new york film academy
Posts

  • NYFA Presents: The Rock The Vote Rally 2020

    Facebooktwitterredditpinterestlinkedinmail

    A rousing group of New York Film Academy students, faculty, and staff from all three campuses (New York, Los Angeles, and South Beach) participated in a Rock the Vote Virtual Rally yesterday. The Rally included special guest, Tony-nominated actor Daphne Rubin-Vega (Broadway’s RENT, Les Misérables, The Rocky Horror Show ), who shared stories of her immigrant family background, becoming a U.S citizen, and the imperative to vote. 

    NYFA Producing alum Lisa Cortes (producer of the Academy Award-winning Precious, recent Emmy Award-winner for The Apollo, and producer/co-director of the just-released Stacey Abrams documentary All In: The Fight For Democracy) spoke of the importance of voting in light of the long history of voter suppression in the U.S. In the making of All In: The Fight For Democracy during the COVID pandemic, Cortes talked about how her NYFA Producing education proved so valuable in pulling together the project during such challenging times. Attendees were treated to a special viewing of the All In trailer and a special musical clip of Janelle Monae performing the closing title song from the film. 

    Also joining via specially recorded video clips was Nikki Renée Daniels from “Hamilton” and Shoshana Bean from “Wicked”,  A special “Get Out The Vote” tribute by Lin Manuel Miranda and the cast of Hamilton capped the Rally. 

    The event was co-produced by NYFA Producing Chair Neal Weisman and Chair of the Musical Theatre Department, Kristy Cates. 

    “Our sincerest hope was not only to invigorate the NYFA community to become excited about and committed to voting, but to inspire everyone in attendance to reach out to their circles and do the same.” – Kristy Cates

    NYFA’s Rock The Vote efforts include a Zoom room every Tuesday from 1 p.m. ET – 4 p.m. ET that offers voter registration and mail-in ballot assistance for NYFA students, faculty, and staff from all three campuses. Please stop in and check your registration, apply for absentee ballots, etc. Further information is available on the NYFA Voter Resources page.

    Facebooktwitterredditpinterestlinkedinmail
  • NYFA Filmmaking Alum Antonio Campos To Release Film ‘The Devil All The Time’ on Netflix

    Facebooktwitterredditpinterestlinkedinmail

    New York Film Academy (NYFA) is thrilled to announce that Filmmaking alum Antonio Campos will release his upcoming film, The Devil All The Time, on Netflix this September.

    Film poster for Antonio Campos’ upcoming film ‘The Devil All The Time’

    The film, co-written and directed by Campos, boasts a star-studded cast including Robert Pattinson, Tom Holland, Riley Keough, Sebastian Stan, Jason Clarke, Bill Skarsgård, and many more. The film follows young Arvin Russell (Holland) and his family as they encounter a backwards preacher (Pattinson) and the other seemingly tainted cast of characters in this drama-thriller.

    The initial trailer for the film was released in mid August and is already receiving a lot of buzz from excited Netflix subscribers and film critics across social media.

    Campos, who studied filmmaking at NYFA in the late 90’s, is a fully fledged executive producer, director and writer. Previously, Campos has directed the critically acclaimed filmed Christine, indie film After School, many episodes of The Sinner, for which he is also an executive producer, and served as a producer for Martha Marcy May Marlene.

    NYFA alum Antonio Campos

    Following the release of The Devil All The Time, Campos has been announced to direct The First Omen, as part of The Omen horror franchise, though the project is still in development.

    New York Film Academy would like to congratulate Filmmaking alum Antonio Campos on his upcoming film The Devil All The Time and encourages everyone to check out the film when it arrives on September 16, 2020 on Netflix.

    Facebooktwitterredditpinterestlinkedinmail

    August 25, 2020 • Entertainment News, Filmmaking, Student & Alumni Spotlights • Views: 706

  • New York Film Academy (NYFA) Community Earns Several Nominations for 72nd Annual Primetime Emmys

    Facebooktwitterredditpinterestlinkedinmail

    New York Film Academy (NYFA) was once again represented in this year’s nominations for the 72nd Primetime Emmy Awards, announced Tuesday, July 28 at 11:30 a.m. Eastern Time.

    NYFA alum and ‘Insecure’ creator Issa Rae (Right) and Jay Ellis (Left) in Season 4 of ‘Insecure’

    NYFA Filmmaking alum Issa Rae was nominated for her second ‘Outstanding Lead Actress in a Comedy Series’ Emmy for her performance in the HBO series Insecure, also created and executive produced by Rae. In total, Insecure received eight nominations including its first-ever Emmy nomination for ‘Outstanding Comedy Series’ and a nomination for Yvonne Orji for ‘Outstanding Supporting Actress in a Comedy Series.’

    Fan favorite series Stranger Things continued to capture viewers, receiving eight nominations including ‘Outstanding Drama Series.’ NYFA Filmmaking alum Eric Demeusy previously earned an Emmy in 2017 for creating the now iconic title sequence for the show. The series also previously starred NYFA Board Member and Master Class Instructor Matthew Modine as Dr. Martin Brenner and featured NYFA Acting for Film alum Matty Cardarople.

    NYFA guest speaker and ‘The Mandalorian’ creator Jon Favreau

    Competing with Stranger Things for ‘Outstanding Drama Series’ is the Disney+ Star Wars spin-off series The Mandalorian. Created by NYFA guest speaker Jon Favreau, the series received a whopping 17 nominations total for the newcomer streaming platform. The popular space western also features Rocky star, Carl Weathers, who previously spoke at NYFA’s Los Angeles campus for Industry Lab panel discussion. Disney+ also picked up a nomination for ‘Outstanding Short Form Animated Program’ with Forky Asks a Question, featuring the voice of actor and NYFA guest speaker Tony Hale.

    Documentary film poster for Netflix’s ‘Tiger King’

    Easily one of the most talked-about documentaries of the year was Netflix documentary series Tiger King: Murder, Mayhem And Madness, which received four nominations in the Emmy documentary categories including ‘Outstanding Documentary Or Nonfiction Series.’ Creating the cohesive and gripping storyline for the documentary was NYFA Documentary Filmmaking alum Pedro Álvarez Gales, who served as co-editor for the popular Netflix series.

    NYFA Acting for Film alum Ragga Ragnars in ‘Vikings’

    Also nominated this year was History Channel’s Vikings for ‘Outstanding Visual Effects in a Supporting Role,’ which stars Acting for Film alum Ragga Ragnars. Better Call Saul screenwriter and NYFA guest speaker, Gordon Smith, was also nominated for his writing for the series episode “Bagman.”

    This year, Netflix beat out HBO’s previous record for the most Emmy nominations to date with 160 nominations, with HBO trailing behind at 107 nominations total this year, though HBO continued its success with dystopian series Watchmen leading with the most Emmy nominations for any show this year in 26 categories. The newly established mobile-only streaming platform Quibi led the short form Emmy nominations this year with 10 nominations across the five short form categories, making it the most of any platform.

    (UPDATE 7/30/20) The Television Academy has officially announced that the 72nd Annual Primetime Emmys will be held completely online, with host Jimmy Kimmel, the Emmy producers, and a prominent team of technicians working closely with each of the nominees to ensure the ceremony will still be streamed at the highest caliber possible for TV’s biggest night.

    The Television Academy also noted that nominees can follow the dress code “Come as you are, but make an Effort!,” noting that many of the nominees span across the globe in different time zones, with many tuning in at extremely late hours with the ceremony still being held at its normal Pacific Standard Time. An excerpt from the letter addressed to the nominees can be found below:

    “If you want to be in formal wear, we’d love that, but equally if you’re in the UK and it’s 3am, perhaps you want to be in designer pajamas and record from your bed! We want to work with you to style your moments, but want you to guide us on your levels of comfort – where you want to be, who you want to be with, what you want to wear etc.

    In the forthcoming days, Jen Proctor, our Talent Producer and her extraordinary team at Cultivated Entertainment will be reaching out to you to start talking through the details.”

    New York Film Academy would like to congratulate all the nominees for the 72nd Annual Primetime Emmys and looks forward to the ABC broadcast of the virtual ceremony on September 20, 2020, hosted by Jimmy Kimmel.

     

    Here is a list of some of this year’s Emmy Award nominees:

    OUTSTANDING LEAD ACTOR IN A COMEDY SERIES

    Eugene Levy, Schitt’s Creek – Winner
    Anthony Anderson, Black-ish

    Don Cheadle, Black Monday
    Ted Danson, The Good Place
    Michael Douglas, The Kominsky Method
    Ramy Youssef, Ramy

    OUTSTANDING LEAD ACTRESS IN A COMEDY SERIES

    Catherine O’Hara, Schitt’s Creek – Winner
    Tracee Ellis Ross, black-ish
    Christina Applegate, Dead To Me
    Linda Cardellini, Dead To Me
    Issa Rae, Insecure
    Rachel Brosnahan, The Marvelous Mrs. Maisel

    OUTSTANDING COMEDY SERIES

    Schitt’s Creek – Winner
    Curb Your Enthusiasm

    Dead To Me
    Insecure
    The Good Place
    The Kominsky Method
    The Marvelous Mrs. Maisel

    What We Do In The Shadows

    OUTSTANDING DIRECTOR FOR A COMEDY SERIES 

    Schitt’s Creek, Andrew Cividina & Daniel Levy – Winner
    Modern Family, Gail Mancuso
    Ramy, Ramy Youssef
    The Great, Matt Shakman
    The Marvelous Mrs. Maisel, Amy Sherman-Palladino
    The Marvelous Mrs. Maisel, Daniel Palladino
    Will & Grace, James Burrows

    OUTSTANDING DRAMA SERIES

    Succession – Winner
    Better Call Saul

    The Crown
    The Handmaid’s Tale
    The Mandalorian
    Stranger Things
    Killing Eve
    Ozark

    OUTSTANDING LEAD ACTOR IN A LIMITED SERIES OR MOVIE

    Mark Ruffalo, I Know This Much Is True – Winner
    Hugh Jackman, Bad Education

    Jeremy Pope, Hollywood
    Paul Mescal, Normal People
    Jeremy Irons, Watchmen

    OUTSTANDING LEAD ACTRESS IN A LIMITED SERIES OR MOVIE

    Regina King, Watchmen – Winner
    Kerry Washington, Little Fires Everywhere   

    Cate Blanchett, Mrs. America  
    Octavia Spencer, Self Made: Inspired By The Life Of Madam C.J. Walker 
    Shira Haas, Unorthodox 

    OUTSTANDING SUPPORTING ACTOR IN A LIMITED SERIES OR MOVIE

    Yahya Abdul-Mateen II, Watchmen – Winner
    Dylan McDermott, Hollywood
    Jim Parsons, Hollywood 

    Tituss Burgess, Unbreakable Kimmy Schmidt: Kimmy vs. The Reverend 
    Jovan Adepo, Watchmen 
    Louis Gossett Jr., Watchmen

    OUTSTANDING SUPPORTING ACTRESS IN A LIMITED SERIES OR MOVIE

    Uzo Adub, Mrs. America – Winner
    Holland Taylor, Hollywood

    Margo Martindale, Mrs. America
    Tracey Ullman, Mrs. America
    Toni Collette, Unbelievable
    Jean Smart, Watchmen

    OUTSTANDING SUPPORTING ACTOR IN A COMEDY SERIES

    Daniel Levy, Schitt’s Creek – Winner
    Andre Braugher, Brooklyn Nine-Nine
    William Jackson Harper, The Good Place 
    Alan Arkin, The Kominsky Method
    Sterling K. Brown, The Marvelous Mrs. Maisel
    Tony Shalhoub, The Marvelous Mrs. Maise
    Mahershala Ali, Ramy
    Kenan Thompson, Saturday Night Live

    OUTSTANDING SUPPORTING ACTRESS IN A COMEDY SERIES

    Annie Murphy, Schitt’s Creek – Winner
    Betty Gilpin, GLOW

    D’Arcy Carden, The Good Place
    Yvonne Orji, Insecure
    Alex Borstein, The Marvelous Mrs. Maisel
    Marin Hinkle, The Marvelous Mrs. Maisel
    Kate McKinnon, Saturday Night Live
    Cecily Strong, Saturday Night Live

    OUTSTANDING LEAD ACTOR IN A DRAMA SERIES

    Jeremy Strong, Succession – Winner
    Steve Carell, The Morning Show

    Jason Bateman, Ozark 
    Billy Porter, Pose
    Brian Cox, Succession
    Sterling K. Brown, This Is Us

    OUTSTANDING LEAD ACTRESS IN A DRAMA SERIES

    Zendaya, Euphoria – Winner
    Olivia Colman, The Crown

    Jodie Comer, Killing Eve
    Sandra Oh, Killing Eve
    Jennifer Aniston, The Morning Show
    Laura Linney, Ozark

    OUTSTANDING SUPPORTING ACTOR IN A DRAMA SERIES

    Billy Crudup, The Morning Show  – Winner
    Giancarlo Esposito, Better Call Saul 

    Bradley Whitford The Handmaid’s Tale
    Mark Duplass, The Morning Show
    Nicholas Braun, Succession
    Kieran Culkin, Succession 
    Matthew Macfadyen, Succession
    Jeffrey Wright, Westworld

    OUTSTANDING SUPPORTING ACTRESS IN A DRAMA SERIES

    Julia Garner, Ozark – Winner
    Laura Dern, Big Little Lies

    Meryl Streep, Big Little Lies
    Helena Bonham Carter, The Crown
    Samira Wiley, The Handmaid’s Tale
    Fiona Shaw, Killing Ev
    Sarah Snook, Succession
    Thandie Newton, Westworld

    OUTSTANDING SHORT FORM NONFICTION OR REALITY SERIES

    National Geographic Presents Cosmos: Creating Possible Worlds – Winner
    Between The Scenes – The Daily Show

    Full Frontal With Samantha Bee Presents: Pandemic Video Diaries 
    Pose: Identity, Family, Community
    RuPaul’s Drag Race Out Of The Closet

    OUTSTANDING VARIETY TALK SERIES

    Last Week Tonight With John Oliver – Winner
    The Daily Show With Trevor Noah

    Full Frontal With Samantha Bee
    Jimmy Kimmel Live!
    The Late Show With Stephen Colbert

    OUTSTANDING VARIETY SKETCH SERIES

    Saturday Night Live – Winner
    A Black Lady Sketch Show

    Drunk History

    OUTSTANDING TELEVISION MOVIE

    Bad Education – Winner
    American Son

    Dolly Parton’s Heartstrings: These Old Bones
    El Camino: A Breaking Bad Movie
    Unbreakable Kimmy Schmidt: Kimmy vs. The Reverend

    OUTSTANDING LIMITED SERIES

    Watchmen – Winner
    Little Fires Everywhere

    Mrs. America
    Unbelievable
    Unorthodox

    OUTSTANDING DOCUMENTARY OR NONFICTION SERIES

    The Last Dance – Winner
    American Masters
    Hillary
    McMillion$ 
    Tiger King: Murder, Mayhem And Madness 

    Facebooktwitterredditpinterestlinkedinmail
  • New York Film Academy Student Produces Korean Reality TV Show and Wins Bronze Remi Award at Worldfest-Houston International Film Festival

    Facebooktwitterredditpinterestlinkedinmail

    From K-Beauty to K-Pop, South Korean’s pop culture is taking the world by storm, flooding the internet with the latest YouTube influencers or musical supergroups and artists. New York Film Academy (NYFA) student, Seoyeon Chloe Shin, decided that now more than ever it was time to create a new kind of reality show, one centered around a pop up salon in Vietnam, affording customers the opportunity to transform themselves using K-Beauty techniques.

    Seoyeon Chloe Shin is an award-winning director and producer, who has produced and directed more than ten documentaries and 100 TV shows that have been broadcasted nationwide and internationally. For the last 16 years, Shin has worked at Taegu Broadcasting Corporation (TBC), a major local broadcasting corporation located in Daegu, South Korea.

    Her show, K-Beauty Salon, was in collaboration with TBC and a local Vietnam TV station. The show went on to win a Bronze Remi Award at Worldfest-Houston International Film Festival in April 2020. Shin has also previously been awarded ‘Best Picture in Local TV Show’ at the Korean Producer Awards (2018) and a ‘Best Picture for Children’ award at the Korean Producer Awards (2017).

    Choi Soo Kyung, Ashley – Ladies’ Code, Park Si-hwan, and Cheon Min-kyu

    “These days, K-Pop culture is so popular worldwide, including the styles of many K-Pop stars,” says Shin. “I wanted to make a cross-cultural entertainment program in Vietnam about K-Beauty.” The show, K-Beauty Salon, follows top Korean stylists as they spread K-Beauty in Da Nang, Vietnam by setting up a pop-up shop to showcase their outstanding beautician skills and have discussions with local customers who come into the shop along the way.

    The cast of characters includes real-life professional stylists and personalities known throughout Korea and internationally including Cheon Min-kyu, a hair designer for various K-Pop stars and Superstar K5 winner and K-Pop singer Park Si-hwan, among others. “These days, entertainment shows should be more internationally focused,” says Shin. “So we planned to use K-Beauty to transform others to look like K-Pop stars.”

    Seoyeon Chloe Shin being interviewed for ‘K-Beauty Salon’

    Shin, who currently studies in NYFA’s 1-Year Filmmaking Conservatory program, decided to study at NYFA to gain an international perspective and learn the visual aspect of filmmaking in order to hone her craft for future shows and films. According to Shin, being at NYFA is a “good opportunity for me to go back to the basics and enhance my skill to make the show [and all projects] more precise.” She also notes that getting a taste of the other disciplines like acting has been “helpful for me to understand the actors.”

    New York Film Academy congratulates Seoyeon Chloe Shin on her Bronze Remi Award and looks forward to seeing her continue to make her own path in international filmmaking for television.

    To watch a full episode of K-Beauty Salon, watch the full video below or click here.

    Facebooktwitterredditpinterestlinkedinmail

    June 4, 2020 • Acting • Views: 1232

  • NYFA Alum Wins ‘Best Feature Film’ at Visions du Réel Competition for Her Film ‘Puntasacra’

    Facebooktwitterredditpinterestlinkedinmail

    New York Film Academy (NYFA) alum Francesca Mazzoleni’s documentary feature length film, Puntasacra wins the ‘Sesterce d’or la Mobilière’ (Best Feature Film) at the 2020 Visions du Réel competition, held virtually from April 17 to May 2.

    ‘Puntasacra’ (Directed by Francesca Mazzoleni, courtesy of True Colours)

    Mazzoleni atteneded the 4-Week Music Video Workshop at NYFA’s New York City campus in 2017. In addition to Puntasacra, Mazzoleni has directed feature film Succede and short films 1989, L’etoile de Mer, Lo so che mi senti, Nowhere, and Il Premio.

    Puntasacra, her latest feature, is a documentary that tells the story of the inhabitants of Idroscalo di Ostia, a coastal outer district of Rome and the last portion of habitable land at the mouth of the Tiber, Punta Sacra. With half of the community’s houses destroyed by a fire in 2010, the documentary navigates the daily lives of the coast village’s inhabitants and naturally portrays the conversations between neighbors surrounding communism, familial secrets, and community altercations.

    The film was one of 14 feature-length documentaries that were selected for main competition in the prestigious Swiss festival, Visions du Réel, in Nyon (this year online). After winning the Sesterce d’or la Mobilière with a cash prize of CHF 20,000 (£16,657), top Italian sales distributor, True Colours, acquired sales rights for the film.

    Mazzoleni, who could not be there in person to accept her award since the ceremony was held online, made her own award from the items in her home and thanked her ten-person team, with whom she “shared a very complicated and wonderful adventure”. She also thanked the community of Idroscalo di Ostia who gave her the confidence to make her film. She closed her Instagram acceptance speech by telling her followers, “our journey begins today, be patient, the cinemas will reopen.”

    Francesca Mazzoleni behind the scenes of her film ‘Succede’

    New York Film Academy would like to congratulate Francesca Mazzoleni on the success of her latest documentary film and her recent win at Visions du Réel, and encourages everyone to check out Puntasacra when it becomes available in theaters or online.

    Facebooktwitterredditpinterestlinkedinmail
  • New York Film Academy (NYFA) Filmmaking Alumni Direct Music Videos in Collaboration with Josh Homme’s Desert Sessions

    Facebooktwitterredditpinterestlinkedinmail

    New York Film Academy (NYFA) filmmaking alumni Gabriele Fabbro and Jonathan Samukange were given the opportunity to collaborate with Josh Homme’s super group, the Desert Sessions, to create two diverse and unique music videos for two of the tracks off the Desert Sessions’ latest album, Vols. 11 & 12.

    The Desert Sessions is a musical supergroup formed by Queens of the Stone Age frontman Josh Homme, who has been hosting his “Desert Sessions” retreats since 1997. Each session involves a different group of well-known musicians mixed with unknown talent, who come together in the desert to simply play music and experiment with new techniques and melodies.

    Official photo courtesy of the Desert Sessions musical collective

    “It is a really creative project that Jonathan Samukange and I have had the pleasure to be involved in,” says Italian filmmaker and NYFA alum Gabriele Fabbro. “Matador records and Josh Homme reached out to NYFA looking for filmmakers to shoot music videos for their latest album Vols. 11 & 12. We had a great first meeting with Josh [Homme], where he explained the nature of the sessions.” After pitching their ideas for their videos, Fabbro and Samukange were selected by Homme and given a production budget to create two videos for the Desert Sessions.

    Still from “If You Run” (Directed by Gabriele Fabbro)

    Fabbro’s video, “If You Run,” follows a young woman who witnesses something terrifying in the woods and tries to escape. The director’s inspiration for the video was taken from deadly attacks on European journalists. “I used to read a lot of news about murders,” says Fabbro. “I remember one [story] in particular that happened in a cornfield. That article came to mind while hearing ‘If You Run’.”

    Filmmaker and NYFA alum Gabriele Fabbro

    “I wanted to play with tension,” says Fabbro. “I wanted a video that would keep the audience at the edge of their seat.” To portray this, Fabbro made sure that every aspect of the video embodied a sense of fear and unease for the viewer “Every tool in the video, from the shakiness of the handheld shots to the distorted sound of the radio, serves to exaggerate this fear.”

    The second video created for Desert Sessions was for the song “Move Together,” directed by NYFA Filmmaking alum Jonathan Samukange, who is also known as “Director O.” His video, filmed in his home country of Zimbabwe, is a reimagining of the story of Adam and Eve. The video enlisted residents of an entire village and utilized the region’s stunning natural landscape to create “a time capsule” and hallucinatory trip through time.

    “Move Together” (Directed by Jonathan Samukange)

    Before being involved with the project, Samukange says he wasn’t planning on staying in the U.S because his vision is to “change the face of cinema in Africa and bring new opportunities.” When he initially pitched his vision for the video, he knew it could only be filmed in his home country of Zimbabwe. “It was a huge risk, but I believed in my heart that the people in Africa have a lot to offer and that’s what I was bringing to the table.”

    Filmmaker and NYFA alum Jonathan Samukange

    When asked about his vision for the video, Samukange stated, “the theme of love and working together [in the lyrics] as well as the conflict that comes with such connections took me back to the time of Adam and Eve.” He explained that their love “created conflict in their lives and they still stayed together through thick and thin.” He wanted his audience to also feel the attraction of opposites and conflict by combining two opposite elements for the video. “I immediately fell in love with the idea of fusing rock and Afro House dance moves. In my opinion, when cultures clash, new relationships and ideas form.”

     

    New York Film Academy would like to congratulate both Gabriele Fabbro and Jonathan Samukange on the release of their videos for Desert Sessions and looks forward to seeing what both alums will come out with next. NYFA also encourages everyone to check out Desert Sessions Volumes 11 & 12, out now, on Matador Records.

    Facebooktwitterredditpinterestlinkedinmail

    May 28, 2020 • Alumni Events, Filmmaking • Views: 762

  • New York Film Academy (NYFA) Welcomes Golden Globe Nominated Actress Beanie Feldstein

    Facebooktwitterredditpinterestlinkedinmail

    On Monday, May 11, New York Film Academy (NYFA) had the pleasure of hosting a live video Q&A with Golden Globe American actress Beanie Feldstein on the occasion of the national release of her latest film How to Build a Girl, in which she has a starring role. Tova Laiter, Director of the NYFA Q&A Series, moderated the event.

    Beanie Feldstein grew up with a love of theatre and the arts, which led her to pursue musical theatre and eventually a career in acting. “I was obsessed with musicals,” she tells Laiter. “It was all I ever wanted to do [to perform]. I did community theatre my whole upbringing.” After her senior year of college studying Sociology, Feldstein decided to begin auditioning for acting roles and eventually landed her first speaking role on Orange is the New Black in 2015 followed by Neighbors 2: Sorority Rising, The Female Brain, and the HBO pilot for The Devil You Know; launching Felstein’s screen actor career.

    Tova Laiter & Beanie Feldstein discuss Feldstein’s prep for her latest film ‘How to Build a Girl’

    Feldstein’s SAG nominated performance in Greta Gerwig’s Oscar-worthy Lady Bird that Feldstein cemented her rise to prominence. That same year, she starred as Minnie Fay in the Broadway revival of Hello Dolly! alongside Feldstein’s hero and Broadway legend, Bette Midler. The musical went on to receive a Tony Award for “Best Revival of a Musical” and Feldstein received critical acclaim for her performance on the live stage.

    Feldstein was then cast in the highly anticipated film Booksmart, which served as actress Olivia Wilde’s directorial debut and Feldstein’s first role with top billing. The role earned her a Golden Globe nomination for “Best Performance by an Actress in a Motion Picture – Musical or Comedy” and the film went on to win the 2020 Independent Spirit Award for “Best First Feature.”

    Beanie Feldstein as Johanna Morrigan in ‘How to Build a Girl’

    Following a screening of the film’s trailer, Laiter opened up the Q&A by commenting on how Feldstein was able to nail her British accent and asked her how she first came to be involved with the production.

    Feldstein read the script for the film while she was still performing onstage for Hello Dolly!. As she read the script, Feldstein recalls that she couldn’t help but feel that she knew this character. “She loves the world, she loves to write, she really is a giving and imaginative spirit, and I just knew her even though I grew up in Los Angeles and was born in the ‘90s. Caitlin’s writing is so deeply felt and it sparkles.” When Feldstein called her agent back, she remembers telling him, “I’ve never been more scared of anything in my life, ever, but I HAVE to try.”

    After co-starring with Kaitlyn Dever in Booksmart, Feldstein remembers being really nervous and excited all at once for landing the starring role and leading the entire cast for How to Build a Girl. “I thought, ‘What do I want the crew and the cast and Coky [Giedroyc] to remember me by?’ Then I remembered I’d rather be kind than good in a scene.”

    Saorise Ronan (left) and Beanie Feldstein (right) in Greta Gerwig’s ‘Ladybird’

    A filmmaking student then asked Feldstein how directors can better work with their actors when on set, to which Feldstein responded, “the greatest gift all of the beautiful and incredible directors that I have worked with have given me is a feeling of stability and calm.” Feldstein then recalled her time working with Olivia Wilde on Booksmart and how Wilde would say, “sets are like construction sites.”

    “Stay very calm and clued into what they [your actors] are doing and what they are feeling because there is so much beautiful chaos on a set, especially when you are in a time crunch,” Feldstein replied. “The greatest gift you can give is to just say ‘it’s you and me, I’ve got this, and I’m here for you’.”

    Feldstein on set during the filming of ‘Booksmart’ with co-star Kaitlyn Dever

    Feldstein then concluded that, overall, no matter what role you play on a film set, take advantage of as many opportunities as possible, and if you lose a job, put yourself in another person’s shoes. “You might be perfectly right for something, but if not, it’s the other girl or guy’s best day of their lives. If you don’t get something, it’s the best day of another person’s life.”

    New York Film Academy would like to thank the gracious Beanie Feldstein for sharing her time and expertise with the students and encourages everyone to watch her latest starring role in How to Build a Girlnow available to stream, and to keep an eye out for Feldstein as Monica Lewinsky in Ryan Murphy’s American Crime Story: Impeachment, which has yet to start production.

    To listen to the full conversation, click the video below our check it out on our YouTube channel here.

    podcast

     

     

     

    Facebooktwitterredditpinterestlinkedinmail

    May 18, 2020 • Guest Speakers • Views: 618

  • New York Film Academy Professional Conservatory of Musical Theatre (PCMT) Welcomes David Yazbek and Anna K Jacobs for Musical Theatre Workshop

    Facebooktwitterredditpinterestlinkedinmail

    On March 3rd, the Professional Conservatory of Musical Theatre (PCMT) participated in a master class with Tony Award-winner David Yazbek and New York Youth Symphony Musical Theater Songwriting Program (NYYS). The master class was hosted at New York Film Academy’s (NYFA) New York campus.

    The composers in the NYYS songwriting program vary in age from 12-22 years old.  Under the guidance of the program director, Anna K. Jacobs (2020 Jonathan Larson Grant recipient), the young songwriters chose moments from the animated Pixar film Inside Out to set to music in a verse/chorus musical form. Students from the Harlem School of the Arts, as well as students from the New York Film Academy, were assigned different songs, rehearsed with the composers, and then performed the songs in front of David Yazbek and an audience.

    David Yazbek (Left) and Anna K. Jacobs (Right) share with PCMT, NYYS, and Harlem School of the Arts students

    Yazbek offered feedback on all of the compositions to the NYYS songwriters. Siya Simanga (PCMT) sang a song called “Bing Bong Guide Song”, written by Grace Gamins, in which the character of Bing Bong (Riley’s childhood imaginary friend) offers Joy and Sadness help in getting back to headquarters.  Jordan White (PCMT) sang the final song of the night called “I Miss Minnesota”, written by Kayden Merritt and arranged by Simon Broucke, in which Riley confesses to her parents how sad she sometimes about leaving her childhood home.Jordan was joined by PCMT students Alexis Loiselle as Sadness, Jennifer Molson as Joy, Lucia Caballero as Disgust, Mario Greiner as Anger and Siya Siyamtanga as Fear.

    All of the NYFA PCMT students that participated and attended said it was very refreshing to hear the creative process talked about in a different way. Yazbek’s call to remain curious and explore multiple genres of music and types of culture was a valuable lesson for actors and composers alike and he  encouraged everyone to collaborate constantly with those around them. Several PCMT students commented later that they were struck by his kindness and humility as he offered feedback, even as his obvious expertise shone through.

    NYFA PCMT students perform their musical piece based on the Pixar film ‘Inside Out’

     

    After meeting PCMT’s music supervisor, Anna Ebbesen, at a workshop a few years ago, Anna K. Jacobs has had an affiliation with NYFA in several different ways. She composed music for an original movie musical, Kaya: Taste of Paradise, for the PCMT 2-Year program. The film was directed by NYFA’s Paul Warner, choreographed by head of dance, Michelle Potterf, with a book by Jerome Parker and music supervised and orchestrated by Ebbesen.

    Jacobs also did a reading of her show Echo as part of the NYFA “New Works Series ” with our musical theatre students. Ebbesen has also joined Jacobs at the NYYS Musical Theater Songwriting Program as music director. It’s true, having multiple “Anna’s” on email chains is confusing, but both of them are happy to have such a strong relationship with both the Harlem School of the Arts and the New York Film Academy, and they appreciated this opportunity to share new musical theatre with the next generation of performers and creatives.

    David Yazbek observes as students perform their musical pieces

    New York Film Academy thanks David Yazbek and Anna K. Jacobs for sharing an evening with NYFA PCMT students to provide constructive feedback and industry expertise. NYFA would also like to thank the New York Youth Symphony Musical Theater Songwriting Program for opening up the master class to NYFA PCMT students, and the Harlem School of the Arts for their participation and collaboration.

    Facebooktwitterredditpinterestlinkedinmail

    March 31, 2020 • Musical Theatre • Views: 1813

  • Editor at Large for Special Projects at ‘TIME’ Paul Moakley and Magnum Photos’ Moises Saman Lead Discussion with New York Film Academy (NYFA) Photography Students

    Facebooktwitterredditpinterestlinkedinmail

    On Friday, February 7, New York Film Academy (NYFA) hosted, along with Magnum Photos and Mana Contemporary, Magnum Photos photographer Moises Saman and Editor at Large for Special Projects at TIME Magazine, Paul Moakley. Both presented highlights from their body of work at NYFA’s New York campus and screened TIME Magazine’s documentary short, The Capital Gazette Won’t Be Silenced 1 Year Later, which was directed and shot by Saman, and produced by Moakley.

    Moises Saman, a member of Magnum Photos, began his career at Newsday, covering the fallout of the 9/11 attacks. Throughout his career, he spent most of his time in the Middle East, shooting monumental moments of conflict like the Iraq War, the Arab Spring, and the Syrian Civil War. “As a journalist, I’m a product of the time I’m living in,” he said when asked about his professional career and motivation for visual storytelling.

    Saman opened the discussion by recounting the start of his career in the newspaper industry. “It meant working really fast,” he says, emphasizing the constant deadlines and, at times, the personal sacrifice it took to get a story out. He then went on to describe how engulfed in his work he had become as a photojournalist, being constantly on the road 12 months out of the year. That kind of dedication, however, produced his stunning photographs capturing moments in time, like an image of a boy with a hunting rifle running through a sandstorm or another image he displayed of a man taming an Arabian horse, looted from one of Saddam Hussien’s palaces in Baghdad.

    Moises Saman (Left) and Paul Moakley (Right) speak with the audience | Photo courtesy of Cecilia Collantes, Magnum Photos

    Saman also discussed developing a professional relationship with Paul Moakley. Moakley, Editor at Large for Special Projects at TIME Magazine has managed TIME’s visual coverage of breaking news, presidential elections and key franchises such as TIME’s Person of the Year and TIME 100 for the past decade. Moakley was always interested in Saman’s work, but it took both of them at least 20 years until they ended up actually working together.

    Moakley opened up to the audience about how the professional relationship between himself and Saman evolved over the years from photographer and editor to producer and director. “It is incredibly cool when we work together,” he says, “it’s not a transaction, it’s a relationship.”

    Moakley, who recently worked with climate activist Greta Thunberg for the TIME’s Person of The Year for 2020, recalled when he asked Saman to shoot the TIME Person of the Year cover for 2018. This particular assignment meant Saman having to fly 30,000 miles around the world to shoot 18 people for 4 covers. This was the year TIME profiled “The Guardians and the War on Truth,” acknowledging slain reporter Jamal Khashoggi, imprisoned reporters Kyaw Soe Oo and Wa Lone, Rappler founder Maria Ressa, and the entire staff of the Capital Gazette.

    Saman recalls meeting each person he photographed saying, “for me, the people on these covers, especially the two women (the wives of the two imprisoned reporters), had experiences I related to. It was an intimate experience for me.”

    Moakley and Saman then screened their documentary short about The Capital Gazette reporters one year after the shooting that plagued their newsroom and took the lives of five of their colleagues. Moakley and Saman recalled that this experience, for them, required the utmost amount of trust and time to cultivate the relationship with the paper. To this day, The Capital Gazette has not let any other outlet other than TIME profile them on such a personal level.

    New York Film Academy thanks Magnum Photos, Moises Saman and Paul Moakley for taking the time to share their knowledge, expertise, and experience with students and guests of NYFA.

    Facebooktwitterredditpinterestlinkedinmail

    March 9, 2020 • Guest Speakers, Photography • Views: 1396

  • New York Film Academy Hosts Screening and Discussion with Film Critic Peter Rainer

    Facebooktwitterredditpinterestlinkedinmail

    On Thursday, July 25th, the New York Film Academy hosted a screening and discussion with Film Critic, Peter Rainer on the film, The Conversation, by Francis Ford Coppola. Made in 1974 The Conversation, is about a surveillance wire tap expert, played by Gene Hackman in his finest performance, who believes he may be implicated in a murder plot. The film is especially relevant today because of the issues it raises about how technology invades our privacy, and for film students, it’s a great example of how sound design on a low budget (courtesy of the amazing Walter Murch) can be an essential storytelling ingredient. It’s also a great example of how a thriller/detective story can also serve as the vehicle for profound observations about the human condition.

    Peter Rainer has 30 years of professional experience as a film critic. Rainer is currently the film critic for the Christian Science Monitor and can be heard regularly on NPR’s Film Week on kpcc-fm. He was one of three finalists in 1998 for the Pulitzer Prize in Criticism and is a three-time winner of the Arts and Entertainment Journalism Award for best online film critic. He has also written and co-produced two A&E biographies, on Sidney Poitier and John Huston, as well as co-authoring the film Joyride (1977). He has served on the main juries for the Venice and Montreal film festivals.

     

    Rainer opened up the discussion by asking the students in attendance what feelings they had towards the movie. Responses included one student sharing the difference in the impact of sound quality when watching the film on a television screen at home versus in a theater. Another student inquired on Rainer’s opinion on how the ending of the film should be interpreted. Rainer shared, “Well it’s sort of a poetic metaphor, perfect ending for this movie in a way, that somebody whose job it is to infiltrate other people’s lives, is himself done in by the very tactics that he’s a master of.”

    The dialogue continued with Rainer asking a student if they felt as though the murder dream sequence in the film was necesary to the movie. After agreeing that it was not, Rainer added, “I’ve heard this mentioned, I’ve never been able to pin it down, that the film had certain editing issues, editing problems, and that that dream sequence was originally shot not to be a dream scene. Then they sort of cut it in and put the smoke around it and made it seem like it was a dream. I can’t entirely buy that explanation because of what he says to her and so forth. If it wasn’t a dream, if he tracked her down and was yelling at her, then the whole plot falls apart.”

    Rainer then continued on to discuss the alignment the film had with the political environment at the time of its initial release. “As I said when I started out, when this film came out, it was just before Richard Nixon resigned, after he bugged the democratic national committee, and that’s what started the whole Watergate Scandal,” Rainer stated, continuing, “They immediately drew a line between this film and what was going on in the country, but it turns out he had written this script a good ten years before all of that. But a lot of the tools in the film and a lot of the gizmos and mechanisms that he uses were very similar in many ways to what the actual watergate burners used, which is another reason why people thought he was making a great political statement when in fact it was just one of those things.”

    Rainer concluded with sharing insight on Coppola’s belief in auteurs being the only true artists in the filmmaking world, revealing, “Coppola has always had this notion that to be a true artist, you have to be an auteur and write the movie, a well as direct it.” Rainer contested this idea by saying, “I don’t think that there’s anything wrong with adapting other people’s scripts, or adapting other people’s novels. There are many great directors who can’t write screenplays, but know a good screenplay when they see it.”

    The New York Film Academy would like to thank Peter Rainer for sharing his knowledge and critic with students.

    Facebooktwitterredditpinterestlinkedinmail

    August 28, 2019 • Film School, Filmmaking, Guest Speakers • Views: 1616