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Photography Department

Naomi White Naomi White
Chair of Photography, NYFA Los Angeles

Naomi White is an abolitionist feminist, artist, and educator, working on ideas at the intersection of political ecology and photography. Throughout her work White addresses an array of complex contemporary issues, questioning dominant ethics and narratives throughout history, and asking how we can shift our focus away from the current racist, capitalist model of domination to one of equity and collective voice, for the sake of all people, animals and the planet.

White is the winner of PDN’s Objects of Desire award and has exhibited throughout North America and Europe, including at art fairs Scope, Spectrum, and Photo LA. Her work has been published in PDN, The Brooklyn Rail, Cut Me Up Magazine, The Missouri Review, and Uncertain States. White holds an MFA in Photography and Related Media from SVA in New York, a Post Baccalaureate in Photography from the San Francisco Art institute, and a BA in English Literature from San Francisco State.

Amanda Rowan Amanda Rowan
Full Time Faculty

Amanda Rowan Parker is a visual and performing artist and educator, currently living in Los Angeles, California. She graduated cum laude from NYU’s Tisch School of the Arts. Her visual style is timeless, with an emphasis on color and juxtaposition. Her photographic work examines performance and power within the realm of domesticity. Some of her publishing credits include: Float Magazine, People Magazine, I-Dress, FVM Global, and Bluegrass Today. Rowan's images have been exhibited at the Carrie Able Gallery, Red Cat, Photo LA, Paris Photo, and the Leica Gallery in Los Angeles.

Daughter of Grammy-winning Bluegrass and country legend Peter Rowan, Amanda began shooting rock concerts during high school. In 2014, she launched the project "Born Backstage," a portrait series that chronicles artists and performers who are all the children of folk and rock legends, including The Grateful Dead; Crosby, Stills & Nash; The Beatles; Frank Zappa; and many more.

Rowan's colorful lighting, combined with her knack for engaging with her subjects, has led to a flourishing commercial practice that translates her distinctive visual style into imagery for advertising campaigns, as well as corporate branding including Disney, NBC, HBO, and Hilton Entertainment. Her editorial portraits include global artists, performers, and pop celebrities alike.

Lane Barden Lane Barden
Full Time Faculty

Lane Barden is an architecture photographer with a fine arts background. His client list includes major national and international firms such as A.C. Martin, Harley Ellis Devereaux, Atelier Jean Nouvel (Paris) Audi Bank of Beirut and Coop Himmelblau. His work is included in the collections of The Getty Research Institute at the Getty Center, The Houston Museum of Fine Arts, and The Los Angeles County Museum of Fine Arts.

Lane has taught at the Art Center College of Design and the Southern California Institute of Architecture (SCI-Arc) in Los Angeles. In 2015 he was a guest lecturer at the Annenberg Space for Photography. He holds an M.A. and an M.F.A. from the University of New Mexico.

Amanda Rowan Nikk Rich
Full Time Faculty

Nikk Rich studied abroad at Savannah College of Art and Design in Hong Kong. With strong knowledge in lighting, post production, medium and large format, her work largely surrounds black women in beauty. Pulling from from her community and personal experiences, Nikk shares the nuance of these interactions in her work and actively uses her platform to influence a change in beauty standards.

With her distinct soft lighting, muted color palette and fine art approach to portraiture, Nikk’s specific style and aesthetic has led to multiple shows in China, Atlanta, and Washington DC. She currently resides in Southern California.

Kwasi Boyd-Bouldin Kwasi Boyd-Bouldin
For over a decade, Kwasi has been photographing the urban environment. His work blends elements of landscape, documentary, and street photography to present a side of the city life that’s foreign to the unfamiliar. The experience of growing up in Los Angeles is the foundation for his photo essays, sharing a perspective that is often missing from the mainstream narrative.

In 2017 Kwasi was included on Time Magazine’s list of 12 African American Photographers to Follow and was featured on the New York Times Lens Blog. In addition to taking part in several exhibitions, Kwasi attended the 2018 New York Times Portfolio Review and his work has appeared internationally in Il Post and Slate France. Currently Kwasi regularly contributes to Curbed Los Angeles, the New York Times, and has several other clients including KCET and Netflix.
Silvi Naci Silvi Naçi
MFA in Photography + Media, California Institute of the Arts; BFA in Fine Arts and Graphic Design, Suffolk University. Silvi Naçi works with performance, video, sculpture, photography, text, and installation. They studied at the Instituto Cultural de Oaxaca (Oaxaca, Mexico) and Studio Art Centers International and have exhibited works at Leslie Lohman Museum of Gay and Lesbian Art Project Space, NYC (2019); MAK Center, LA (2019); MoCA Geffen, LA (2019); Other Places Art Fair, LA (2019); and Greater LA MFA Exhibition, LA (2019); and is a recipient of the Tim Disney Excellence in Storytelling Prize (2019) and the Felix Gonzalez-Torres Travel Grant (2018). Naçi took part in Saas-Fee Summer Institute of Art (Berlin, Germany) 2019, and Elsewhere Museum and Residency (Greensboro, NC) 2019, among other residencies. Born and raised in former communist Albania, Naçi‘s practice investigates gender and cultural identity, language and time, the body as subject/object, and the consequences of patriarchy. Working with traumatic memories from their childhood, Naçi investigate gender and cultural identity as it relates to exile, immigration, and citizenship.
Jon Henry Jon Henry
Jon Henry is a visual artist working with photography and text from Queens, NY (though he now resides in Brooklyn). His work reflects on family, sociopolitical issues, grief, trauma, and healing within the African American community. His work has been published both nationally and internationally and exhibited in numerous galleries including Aperture Foundation, Smack Mellon, and BRIC among others. Known foremost for the cultural activism in his work, his projects include studies of athletes from different sports and their representations. He was recently awarded the Arnold Newman Grant for New Directions in Photographic Portraiture, an En Foco Fellow for 2020, one of LensCulture's Emerging Artists for 2019 and has also won the Film Photo Prize for Continuing Film Project sponsored by Kodak.
Natasha Rudenko Natasha Rudenko
Natasha Rudenko is a photographer and an educator, and has exhibited her work internationally. Her work was part of a few group shows in New York, Los Angeles, Moscow, Budapest and some others as well as a few annual publications of feminist and queer art, including Issues II and Femme Fotale Volume III Analog and Femme Fotale Volume IV Leafless.

In her work Rudenko interprets her personal experience as a human being. She addresses self-reflection and investigates the realm of her feelings and emotions. Through being honest and personal she aims to make people relate to the ideas explored in her work and provoke their own self-reflection. Rudenko also believes art education can change the world and make it a better place. MFA, New York Film Academy.

Baz Here  Baz Here 
Baz Here is a queer fine art photographer and musician living in downtown Los Angeles. A multidisciplinary artist. Here is interested in the sound current and its effect on visual aesthetics. Through the use of self-portraiture, his work questions perceptions about race (white privilege specifically – White on White) and queer identity politics. His work has been exhibited at The Hive, Featured Resident Artist (DTLA) / The Getty Center, Pop-up Gallery/ Out There, Gallery 825 / Gallerie Sparta / LACDA / Gay Downtown LA Artwalk Pop-up Gallery / Beyond Baroque /  Art Share LA Fall / Los Angeles LGBT Center Advocate and Gochis Galleries. His work is featured in The Advocate and The Cultural Weekly.
Linda Lewis Linda Lewis
Photography I, Introduction to Lighting

Linda Lewis received her degree from Cal State Fullerton. During a 25-year career as a commercial photographer, Linda has documented over 500 weddings, shot for dozens of artists throughout Southern California, and worked for a variety of corporate, editorial and university clients -- including Toyota and USC -- that have taken her to Cape Kennedy for a Space Shuttle launch and given her the opportunity to photograph five U.S. Presidents.

In addition to her work with the New York Film Academy Los Angeles, she has taught courses in media, photojournalism, wedding and public relations photography at Chaffey College for over 20 years, and given workshops at the Los Angeles Center of Photography and Brooks Institute.
Andrew Hall Andrew Hall
Andrew Hall has more than 30 years of experience working with such diverse elements as moving liquids, smoke and vapor, pure light and floating bubbles. Hall owns and runs the School of Light darkroom facility in DTLA. He teaches all of NYFA's alternative processes and darkroom classes at his beautiful space in the Reef building in downtown Los Angeles. His clients include Kodak, IBM, Honda, BBC, Castrol, Infiniti, Lexus, Nokia, Nestle, L'Oreal. Awards won include The Association of Photographers Award, Communication Arts Annual Award, Graphic Photography Annual (Gold) Award, International Photography Awards, and Polaroid European Final Art Awards. His publications include Global Corporate Identity and The Art of Saying Hello.
Bridget Batch Bridget Batch
Bridget Batch began teaching at NYFA in 2016, drawing upon years of experience in both the art and commercial photography worlds. She has exhibited photography, video and installation internationally, and completed artist residencies including Italy’s Fabrica, Salem Artworks in Salem, New York, and at the Grand Canyon South Rim Program. Recent exhibitions include "De La Tierra a La Tierra," at the Centro Cultural Metropolitano, Quito, Ecuador; "Im(Materiel)" at Headlands Center for the Arts; and "...And I Feel Fine at the Re-Institute in upstate New York.

As part of neverhitsend, she participated in their first exhibition at 356 Mission, as well as "Post:Private" at Monte Vista Projects and "The Promise of Something and Nothing," curated by Ann Harezlak, at Sonce Alexander. She recently worked with neverhitsend on the internet project "Toggle," launched at ISEA 2015.

Batch received her MFA from CalArts. Batch received a 2016 New York City Community Engagement Grant from the Rema Hort Mann Foundation and was nominated for PDN.

Kevin Stapleton Kevin Stapleton
BS, Fordham University. Kevin has been shooting for over 20 years in the industry. He is highly skilled and knowledgeable of both medium and large format camera systems and digital live capture using Capture One. Stapleton is a Master photographer and articulate in analyzing images and eliciting constructive criticism from his students.

Stapleton has won four Key Art Awards presented every year by The Hollywood Reporter for excellence in motion picture advertising. His client list includes Universal Pictures, Orion Pictures, TriStar Pictures, Hollywood Pictures, IRS Media inc., Skouras Pictures, Saban International Pictures, Academy Entertainment, MCA Home Video, Epic Home Video, Republic Pictures, Warner Bros Records, Virgin Records America, East West Records London, The Mark Taper Forum, and The WB Network.

Alejandro Ibarra Alejandro Ibarra
Alejandro began taking photographs at age 17. His work has been featured in PDN, Cannes Film Festival, Huffington Post, BuzzFeed, Yahoo. Much of his work focuses on LGBTQI+ identity. He earned his MFA in Photography from the New York Film Academy.

With over seven years of editorial and commercial work under his belt, Alejandro works mainly with actors and people in the entertainment industry, musicians, politicians, among others. His work has taken him to three continents; shown around the world including Australia, Turkey, Holland, Mexico, New York, Boston, Seattle, Los Angeles, Spain among many other places, and has been featured in The Advocate, PDN, Cannes Film Festival, HOLA!, Huffington Post, BuzzFeed, Yahoo, and various other publications. His project Piece by Piece was recently exhibited at the Schomburg Gallery in Santa Monica.

David Blumenkrantz David Blumenkrantz
David Blumenkrantz is presently involved in the One of Us project, aimed at humanizing homelessness through advocacy, portraiture and oral histories, and the documentation of Intangible Cultural Heritage (ICH) artists in China. Professional experience includes eight years of NGO, documentary, and photojournalism work in East and Central Africa, covering social, relief and development, and political issues. David has also freelanced for the Los Angeles Times and various other publications as a writer and photographer. His work has been exhibited and published in several countries outside the United States, including Kenya, Zimbabwe, China, Germany, and France.

A photography and visual communication educator for more than 20 years, David has taught classes and workshops for, among others, Wuhan, Yangtze, Yunnan Normal, and other universities in China, Kodak East Africa, The All Africa Conference of Churches,  the French Cultural Centre in Nairobi, the government of Eritrea, the Art Institute of Pittsburgh's Online Division, the New York Film Academy, and the Watts Towers Art Center (for the Cultural Affairs Department of the City of Los Angeles). In 2004, after eight years of teaching with the Los Angeles Unified School District, he joined the journalism department at California State University and is a tenured professor. David holds a BA in Journalism, an MA in Art Education, and an MFA in Visual Communication. 

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