Does an Animation Student Have to be Great at Drawing?

Computer animation attracts a wide variety of personalities and incorporates a variety of interests; a glance at the credits of any CG or visual effects-heavy film will show just how many different roles and people are incorporated. Not only are there the artists, character designers, and modelers; there are people in charge of dynamic simulations (i.e. cloth, crumbling buildings, explosions) and developing and maintaining the pipeline (i.e. streamlining the interaction of various departments through programming and scripting). Not everyone has to be da Vinci — or, on the flip side, a computer genius like Pixar’s Ed Catmull — to find a niche in CG.

Students with skill in drawing (or, again, other areas such as programming) will definitely be able to exploit those skills. Students who have not done much drawing (or programming, etc.) will get the chance to develop and subsequently flex those muscles thanks to the instruction offered, for instance character design, storyboarding and life drawing classes which are all part of the NYFA animation curriculum.

New York Film Academy’s 3D Animation programs are generalist programs, meaning they will touch on all these aspects, and give students a chance to find the areas which interest them most.

-Robert Appleton, Chair of NYFA Animation Department

 

Homefront Director Speaks at NYFA

Fleder
Gary Fleder with Tova Laiter

Last night we had a full house yet again at Warner Bros theater 5 for our special guest, director Gary Fleder. Producer Tova Laiter, who moderated the Q&A, brought Gary to the New York Film Academy.

We screened the upcoming film, Homefront, starring Jason Statham, Kate Bosworth, and Winona Ryder. The screenplay was written by Sylvester Stallone, based on a novel Sly optioned a few years ago.

After graduating from film school, Gary’s debut film, Things To Do In Denver When You Are Dead, received polarized reviews from both critics and audiences.”People really loved it or hated it,” Gary admitted. He went on to direct Runaway Jury, Kiss The Girls, Don’t Say A Word and numerous television series, including Vegas and Beauty & The Beast. “TV is great in the sense that every day you direct, you get a lot of practice; hours on TV are like hours in a cockpit,” he said, referring to the speed at which television content is produced.

FlederAsked by a student about the process of preparing a film, Gary said, “You have to find your process; there really is no one formula. You really have to have a vision – see the film in your head – then you can move on to storyboarding and putting the pieces together.”

In regards to screenwriting, Gary’s advice was, “Structure and architecture are more important to me than dialogue.” In fact, he joked that his debut film had virtually no structure and was a cluster of scenes.

He looks at the importance of every phase of moviemaking. “Movies are made 3 times! The writing, the shooting, and the editing.” If you can get a good script and then make several choices while shooting, there is flexibility in what happens in post, which does not apply as much to TV.

Homefront has impressive combat/fighting scenes, and Gary said that giving the audience “a sense of geography was important.” He also admitted that working with people like Jason Statham, who is an athlete and has a lot of combat/fighting scenes on his resume, is helpful. Staging is also very important for credibility purposes, and sometime a single kick or punch would require ten takes.

Gary was asked about directing actors, specifically Jason Statham and the young child actress who plays his daughter in the film, Izabela Vidovic. He said that for the child actress, who had traumas to deal with in this story, “You find that these kids are like adults, talk to them with respect, not condescendingly. Jason, on the other hand, is very opinionated and you tend to discuss scenes and ideas; and some of them end up going through changes. You have to be malleable with someone like him because of his experience and stature.”

“I don’t think a film director is an acting coach. I trust them to work out characters by giving them a good backstory.” He gave an example of how Kate Bosworth developed her character in the film, a spiteful drug addict at the center of the town’s drama. “You hire good actors and trust them to do good work.”

His favorite actor that he has worked with is Dustin Hoffman because, “Dustin was 67 at the time, and he was so engaged and interested. He was curious about every scene…always a student, always learning.”

Finally, he said it takes a combination of talent, tenacity, and love to make it in this business.

Be sure to check out the action film, Homefront, which opens November 27th!

Producer Gaby Tana Speaks to NYFA Producing Students

Gaby Tana
Gaby Tana

Prominent film producer Gabrielle (Gaby) Tana joined our Producing Program students last week for an inspiring Industry Speaker session. Gaby has not one, but two major feature film releases upcoming: Stephen Frears’ Philomena starring Judi Dench and Steve Coogan, and Ralph Fiennes’ The Invisible Woman (Sony Pictures Classics).

Coming off very successful premieres at the Venice, Toronto, and New York Film Festivals, Gaby shared her inside perspective on developing, financing, and overseeing the production of both films. A producer based in New York and London, Gaby discussed the role of BBC Films as both a creative and business partner, working with various financing entities such as Pathe, how tax schemes have aided her efforts, and how producers can impact marketing and distribution strategies. Gaby also shared some of her experiences producing earlier films The Duchess (which starred Keira Knightly), and Ralph Fiennes’ directorial debut Coriolanus.

New York Film Academy Producing students will continue to track the progress of Gaby’s two films as they open in the US in November and December.

NYFA Instagram Contest: Vintage Photography

vintage photo

Have you ever gone back into your old photo collection to reminisce on the past? Do you sometimes get a feeling of nostalgia when looking at your vintage Polaroids? Well, this week, the New York Film Academy is looking for some Vintage Photography. If you think you have that classic shot that will stand above the rest, send it in and you could win this week’s contest!

To enter this week’s “Vintage” contest, follow us on Instagram and send us your best photo to [email protected] by Friday 11/22 at 12:00pm EST.

The winner will be mailed a NYFA T-Shirt and have his or her photo posted on NYFA Instagram and Facebook!

We’d also like to congratulate last week’s winner, former NYFA student Greta Dias, who sent us this beautiful shot from Sun City. Greta is from Brazil and hopes to study photography next year at the New York Film Academy in LA.

Greta Dias
photo by Greta Dias

MFA Screenwriting Student Has Script Optioned

Jymmi Willoughby
Jymmi Willoughby

Over the course of the year in New York Film Academy’s MFA Screenwriting Program, students are required to write two feature screenplays, among other writing projects. During Jymmi Willoughby’s first MFA term, in Floyd Byars’ class, he began writing a feature script called X-Gay. A common lesson given to beginning writers is to write what you know. Write something that is true and personal to you. Jymmi took that advice and ran with it.

“The idea for X-Gay came from a very personal place. I was raised in a rural community in southern Ohio and brought up as a Southern Baptist. I knew from an early age that I was gay, but I also knew that it was one of the worst things a person could be. I grew up knowing this and, in all honesty, hating myself. I eventually started seeking treatment for my homosexuality, because my nightly prayers were just not cutting it. That’s when I happened upon reparative therapy, also known as “ex-gay” or “pray the gay away” therapy. That’s where the idea came from. It was basically me remembering how odd and interesting my experience in this therapy was, the group dynamic (because it was group therapy), and how it felt to have to keep it a secret from everyone in my life. It was very cathartic to write.
“You cannot live your life in accordance to the desires of others. In the film, Jonah, the main character, has to accept who he is and what makes him happy — he has to forsake everything he has known in order to have that. I think that’s what is so interesting about his arc. He goes to change himself or get fixed and ends up accepting who he is. I hope that people will come away from the film feeling hopeful and empowered. The nation is in a state of change and no one should have to feel like they need to change themselves in order to fit in. I also hope that the movie will make people feel brave.”
After Floyd read the script, he knew Jymmi had something special. “X-Gay is a remarkable piece of work which I sent to a few producers. All liked it,” said Byars. Now, Damita Nikapota, who made the Paul Schrader picture Forever Mine, has recently optioned the script. “I think it will be made before long,” added Byars.

“Floyd was integral in the entire process. I only had the vaguest of clues what I was doing. I had one screenwriting class in undergrad and it had been years, so I was really re-learning everything and trying to figure out how to structure a story and how to create characters. Floyd was so helpful with every aspect. I think of him as a mentor. He is so sharp and he can see things on a microscopic level. It’s really incredible. The guy is a master. I honestly can’t say enough good things about him and I am forever grateful that our paths crossed.”

“My experience at NYFA has been a very positive one. Before I came here, I had a BA in English and had only taken one screenwriting course as an elective and we only had to write 40 pages of a feature. I was very nervous, thinking, “I’m just a country bumpkin and here I think I can just come to LA with no film experience and expect to keep up?“ I was very relieved to find out that my class was a nice mix of people with varying knowledge of film and screenwriting. After being here, it felt like we were all on an even playing field. I also have to brag that I am part of an amazing group of writers. The work that comes out of our classes is pretty remarkable and everyone is constantly raising the bar. We make each other better and that’s been the best experience. Plus, the instructors are incredible. They really care and want to see us succeed. I’m glad I’ve had the opportunity to learn from such talented individuals.”

Jymmi is currently working on several other projects. He has another script which was optioned by a NYFA producing student, and is writing his third feature as a thesis project.

“I love to tell stories and to make people laugh and writing allows me to do both. So my goal is just to be a working writer. Film, television, comic books, anything. As long as I get to tell stories and engage people, then I’m happy. And of course, pay the rent. Maybe that sounds cliché, but it’s the truth.”

Philippines Disaster Relief Fund at NYFA

As many of you are aware, the Philippines was recently struck by one of the most powerful and devastating storms recorded in human history. Having leveled many cities and killing thousands of Philippine nationals, Typhoon Haiyan has left an indelible mark on the country.

As a small start, the New York Film Academy has donated $10,000 to the relief fund. In addition, we would like to reach out to our community to help aid relief efforts overseas. We will be placing a donation box at each front desk of 17 Battery Place as well as at the front desk at Union Square. We will be accepting cash (and coin) donations which we will then donate to Direct Relief, the non-profit emergency response and global health organization with a special initiative for this relief effort.

Starting Monday, November 18th through Friday November 22nd, we will be collecting cash donations. Let’s pitch in and make a big statement from the entire NYFA community.

Thank you all so much for your support, every penny helps!

If you would like to make an individual donation online, you may do so here: DONATE NOW.Philippines

Philippines

Summer Camps at Universal Studios


The New York Film Academy offers summer camps for high school students and tweens at Universal Studios in Los Angeles. In one to six weeks, students have the opportunity to make films, learn to act, learn photography, write feature length screenplays, record investigative journalism pieces, and create their own animations under the umbrella of knowledgeable faculty who have worked in the industry for years.

Campers go to the theme parks and have had major Hollywood guest speakers, including Ron Howard, Doug Liman, and Steven Spielberg. Students also visit the Hollywood Bowl, attend tapings of TV shows, movie premieres, and much more!

Summer will be here before you know it! If you’re interested in next summer’s camps, give us a call at 1 (212) 674-4300.

NYFA Instagram Contest: Landscape Photography

Positano

This week, the New York Film Academy is looking for Landscape Photography that will leave us in awe. If you think you have that photo in your arsenal, send it in and you could win this week’s contest!

To enter this week’s “Landscape” contest, follow us on Instagram and send us your best photo to [email protected] by Friday 12:00pm EST.

The winner will be mailed a NYFA T-Shirt and have his or her photo posted on NYFA Instagram and Facebook!

We’d also like to congratulate last week’s winner, former NYFA student Jessica Robinson, who sent us this romantic black and white photo shot in Central Park.

central park
photo by Jessica Robinson

 

Indie Grits Film Festival

grits film festival

The Indie Grits Film Festival — the Southeast’s premiere film and culture festival for DIY media-makers — is seeking film submissions for its eighth annual event in Columbia, SC, from April 11 – 20, 2014, in five categories: feature, short, experimental, animated and student films.

Indie Grits invites all levels of filmmakers and films with ties to Southeastern culture. With an independent mentality and far-reaching artistic scope, the juried festival is especially receptive to first-time media makers and prides itself in providing exhibition opportunities for work often overlooked elsewhere. Movie Maker magazine has named Indie Grits one of the world’s 20 coolest film festivals, and last year, Indie Grits drew more than 8,000 attendees.

Hosted by the Nickelodeon Theatre, South Carolina’s longest running art-house cinema, on Main Street in South Carolina’s capital city, the Indie Grits Film Festival features ten days of the best DIY film, music, food and outside-the-box artistic performances from SC and the Southeast.

“Our staff and an army of film-loving volunteers from the Columbia area make this festival happen,” said new festival Co-Director Seth Gadsden. “Indie Grits is moving toward the cutting edge of contemporary visual culture, whether that’s through filmmaking, art, or design. We welcome media-makers who exude a visual swagger that says, ‘We take risks, and we’re bold.’”

Accepted entries will be eligible for $4,000 in juried cash prizes including the Helen Hill Memorial Award for female filmmakers and Top Grit for best festival entry. Indie Grits staff strive to give filmmakers the best experience possible, offering filmmaker-only events and help with accommodations and transportation.

“Indie Grits does everything it can to make filmmakers feel important,” said Micah Troublefield, winner of 2013’s Local Grit award. “You’re welcomed with open arms by people who really love what they do, and I’m surprised how many talented filmmakers I still keep in touch with after meeting at last year’s festival. I also wish I could go to an Indie Grits closing party every weekend. It was the most fun I’ve had in a long time.”

For more information, and for submission guidelines, visit www.indiegrits.com, visit the festival’s submission site on Withoutabox.com or contact Seth Gadsden, festival co-director at [email protected]. Follow @IndieGrits on Twitter and Facebook