new york film academy
Posts

  • Former NYFA Student Publishes “Sociedad En El Diván: Una Década en Los Medios”

    Three years after the publication of his theoretical framework “Crëative Synapse: Create.your.Universe” and parallel with his full celebration of a decade in media, former New York Film Academy Acting for Film student, Dr. Ariel Orama López (AG Orloz), published his new book “Sociedad En El Diván: Una Década en Los Medios.” His contributions as a media psychologist, artist and performance coach, and professional actor have been immortalized on Telemundo, WAPA, Freemantle Media, Piccolo Universe by Ricky, TISOC Barcelona, PsicoPediaHoy Colombia, JWT Agency and Fundación Mi Sangre of the Colombian artist Juanes.

    Sociedad En El Diván: Una Década en Los Medios

    AG was selected as a finalist of the Telemundo: Actors Workshop in Miami directed by well-known Mexican actress Adriana Barraza (nominated for an Oscar for her role in “Babel”) and performed as Performance and Creative Life Coach for the reality show “Idol Kids Puerto Rico.” He will soon be returning to the screen in the experimental and artistic film “Etreum,” co-directed by the well-known distinguished actress, Idalia Pérez Garay, and the respected director, Vicente Juarbe.

    AG is an active member of the Puerto Rican Actors and Actresses Organization (Colegio de Actores de Puerto Rico), has been participated as a juror of the PEN CLUB OF PUERTO RICO, was quoted by one of his texts at the distinguished Spanish University Universidad Complutense de Madrid, and has been highlighted as an author in the collective book “Communication and Education: Strategies of Media Literacy,” at Universidad Autonoma de Barcelona. He received multiple awards for his contributions in sciences, humanities and arts.

    AG Orloz will also be acting in an upcoming web series, a new short film, and as a co-producer of a new reality web series with the finalist of Telemundo GRAN HERMANO USA, Jommart Rivera.

    As a composer, AG was one of the three winners of Festival International de la Voz y la Canción in Miami, and was selected as a jury member in the next event on November 2017.

    February 24, 2017 • Acting, Student and Alumni Spotlights • Views: 460

  • Chinese New Year Celebration at New York Film Academy

    On February 9, New York Film Academy’s Chinese Club hosted a celebration of the Lunar New Year. Students from club worked long hours to make stuffing for dumplings, procure ink to teach Chinese characters and get decorations. The lobby of the Riverside building of the Los Angeles campus was transformed into a kitchen and a dance floor.

    chinese club

    Two dumpling stations were set up at either side of the lobby. Classmates were encouraged to stuff their own dumplings, though frying was left to the experts. Students could also practice writing Chinese characters with traditional ink.

    We sat down and spoke with President of the Chinese Club, Peijun Zou, to ask her why she wanted to hold this event and what the holiday meant to her.

    Why did you feel it was important to host this event?

    Zou: I wanted to help everyone understand and experience the meaning of making dumplings. Dumpling is not just a traditional food it is a spiritual celebration for Chinese New Year. The shape of dumpling looks like a silver or gold ingots which were the ancient currency in China. We make them with the hope of gaining health, wealth and good fortune in the New Year.

    china club

    What was your favorite part of the event?

    Zou: My favorite part was to see everyone collaborate with each other and experience the Chinese culture.

    What do you hope students took away from this gathering?

    Zou: I hope everyone walked away knowing that Chinese dumplings represent togetherness. Dumplings make us better and stronger because, in order to make them, a group of people must work together. In other words, making dumpling requires teamwork, just like the film industry. Everyone has to know how to work in a group.

    The New York Film Academy would like to thank the Chinese Club for hosting this event and the students who attended and made the event special.

    February 23, 2017 • Community Highlights • Views: 831

  • NYFA Volleyball Team Spreads Valentine’s Cheer to Children’s Memorial Hospital of LA

    The New York Film Academy College of Visual and Performing Arts Volleyball Team is proud to partner with the Children’s Memorial Hospital of Los Angeles, spreading Valentine’s Day cheer to various patients throughout the hospital. The Athletics Department at NYFA is constantly working towards becoming more involved within the community. “Volunteering is about making a difference in someone else’s life, similar to the way athletics impacts the lives of our athletes,” said Elise Cregg, Athletic Coordinator and Volleyball Coach at the New York Film Academy.

    valentine's day volleyball

    The women’s and men’s team, including head coach Elise Cregg, holding up favorite valentines for the Valentine’s Day volunteering event.

    Throughout each semester, the students’ focus is on their career path, within disciplines such as acting, producing, cinematography, photography and various disciplines within the entertainment industry. NYFA provides a “learning by doing” atmosphere that has become a motto of appreciation throughout its student athletes. The teams strive for excellence on and off the court, and have led them to a “hands on approach” within the community. “It was a really fun and unique activity and I’m happy Elise put this together for us,” said Nuria Vega, AFA Acting for Film student, 2016.

    valentine's day

    Head coach Elise Cregg alongside the men’s and women’s volleyball team, capture their work for the Valentine’s Day volunteering event.

    The Children’s Hospital of Los Angeles was pleased to collaborate on the student athlete’s initiative to creatively express themselves through volunteering to help others. Linda Drexel, volunteer donation/toy drive coordinator for the Children’s Hospital remarked, “The Valentine’s were beautiful! We were very impressed and we know that the kids will appreciate them.”

    February 22, 2017 • Community Highlights • Views: 202

  • NYFA Student, Actress & Producer Daniela Lavender Takes Part in Sundance “Women in Film” Panel

    Daniela LavenderBorn in Bahia, Brazil, Daniela Lavender has been training and pursuing the arts since the age of eight years old. She began by exploring ballet, jazz, contemporary dance, and eventually stepped into acting and the performing arts. Her theatre credits include British Shakespeare company production of “A Midsummer Night’s Dream,” playing Hippolyta and Titania and a one woman show, “A Woman Alone” written by Dario Fo. From there she went on to appear in film and TV series, including the independent film “Emotional Backgammon,” where she was awarded Best Actress at the Denver Film Festival.

    Lavender is also taking on the role of producer, and currently attends the Producing School at New York Film Academy Los Angeles. As Vice President of Lavender Pictures Productions, which she co-owns with her husband, her company has produced “A Birder’s Guide to Everything,” which premiered at the Tribeca Film Festival 2013 and was awarded the Heineken first runner up audience award; “Learning to Drive” directed by Isabel Coxiet, which won the Audience Award at Provincetown Film festival; “An Ordinary Man” directed by Brad Silberling; and “Backstabbing for Beginners” directed by Per Fly, which will be released in 2017. Lavender Pictures is currently developing “Cousin Bazilio,” a 6 part mini-series; “TAJ,” an 8 part mini-series; and “Jutland,” a futuristic war drama.

    Recently, Lavender was invited to take part in a panel at the the Sundance Film Festival, which focused on Women in Film. We asked her about her involvement in the panel and her career.

    Can you tell us about your experience at this year’s Sundance?

    I much preferred my second visit to Sundance because I felt empowered. On my first visit I accompanied my husband on his press junket, so I only saw one aspect of Sundance; through an actor’s point of view and someone accompanying an actor.

    This time I went with a group of producers and filmmakers and Sundance was a different experience. I had been invited to participate in the ‘Women in Film’ panel and so I had a function that I was excited about.

    As I was there on my own, people didn’t know anything about me apart from the fact that I had a production company and was taking part in the panel. No one googled me — we didn’t google each other! So I felt that my first interactions with people were truly fresh; uncluttered by the projections that research and misinformation can so often bring.

    But what was most important for me, what made my stay so enjoyable and productive, was that I went empowered by knowledge. For the first time, instead of thinking of how I’m perceived or whether I’m being accepted or all these ego driven thoughts we invariably conjure up in situations like this, I was able to listen because I had knowledge; I knew why I was there and what I had to offer. That knowledge had been enhanced by my joining the New York Film Academy in Los Angeles.

    sundance panel

    How did you become involved with the “Women in Film” panel?

    I met an entertainment lawyer who had been running panels at Sundance and Cannes for the past 15 years. He was a guest speaker at NYFA and my class was fortunate to attend his talk. This was part of the producer’s department programs. After class I contacted him with a question. We talked and, as by then I had been at NYFA for three months and had acquired knowledge, our talk was interesting. He felt that his women’s panel could benefit from what I had to say, so off I went.

    What do you believe was the most important topic of the panel?

    This year Sundance happened at the time of a controversial election and it became very clear to me that the most important topic of the event was knowledge. Emotions were running high and it became evident that if you don’t have knowledge to guide your emotions, passions, even love, will hinder your goals, your effectiveness.

    The more I listened to the women around me the more I was certain that what made them succeed wasn’t that they aggressively fought or protested for their place (even though some might believe so). All the successful women I came across were successful because they were outstanding at what they did. Yes, the fight for women’s rights is important as women have been discriminated against in the past, and still have room to progress until they are treated equally in every area of society, but nowadays we all have opportunities, and the most powerful way to succeed is to be great at what you do. To be the most efficient person in the room. Period. Because great skill is irresistible. Many producers and filmmakers I saw had projects they were passionate about. ‘My passion project’ as’ we say… But then distributers turn to them and say ‘well, but it’s not mine.’ One needs more than passion.

    Do you feel there has been any progress over the last few years in terms of equality for women in film?

    Yes there has been. I still wish to see more female directors. I’m looking for one right now for our TV miniseries, but there has been. The head of the panel mentioned that in his last film 90% of his crew were women. That wouldn’t have happened in the past. I see the world as a much more competitive arena today. The standards are higher, and I believe that isn’t so much about gender or race, I believe that it’s about who is the best at what they do. Who has work ethic versus who is lazy.

    When you ‘play out there with the big guns’ we see fewer nice people and more effective people. To me real kindness is to strive to be good at what you commit yourself to do, and I’m learning that. How good and ambitious you are at your job in the film business is crucial, because the film is like a chain and if one link is weak the film will suffer.
    So the weak link has no place. The one who wants to be nice and not do the work has to go. And the generous ones, the ones who give themselves to the job, the ones who care, they will have a great chance out there if that is their destiny. So for women (as for everyone else), these are great times.

    Aside from producing. You’re also an actress. As an actress in today’s world, what would be your ideal role?

    My ideal role would be a revolutionary social worker with a military background. This woman would restructure the foster care system and children wouldn’t be left in the care of the abusers. This woman would be a strong, lean machine, intelligent and have zero tolerance for child abuse. She would also operate undercover to rescue victims of child trafficking. She would be a kick ass. Like a Navy SEAL. She wouldn’t be upbeat or nice, on the contrary, she would be moody but deeply compassionate. She would also have a dynamic romantic life; she’d like boyfriends and girlfriends alike.

    Can you tell us a little bit more about the projects you’re currently working on?

    Our company has two TV miniseries and a war film in development. I’m in talks regarding a third TV mini series, but it’s in the very early stages. I’m also shooting two films as an actress, one in March called “Nomis” and another one in April called “Intrigo” directed by Daniel Alfredson (“The Girl with the Dragon Tattoo” Trilogy).

    February 21, 2017 • Acting, Student and Alumni Spotlights • Views: 785

  • NYFA Produced Movie Musical “Streetwrite” Introduced at the Metropolitan Museum of Art

    The Musical Theatre Conservatory at the New York Film Academy (NYFA) is one of the only musical theatre programs in the world that teaches both musical theatre for the stage and film.

    Blanche Baker

    Blanche Baker

    A recent prime example is “Streetwrite,” written and directed by Blanche Baker, an Emmy Award winning actress and Senior Faculty member of the New York Film Academy, and shot by Piero Basso, an award-winning Director of Photography. The film was fully funded by NYFA, with an international cast of talented Musical Theatre students working alongside NYFA’s faculty and staff of professional artists.

    This Feb. 14, 2017, “Streetwrite” was introduced at the Metropolitan Museum of Art’s Bonnie Sacerdote Lecture Hall. The introduction included a screening of the trailer, followed by a 20-minute performance work by Artists Fighting Fascism: Rebecca Goyette, Brian Andrew Whiteley and Kenya (Robinson).

    Opening remarks were given by International Institute for Conservation (IIC) Council Member, Amber Kerr and introductions by Moderator, Rebecca Rushfield. IIC is an independent international organization supported by individual and institutional members. It serves as a forum for communication among professionals with responsibility for the preservation of cultural heritage. It advances knowledge, practice and standards for the conservation of historic and artistic works through its publications and conferences. It promotes professional excellence and public awareness through its awards and scholarships.

    “We were thrilled that the New York Film Academy and Blanche Baker allowed the International Institute for Conservation to open its Feb. 14, 2017 colloquium, held at the Metropolitan Museum of Art, with a showing of the trailer for the NYFA Musical Theater film ‘Streetwrite,’ said Rebecca Rushfield, IIC Conference Organizer. “With an explosion of sound, movement, and color, “Streetwrite” set the context for the discussion that followed, demonstrating how art is created as an expression of protest or outrage.”

    blanche at the met

    Political graffiti has a long history dating back to the walls of Ancient Rome. It represents an alternative means of expression that gives voice to the issues and concerns of the common people. This tradition of free expression forms the basis of “Streetwrite,” a movie musical that asks the question, “How can speech be free if only those who pay can speak?”

    Using street art as a focal point, the film examines the various ways people struggle to express themselves in situations where free speech is curtailed or suppressed. It also explores how certain kinds of expression can be repressive to individuals.

    “Streetwrite’ will have its public world-premiere at The Cutting Room (44 East 32nd Street, NYC 10016) on Sunday, March 12th from 2pm-4pm. It will also have its East Coast Premiere at The Queens World Film Festival on Sunday, Mar. 19 in the Zukor Theatre at Kaufman Astoria Studios. The film has also been accepted to screen at Cinémonde, a private film series at the Roger Smith Hotel in NYC.

    February 20, 2017 • Acting, Community Highlights, Faculty Highlights, Musical Theatre • Views: 1808

  • NYFA Grad’s “Like Father, Like Son” Wins Best Short at NYC Indie Film Awards

    Like Father, Like SonBorn in Manila, Philippines, Heinrik Caesar Matias flew to New York City in 2016 to study filmmaking at the New York Film Academy. Matias says he is passionate in acting, and creating realistic and immersive stories with characters that the audience can connect to. His passion and determination led him to create the award-winning film, “Like Father, Like Son,” while attending NYFA.

    His film received “Best Short Film” nominations at film festivals all over the world, including Chandler International Film Festival (USA), Los Angeles CineFest (USA), Barcelona Planet Film Festival (Spain), MedFF (Italy), and Feel The Reel International Film Festival (UK). It won the Gold Award for Best Short Film at the NYC Indie Film Awards.

    “The experience I had, and the lessons I learned from the New York Film Academy were all applied in the making of this film,” said Matias. “It had to be or there was no way this film could have been made given the conditions we faced. I never had any experience in filmmaking prior to NYFA and, I will admit, it was very difficult. We didn’t have a big budget plus there were only four crew members, including me as the director, and three cast members. We all had to work twice as hard. It was very draining and it was a very challenging time for all of us, but we all felt like this was a story that needed to be told. I was lucky that I had a very professional crew and a talented cast that were all patient with me and the film during its production.”

    The short film is a psychological drama that explores the dark natures of depression and how it can even affect the people around the person who’s depressed. After 20 years, Charles, an unemployed alcoholic, finally reunites with his absentee father. The two of them soon realize that the apple does not fall far from the tree.

    “Many people fail to see the magnitude of depression and it is very often dismissed as ‘all in your head,’ but I believe that this is a real thing, and it is a serious matter that must be dealt with,” says Matias.
    heinrik caesar matias

    According to the Word Health Organization, as of 2016, depression is the most prevalent mental illness with 350 million cases worldwide and, if left untreated, can often lead to suicide.

    While Matias also continues to focus on his acting career, he’s currently working on two different projects — a short story that he hopes to film this year and his first feature film screenplay.

    February 17, 2017 • Acting, Filmmaking, Student and Alumni Spotlights • Views: 1416

  • NYFA South Beach Welcomes Emmy Nominated Filmmaker Carlos Sandoval

    On Monday, January 30th, the New York Film Academy South Beach welcomed award-winning and Emmy nominated director and producer, Carlos Sandoval, for a special screening of his 2009 American Experience historical documentary, “A Class Apart,” which has been optioned by Eva Longoria to be turned into a feature narrative, and is currently in development with a major studio. Joined onstage by his Associate Producer, Jordi Valdés, current NYFA South Beach faculty member, the event was moderated by Mark Mocahbee, Chair of the NYFA SB Acting for Film Program. The screening was followed by an engaging Q & A with the student body.

    carlos sandoval

    Inspired by the enthusiasm of the students, Sandoval covered a wide range of topics, including recounting his story of how he came to make his first documentary “Farmingville” (ITVS) at 49 years of age, which consequently went on to win the Special Jury Prize at the 2004 Sundance Film Festival.

    Referring to himself as “the accidental filmmaker,” he originally came to the story in part, moved by a headline “They Wanted to Get Some Mexicans” in the local newspaper (Newsday) regarding the attempted murder of two Mexican day laborers on the Long Island town of Farmingville. Carlos originally had thought as a former lawyer, policy wonk and journalist to potentially get involved in the issue(s) from the legal perspective yet ultimately came to realize that he felt compelled to do more.

    Of Mexican-American and Puerto Rican descent and having grown up in the southwest “the echoes of segregation were around us while I was still growing up,” Sandoval recounted. “I never thought I’d see a headline like that again, in what had just become the Twenty-First Century.” It was the power of story and, in particular, the power of the ability of the film medium to, “work and get at people through their emotions; through story” that propelled him to give documentary filmmaking a try.

    In “A Class Apart,” Sandoval would once again find himself returning to issues dealing with the discrimination of Mexican-Americans, but this time in a historical context.

    carlos sandoval

    Pooling from his own documentary filmmaking experiences, Sandoval discussed the differences in approach, the process and the challenges between making a historical documentary such as “A Class Apart,” and making verité docs such as “Farmingville” and his Emmy nominated and most recent feature length film, “The State of Arizona” (PBS).

    The school would like to extend its thanks to Carlos Sandoval for taking the time to share his stories and advice with the NYFA SoBe student body.

    February 16, 2017 • Community Highlights, Filmmaking, Guest Speakers • Views: 1171

  • New York Film Academy Welcomes Newest Incoming Veteran Student Class

    The New York Film Academy College of Visual and Performing Arts (NYFA) is proud to welcome a new group of veteran students, many of which are transitioning from the military and into higher education for the first time. All new veterans were greeted in their first week with veteran-specific orientations conducted by the NYFA Veteran Services Offices at each of the three US campuses (New York City, Los Angeles, and South Beach) that are designed specifically to accommodate their diverse set of needs and help to set them up for success. Several Veteran Service Organizations (VSO’s) from the local areas sent representatives to educate the new cohort of veteran students on the benefits, resources, and programs available to them at NYFA and in the external veteran community.

    veterans in ny

    New York: New veteran students in New York are excited to begin their academic journey.

    In New York, representatives from The Mission Continues, American Corporate Partners, and Black Veterans for Social Justice provided important information to the veterans about initiatives that are offered by their organizations. These services include professional development assistance, emergency housing and legal assistance, as well as volunteer opportunities for those looking to give back to their communities.

    Veteran Services Coordinator, Christopher Paparis announced some new additions for veterans on campus, including the recent opening of the on-campus Veterans Lounge, and a new Fellowship position exclusively available to NYFA veterans with the NYC Department of Veteran Services and NYC City Service Corps.

    In Los Angeles and South Beach, Veteran Services Coordinators spoke to new NYFA veteran students about the many services and resources that the NYFA Veteran Services Offices provide, such as military benefits advising, transitioning information, the School’s Veterans Advancement Program and essentials of student life on campus. A representative from the Wounded Warrior Project (WWP) came to speak about the various WWP programs and extended an invitation for the veterans to join the organization.

    veterans los angeles

    Los Angeles: New veteran students at the Los Angeles campus pose for a group photo at the veteran orientation

    Army veteran and One-Year Filmmaking student, Corey Bourque said, “The LA Veterans team were very helpful in the orientation. They went above and beyond to make us feel welcomed and helped with questions. I also enjoyed learning about all of the programs and resources available from the Wounded Warrior Project. I was unaware that they offered so much. I am proud to be a veteran attending the New York Film Academy and look forward to my time here.”

    NYFA is honored to serve our nations heroes and are happy to assist them as they begin their academic journey and their careers within the film industry.

    February 16, 2017 • Community Highlights • Views: 1790

  • NYFA Los Angeles 2017 Winter Graduation

    On January 28th, the New York Film Academy in Los Angeles bid farewell to over 120 students as they crossed the stage in their caps and gowns. Amongst teachers, family, and friends, graduates prepared to enter the entertainment field.

    To honor their accomplishments we share here the final words of encouragement from the commencement speakers for the class of 2017 in hopes that they’ll help you on your artistic journey. Congratulations to all the graduates from the New York Film Academy.

    Tab Murphy, writer of “Gorillas in the Mist,” “The Hunchback of Notre Dame,” “Tarzan,” “Atlantis: The Lost Empire,” “Brother Bear,” “Superman/ Batman: Apocalypse, and Batman: Year One,” left students inspired with his impassioned address.

    Tab Murphy

    “This is such an exciting time in Hollywood. There’s so much opportunity out there. There are so many new venues for content and so many ways to be a creator and a writer. It’s an incredibly exciting time. I encourage you to embrace it all. Be entrepreneurial, don’t have such a narrow vision of yourself as a filmmaker and while you’re doing all of that don’t be afraid to embrace life so that when that door of opportunity opens you have something to say.”
    –Tab Murphy

    Andrew Leeds has been acting since he was eight years old. He’s done everything from voice over for animation, acted for television shows including “Bones,” “Cristela,” and “NCIS: Los Angeles,” improvisation with Groundlings Theater. He is in the holiday comedy “Office Christmas Party” and is now writing and producing for television. Leeds used his life experience to provide students with practical life advice to survive in Los Angeles.

    Andrew Leeds

    “If I could leave you with one thing today it would be, believe in yourself. Bet on yourself. However hard you think you’ve worked up until now, work harder. Create, innovate, and bring things to the table no one before you has brought. Every person in here has what it takes to do it. And, if I’m smart, I’ll take my own advice and do it too. Congratulations to all of you as you embark on the next phase of your life.”
    -Andrew Leeds

    Peter Medak has been making movies for close to sixty years and is passionate about the craft now as he was when he first began. He’s directed episodes of “7th Heaven,” “Breaking Bad,” “Cold Case,” “Hannibal,” “Twilight Zone,” “The Wire,” and “Tales from the Crypt.” His films include “The Changeling,” “Species II,” and “Romeo is Bleeding.” Here our his final words to the Filmmaking graduating class of 2017.

    Peter Medak

    “It’s pure magic. Magic is what you can do with those lenses. You’ve had your training you know about the lenses. You know about lighting, which is so important.

    I had to shoot in South Africa and make it look like Sunset Boulevard but we were in Capetown. It doesn’t exist I said to the producers, ‘You’re all out of your mind. It is impossible to do that.’ But you know I saw it was quite possible. You have to be very clever about it. Choose very carefully what you show in that frame.

    You’re going on an amazing journey and I congratulate you. I want you to follow your dreams. That’s the most important thing.”
    -Peter Medak

    Congratulations to the class of 2017!

    MFA Acting For Film
    Christopher Lee Akens
    Sienna Eve Benton
    Ainur Burkutbayeva
    Maria De Los Angeles Cabrera Toledo
    Rita A Casman
    John O’brien Johnson
    Aditya Joshi
    Yu-Hsuan Lee
    Camila Mejia Duque
    Gina Simone Parris
    Demyra Ravyne Payne
    Shelby Simkin
    Jesselynn Stegall
    Nanli Wang
    Michael Wilson
    Zhe Zeng
    Alem Zewdu
    Wanyao Zhang
    Khorlan Zholzhaxynova

    BFA Acting For Film
    Morgan Aiken
    Leo D’hemery
    Michael Elston
    Alfred Gabidullin
    Reinaldo Garcia
    Kristina Karpechenkova
    Fiona Ketter
    Justin Lightfoot
    Grace Michelle Wangui Mbayah
    Thomas Oakley
    Tayla Jan Schaffner
    Milbelynn Soto
    Marcella Unate
    Anlezia Mone Venter
    Joel Wright
    Ekaterina Zaytseva

    AFA Acting For Film
    Helmer David Arango
    Jenný Arnthórsdóttir
    Montana Cypress
    Vanessa Esquivel
    Paloma Fernandez Vigil
    Andrew Forner
    Daniela Maria Gerdes
    Tomas Gudmundsson
    Christopher Holani
    Lena Annalisa Kane
    Kelsey Kummerl
    Martta Rebekka Maki-Petaja
    Badr Moussa
    Josiah Portukalian
    Nathan Rosado
    Christopher Allyn Rybka
    Ivan Sharudo
    Valita Stoke
    Pranay Unadkat

    MFA Screenwriting
    Ashley Helg
    Casey Hempel
    Efsane Karayılanoğlu
    Timothy Kirkpatrick
    Tricia Lan
    Linn Markussen
    Kayla Maurais
    Karthik Menon
    Chiedozie Orjiako
    Eduardo Faustino Rivera Jaso

    BFA Screenwriting
    Kine Brown
    Kyle Del Fierro
    Jinghui Jia
    Daria Leshchenko
    Jamaul Phillips
    Florian David Sutalo
    William Willis

    AFA Screenwriting
    Hong Bin Zhang

    MFA Game Design
    Yi Chen
    Tianyi Wu

    BFA Game Design
    Hasan Cheikhali
    Maresh Escoffery

    MA Film And Media Production
    Medardo III Abad
    Stephanie Adusei-Boateng
    Lamia Alshwwier
    Hardik Aswani
    Oscar Avila Letelier
    Elizaveta Bolshunova
    Eric Owen Bridges
    Maria Lorena Carrocci
    Sheila David
    Yanhua Gao
    Yunhong Guo
    Albandari Tariq Hakeem
    Naimah Hawsah
    Kiyanoush Jahaandideh
    Adebowale Johnson
    Ajay Marri
    Manikandan Mathivanan
    Kyaw Kyaw Min
    Sadedin Piralievich Nuraliev
    Olzhas Nurbayev
    Daniel Peres Morel
    Tianyu Ren
    Andrea Rodriguez Sanchez
    Nataliya Tsvetkova
    Gudiveti Venkata Raghavendra Reddy
    Chuwei Wang
    Xiao Wang
    Yanping Wang
    Sarai Waters
    Shengsheng Wu
    Fei Xie

    AFA Filmmaking
    I-Chen Chung
    Peter Farquhar
    Desmond Goldson
    Sergey Korchinskiy
    Samuel Mcknight
    Joshua Prince
    Ben Zimmerman

    MFA Cinematography
    Saleh Aldwayyan
    Abdulaziz Almutari Talaq
    Amy Lynn Brown
    Jessica Gray
    Joseph Hamilton
    Haoxun Jiang
    Sam Krishna
    Tian Liu
    Yang Liu
    Dhruv Saxena
    Carlos Suarez
    Jaan Kristjan Utno
    Jing Wang
    Haowei Wen
    Yue Xue

    MFA Producing
    Louis Brown
    Qian Dong
    Melissa Gutiérrez Clavijo
    Florian Christian Handler
    Zororo Makamba
    Ana Cindy Quijada R.
    Daniel Wayne Smith
    Funeka Sowazi
    Joshua Thomas
    Alexandre Wilson
    Hanjie Zhang
    Yanjun Zhu

    AFA Producing
    Nicole Tatlock

    MFA Photography
    Nilangana Banerjee
    Pamela Garcia-Aguirre
    Tingting Lou
    Hao Yang
    Yiwan Zhang

    BFA Photography
    Polina Krasovicka
    Xiao Xu

    BFA Animation
    Yahui Cheng

    MFA Filmmaking (Feature Track)
    Bandar Mohayl Almutairi
    Vanness Diane Hughes

    MFA Filmmaking
    Marvin Akanyi
    Mohamad Al Yamani
    Abdulelah Alqurashi
    Hua Bai
    Fanzhen Bu
    Luis Fernando Camargo
    Yang Chen
    Yucheng Geng
    Fei Guo
    Nicole Harris
    Lei Hong
    Shiman Hu
    Hanyang Huang
    Amir Kadiev
    George Leone
    Shaobo Li
    Ziwei Lu
    Pedro Ludwig Marcial
    Milton Lyons
    Haihua Ma
    John Mccain
    Obianuju Obiejesi
    Jorge Andres Ospina Sanchez
    Chanel Page
    Keyu Qu
    Olga Solodukhina
    Pavel Suslov
    Hiroshi Takano
    Diana Esperanza Trejo
    Daniel Velasco
    Rui Wu
    Wei Xiao
    Qin Yan
    Zhiyuan Yuan
    Yuqing Zhang
    Tian Zhou
    Duxiao Zhu

    BFA Filmmaking (Feature Track)
    Hamzah Ahmed F. Tarzan

    BFA Filmmaking
    Noor Matook Al Yaseen
    Paul Araujo Coronel
    Abdullah Bamajboor
    Diego Barragan
    Nikita Belomestnykh
    William Berkowitz Jr.
    Joseph Brandon
    Alexis Brown
    Charles Clark
    Nicholas Cunha
    Guojiang Deng
    Christopher Di Edwardo
    Joel Jerry Duran
    Robert Ford
    Kristen Kiertzner
    Yassein Koptane
    Andrew Kunkle
    Haochang Liu
    Luke Murphy
    Samuel Nieves
    Cindy Osegueda
    Taylor Paluso
    Mariel Quintero
    Shivalik Shankar
    Alexander Stamm
    Shammika Tomar
    Arturo Trapaga
    Hao Wang
    Joann Wong
    Shiyao Yao
    Jiasu Ye
    Yufei Zhang

    February 15, 2017 • Community Highlights, Guest Speakers • Views: 1108

  • NYFA Alumnus Matty Cardarople Showcases Latest Work in Netflix’s “Lemony Snicket”

    On Feb. 8th, New York Film Academy alumnus Matty Cardarople came back to his roots to showcase his latest work in Netflix’s “Lemony Snicket: A Series of Unfortunate Events.”

    Matty Cardarople

    The popular children’s book written by Lemony Snicket has had fans on the edge of their seats since the show’s premiere on Friday, Jan. 13th. The theater was packed with students eager to discuss a childhood favorite come to life.

    Cardarople was seen earlier this year in Mike Mill’s “20th Century Woman” and “Jurassic World.” He’s appeared on television shows “The New Girl,” “Scrubs,” “Bella and the Bulldogs,” “Comedy Bang! Bang!,” and “You’re the Worst.”

    Guest Lecture Series Chair Tova Laiter and Christopher Cass, Associate Chair of Acting for Film, hosted the evening at the Los Angeles campus. Ms. Laiter began with the question, “How did you start?” Cardarople replied:

    I chose NYFA back in 2002…BC. I’m just kidding. I was nineteen. It was a long time ago. I studied here for a year and then I came back and did my own film with (Industry Lab) ‘I worked in production as a boom operator and a PA. I was an assistant director. I was craft service. I was a camera assistant. I did everything. You guys know. You’ve all learned that stuff.

    Then, Luke and Owen Wilson put me in a film called ‘Drillbit Taylor.’ I played a 7/11 clerk because that’s what I do. I play a lot of clerks. Then it really started to take off. I had seven years of commercials here and there. It was kind of dead cause I was going through this heart surgery at young age. It was a bummer.

    Then about three years ago I thought, ‘You know, I just really need to put myself out there. I’m going to go for it.’ I started to network and meet a bunch of people. That’s what it’s really all about; meeting good people and forming good relationships.

    If you are struggling right now and thinking I’m not going to make it. Just be patient. Just work hard and be nice and you can really go far. If you’re scared right now, it’s going to be okay. Everything is going to work out. Just keep moving forward. That’s my story.

    One student asked Cardarople what projects and people he would like to work with in the future. Cardarople responded, “I’d love to work with Jim Carey. I want to make stories that inspire people.”

    The New York Film Academy would like to thank Mr. Cardarople for taking the time to speak with our students. This year you can find Matty Cardarople in the HBO series “Crashing” and the feature film “Please Stand By” starring Dakota Fanning and Toni Collette.

    February 15, 2017 • Acting, Guest Speakers, Student and Alumni Spotlights • Views: 1043