Born and raised in London, Richmond began at the age of 16 as a messenger with Associate British Cinemas and later with Pathe-News, where he was promoted to the camera department. He next worked as Assistant Cameraman on such films as: Call Me Bwana; From Russia with Love; Devil-Ship Pirates; The Gorgan; A Funny Thing Happened On The Way To The Forum; Truffaut’s Fahrenheit 451 and David Leans’s Dr. Zhivago.
The award-winning cinematographer went on to numerous collaborations as Director of Photography for director Nicolas Roeg, lensing five of his films: Don’t Look Now — for which Richmond won the prestigious BAFTA award; The Man Who Fell To Earth; Bad Timing; Heart Of Darkness; and Full Body Massage for Showtime. Some of Richmond’s other credits include: The Sandlot; Candyman; Stardust for Michael Apted; Playing God; Dirty Dancing: Havana Nights; Rough Riders for John Milius; Silver Bears for Ivan Passer, That’s Life and Sunset for Blake Edwards; The Eagle Has Landed for John Sturges; and The Greek Tycoon for J. Lee Thompson. He also served as DP on Tony Goldwin’s directorial debut Walk On The Moon, Sean Penn’s directorial debut Indian Runner, and Anjelica Houston’s directorial debut Bastard Out Of Carolina, and collaborated again with her on Agnes Brown and Riding The Bus With My Sister.
Richmond was also responsible for photography on the seminal British music scene of the late 60’s. He shot the Rolling Stones classic, Sympathy For The Devil for Jean-Luc Godard, and then collaborated with Michael Lindsey Hogg on The Rolling Stones Rock And Roll Circus and the Beatles’ Let It Be. His other rock and roll credits include: The Who’s The Kids Are Alright, as well as the Documentary Glastonbury Fayre.
Richmond will be taking over New York Film Academy’s Cinematography Program, which currently has a strong curriculum with a focus on hands-on, intensive learning.
“I believe that students learn cinematography by going out and shooting movies, and both the MFA and One-Year Cinematography programs offer our students the opportunity to make many projects,” said Richmond. “They have access to the latest equipment and technology, which we teach in combination with the fundamental concepts of visual storytelling.”
In recent years, Richmond has taught the next generation of cinematographers. He relishes mentoring aspiring filmmakers and looks forward to meeting with our students to discuss their needs on upcoming projects. Moving forward as Faculty Chair of the Department, Richmond hopes to strengthen NYFA’s connections to the professional film industry and maintain its position as one of the premier schools to study cinematography.
“I want to share the lessons I learned in my early days working with David Lean, Nicolas Roeg, Jean-Luc Godard, Francois Truffaut, Blake Edwards, John Sturges, and pass this knowledge on to the next generation of cinematographers and filmmakers,” added Richmond. “I have worked as a cinematographer and director at the highest levels of the film business, and I understand what it takes to have a successful career in a very challenging industry. Though I started my career in a different era, I believe I can offer the students a perspective on how to do the cinematographer’s job, and how to work in a business that is constantly changing. Personal relationships are still key to your success as a filmmaker.”
Richmond stressed that though there have been a number of changes in how movies are made, personal relationships and networking are still the key to making it in the film business. You need to know how to do the job, you need to have a strong eye and you need to be good at working together with the director and everyone on the crew to put a great story on the screen. He also strongly recommends that current student filmmakers and recent graduates utilize the Internet and social media as way to get their work seen. In today’s modern entertainment world, they can act as your calling card into the business.
In closing, we’re thrilled and honored to have Tony Richmond as the new Chair of NYFA Los Angeles Cinematography Program. We believe Mr. Richmond will help guide our program to continue its development as one of the most rewarding schools for aspiring cinematographers.