’s “Legends of Light,” which honors photographers’ outstanding skills and contributions to the professional American photographic community. “Just being placed on a list with people I’ve had tremendous respect and admiration for over the years is incredibly humbling,” said Knight.
“Don’t underestimate the power of time, patience, and hard work,” Knight advises his students and aspiring photographers. “It is easy to fall into the trap of wanting everything to happen quickly, but sometimes the process is a significantly longer one. Use that time as a way to continue developing your personal voice. Once your stumble on what is uniquely you, more opportunities will present themselves and you’ll be happier with the ones that do. Go above and beyond (without being asked) and have a positive attitude about it. Being a working creative is hard. Those that are strong self-motivators are always the most successful. When you’re your own boss, you don’t have someone telling you what to do, so learn to take the initiative for yourself.”
For more of Knight’s work, visit chrisknightphoto.com or on Instagram at @chrisknightphoto. “The Dramatic Portrait” is available for pre-order on Amazon in paperback or ebook, and the tutorial with RGG EDU will come out this summer.
Beginning today, you’ll be able to watch New York Film Academy Musical Theatre alumnus, Jaspal Binning‘s newest independent feature, “Ovum,” on Digital (iTunes), DVD and Video-on-Demand (VOD). Binning both stars and is executive producer in this dark, comedic, yet uniquely poignant story about the mysterious world of egg donation, which is loosely based on the true-life experience of writer/star Sonja O’Hara.
In addition to Binning and O’Hara, the film stars Hassan Johnson (“The Wire”), Katie Morrison (“Donnie”), Jaspal Binning (“Brown Nation”) and Rutanya Alda (“The Deer Hunter”). It is directed by Matt Ott, with Dan McBride as editor and director of photography. The film is produced by Vincent Petrosini, Anna Lauren Farrell and Sonja O’Hara. Jeff Forbes, Jack Turner, Kris Frank, and Elyssa Lyn Rabinowitz.
“The idea for Ovum came to me when I was flipping through the pages of Backstage,” said writer and star, Sonja O’Hara. “Next to casting notices for student films and Off-Off-Broadway plays, I noticed a picture of a group of beautiful, glowing young women and an ad that read: Do something meaningful. Help a woman in need. $8,000 dollars. I remember thinking, ‘here they are marketing a dangerous and experimental vanity procedure to fledgling actresses who are more often than not desperate and financially impaired young women.’ Ultimately I discovered that the in vitro fertilization process can be potentially more affordable than the sometimes exorbitant adoption fees in New York State. The whole issue wasn’t black and white and I felt compelled to explore the questionable moral gray area of financial compensation in exchange for human life. Could an audience relate to a self-serving female character who sells her eggs?”
This is not the first collaboration with Binning and O’Hara. The two won Best Director prize at the New York Television Festival and Best Pilot of the Festival at ITV Fest for “Doomsday.”
Since graduating from the Musical Theatre program, Binning has also appeared in Aaron Sorkin’s HBO series “The Newsroom,” and he plays the lead in the Netflix’s original series, “Brown Nation.”
Since graduating from the Filmmaking program at the New York Film Academy, Gold Coast, Joe Tiernan worked on back-to-back blockbuster projects such as “Pacific Rim 2” and “Jungle,” starring Daniel Radcliffe.
With credits including Australian features “Australia Day,” “Flammable Children” and “Boar,” Tiernan believes NYFA has him well prepared for working in the real world of film and television. “Understanding on-set lingo is essential. I’m happy that was well covered at NYFA,” says Joe.
Tiernan’s brush with legendary Australian actor Geoffrey Rush during the filming of “Pirates of the Caribbean: Dead Men Tell No Tales” at Village Roadshow Studios is one of his fondest memories of student life at NYFA Gold Coast.
Discussing the making of a movie about his life, Tiernan explains, “Well, I’m a sucker for a good rom-com and I think Domnhall Gleeson is a champ.” The title? “Redheads,” says Joe.
The opportunities keep on coming for Joe: “I’ve got two more Art Department gigs lined up on some local features this year though the grand plan is to get on a ‘Star Wars’ set, then I can die a happy man.”
Maria Conchita Alonso, the Venezuelan actress with over one hundred credits to her name, brought her cult classic film “The Running Man,” co-starring Arnold Schwarzenegger, to the Los Angeles Acting for Film and Filmmaking students. Industry Q and A Director, Tova Laiter, hosted the evening.
Conchita Alonso is both a very popular Latin singer and international actress. Her work on the screen includes “The House of the Spirits,” “Predator 2,” “Chicago Hope,” “Extreme Prejudice” and “Saints & Sinners.” Not content with just images, Conchita Alonso has also written lyrics and performed the vocal for a song in “Scarface.”
She’s been honored with the Outstanding Actress in Made-for Television Movie or Mini-Series, the Pioneer Award at La Femme International Film Festival, Outstanding Performer of the Year at Nostros Golden Eagle Awards, and a Grammy nomination.
Conchita Alonso walked onto the stage with her dog Tequila and the audience fawned appropriately. She had a lot of advice for the students. One particular piece that stands out is, “Don’t ever compare yourself with others. Just work on who you are!”
At the beginning of her career she was told she could not sing, dance, act, and host. She should pick one and perfect it. By dividing her time she was weakening her shot. So, when she wanted to record Vamos A Bailar for “Scarface,” her agent suggested they submit her tape under a different name, so executives could hear her performance instead of seeing her name. It worked, of course, and an important lesson was learned: put your work forward, not your attitude. “Know you’re good, but don’t show it.”
Vamos A Bailar eventually went to number one on the charts.
The New York Film Academy would like to thank Maria Conchita Alonso for taking the time to speak with our students. You can catch Conchita Alonso in “Off the Menu,” “He Matado a Mi Marido,” and “Kill ‘Em All” out later this year.
Award-winning actor and New York Film Academy Board Member Matthew Modine delighted Acting for Film students with his intimate master class, held at NYFA’s theater in Battery Park. Modine says his loyalty to and friendship with the Academy sprang from his relationship with its founder, Jerry Sherlock, whom Modine says had a profound impact on his life.
Perhaps best known for his performance as Private Joker in Stanley Kubrick’s “Full Metal Jacket,” Modine made his feature film debut in John Sayles’ “Baby it’s You” (1983), soon becoming one of Hollywood’s hottest young actors with his contributions to three Vietnam War-era films. The first was Robert Altman’s “Streamers” (1983), in which he played a soldier preparing for decampment to battle. This was followed by a starring turn as the mentally unstable titular character of Alan Parker’s “Birdy” (1984). Modine also starred as a high school wrestler in “Vision Quest” (1985), and as an FBI agent in “Married to the Mob” (1988).
Re-teaming with Altman, Modine played Dr. Ralph Wyman opposite Julianne Moore in “Short Cuts” (1993), which won a Golden Globe for best ensemble performance. He earned Emmy and Golden Globe nominations for his portrayal of Dr. Don Francis in the HBO movie “And the Band Played On” (1993), and received another Golden Globe nomination for his role as Sammy Ayers in the Hallmark movie “What the Deaf Man Heard” (1997).
Modine made his feature directorial debut with the crime drama “If … Dog … Rabbit” (1999), and earned recurring parts in the television series “The Bedford Diaries” and “Weeds” in subsequent years. He also became more active on the stage, portraying legendary playwright Arthur Miller in “Finishing the Picture” during the Goodman Theater’s 2004-05 season, and tackling the iconic role of Atticus Finch in a Hartford Stage production of “To Kill a Mockingbird” in 2009. He made his Broadway debut in the revival of “The Miracle Worker” in 2010, and contributed supporting roles in “The Dark Knight Rises” (2012) and the Sundance darling “Jobs” (2013).
Most recently, Modine won the SAG Outstanding Performance by an Ensemble in a Drama Series award for the role of Dr. Martin Brenner in the Netflix original series “Stranger Things.” He appears in the “Sicario” sequel “Soldado,” the thriller “47 Meters Down,” and the British comedy of manners “The Hippopotamus,” which was directed by NYFA alumnus John Jencks.
Modine says his acting aspirations began as a child when he would go to the drive-in movie theater where his father had worked. From there, Modine began telling his friends that he was an actor, until it actually became true when he got the leading role of George Gibbs as a sophomore in his high school’s performance of “Our Town.” From there he moved to New York City to study under Stella Adler.
“There was something about New York that called me,” said Modine. “I was taught by Stella Adler. She told me if I was only there to be a movie star, to just leave. She said, ‘I dont teach you to be a movie star, I teach you to be a human being.'”
This philosophy has remained true to the core of who Modine is, both as an actor and in his role in society. Admittedly a very liberal man, Modine doesn’t shy away from sharing his political and spiritual beliefs, and believes all actors should act accordingly as it is their duty as artists.
“What we do is very important,” said Modine. “We tell stories that change people’s lives.”
Modine kept the evening loose and was very inviting. In fact, he began by introducing each and every student to the audience, so that everyone was acquainted with one another. He stressed the fact that actors should have each other’s backs.
“You don’t want to be with another actor that doesn’t have your back,” he said. He also added to, “Find a scene partner that is better than you. It’ll help your game. You’ll learn from them.”
Once again stressing the importance of understanding each individual from a worldly perspective, Modine referenced “To Kill a Mockingbird,” saying, “You’ll never truly understand a person until you get into their skin and move around in it.”
Modine continued the evening by breaking down powerful scenes from his films, including “Birdy,” “Full Metal Jacket,” “Married to the Mob,” “And the Band Played On,” “Streamers,” and others.
One surprise to Modine came when it was announced during the master class that “Stranger Things” was nominated for a Peabody Award.
To learn more about “Stranger Things” Season 2 and see the teaser trailer released at Comic Con, click here.
We are pleased to announce that New York Film Academy alumna Eliza Bolsh’s film “Check your Mate” won Best Short at the Los Angeles Short Awards Film Festival! Bolsh also won the nomination for “Best Female Director” at the European Film Festival, as well as awards and nominations at other film festivals. This summer, the film will screen at the Cannes Film Festival and at the Mediterranean Film Festival in Italy.
We had the opportunity to speak with Eliza despite her busy festival schedule.
Eliza, congrats on your awards! Can you please tell us about your film?
“Check your Mate” is a drama with deep emotional overtones. It tells us about a successful emancipated elderly woman. She used to manage her life as she wanted. She built a career and her life, and now she likes to teach the others, even if they don’t ask about it. Since she plays chess well, she uses her ability to see how much a person is afraid. She especially likes to play with her sister’s grandson. She teaches him strategies in business and always wins. One day, his wedding is at stake. He needs to win whatever it takes. But to do it he must find her weak spot.
I was inspired by the fact that in my childhood my grandfather played chess with me. He skillfully linked the moves with real life strategies. He provided me with great food for meditation. Now I understand that it was an invaluable experience. There is a simple, vital and profound human history at the heart of my film.
What were some of the difficulties you faced while creating your film?
The budget was small, only $15,000. We worked at night to observe the context of the mystery. At the heart of it were two very complicated chess games, created for this film by a professional. The actors had a difficult task to remember all the moves, and, in fact, they had not played before.
What made you decide to attend the New York Film Academy Los Angeles?
Los Angeles is the meridian of world cinema, so I chose to study at the New York Film Academy. I have always been a creative person — that’s why I wanted to be realized on a world-wide basis.
Are you currently working on anything else that you’d like to share?
Recently I opened my production company, Boldman Bolsh Production, LLC in Los Angeles, which helps other people realize and implement their projects. We create music videos, commercials, films and all stages of the production, starting with the legal registration of documents, finishing with the construction of the set, castings, photography.
I have far-reaching plans. I want to create global projects and develop my company in all directions. I’m also writing a script for a series. I plan to start shooting at the end of this year, or the beginning of next year. I hope audiences will love it.
The New York Film Academy would like to thank Eliza Bolsh for taking the time to speak with us.
With news of a Peabody Award nomination for the Netflix hit series, “Stranger Things,” it couldn’t have been a better time to have New York Film Academy’s long-time friend and board member, Matthew Modine, come in to hold an intimate master class for New York’s Acting for Film students.
Modine made his feature film debut in John Sayles’ “Baby it’s You” (1983), soon becoming one of Hollywood’s hottest young actors with his contributions to three Vietnam War-era films. The first was Robert Altman’s “Streamers” (1983), in which he played a soldier preparing for decampment to battle, followed by a starring turn as the mentally unstable titular character of Alan Parker’s “Birdy” (1984). In perhaps the most recognizable role of his career, he narrated the horrors of war as the independent-minded Private Joker in Stanley Kubrick’s “Full Metal Jacket.”
“Being invited to work with Stanley Kubrick certainly altered my life,” said Modine. I can’t relate him to any other director because I was there for two years. That just doesn’t happen anymore. The experience with Stanley wasn’t just a friendship. It was a mentorship, a job. It became something that was much more profound. It changed the way I think about art.”
“He was such an analytical person,” Modine continued. “He was a chess player. There’s different ways of playing the game but the goal is to win. He was a great manipulator. His creative process was the thing that I don’t know if anyone knows the answer to.”
Most recently, Modine won the SAG Outstanding Performance by an Ensemble in a Drama Series award for the role of Dr. Martin Brenner in the Netflix original series “Stranger Things,” and appears in the “Sicario” sequel “Soldado,” the thriller “47 Meters Down,” and the British comedy of manners “The Hippopotamus,” directed by NYFA alumnus John Jencks.
https://youtu.be/NRjTHWYc7aI
The award-winning actor began the evening by introducing each and every student in attendance at the theater. After calling out close to 70 students, Modine stressed the importance of understanding who a person is and where they come from. After all, we all come from different backgrounds and experiences and that’s what makes up for who we are. Recalling the classic Harper Lee book, “To Kill a Mockingbird,” Modine said, “You never really understand a person until you get into their skin and move around in it.“
Throughout the evening, Modine broke down powerful scenes from his films, including “Full Metal Jacket,” “Birdy,” “And the Band Played On,” “Married to the Mob,” and more. He was extremely personable and loose with the students, providing moments of laughter and sincerity.
Admittedly a very liberal person, Modine says — no matter where you stand politically or spiritually —that actors should understand and appreciate the enormity of the fact that, “What we do is very important. We tell stories that change people’s lives.”
Manage Cookie Consent
This website uses cookies to improve user experience. By using our website, you consent to all cookies in accordance with our Cookie Policy.
Functional
Always active
The technical storage or access is strictly necessary for the legitimate purpose of enabling the use of a specific service explicitly requested by the subscriber or user, or for the sole purpose of carrying out the transmission of a communication over an electronic communications network.
Preferences
The technical storage or access is necessary for the legitimate purpose of storing preferences that are not requested by the subscriber or user.
Statistics
The technical storage or access that is used exclusively for statistical purposes.The technical storage or access that is used exclusively for anonymous statistical purposes. Without a subpoena, voluntary compliance on the part of your Internet Service Provider, or additional records from a third party, information stored or retrieved for this purpose alone cannot usually be used to identify you.
Marketing
The technical storage or access is required to create user profiles to send advertising, or to track the user on a website or across several websites for similar marketing purposes.
To provide the best experiences, we use technologies like cookies to store and/or access device information. Consenting to these technologies will allow us to process data such as browsing behavior or unique IDs on this site. Not consenting or withdrawing consent, may adversely affect certain features and functions.
Functional
Always active
The technical storage or access is strictly necessary for the legitimate purpose of enabling the use of a specific service explicitly requested by the subscriber or user, or for the sole purpose of carrying out the transmission of a communication over an electronic communications network.
Preferences
The technical storage or access is necessary for the legitimate purpose of storing preferences that are not requested by the subscriber or user.
Statistics
The technical storage or access that is used exclusively for statistical purposes.The technical storage or access that is used exclusively for anonymous statistical purposes. Without a subpoena, voluntary compliance on the part of your Internet Service Provider, or additional records from a third party, information stored or retrieved for this purpose alone cannot usually be used to identify you.
Marketing
The technical storage or access is required to create user profiles to send advertising, or to track the user on a website or across several websites for similar marketing purposes.