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  • New York Film Academy (NYFA) Los Angeles Holds Q&A with “Affairs of State” Director and Cast

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    On Monday, December 3rd, the New York Film Academy (NYFA) hosted a screening of Affairs of State followed by a Q&A with director and NYFA instructor, Eric Bross, producer, Stephen Israel, and actors, David Corenswet and Nate Walker, moderated by NYFA Producing Chair, Roberta Colangelo. Affairs of State explores the extent to which one man is willing to take risks to progress his career in Washington D.C.

    Director and NYFA instructor, Eric Bross, is known for directing A Country Christmas Story (2013), Traffic (2004) and Stranger Than Fiction (2000). Producer, Stephen Israel, is a former VP of New Business Development at TBS, worked in strategic planning at Warner Brothers and spent four years as a management consultant with Booz, Allen & Hamilton. He is known for producing Blood, Sand and Gold (2017), G.B.F. (2013) and I Do (2012). Actor, David Corenswet, is a Julliard graduate known for his roles in House of Cards, The Tap and Elementary. Actor, Nate Walker, is known for his roles in Homeland, Bottom of the Barrel and The Maladjusted.

    Colangelo opened up the Q&A by inquiring about Bross’ inspiration for the film. Bross shared that he and Todd Cudworth, the film’s writer, were inspired by the ruthlessness of the “game” of politics; the original script, written in the early 2000s, was based on the tactics used by the Republican party to discredit President Bill Clinton– and the Democratic party as a whole– in the public eye in the late 90s. Bross said that Cudworth asked himself, “What if the Democrats got really ruthless, just matched the tactics of the Republicans who seemed to be pretty much willing to do whatever it [took]?” However, as America moved closer to the Trump presidency, the script evolved.

    Ultimately, Bross and Cudworth wanted to bring attention to the world of politics rather than make an argument about a specific political party as contemporary politics is so consumed by polarity. Producer Stephen Israel assisted with the blurring of the political binary in through the characterization of the protagonist’s boss, a political candidate named John Baines, “We took a lot of trouble to play…Baines’ politics down the middle,” said Israel, “We tried to make him a conservative who could appeal to liberals.”

    Colangelo noted that sex is used by the main character of the film, Michael Lawson, to gain power in the political sphere and asked how Bross navigated the sex scenes from a storytelling perspective. “I never like to shoot anything gratuitous,” said Bross, “Every scene in every movie should have a purpose…and this movie, ultimately to me, is about the exchange of power, sex for power.” Bross discussed how the sex scenes in which Michael is with Mrs. Baines, his boss’ wife, and the sex scenes in which Michael is with Darcy Baines, his boss’ daughter, were shot and edited differently to give different effects; Michael’s scenes with Mrs. Baines are focused on the exchange of sex for power whereas Michael’s scenes with Darcy are more romantic and idealized.

    The New York Film Academy would like to thank Eric Bross, Stephen Israel, David Corenswet and Nate Walker for sharing their perspectives on storytelling and working in the entertainment industry with our students.

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    December 7, 2018 • Acting, Faculty Highlights, Filmmaking, Guest Speakers • Views: 331

  • New York Film Academy (NYFA) Hosts Q&A with “The Goalkeeper” Director Rodrigo Patiño

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    On Thursday, November 29th the New York Film Academy hosted a screening of The Goalkeeper followed by a Q&A with director, co-writer and former NYFA instructor, Rodrigo “Gory” Patiño, moderated by Marlene Dermer, co-founder and former director of the Los Angeles Latino International Film Festival.

    Patiño is a Bolivian actor, writer and director. He earned an MFA in Film and Television at Chapman University in California and later returned to Bolivia where he co-wrote and directed La Entrega, a 10-episode TV series about human trafficking. This series inspired the film, The Goalkeeper, which has now been chosen to represent Bolivia at the 2019 Academy Awards. Patiño’s most recent film is Pseudo, a political thriller about a taxi driver who steals the identity of a passenger who turns out to be a mercenary.

    Dermer opened up the Q&A by inquiring about the writing process for The Goalkeeper. Patiño shared that one of his co-writers, Camila Urioste, is a novelist who had done extensive research on human trafficking in Bolivia; she helped him create and write the series, La Entrega, which ultimately led to the production of The Goalkeeper. “Eight girls disappear every day…and that’s what’s reported.” said Patiño. Patiño added that he and his team interviewed a high-profile activist in Bolivia, a mother whose daughter went missing, and she shared a multitude of stories with them that helped to shape the film.

    Patiño and his team added a layer of complexity to the issue of human trafficking by forcing the main character of the The Goalkeeper, a father, to make extreme and tragic choices in the hope of paying for his sick son’s surgery; the father ultimately decides to sell a young girl into sex slavery in order to pay for his son’s surgery and he must deal with the consequences of his decision. “We [ask] the audience, ‘How far would you go to save your son or daughter?’” said Patiño, “We wanted to provoke a dialogue.”

    Dermer went on to ask the audience if they had any questions for Patiño; one audience member wanted to know how Patiño and his writing team navigated having the main character of the film, the father, make the disturbing decision to sell the girl to human traffickers as that could quickly turn the audience against his character. “We were conscious that this [was] an anti-hero story…but, believe it or not, we had some people that said, ‘Yeah, but he had to save his son!’…We wanted that dilemma.” said Patiño.

    Another audience member asked Patiño what his advice would be for aspiring filmmakers. “Write, write and write,” said Patiño, “because people are hungry for content.”

    The New York Film Academy would like to thank Patiño for sharing his knowledge about the epidemic of human trafficking in Bolivia and his advice for young storytellers.

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    December 5, 2018 • Filmmaking, Guest Speakers, Screenwriting • Views: 297

  • Q&A with New York Film Academy (NYFA) Filmmaking Alum Lujein Ashi

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    Lujein Ashi is a filmmaker, graphic designer, and storyteller who works for Saudi Arabia’s leading oil company, Saudi Aramco. In August, Lujein completed the 4-week Filmmaking workshop at New York Film Academy’s Los Angeles campus after winning a scholarship with a 1-minute video. 

    New York Film Academy (NYFA) met up with Lujein to find out what her experience was like with the program, and what her plans for the future include.Lujein Ashi

    New York Film Academy (NYFA): So, how did your interest in coming here start? 

    Lujein Ashi (LA): I’ve always loved filmmaking stories since I was a child. I told stories to my sisters before we’d go to sleep, stuff I’d make up. I remember there was one moment that really stood out to me in my life. I went to watch Lord of the Rings in the cinema. I was with my friends. When we left everybody was so happy, but I felt sad. I didn’t understand it then. I understand it now. I felt like I was on the wrong side of the screen, like I was the one who was supposed to be giving people that feeling, not people giving that feeling to me. So, stories have always been a part of my life. 

    When it came time to choose what I wanted to study in college, I had to choose something that was practical. In the Gulf, we don’t have many opportunities for film, but then the New York Film Academy came to Bahrain to do a promo. I went and I just sat there and listened to [Dean of Enrollment Services] Tami Alexander do the presentation. She was really sweet. 

    I told her one day I’m going to come — hopefully, if it’s meant for me — and I signed up to their newsletter. I think it was like a month or two later, I get an email saying there was an opportunity for two scholarships for Saudi students. They want to encourage Saudi filmmakers because they’re opening cinemas in Saudi. 

    I saw the email late. I had two days to come up with my 1-minute video. I’ve never done a film before, but I knew I could write. So I wrote a script really fast and I did a very little video. I must have done something right, because she contacted me and told me I was one of the two students that got the scholarship. I was really, really happy. I cried hysterically.

    So I came here. It’s been a crazy four weeks. It’s just so amazing, the collaboration that you have with people… people that were strangers to me on Day One are like really close friends. There’s nothing like it, really. It’s everything I thought it would be, and even more.

    NYFA: Why did you choose the city of Los Angeles?

    LA: I think there’s no place better to learn filmmaking than in Los Angeles because it’s the hub of worldwide, excellent movies. It’s where the Hollywood industry is. Universal, Warner Brothers… all of these places, they’re all here. So there’s no place better to learn filmmaking.Lujein Ashi

    NYFA: What did you learn about filmmaking?

    LA: It’s all about story, that’s for sure. If your story is weak, then it doesn’t matter what you’re going to do. It’s not going to be something that touches people. Also technically the camera is your eye. You need to be one with the camera. You have to look through it, and if you don’t like what you see then you’re not going to like your movie. 

    I mean, it’s not like people can imagine what you meant, you know? So you have to be aware of the technical stuff. Which [at first] was very hard for me, because I’ve never touched a camera before, but Charlie did a really good job teaching us.

    NYFA: Is this something you want to continue doing? What’s your plan after this?

    LA: I found my heart here. I really did. It’s an amazing thing to find. People live their whole lives trying to find that thing they love. I think that’s the key to a happy life. I really feel like I found it here. I’m really going to try and do my master’s in this. Hopefully, then I could just do this for as long as I can. 

    NYFA: Do you see opportunities opening up in Saudi Arabia or Bahrain? 

    LA: Yes, for sure! Especially with the opening of cinemas, the government has been opening different entertainment entities trying to open things up to the people. I think there’s definitely going to be a demand for that. It’s going to be an exciting time for Saudi.

    NYFA: As Saudi opens up, is there a place there for you? Do you see yourself working there?

    Lujein AshiLA: I don’t know. I mean, sure, if there’s a place for me in Saudi to make great movies. I would love to. I mean, it’s my country. But to me, my geographic location was never something that was important. I’m very multicultural. My father is from Saudi, my mom’s from Lebanon, I lived in Baghdad, and I’m married to a Palestinian. I come from very different places, so I never felt like I belonged somewhere. Sometimes it’s a disadvantage, but sometimes it’s an advantage. Wherever you are, you feel like you can just connect with people because you’re from everywhere, basically. 

    So yeah, I mean, I could be — for example— in LA or in New York or anywhere with like-minded people, trying to do the same thing, just doing what we love; ultimately making somebody feel something. That’s why we go to the movies, right? Because we want to feel something! I could make somebody feel like Lord Of The Rings made me feel or Game of Thrones or any of these shows that have changed me so profoundly. It just amazes me how somebody could get that feeling out of you. It’s so satisfying. 

    NYFA: You mentioned two high-fantasy titles — is that kind of your thing?

    LA: I love fantasy, yeah. I mean, I love getting out of the real boring world and leaping into somebody’s imagination. That’s something out of this world! 

    NYFA: Why do you think stories are important?Lujein Ashi

    LA: I think they make people feel empathy for one another and understand each other on a level that maybe we don’t. In real life, there are a lot of issues that, when a film sheds light on them, could actually bring people closer together. You know, I think arts and filmmaking have the capacity to change people’s lives, to change societies and to open people up.

    Truthfully, it’s fundamental for our growth. It’s fundamental for us to connect and to see the point-of-view of other people. If I saw it from your perspective, which is what film lets you do, maybe I’ll be able to connect with you and understand you.

    The New York Film Academy wishes Lujein Ashi the best of success with her future endeavors, and hopes to see more of her amazing and beautiful stories in the near future!

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    December 5, 2018 • Filmmaking, Student & Alumni Spotlights • Views: 251

  • New York Film Academy (NYFA) Alum Gonzalo Martin Stars in “Life is Strange 2”

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    gonzalo martinNew York Film Academy (NYFA) Alum Gonzalo Martin might agree that “life is strange,” especially since he nabbed the lead role in Square Enix’s highly-anticipated video game, Life is Strange 2. Square Enix is the Japanese developer and publisher of wildly popular games Final Fantasy, Kingdom Hearts, and Dragon Quest, among others. 

    The episodic graphic adventure video game, available on nearly all major platforms (including Xbox One, Playstation 4, PC and macOS), is the sequel to the smash hit and critically-acclaimed Life is Strange, originally released in 2015. That title has sold over 3 million copies to date.

    The newest entry released its first episode in September 2018, with the last of five episodes set to come out in 2019. Life is Strange 2 was developed by Dontnod Entertainment (Vampyr, Twin Mirror) and has already been nominated for several gaming awards and won the Special Jury Prize at the 2018 Ping Awards.

    Life is Strange 2 tells the story of young brothers Sean and Daniel Diaz, who are on the run from the police. The game is a third-person story adventure, with dialogue trees and gaming decisions
    affecting the story and future episodes.

    Gonzalo Martin stars as lead protagonist Sean Diaz, who the player controls throughout the game. Martin is an Acting for Film alum from the New York Film Academy, having attended the AFA program in 2015, and has previously been a part of the Academy’s admissions team. At NYFA’s acting school, Martin was given both practical experience and a hands-on education to develop his skills as an actor, with training from a faculty of experienced actors currently working in the industry.

    Previous acting roles of Martin include BuzzFeed Murder Mystery Stories, and the films I’ll Be Next Door for Christmas and When It Rings.

    The New York Film Academy congratulates Gonzalo Martin on landing the lead role in Square Enix’s Life is Strange 2! 

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    November 28, 2018 • Acting, Student & Alumni Spotlights • Views: 310

  • Q&A with Star and Filmmakers of IFC’s “DriverX”

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    On Friday, November 18, New York Film Academy (NYFA) hosted a screening of IFC’s DriverX (2018), followed by a Q&A with director/writer and NYFA instructor, Henry Barrial; producer, Mark Stolaroff; and star, Patrick Fabian; featuring and moderated by NYFA Acting Dept. Associate Chair, Anne Moore. 

    DriverX ScreeningBarrial is a writer, director, and filmmaking/acting instructor at New York Film Academy’s Los Angeles campus. DriverX marks Barrial’s fifth feature. His previous credits include The House That Jack Built, Pig, and Some Body, which premiered at the Sundance Film Festival. Stolaroff is a producer with 25+ years in the business, and is considered to be an expert in micro-budget filmmaking. He has produced all five of Barrial’s features.

    Fabian has been a working actor for over 25 years, with 115+ credits to his name. He currently stars as Howard Hamlin on AMC’s Emmy-nominated Better Call Saul. His other credits include  Friends, Grey’s Anatomy, The Newsroom, Criminal Minds, and Will & Grace, to name a few.  Film audiences may know him best as Reverend Cotton Marcus in The Last Exorcism, and he is also fondly remember as “Professor Lasky” in Saved by the Bell: The College Years. Fabian has also starred in NYFA alum Aymen Khoja’s Arabian Warrior, the first ever Saudi-American feature.

    Moderator Anne Moore opened up the Q&A by asking Barrial about the collaboration between Fabian and himself on the script, as Barrial wrote the part of Leonard Moore specifically for Fabian. “I had the outline of the script worked out before I brought it to Patrick, and from there we worked on the character development,” says Barrial. He added, “In terms of the actual writing of the script, that was all me.” DriverX Screening

    Barrial went on to discuss the importance of collaboration and community in this business, with Fabian chiming in by asking, “Who on this stage has been playing beach volleyball for the past 15 years together?” Barrial, Fabian, and Moore all raised their hands and it was revealed they have been friends and colleagues for a very long time.

    Barrial went on to talk about the personal nature of this project and his collaboration with producer Mark Stolaroff. “Most producers won’t tell you what their budget was, but I will!” exclaimed Stolaroff.  Immediately a Filmmaking student asked what the budget was, with Stolaroff answering, “We started with a budget of $100,000 which got us through production. From there we did a Kickstarter campaign to raise the funds we needed for Post, so all in the budget is $140,000.”  

    Obviously the movie is a labor of love as many of the cast and crew have worked on Barrial/Stolaroff films before.

    When asked about how Fabian worked around his Better Call Saul shooting schedule, Fabian replied, “First off, I have to say how happy I am that I have a job that needs to be worked around. Henry and Mark were great about my schedule, but that’s what you do, you make it work.”

    DriverX ScreeningFabian went on to talk about his longevity in the business, and the importance of being prepared: “You need to show up, be ready, and be early. And take care of yourselves when you don’t get the part. Go hiking, drink juice, do whatever you need to get you through the tough times, because if you stay focused and committed, things will go your way.”

    The New York Film Academy thanks Patrick Fabian, Mark Stolaroff, and Henry Barrial for sharing their insights about making an independent film on a micro budget with a challenging schedule.

    DriverX opens November 30th in theaters and on demand.

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    November 21, 2018 • Acting, Filmmaking, Guest Speakers, Producing • Views: 519

  • New York Film Academy (NYFA) Soccer Program Takes Home Two Trophies

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    The men’s soccer program at New York Film Academy’s Los Angeles campus took home two Third Place trophies, now having a total of eight since the program’s establishment in 2014. The program is part of NYFA-LA’s Athletic Department, headed by Director, Elise Cregg.Men's Soccer 2018

    The men’s soccer head coach, Roy Lev-Ari, says both teams have flourished into groups of young men, working individually and collectively towards their academic and athletic goals. “It’s been a pleasure seeing the development of both teams,” declared Lev-Ari, “they’ve really dedicated themselves to each other and the team, keeping each other accountable and relying on one another.” 

    The efforts of the men’s soccer teams have cultivated the program into one of discipline, dedication, and resilience. Coach Lev-Ari works consistently with his players to help strengthen their mental stamina and develop the ability to succeed under high pressure, in addition to teaching them how to effectively communicate and build respect for one another. 

    Men's Soccer 2018“We had a rough start at the beginning, but a few weeks into the season our leaders stepped up willingly and helped unite the group,” added Lev-Ari. “Our Captain Diego Vicenti (MFA Filmmaking Fall 2016) leads the squad with undeniable talent and heart, and another alum, Alessio Mongardi (BFA Acting January 2015), sets the standard in effort and dedication for the new players. Our all-star goalkeeper Michael Sumner (January 2014 MFA Screenwriting) and the tremendously talented Nurmat Sakebaev (Summer 2015 BFA Filmmaking) make invaluable contributions to the team on a weekly basis.” 

    Diego Vicenti, Captain, reflected on the season: “It’s been a lot of fun competing with these guys and growing as a team; for some of us, this team has become another family outside of NYFA and away from home.” He continued, “I’m proud of all the boys! It took a lot of hard work but it’s all worth it.” 

    Men's Soccer 2018

    Coach Roy Lev-Ari is beyond excited and already working towards next season. “The boys are hungry for the championship title. I believe all the work we’ve put forth these past few seasons will come together and give us major success.” 

    The men’s soccer team continues to compete in the Universal Soccer League on Sunday and Monday nights. 

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    November 20, 2018 • Community Highlights, Sports • Views: 435

  • New York Film Academy (NYFA) and GreenLight Women Q&A with the Filmmakers of “Stuntwomen”

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    Stuntwomen Q&AOn Saturday, November 10, New York Film Academy and GreenLight Women hosted a screening of the documentary, Stuntwomen: The Untold Hollywood Story, followed by a Q&A with director, April Wright; producers, Michael Gruskoff and Marion Rosenberg; and stuntwoman, Amy Johnston; with the event moderated by Rosenberg. Afterward, students were able to meet the panelists and discuss the film at a reception in the lobby.

    April Wright is a director, writer, and producer known for the films, My BFF (2015), The Graveyard Shift (2010), and Layover (2009). Michael Gruskoff is a producer known for the films, Prelude to a Kiss (1992), Nosferatu the Vampyre (1979), and Young Frankenstein (1974). Marion Rosenberg is a producer known for the films, Revolutionary Road (2008), Hollow Man (2000), and The Deer Hunter (1978). Amy Johnston is a stuntwoman known for the films, Deadpool (2016), Suicide Squad (2016), and Captain America: The Winter Soldier (2014).

    Rosenberg opened up the Q&A by inquiring about how all of the panelists came to be involved in the film. Wright shared that she had already worked on an archive-heavy documentary, so she felt like she could take on the challenge of bringing the book, Stuntwomen: The Untold Hollywood Story, by Mollie Gregory to life. 

    Wright asked herself, “How can we bring this into the present [and] not just make it a history [documentary] but really, you know, what are stuntwomen doing today? And bring it up to the present and have some action in the movie so that it wouldn’t be all ‘talking heads.’”Stuntwomen Q&A

    Wright added that the timing of the documentary and its subject matter felt especially relevant as there have been movements in Hollywood recently to push for more inclusion of women, people of color, and members of the LGBTQ community in various roles behind the scenes. “We felt like this group of stuntwomen represented the bigger picture,” Wright said, “It was just sort of this microcosm of what was happening in the whole industry [and] all the things that [women have] been fighting for for all these years.”

    Rosenberg asked Johnston what the film meant to her as a stuntwoman. “One of the questions I always get asked is ‘how do you become a stuntwoman and why are you a stuntwoman?’” said Johnston. “This is so important to share vital information about how we do things and why we do things.” She added that the film taught her about the history of stuntwomen in the earlier days of the film industry, “I learned how much these women paved the way for us.”

    Though strides have been made for the stuntwoman community in terms of job opportunities and safety, Wright and Johnston look forward to even more progress being made in the future.

    The New York Film Academy would like to thank April Wright, Michael Gruskoff, Marion Rosenberg, and Amy Johnston for sharing their riveting documentary and positive message about inclusion in Hollywood.

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    November 19, 2018 • #WomenOfNYFA, Documentary Filmmaking, Guest Speakers • Views: 669

  • New York Film Academy (NYFA) Broadcast Journalism Alumni Cover California Wildfires 

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    As anyone who follows American media knows, stories about President Donald Trump and his administration have monopolized the news for months. But this week, an even bigger story dominated the headlines. Two massive California wildfires, one in the mountains of Northern California and the second in coastal Southern California, have devastated communities and resulted (as of today) in the deaths of more than 50 people. An additional 100+ people are missing.

    News coverage of these tragedies has served an important public service function. And two New York Film Academy (NYFA) Broadcast Journalism school graduates are on the scene, documenting the fires and their aftermath.

    NYFA alum Celina Liv Danielsen, along with photographer Thomas Hass, are there working for the Danish television network DK2. Earlier this week, they visited what remained of a small Northern California town ironically called Paradise. It wasn’t an easy assignment, one which takes an emotional as well as physical toll…

    Broadcast Journalism Update Celina Liv Danielsen

    Celina Liv Danielsen

    Karen Hua is also a NYFA graduate. She is reporter with the NBC TV station in the Southern California city of Bakersfield. While not threatened by fire — at least not yet — area residents have experienced the side effects of these blazes for months. Karen wrote earlier this week:

    “The fires in Southern California are relatively close to us in Bakersfield. We’re a 2-hour drive from the Ventura/Malibu area, and we’ve been covering them extensively…

    “Ultimately I’m okay, and everyone in Bakersfield is safe — there aren’t too many trees in our city to spread flames. However, we’ve seen toxic air quality and heat as a result of the fires around the state this year. This summer was terrible with the Carr, Medicino, and Ferguson Fires. There were days when the entire city was advised to stay indoors. But we are fortunate we are all safe.”

    Broadcast Journalism Update Karen Hua

    Karen Hua

    There are many ways to cover the same story. A digital producer/editor, working at ABC News headquarters in New York, created a powerful story for the ABC late night news program Nightline. The story, distributed over multiple platforms, captured the sheer terror of what is taking place…

    Broadcast Journalism Update

    Public Television took a somewhat different approach. Friend and former colleague Miles O’Brian was in California shooting material for an upcoming episode of the popular Nova science series. While his focus was on previous wildfires, he and his team found themselves in the middle of a new “mega-fire,” an event so large that it literally creates its own weather. Miles was interviewed  on the PBS NewsHour, for which I once produced.

    Broadcast Journalism Update

    As commentator Richard Reinhold noted earlier this year in TVNewsCheck, increasingly local TV news reporters are becoming “first responders,” often arriving on the scene of major events at the same time (or even before) police, fire, and emergency medical teams. 

    That’s why it is so important that we get the story right. People will act on the information we give them. We have to make sure it is accurate.

    Broadcast Journalism Update

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    November 16, 2018 • Broadcast Journalism, Student & Alumni Spotlights • Views: 614

  • New York Film Academy (NYFA) Hosts Q&A with Cast & Crew of “Killer Under the Bed”

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    Killer Under the BedOn Friday, October 26, New York Film Academy (NYFA) hosted a screening of Lifetime’s Killer Under the Bed (2018), followed by a Q&A with director and NYFA instructor, Jeff Hare; producer, Ken Sanders; director of photography, Brad Rushing; and stars, Brec Bassinger and Madison Lawlor. The event was moderated by NYFA instructor, David Newman.

    Hare is a writer, director, and filmmaking instructor at New York Film Academy’s Los Angeles campus, and has been working as a director of thrillers for the Lifetime channel for the last few years (A Lover Betrayed, Psycho In-Law, Nanny Killer).

    Sanders is a prolific producer for the Lifetime channel who has accumulated over 60 movie credits in the last 30 years (Accused at 17, Double Daddy, Stalked by My Doctor).

    Rushing’s career as a director of photography began with some small features in the 1990s then expanded into the music industry with music videos for Eminem, Mariah Carey, Britney Spears, Blink-182 and more. Rushing then moved back to film and television, and ultimately made his way to the Lifetime channel where he now works as a DP on many of its thrillers.

    Bassinger is an actress known for her roles in ABC’s The Goldbergs and Nickelodeon’s Bella and the Bulldogs and School of Rock. Lawlor is an actress known for her roles on TNT’s Franklin and Bash, Netlfix’s Dear White People, and the film, Daddy Issues (2018). The film also stars Kristy Swanson, eponymous star of the original Buffy the Vampire Slayer.

    Moderator David Newman opened up the Q&A by asking about the inspiration for the film. Producer Ken Sanders explained that he was approached by the film’s writer about producing a movie about a voodoo doll; Sanders knew that there would have to be more meat to the story to get executive producers interested, so he began thinking about the topic. 

    Sanders then remembered a TV movie from his childhood that “terrified a generation” called Trilogy of Terror; in this film, the protagonist struggles to escape from an evil doll she purchases at an antique shop. Sanders decided to combine the voodoo concept and the evil doll concept into one, and, in a sense, remake Trilogy of Terror for a modern audience. It was important to him, though, that this film appeal to “multiple markets” and not just a “hardcore horror audience.”

    Newman went on to ask the panel about how they handled their tight shooting schedule — the Killer Under the Bed production team only had 14 days to shoot a feature-length film, which is less than half the time that most features take to shoot. DP Brad Rushing advised, “Be prepared… Meticulously know what you’re doing… [Have] contingency plans… and good communication with the producer and the director.” Killer Under the Bed

    Rushing added that he and director Jeff Hare had worked together before, and were largely on the same page aesthetically when it came to the look of the film.

    Newman inquired about how the team made the voodoo doll come to life onscreen. “Most of the doll’s motion was actual[ly] mechanical,” said director Jeff Hare, “it’s trying to keep that aesthetic of that 70s stuff [that] scared us… we tried to keep as many effects as we could practical and we also stole the whole Jaws thing of trying to keep it hidden for as long as we possibly could.”

    “I think oftentimes what you don’t see is a lot more frightening,” added Brad Rushing, “because the audience fills it in with their own imagination and personalizes it as their own boogeyman.”

    The New York Film Academy thanks Jeff Hare, Ken Sanders, Brad Rushing, Brec Bassinger, and Madison Lawlor for sharing their insights about making an independent thriller on a tight budget and in a short timeframe!

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    November 14, 2018 • Filmmaking, Guest Speakers • Views: 545

  • New York Film Academy (NYFA) BFA Student Sungho Chun Screens Film at Cinema Italian Style

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    This Thursday evening, New York Film Academy (NYFA) Student Sungho Chun will screen his film, Departure, at Cinema Italian Style as part of the festival’s short film competition. 

    Chun hails from Korea, and moved to the United States after serving in the South Korean military. He is currently studying for his BFA in Filmmaking at NYFA’s Los Angeles campus. The program entails a total immersion in the craft of filmmaking, including classes in directing, screenwriting, cinematography, editing, and producing. Students write, direct, shoot, and edit their own films in both film and digital formats, so it is no surprise that Chun has already put together an award-nominated movie.

    Departure stars Dylan Nuttall and Lara Bayer and tells the story of a man preparing to take his own life when a woman comes along and changes his fate. Chun says the film is inspired by Bernardo Bertolucci’s The Dreamers. Describing Departure to Cinema Italian Style, Chun says “In my film, The Man also rejects the truth of the world.” Expounding on this, Chun told New York Film Academy, “The reason I picked that film is that I like the way it expresses a young generation’s belief.”Sungho Chun Departure

    This connection to Bertolucci’s The Dreamers is what qualifies Chun’s film for Cinema Italian Style, a festival presented by Luce Cinecittà and The American Cinematheque that showcases the best Italian films of the year. This year is the fest’s 14th edition, and is supporting this year’s Italian entry to the Academy Award for Best Foreign Language Film, Dogman. Their student film competition highlights short films under 5 minutes in length that are inspired by or pay homage to classic Italian cinema.

    Last year, NYFA alum Sebastiano Caccetta attended Cinema Italian Style, promoting cinema and music for one of the festival’s sponsors, the Italian Trade Agency. “Today my ability to work with Cinema Italian Style, it’s because of NYFA,” he told the Academy. “I’m working promoting Italian cinema for the government thanks to NYFA. I’m so grateful.”

    Chun filmed Departure using crew and equipment came from NYFA, as well as his actors. He tells NYFA,  “I was so proud to work with them. Despite high temperatures for an outdoor shoot, nobody complained or frowned through the process. I’m especially thankful to my DP, Theresa, who held up the RED camera for the entire day because of our one-take method. No matter how heavy it got, she encouraged me to try again and again to get the film exactly how I wanted it. Only with the support of my team could I make it this far.”

    Sungho Chun’s film, Departure, will screen at the Aero Theatre in Santa Monica on the evening of Thursday, November 15. The New York Film Academy encourages anyone who can to attend Cinema Italian Style and see the film, and support Chun as his filmmaking career begins to take off. For more information and to RSVP, please visit HERE.

    NYFA congratulates Chun on his well-earned success and wishes him the best of luck at this year’s Cinema Italian Style!

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    November 13, 2018 • Film Festivals, Filmmaking, Student & Alumni Spotlights • Views: 640