NYFA’S OWN RUIYAN LI MAKES 2021 BAFTA STUDENT FILMS AWARDS SHORTLIST

NYFA’s recent graduate from the MFA Filmmaking program, Ruiyan Li, was shortlisted for the BAFTA Student Film Awards this year. Her film Yuan was selected among 680 submissions by students across film schools in 34 countries. Competitive categories include the ‘BAFTA Student Film Award for Animation,’ ‘BAFTA Student Film Award for Documentary,’ and ‘BAFTA Student Film Award for Live Action Film.’
NYFA Instructor Suki Medencevic Featured in 'American Cinematographer’ to Discuss Amazon Series ‘Them’
Yuan was selected under the BAFTA Student Film Award shortlist this year, competing with 19 other shortlisted films. The nominees were announced on June 9, 2021.

Production still from Yuan (2021)

Those shortlisted were also eligible for a BAFTA and Global Student Accommodation (GSA), which awards a $12,000 USD grant to projects on the subject of wellbeing. Despite the difficulties in-person events present due to COVID, BAFTA invited the shortlisted students to online events in an effort to keep communication and networking opportunities open.

The film Yuan tells the story of Nan, a woman who returns to her hometown to attend her mother’s funeral. Before leaving, Nan gives birth to her daughter Yuan, whose innocence and youth gradually change her mother from hard to soft. The film follows a story of self-growth and redemption after a harsh confrontation with the world outside Nan’s home life.

Production still from Yuan (2021)

According to Li, “It is a story about responsibility. It is part of growing up. Sometimes we fear to take responsibility for our actions and hope we never encounter situations that make us face our own realities. But this is not life.” Li continues to describe the basis for the subject of motherhood in the film.

“In many societies, it’s perceived that a woman becomes a mother when she gives birth to a baby. Children are the responsibility of mothers and can never be forgotten. In this story, Nan accepts the truth that she is a mother and that she must take on this responsibility,” says Li, ”She may experience pain and confusion given the uncertainty of her future, but as is life, she learns to enjoy the small moments of joy and happiness with her daughter.”

Production still from Yuan (2021)

A recent student herself, Li offers honest advice to those studying the art of film. “To be honest, I’m still looking for the meaning of this film myself. I created Yuan based on my own feelings and sense of life. I believe it’s important to base your films on your feelings and insights, which may not be a quality necessary for a commercial-grade filmmaker, but it’s an important quality nonetheless.”

Li urges, “Never stop doing what you want to do if you strive to be a filmmaker. Still inspired by the words of my instructor, Graham Tallman, spoken at my own graduation ceremony, ‘Now, more than any other time the world needs answers. The world is changing so quickly, and people need the means to understand how to live in this modern world. Stories help people do that, and you are the storytellers of this generation.’”

New York Film Academy congratulates NYFA graduate Ruiyan Li on making the BAFTA student films awards shortlist.

NYFA Documentary Alum Pedro Peira Talks Upcoming Film LA Queenciañera

Pedro Peira is a Fulbright scholar and NYFA Documentary Filmmaking MFA graduate. Since his time as NYFA he has been active in the industry directing, producing, writing and founding his own production company, Festimania Pictures.

The NYFA alum, who hails from Spain, first became interested in documentary filmmaking in his pre-teen years, “Whenever there was a family event I would take photos or record Hi-8 videos, initially with some help from family members and once they started to trust me, on my own.”

Having developed a passion for documenting reality, Pedro decided pursue documentary filmmaking as a profession. “It’s a way of informing, entertaining and hopefully, promoting social change. There’s also the added benefit of not having the pressure to raise major funding for a (documentary) film project. Generally, as the costs are much higher for fiction (films), whereas you just need a story and a camera to make a documentary.”

This decision eventually led him to apply for a Fulbright scholarship and choose NYFA as the place to hone his craft.”When I was doing all the Fulbright paperwork, prior to becoming a finalist, I was looking for a place to study documentary filmmaking and I easily contacted the documentary department at NYFA. The rest is all history.”

Throughout his career each project has taught Pedro valuable lessons that have allowed him to grow in his profession. “I learned to delegate responsibility. In my first feature I took on most of the production roles (mainly due to budget constraints) and I have now learned to share these tasks. I’ve also transitioned to using a narrative structure so as to make the film more appealing to the audience.” As for what leads him to choose a project Pedro had this to say, “I guess what attracts me most to a project is who’s behind it. There’s people who I would work for free and, also, others who I wouldn’t work for no matter the amount. The type of project is also very important when it comes to my decision making. For me, it’s not the same to be part of a project which can lead to a change in society compared to a film which generates profit for the producers without any higher purpose behind it.”

The Fulbright scholar has also started his own production company. “Festimania Pictures was set up in Spain 7  years ago. Although we carry out some distribution and consulting, we’re now mainly focused on documentary
production. Our biggest successes so far have been the features Soul, which world-premiered at the 2017 Berlin International Film Festival and Free Way, which world-premiered at the 2020 San Sebastian Film Festival. Both films have been widely distributed around the world and on the top-tier festival circuit.

As for upcoming projects, Pedro has a few lined up, including the Rosario Dawson backed LA Queenciañera. “We’re finishing post-production of a film called LA Queenciañera,  of which I’m the director and producer. The movie follows LA-based, transgender, undocumented, Latina activist, Bamby Salcedo, as she prepares for an epic 50th birthday celebration, which is a deliberate queering of that traditional Latino ritual, the Quinceañera. Our executive producer is Rosario Dawson and we have the participation of Patricia Arquette, sharing the story of her sister Alexis.”

Patricia Arquette sites with trans rights activist Bamby Salcedo and documentary filmmaker Pedro Peira
Pedro Peira with Patricia Arquette and Bamby Salcedo

“We’re also in development for a documentary series which explores the influence of Islam on the gastronomies of Indonesia, United Arab Emirates, Morocco and Spain.”

As for advice to aspiring documentary filmmakers and NYFA students Pedro says, “work hard and enjoy what you do. Don’t worry about not having budget – if the idea is good, success (and funds) will come. Just be patient.”

New York Film Academy congratulates Pedro Peira on his success and looks forward to the upcoming LA Queenciañera.

NYFA Filmmaking Alum Kai Kaldro’s Thesis Short “Dissolved Girl” Lands on Amazon Prime

New York Film Academy (NYFA) is excited to announce that Dissolved Girl from NYFA alum Kai Kaldro is now available to stream on Amazon Prime. Kaldro describes the short film as a “sci-fi ‘cyberpunk’ manifesto set in New York City during an era of political and cultural war between man and machine.

The 20 year old Brooklyn, New York native knew he wanted to make movies from a very young age and since graduating from the 1-Year Filmmaking Program at NYFA’s New York campus in September of 2020, he’s hit the ground running with two short films on the festival circuit. He’s also the editor/VFX artist on for the music video of indie pop-rock singer/songwriter Pam Steebler’s single Noise which is releasing later this summer.

Kai Kaldro with fellow NYFA Alum & “Dissolved Girl” lead Alexandra Faye Sadeghian.

Kaldro is heavily influenced by the “cyberpunk” sub-genre and strives to create work that has alluring atmospheres, compelling action and visual effects.

“It’s become something of a prerequisite for science fiction stories to try and predict the future or be ahead of their time, often set in a distant year that we’ll all eventually reach. When that day comes along we utter our sardonic disillusionment that there are no flying cars and robots. Dissolved Girl is not intended to be ahead of its time, it’s intended to define its time, which is why it’s set in our current year of 2021 – but of course it’s a different 2021 with a different, yet similar history proceeding it.”

Kaldro says he was able to use the skills he learned at NYFA to create elaborate lighting set ups with minimal resources and a strict budget. He is currently working on two feature length films including the feature-length version of Dissolved Girl.

New York Film Academy congratulates NYFA Filmmaking alum Kai Kaldro on his success and invites everyone to check out Dissolved Girl on Amazon Prime.

ANIMATED WEB SERIES “MINE” PRODUCED, CO-WRITTEN AND CO-DIRECTED BY NEW YORK FILM ACADEMY (NYFA) SCREENWRITING CHAIR RANDALL DOTTIN PREMIERES AT TRIBECA

INE the animated web series produced, co-written and co-directed by NYFA New York’s Screenwriting Chair Randall Dottin premieres at Tribeca Film Festival 2021.

NYFA Chair Produces, Co-Writes & Co-Directs MINE
Set in the near future, this five-part series takes place in Beau Voda, a utopian world where the lifesource – a miraculous healing water – suddenly disappears. MINE looks to explore many of the themes of our modern world including, climate justice, scarcity, individualism, and migration.

MINE is the brainchild of Rise-Home Stories, a collective founded in 2018 that brings together multimedia storytellers and housing, land, and racial justice advocates with the goal of reimagining the past, present, and future of our communities through storytelling. NYFA Documentary Filmmaking instructor, Angela Tucker, also co-wrote and produced the series.

Of his experience writing and directing the series, NYFA Screenwriting Chair Randall Dottin said, “By the time we finished the pilot, I realized that I had just completed one of the most unique creative experiences I’ve ever had in my life. I’ve never worked on a project where the values promoted in the story ‘in front of the camera’ were also utilized ‘behind the camera’ in the writers’ room, among the producers and the crew. This is a great model for how this new kind of work can be created and for how I’d like to work in the future.”

Acclaimed actor and NYFA Guest speaker, Russell Hornsby executive produced MINE and voices Eustis, Beau Voda’s Chief Scientist. “This is a story about people finding themselves, finding out what their abilities and capabilities are and how they deal with their limits and fears. I have two kids and as a parent, I think about what world are they going to have, and what kind of society are they going to make. These are the big questions that MINE asks and that my kids are going to have to answer as they mature and grow into adults.”

New York Film Academy congratulates Screenwriting Chair Randall Dottin for his work on MINE and invites everyone to attend the Virtual Premiere and Audience Q&A with the team behind the animated web series on Monday, July 14th, by snagging a free ticket here.

NYFA Los Angeles Holds Virtual Graduation Celebration for Spring 2021 Graduates

On May 8th, NYFA’s Los Angeles campus saw 165 degree students graduate. A virtual  commencement ceremony was held for the graduating class of 2021 allowing students to collect their degrees and officially become NYFA alumni.

Commencement Speaker Camrus Johnson (Batwoman, The Sun is Also a Star) joined the graduation live and delivered an inspirational speech about how pursuing a career in the film industry is “risky, scary, can be frustrating, and how pursuing that dream makes a person not normal.  It makes them extraordinary.  That fighting for this goal, climbing for it, and falling down is worth it…as long as they pick themselves up and keep going.”  And how, in no time, these students will be the ones holding for and hearing an applause.

NYFA Los Angeles also introduced its third student speaker Emma Daniels (BFA Acting), who addressed peers on this milestone achievement. Students also were shown a graduation video that was streamed during the ceremony.

BFA in 3D Animation & Visual Effects

Noura Alqubaisi

Angel Gradilla

Fangyuan Liu

Yuping Zeng

 

AFA in Acting for Film

Mariana Sanjuan

 

BFA in Acting for Film

Kristin AlNimri

Adlih Cristal Torres Alvarado

Austin Lee Barksdale

Georgia Alixandra Beam

John “Savage” Bention

Stephen Bennett Bleeker

Chloe Breen

Yu-Fang (Annie) Chang

William Collins

Emma Daniels

Iunia Georgiana Dinu

Milad El Doumani

Jérémie Boyamba

Alex Giarratano

Karolina Glazunova

Keoni Hall

Andre Heard

Jason Holland

Camila Jimenez Alvarado

Freda Yifan Jing

Salif Bobby Kone II

Benjamin Leder

Natasha Lewis

Yifangting Li

Ronaldo Madera

Tshepang Modise

Fenton Chavez-Montesino

Zach Morris

Jordan Nolen

Darcy Jeanette O’Toole

Aldana Pavicich

Kenneth Phillips

Willie Poole

Eduarda Fukuoka

Joshua Sanchez

Marie Solimena

Angelo Valotta Patino

Siphesihle Vilakazi

Dashun Latrell Worthen

Ari Zhaukhanova

 

MFA in Acting for Film

Frederick Scott Basnight II

Treyvon Hinson

Shermera Hughes

Melisa Lopez

Gimbals Moonier

Asaadhya Pal

Ya Qi

Charles E Savage

Rashvir Singh

 

AFA in Filmmaking

Jorge Abdou

 

BFA in Filmmaking

Qiao Ba

Timur Badanov

Thomas Barth

Lord Zeth Zander Black

Shivam Rajesh Dodhia

Veljko Dronjak

Rui Du

Ian Alec Franco

Joshua Fraser

Alessio Giurgola

Siyang Huang

Arnav Kasbekar

Bu Lu

Armaan Lucknowala

Robin Lyu

Kenneth Ma

Flaminia Mereu

Alice Nicolini

Junyao Ren

Filippo Savoia

Haoxi Tan

Nghi Tran Nguyen Hoang

Oliver Weinmann

 

MA in Film and Media Production

Ricardo Cruz

Muhammad Saram Dogar

Nidhi Jarmanwala

Da Lin

Dongyu Lu

Sabreen Taha

Sam Triplett

Daniela Cruz Yomayusa

Peiying Zhu

 

MFA in Filmmaking

Charles Hamilton Allen

Fernanda Belmar

Omar Fayek

Viviana Garibay Canavati

Anderson Grant

Sharan Gupta

Mohamed Gamil Ibraheem

Yao Ji

Marzin Muslim Khaidar

Sushmita Kohli

Chris Bixi Li

Gary L

Tsai-Yi Pan

Chi-Yang Victor Shao

Wei-Lin Shen

Wan Yi Shih

Justin Stapleton

Jiasheng Wang

Phillip Jeffrey WIlliams Jr.

Ziyan Zhu

 

BFA in Game Design

Jordan Barboza

Mi Diaz

 

BFA in Photography

Sabryna “Hunny” Flores

Abbey Friedman

Sophia Ortega

Carlos Alberto Pascal Zavala

Jeremy Rich

Xiaoyu ‘Kiko’ Yuan

 

MFA in Photography

Huaishu Fei

Shaokang Ji

Anqi Liu

Brian Thomas Myers

 

BFA in Producing

Oksana Chester

Shuotian Hu

Zhongyu Leng

Xue Ni

Bocong Sun

Jiani Zhou

 

MA in Producing

Adam Ferguson

Yifei Hong

Tuesday Lewis Harris

Guanhui Li

Mengmeng Lu

Yiwen Sun

 

MFA in Producing

Zhaolin Chen

Emerson Geter

Pengyifan “Erin” Lou

Joshua J. Mensah

Anna Szymanska

Anisha Thakur

Wenxin Yang

 

BFA in Screenwriting

David Avila Jr.

Babatunde Awe

Ian Brown

Malin Cantu

Aaron Herrera

Thomas J Horn

Lorenzo Elijah Hudson

Margot Kloster

Taylor Nichka

Angel Nnaemeka Ogwo

Stefanie Webb

Roberto Posada Panero

Rivka Shmuel

 

MFA in Screenwriting

Caleb Bloomer

André Luiz Dragoni da Costa

Almas Haidery

Courtney Kim

Owen Newberry

  1. Paolucci

Anna Pujolras

Charlotte Glen Quarrie

Jai Roberson

Lucas Romero

Federico Sanna

Xavier A. Vazquez

Eugene E. Williams

Zhao, Chao

New York Film Academy congratulates its graduates and wishes them continued success in their professional paths. We can’t wait to see what comes next!

The NYFA 20/20 Series: A Conversation with Award-Winning Director/DP Jordan Haro

New York Film Academy (NYFA) was thrilled to welcome award-winning Director of Photography,  Jordan Haro as part of The 20/20 Series in May 2021. The 20/20 Series was created by NYFA’s Creative Director of Filmmaking and Cinematography, Liz Hinlein. The conversation was moderated by Hinlein and held virtually, allowing individuals to join NYFA and the special guests from all over the world. 

Jordan Haro NYFA Guest Speaker
Award-Winning Director/DP Jordan Haro

Haro is known for his work on TV shows like Snowfall and Archer, as well as feature-length films including Machete (2010), The Wolverine (2013), and Balloon (2011). His long-spanning career titles include photographer, writer, editor, and keen observer. The Austin, TX-native filmmaker bounced around the globe telling stories for massive clients including National Geographic, Atlantic Records, TLC, and Sony Pictures. Aside from always watching, learning, and growing, Jordan’s current goals and aspirations are squarely set in the world of narrative filmmaking.

During the 2020 COVID-19 pandemic, Haro and his partner rented an airstream to travel across the United States in order to film, “we rented one airstream trailer back during the pandemic, just when we were coming out of the lockdown phase, that was actually a great trip. That experience sold us on buying one,” says Haro, “It just so happened that a hurricane bore down on us at the same time as this deal. What started as us filming each other, became a tour of climate change across the country. We hit a crazy electric storm in Oklahoma, a horrible snowstorm in Utah, and then got stuck in Colorado while California got hit with those forest fires.” 

Haro, originally from Austin, Texas was raised on breakfast tacos and barbecue. He has mainly worked as a director, although has many years of experience in producing, editing, and shooting movies of all shapes and sizes. Jordan runs a production company, Homecourt Pictures, that specializes in producing and editing directly to the network, behind-the-scenes marketing, and promo materials. 

When asked about how he looks for new work Haro answers, “I’m still figuring that out. The main thing is that during certain periods, I’ll be really busy with work that pays the bills, and then I’ll be hit with phases where I can ask ‘what do I want to do?’”

As an independent filmmaker, Haro sees owning a camera as a positive investment. Not only is he always at the ready for when a story is breaking but it is a great tool for collaborating/bartering with fellow filmmakers. 

About Liz Hinlein and The 20/20 Series

Liz Hinlein
20/20 Online Series Moderator Liz Hinlein

Liz Hinlein is the Creative Director of Filmmaking and Cinematography with the New York Film Academy. During her tenure, she created our popular weekly virtual event, The 20/20 Series

Hinlein is an award-winning DGA director and graduate of the NYU Tisch School of the Arts. Her background in filmmaking and media content includes a robust portfolio of work that spans feature-length films, commercials, and music videos for artists including Mary J. Blige, Britney Spears, Quincy Jones, Incubus, and Fishbone.

The 20/20 Series is a pop-up virtual event that takes us into the homes, hubs and workspaces of an array of dynamic creative visionaries to allow for relaxed, engaging conversations on craft, creation and artistic vision.

Each conversation with a creative visionary features 20 minutes of discussion with a moderator and a 20 minute Q&A from YOU, the audience. This event is open to the public, as a means of promoting global connection and creativity, a key mission of NYFA.

You can catch videos from The 20/20 Series as they are released, here

NYFA Celebrates a Historic Year at the Oscars: Chloé Zhao, Emerald Fennell, Daniel Kaluuya & More

Hollywood’s biggest night celebrated some of the industry’s finest as the 93rd Academy Awards went off without a hitch (well, almost), awarding some of the top talents in the business with the coveted golden Oscar statue. The awards show took a break from multiple traditions for this year’s ceremony, the most notable being the ceremony itself taking place inside of Union Station in Los Angeles, a break from the classic Dolby Theatre.

Kicking off the Steven Soderbergh-directed awards show was actor-turned-director Regina King, whose directorial debut film One Night in Miami was also up for multiple awards that night. King kicked off her speech noting the real-world issues at play outside of the realm of the Oscars ceremony.

“We are mourning the loss of so many, and I have to be honest, if things had gone differently this past week in Minneapolis, I might have traded in my heels for marching boots,” she began. “Now, I know that a lot of you people at home are going to reach for your remote when you feel like Hollywood is preaching to you, but as a mother of a Black son, I know the fear that so many live with and no amount of fame or fortune changes that.”

King then explained to attendees and those watching at home that this year’s ceremony would be treated like a movie set. Nominees would be allowed to remain maskless while on camera but would place their masks back on during each commercial break.

The first award of the night went to Emerald Fennell for Best Original Screenplay. Her film Promising Young Woman is, staggeringly, the first screenplay penned by a woman to win this award since Diablo Cody’s Juno in 2008.

Nomadland director Chloé Zhao is the first woman of color to win the Oscar for Best Director and only the second woman to win this award in the history of the Academy Awards. In her acceptance speech, Zhao paid tribute to her dad and her Chinese heritage with a short passage from the Three Character Classic (三字经), citing the translation as “at birth, people are innately good.” Zhao also became the second Asian woman, after Parasite‘s Kwak Sin-ae last year, to pick up an Academy Award for Best Picture, the most coveted award of the night.

In perhaps one of the most powerful acceptance speeches of the night, Judas and The Black Messiah actor Daniel Kaluuya paid tribute to his parents and Black Panther Party chairman Fred Hampton for his monumental Best Supporting Actor win and called out to the audience to unify in these trying times. “When they play divide and conquer, we say unite and ascend. There’s so much work to do, and that’s on everyone in this room.”

After three previous Black nominees in the category for Best Live-Action Short, Travon Free became the first Black winner in the category for his film Two Distant Strangers, which he shared with co-director, Martin Desmond Roe. 

Mia Neal and Jamika Wilson celebrated their huge win for their work on Ma Rainey’s Black Bottom as the first Black winners for Makeup & Hairstyling to ever receive an Oscar. “I stand here, as Jamika and I break this glass ceiling, with so much excitement for the future,” beamed Neal. “Because I can picture Black trans women standing up here, and Asian sisters, and our Latina sisters, and indigenous women, and I know that one day it won’t be unusual or groundbreaking, it will just be normal.”

In one of the most charming acceptance speeches of the night, Korean screen legend and Minari actress Yuh-Jung Youn picked up a Best Supporting Actress Oscar. In her speech, Youn joked with Minari producer Brad Pitt about where he was for the duration of the film production, forgave everyone who ever butchered her name, and dedicated her Oscar to her first director, Kim Ki-young. Youn, along with her Minari co-star and fellow Oscar nominee Steven Yeun are the first actors born in Korea to earn Oscar recognition for their performances in Minari.

(Left) Sharon Choi standing next to (Right) Bong Joon-ho (Academy of Motion Picture Arts and Sciences)

Outside of the winner’s circle, this year’s Oscars pushed for more diversity overall with 2020 Oscar-winner Bong Joon Ho presenting the Best Director category completely in Korean, with English translation by Sharon Choi, while Marlee Matlin presented the two documentary categories in American Sign Language (ASL). Also, in a new development, this year there was also an ASL interpreter made available in the Oscars’ press room. 

While there is still a way to go for, as Mia Neal puts it, for the Oscars to present a diverse pool of winners where it “won’t be unusual or groundbreaking” this year’s nominees and winners proved that the Academy is working to make strides for the “new normal” and awarding deserving talent that are bringing never-before-heard voices to the forefront of audience’s screens worldwide.

New York Film Academy congratulates this year’s Oscar winners and nominees and looks forward to seeing what 2021 has in store for the industry’s most innovative and dedicated storytellers. 

Here is the full list of 2021 Oscar Winners

Best Picture

  • “The Father” (David Parfitt, Jean-Louis Livi and Philippe Carcassonne, producers)
  • “Judas and the Black Messiah” (Shaka King, Charles D. King and Ryan Coogler, producers)
  • “Mank” (Ceán Chaffin, Eric Roth and Douglas Urbanski, producers)
  • “Minari” (Christina Oh, producer)
  • “Nomadland” (Frances McDormand, Peter Spears, Mollye Asher, Dan Janvey and Chloé Zhao, producers) – WINNER
  • “Promising Young Woman” (Ben Browning, Ashley Fox, Emerald Fennell and Josey McNamara, producers)
  • “Sound of Metal” (Bert Hamelinck and Sacha Ben Harroche, producers)
  • “The Trial of the Chicago 7” (Marc Platt and Stuart Besser, producers)

Best Director

  • Thomas Vinterberg (“Another Round”)
  • David Fincher (“Mank”) 
  • Lee Isaac Chung (“Minari”) 
  • Chloé Zhao (“Nomadland”)  – WINNER
  • Emerald Fennell (“Promising Young Woman”) 

Best Actor in a Leading Role

  • Riz Ahmed (“Sound of Metal”) 
  • Chadwick Boseman (“Ma Rainey’s Black Bottom”) 
  • Anthony Hopkins (“The Father”) – WINNER
  • Gary Oldman (“Mank”) 
  • Steven Yeun (“Minari”) 

Best Actress in a Leading Role

  • Viola Davis (“Ma Rainey’s Black Bottom”) 
  • Andra Day (“The United States v. Billie Holiday”) 
  • Vanessa Kirby (“Pieces of a Woman”) 
  • Frances McDormand (“Nomadland”) – WINNER
  • Carey Mulligan (“Promising Young Woman”) 

Best Actor in a Supporting Role

  • Sacha Baron Cohen (“The Trial of the Chicago 7”) 
  • Daniel Kaluuya (“Judas and the Black Messiah”) – WINNER
  • Leslie Odom Jr. (“One Night in Miami”) 
  • Paul Raci (“Sound of Metal”) 
  • Lakeith Stanfield (“Judas and the Black Messiah”)

Best Actress in a Supporting Role

  • Maria Bakalova (‘Borat Subsequent Moviefilm”) 
  • Glenn Close (“Hillbilly Elegy”) 
  • Olivia Colman (“The Father”) 
  • Amanda Seyfried (“Mank”) 
  • Youn Yuh-jung (“Minari”) – WINNER

Best Animated Feature Film

  • “Onward” (Pixar) 
  • “Over the Moon” (Netflix) 
  • “A Shaun the Sheep Movie: Farmageddon” (Netflix) 
  • “Soul” (Pixar) – WINNER
  • “Wolfwalkers” (Apple TV Plus/GKIDS) 

Best Adapted Screenplay

  • “Borat Subsequent Moviefilm.” Screenplay by Sacha Baron Cohen, Anthony Hines, Dan Swimer, Peter Baynham, Erica Rivinoja, Dan Mazer, Jena Friedman, Lee Kern; Story by Sacha Baron Cohen, Anthony Hines, Dan Swimer, Nina Pedrad
  • “The Father,” Christopher Hampton and Florian Zeller – WINNER
  • “Nomadland,” Chloé Zhao 
  • “One Night in Miami,” Kemp Powers 
  • “The White Tiger,” Ramin Bahrani 

Best Original Screenplay

  • “Judas and the Black Messiah.” Screenplay by Will Berson, Shaka King; Story by Will Berson, Shaka King, Kenny Lucas, Keith Lucas
  • “Minari,” Lee Isaac Chung 
  • “Promising Young Woman,” Emerald Fennell – WINNER
  • “Sound of Metal.” Screenplay by Darius Marder, Abraham Marder; Story by Darius Marder, Derek Cianfrance
  • “The Trial of the Chicago 7,” Aaron Sorkin 

Best Original Song

  • “Fight for You,” (“Judas and the Black Messiah”). Music by H.E.R. and Dernst Emile II; Lyric by H.E.R. and Tiara Thomas – WINNER
  • “Hear My Voice,” (“The Trial of the Chicago 7”). Music by Daniel Pemberton; Lyric by Daniel Pemberton and Celeste Waite
  • “Húsavík,” (“Eurovision Song Contest”). Music and Lyric by Savan Kotecha, Fat Max Gsus and Rickard Göransson
  • “Io Si (Seen),” (“The Life Ahead”). Music by Diane Warren; Lyric by Diane Warren and Laura Pausini
  • “Speak Now,” (“One Night in Miami”). Music and Lyric by Leslie Odom, Jr. and Sam Ashworth

Best Original Score

  • “Da 5 Bloods,” Terence Blanchard 
  • “Mank,” Trent Reznor, Atticus Ross 
  • “Minari,” Emile Mosseri 
  • “News of the World,” James Newton Howard 
  • “Soul,” Trent Reznor, Atticus Ross, Jon Batiste – WINNER

Best Sound

  • “Greyhound,” Warren Shaw, Michael Minkler, Beau Borders and David Wyman
  • “Mank,” Ren Klyce, Jeremy Molod, David Parker, Nathan Nance and Drew Kunin
  • “News of the World,” Oliver Tarney, Mike Prestwood Smith, William Miller and John Pritchett
  • “Soul,” Ren Klyce, Coya Elliott and David Parker
  • “Sound of Metal,” Nicolas Becker, Jaime Baksht, Michelle Couttolenc, Carlos Cortés and Phillip Bladh – WINNER

Best Costume Design

  • “Emma,” Alexandra Byrne 
  • “Mank,” Trish Summerville 
  • “Ma Rainey’s Black Bottom,” Ann Roth – WINNER
  • “Mulan,” Bina Daigeler 
  • “Pinocchio,” Massimo Cantini Parrini

Best Animated Short Film

  • “Burrow” (Disney Plus/Pixar)
  • “Genius Loci” (Kazak Productions) 
  • “If Anything Happens I Love You” (Netflix) – WINNER
  • “Opera” (Beasts and Natives Alike) 
  • “Yes-People” (CAOZ hf. Hólamói) 

Best Live-Action Short Film

  • “Feeling Through” 
  • “The Letter Room” 
  • “The Present” 
  • “Two Distant Strangers” – WINNER
  • “White Eye” 

Best Cinematography

  • “Judas and the Black Messiah,” Sean Bobbitt 
  • “Mank,” Erik Messerschmidt – WINNER
  • “News of the World,” Dariusz Wolski 
  • “Nomadland,” Joshua James Richards 
  • “The Trial of the Chicago 7,” Phedon Papamichael 

Best Documentary Feature

  • “Collective,” Alexander Nanau and Bianca Oana
  • “Crip Camp,” Nicole Newnham, Jim LeBrecht and Sara Bolder
  • “The Mole Agent,” Maite Alberdi and Marcela Santibáñez
  • “My Octopus Teacher,” Pippa Ehrlich, James Reed and Craig Foster – WINNER
  • “Time,” Garrett Bradley, Lauren Domino and Kellen Quinn

Best Documentary Short Subject

  • “Colette,” Anthony Giacchino and Alice Doyard – WINNER
  • “A Concerto Is a Conversation,” Ben Proudfoot and Kris Bowers
  • “Do Not Split,” Anders Hammer and Charlotte Cook
  • “Hunger Ward,” Skye Fitzgerald and Michael Scheuerman
  • “A Love Song for Latasha,” Sophia Nahli Allison and Janice Duncan

Best Film Editing

  • “The Father,” Yorgos Lamprinos
  • “Nomadland,” Chloé Zhao 
  • “Promising Young Woman,” Frédéric Thoraval 
  • “Sound of Metal,” Mikkel E.G. Nielsen – WINNER
  • “The Trial of the Chicago 7,” Alan Baumgarten 

Best International Feature Film

  • “Another Round” (Denmark) – WINNER
  • “Better Days” (Hong Kong)
  • “Collective” (Romania) 
  • “The Man Who Sold His Skin” (Tunisia)
  • “Quo Vadis, Aida?”(Bosnia and Herzegovina) 

Best Makeup and Hairstyling

  • “Emma,” Marese Langan, Laura Allen, Claudia Stolze
  • “Hillbilly Elegy,” Eryn Krueger Mekash, Patricia Dehaney, Matthew Mungle 
  • “Ma Rainey’s Black Bottom,” Sergio Lopez-Rivera, Mia Neal, Jamika Wilson – WINNER
  • “Mank,” Kimberley Spiteri, Gigi Williams, Colleen LaBaff
  • “Pinocchio,” Mark Coulier, Dalia Colli, Francesco Pegoretti

Best Production Design

  • “The Father.” Production Design: Peter Francis; Set Decoration: Cathy Featherstone
  • “Ma Rainey’s Black Bottom.” Production Design: Mark Ricker; Set Decoration: Karen O’Hara and Diana Stoughton
  • “Mank.” Production Design: Donald Graham Burt; Set Decoration: Jan Pascale -WINNER
  • “News of the World.” Production Design: David Crank; Set Decoration: Elizabeth Keenan
  • “Tenet.” Production Design: Nathan Crowley; Set Decoration: Kathy Lucas

Best Visual Effects

  • “Love and Monsters,” Matt Sloan, Genevieve Camilleri, Matt Everitt and Brian Cox 
  • “The Midnight Sky,” Matthew Kasmir, Christopher Lawrence, Max Solomon and David Watkins
  • “Mulan,” Sean Faden, Anders Langlands, Seth Maury and Steve Ingram
  • “The One and Only Ivan,” Nick Davis, Greg Fisher, Ben Jones and Santiago Colomo Martinez
  • “Tenet,” Andrew Jackson, David Lee, Andrew Lockley and Scott Fisher – WINNER

Jean Hersholt Humanitarian Award

  • Tyler Perry

NEW YORK FILM ACADEMY (NYFA) NAMED BY VARIETY AS A TOP FILM SCHOOL FOR FIFTH CONSECUTIVE YEAR

The New York Film Academy (NYFA) has been named as one of Variety’s Top Film Schools for 2021, for the fifth consecutive year running. The Entertainment Education Impact Report: The Top Film Schools and Educators From Around the Globe annually lists Variety’s selections of the leading 50 academic filmmaking institutions worldwide.

New York Film Academy (NYFA) Named by Variety as a Top Film School for Fifth Consecutive Year
This year, the report was designed to identify colleges that prepare students for not only their careers but real-time industry adoption given the current global pandemic. “No matter what the challenges the film industry faced, aspiring filmmakers — be they producers, screenwriters or directors — worked diligently at their respective crafts,” the report stated. “Students at these schools will likely emerge to become the superstar creators of the TV series, indie films and tentpole movies of tomorrow.”

The article commended NYFA’s range of creative disciplines where students can earn their degree, along with NYFA’s Los Angeles, New York, South Beach, and international campuses. “International students are welcome to all campuses and can pursue an education in both film and the English language by enrolling at the NYFA’s ESL School.”

NYFA has been included in Variety’s Entertainment Education Impact Report since 2017 when it was recognized for its accelerated worldwide programs. Additionally, the 2017 article reviewed the accomplishments of NYFA graduates who had gone on to screen films at Sundance, Toronto, Cannes, SXSW, and Venice film festivals. Recent NYFA alumni have gone on to: win the Short Film Grand Jury Prize at Sundance 2021, be awarded the George Sidney Independent Film Competition award for Best Narrative Short at SLO Film Fest, and more.

“We are honored by Variety’s continued recognition of New York Film Academy,” said Michael Young, President of NYFA. “Our inclusion on this list is a direct result of the hard work and creativity of our exceptional faculty and staff, who continue to find new and inventive ways to keep our students inspired and prepared during this challenging time.”

For more than 100 years, Variety has been a leader in entertainment and media, providing the latest news, analysis, and insights into film, TV, digital media, music, and theatre. The annual education report serves as a reputable source for executives, producers, and emerging talent.

NYFA Celebrates the 93rd Academy Award Nominees and Winners

This year, NYFA celebrated instructors and alumni being among those nominated for this year’s Oscar’s shortlist. As the list dwindled down it was 1-Year Screenwriting alum Shivani Rawat’s film The Trial of The Chicago 7 that earned six nominations including Best Picture. The Aaron Sorkin film was one that Rawat produced along with Marc Platt and Stuart Besser.

Also among the nominees was producer and NYFA guest speaker Christina Oh, who helmed the A24 Lee Isaac Chung drama Minari, which also earned six nominations including Best Picture. Oh is the first Asian American woman to receive a nomination for best picture.

Oscar nominees (Photo Credit: Screen Rant)

Other historic nominations this year include:

  • The first time two women are nominated for Best Director: Emerald Fennel (Promising Young Woman) and Chloé Zhao (Nomadland).
  • Netflix setting a record for distributors with 35 total nominations in 2021. The streaming giant also leads the Best Picture category with two nods, while Amazon, A24, Focus, Searchlight, and Sony Classics held one nomination each. This year, major studios were not present in this category, a notable exception given the tumultuous distribution efforts major studios faced with releasing tentpole and lower budget films across the production slate in 2020.
  • Chadwick Boseman has become the seventh actor to receive a posthumous nomination for his work on Ma Rainey’s Black Bottom.
  • Riz Ahmed is the first Muslim actor to be nominated in the Best Actor category for his performance in The Sounds of Metal.
  • Steven Yeun, the first Asian American to receive a Best Actor nod, and Best Supporting Actress nominee Youn Uh-Jung are the first actors born in Korea to earn Oscar recognition for their performances in Minari.

After many delays due to the pandemic, Hollywood’s biggest night is ready for a night of normalcy with the tentpole of awards shows back on the air with an in-person ceremony at the Dolby Theatre on April 25th after its original February 28th date was pushed back. 

Here is the full list of 2021 Oscar Nominations:

Jean Hersholt Humanitarian Award – Tyler Perry

Best Picture

  • “The Father” (David Parfitt, Jean-Louis Livi and Philippe Carcassonne, producers)
  • “Judas and the Black Messiah” (Shaka King, Charles D. King and Ryan Coogler, producers)
  • “Mank” (Ceán Chaffin, Eric Roth and Douglas Urbanski, producers)
  • “Minari” (Christina Oh, producer)
  • “Nomadland” (Frances McDormand, Peter Spears, Mollye Asher, Dan Janvey and Chloé Zhao, producers) – WINNER
  • “Promising Young Woman” (Ben Browning, Ashley Fox, Emerald Fennell and Josey McNamara, producers)
  • “Sound of Metal” (Bert Hamelinck and Sacha Ben Harroche, producers)
  • “The Trial of the Chicago 7” (Marc Platt and Stuart Besser, producers)

Best Director

  • Thomas Vinterberg (“Another Round”)
  • David Fincher (“Mank”) 
  • Lee Isaac Chung (“Minari”) 
  • Chloé Zhao (“Nomadland”)  – WINNER
  • Emerald Fennell (“Promising Young Woman”) 

Best Actor in a Leading Role

  • Riz Ahmed (“Sound of Metal”) 
  • Chadwick Boseman (“Ma Rainey’s Black Bottom”) 
  • Anthony Hopkins (“The Father”) – WINNER
  • Gary Oldman (“Mank”) 
  • Steven Yeun (“Minari”) 

Best Actress in a Leading Role

  • Viola Davis (“Ma Rainey’s Black Bottom”) 
  • Andra Day (“The United States v. Billie Holiday”) 
  • Vanessa Kirby (“Pieces of a Woman”) 
  • Frances McDormand (“Nomadland”) – WINNER
  • Carey Mulligan (“Promising Young Woman”) 

Best Actor in a Supporting Role

  • Sacha Baron Cohen (“The Trial of the Chicago 7”) 
  • Daniel Kaluuya (“Judas and the Black Messiah”) – WINNER
  • Leslie Odom Jr. (“One Night in Miami”) 
  • Paul Raci (“Sound of Metal”) 
  • Lakeith Stanfield (“Judas and the Black Messiah”)

Best Actress in a Supporting Role

  • Maria Bakalova (‘Borat Subsequent Moviefilm”) 
  • Glenn Close (“Hillbilly Elegy”) 
  • Olivia Colman (“The Father”) 
  • Amanda Seyfried (“Mank”) 
  • Youn Yuh-jung (“Minari”) – WINNER

Best Animated Feature Film

  • “Onward” (Pixar) 
  • “Over the Moon” (Netflix) 
  • “A Shaun the Sheep Movie: Farmageddon” (Netflix) 
  • “Soul” (Pixar) – WINNER
  • “Wolfwalkers” (Apple TV Plus/GKIDS) 

Best Adapted Screenplay

  • “Borat Subsequent Moviefilm.” Screenplay by Sacha Baron Cohen, Anthony Hines, Dan Swimer, Peter Baynham, Erica Rivinoja, Dan Mazer, Jena Friedman, Lee Kern; Story by Sacha Baron Cohen, Anthony Hines, Dan Swimer, Nina Pedrad
  • “The Father,” Christopher Hampton and Florian Zeller – WINNER
  • “Nomadland,” Chloé Zhao 
  • “One Night in Miami,” Kemp Powers 
  • “The White Tiger,” Ramin Bahrani 

Best Original Screenplay

  • “Judas and the Black Messiah.” Screenplay by Will Berson, Shaka King; Story by Will Berson, Shaka King, Kenny Lucas, Keith Lucas
  • “Minari,” Lee Isaac Chung 
  • “Promising Young Woman,” Emerald Fennell – WINNER
  • “Sound of Metal.” Screenplay by Darius Marder, Abraham Marder; Story by Darius Marder, Derek Cianfrance
  • “The Trial of the Chicago 7,” Aaron Sorkin 

Best Original Song

  • “Fight for You,” (“Judas and the Black Messiah”). Music by H.E.R. and Dernst Emile II; Lyric by H.E.R. and Tiara Thomas – WINNER
  • “Hear My Voice,” (“The Trial of the Chicago 7”). Music by Daniel Pemberton; Lyric by Daniel Pemberton and Celeste Waite
  • “Húsavík,” (“Eurovision Song Contest”). Music and Lyric by Savan Kotecha, Fat Max Gsus and Rickard Göransson
  • “Io Si (Seen),” (“The Life Ahead”). Music by Diane Warren; Lyric by Diane Warren and Laura Pausini
  • “Speak Now,” (“One Night in Miami”). Music and Lyric by Leslie Odom, Jr. and Sam Ashworth

Best Original Score

  • “Da 5 Bloods,” Terence Blanchard 
  • “Mank,” Trent Reznor, Atticus Ross 
  • “Minari,” Emile Mosseri 
  • “News of the World,” James Newton Howard 
  • “Soul,” Trent Reznor, Atticus Ross, Jon Batiste – WINNER

Best Sound

  • “Greyhound,” Warren Shaw, Michael Minkler, Beau Borders and David Wyman
  • “Mank,” Ren Klyce, Jeremy Molod, David Parker, Nathan Nance and Drew Kunin
  • “News of the World,” Oliver Tarney, Mike Prestwood Smith, William Miller and John Pritchett
  • “Soul,” Ren Klyce, Coya Elliott and David Parker
  • “Sound of Metal,” Nicolas Becker, Jaime Baksht, Michelle Couttolenc, Carlos Cortés and Phillip Bladh – WINNER

Best Costume Design

  • “Emma,” Alexandra Byrne 
  • “Mank,” Trish Summerville 
  • “Ma Rainey’s Black Bottom,” Ann Roth – WINNER
  • “Mulan,” Bina Daigeler 
  • “Pinocchio,” Massimo Cantini Parrini

Best Animated Short Film

  • “Burrow” (Disney Plus/Pixar)
  • “Genius Loci” (Kazak Productions) 
  • “If Anything Happens I Love You” (Netflix) – WINNER
  • “Opera” (Beasts and Natives Alike) 
  • “Yes-People” (CAOZ hf. Hólamói) 

Best Live-Action Short Film

  • “Feeling Through” 
  • “The Letter Room” 
  • “The Present” 
  • “Two Distant Strangers” – WINNER
  • “White Eye” 

Best Cinematography

  • “Judas and the Black Messiah,” Sean Bobbitt 
  • “Mank,” Erik Messerschmidt – WINNER
  • “News of the World,” Dariusz Wolski 
  • “Nomadland,” Joshua James Richards 
  • “The Trial of the Chicago 7,” Phedon Papamichael 

Best Documentary Feature

  • “Collective,” Alexander Nanau and Bianca Oana
  • “Crip Camp,” Nicole Newnham, Jim LeBrecht and Sara Bolder
  • “The Mole Agent,” Maite Alberdi and Marcela Santibáñez
  • “My Octopus Teacher,” Pippa Ehrlich, James Reed and Craig Foster – WINNER
  • “Time,” Garrett Bradley, Lauren Domino and Kellen Quinn

Best Documentary Short Subject

  • “Colette,” Anthony Giacchino and Alice Doyard – WINNER
  • “A Concerto Is a Conversation,” Ben Proudfoot and Kris Bowers
  • “Do Not Split,” Anders Hammer and Charlotte Cook
  • “Hunger Ward,” Skye Fitzgerald and Michael Scheuerman
  • “A Love Song for Latasha,” Sophia Nahli Allison and Janice Duncan

Best Film Editing

  • “The Father,” Yorgos Lamprinos
  • “Nomadland,” Chloé Zhao 
  • “Promising Young Woman,” Frédéric Thoraval 
  • “Sound of Metal,” Mikkel E.G. Nielsen – WINNER
  • “The Trial of the Chicago 7,” Alan Baumgarten 

Best International Feature Film

  • “Another Round” (Denmark) – WINNER
  • “Better Days” (Hong Kong)
  • “Collective” (Romania) 
  • “The Man Who Sold His Skin” (Tunisia)
  • “Quo Vadis, Aida?”(Bosnia and Herzegovina) 

Best Makeup and Hairstyling

  • “Emma,” Marese Langan, Laura Allen, Claudia Stolze
  • “Hillbilly Elegy,” Eryn Krueger Mekash, Patricia Dehaney, Matthew Mungle 
  • “Ma Rainey’s Black Bottom,” Sergio Lopez-Rivera, Mia Neal, Jamika Wilson – WINNER
  • “Mank,” Kimberley Spiteri, Gigi Williams, Colleen LaBaff
  • “Pinocchio,” Mark Coulier, Dalia Colli, Francesco Pegoretti

Best Production Design

  • “The Father.” Production Design: Peter Francis; Set Decoration: Cathy Featherstone
  • “Ma Rainey’s Black Bottom.” Production Design: Mark Ricker; Set Decoration: Karen O’Hara and Diana Stoughton
  • “Mank.” Production Design: Donald Graham Burt; Set Decoration: Jan Pascale -WINNER
  • “News of the World.” Production Design: David Crank; Set Decoration: Elizabeth Keenan
  • “Tenet.” Production Design: Nathan Crowley; Set Decoration: Kathy Lucas

Best Visual Effects

  • “Love and Monsters,” Matt Sloan, Genevieve Camilleri, Matt Everitt and Brian Cox 
  • “The Midnight Sky,” Matthew Kasmir, Christopher Lawrence, Max Solomon and David Watkins
  • “Mulan,” Sean Faden, Anders Langlands, Seth Maury and Steve Ingram
  • “The One and Only Ivan,” Nick Davis, Greg Fisher, Ben Jones and Santiago Colomo Martinez
  • “Tenet,” Andrew Jackson, David Lee, Andrew Lockley and Scott Fisher – WINNER