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  • Student Veterans Organization Hosts Open Mic Night at Local VFW

    veterans open mic

    NYFA Veterans who showcased their talents gather together after the event”

    On Friday, April 21, the Student Veterans Organization (SVO) of the New York Film Academy hosted an Open Mic night at the local Veterans of Foreign Wars (VFW) Ship 8103 in Burbank, CA. The Open Mic night provided an excellent opportunity for veterans to more deeply develop camaraderie and fellowship.

    The VFW eagerly supported the NYFA SVO event, which brought many younger Iraq and Afghanistan veterans to the VFW. The NYFA SVO President Vincent Cugno, who is a BFA Acting student at the College, hosted the evening and brought together current fellow NYFA veteran students, and alumni, who wanted to showcase their talents. Gino Filiponi, NYFA Acting for Film student, stated “It was great to share some laughs with fellow veterans.”

    Seasoned comic Travis Frazee—who has showcased at local comedy clubs—was the headliner for the evening. Frazee, currently a student in NYFA’s BFA Program, has performed routines at venues including the “Ha Ha Comedy Club,” “Flappers,” and “The Comedy Store.”

    This was the first of many events that the NYFA Student Veteran Organization will be organizing. Other activities include community service engagement, BBQ’s, sports nights, and more that are all designed to bring veteran students together.

    April 28, 2017 • Acting, Veterans • Views: 109

  • NYFA Alumni Team Up on Short Film “Worth It?”

    worth itInspired by films like “The Jungle Book,” “The Curious Case of Benjamin Button,” “Gravity,” and “Inception,” among others, Edgar Vega began his career working as a Lighting/Compositing artist on a feature animated film in Guadalajara, Mexico. From there, he wanted to further his knowledge and skill in the field of cinematography and decided to leave his hometown of Mexico to study at the 1-Year Cinematography Program at the New York Film Academy.

    “After working on that feature film I needed to properly learn the origins of lighting for picture as well as how camera and light reinforces the narrative,” said Vega. “There was always an interest in narrative since I did my Bachelor’s in Animation & Digital Arts back in Guadalajara, but I never had a real approach to lighting until I worked in this film I’ve mentioned. The final look of it relied more on illustration rather than the use of cinematography tools, which is not bad, it was just the vision of the director at the time. I believe that in a film that uses 3D and CGI rendering tools that produce photorealistic images, cinematography would be the right tool for producing and achieving the desired result.”

    Vega wanted to learn and experiment with merging both worlds like “Gravity” and the other films that inspired him. He says his favorite cinematographer is Emmanuel “Chivo” Lubezki, not only because he’s from his country, but also because while filming “Gravity,” Lubezki and the VFX Supervisor Tim Webber developed technology to merge the hybrid CGI and live action into one image. “That was the challenge there,” said Vega. “They had to determine how lights would affect character’s faces, and then match it to composite the live action and animation perfectly.” The film ended up winning the Academy Award in both fields in 2015.

    Since graduating from the Cinematography Program, Vega has had the opportunity to work as a Lighting/Compositing Artist on the Nick Jr. series called “Block Party.”

    “Chris Papa, Scott Kennell, and their team were developing a new pre-school franchise that speaks about teamwork and unity,” Vega said about the series. “I was invited onto ‘Block Party’ to develop a possible final look, which earned an internally good response. As a result, a first episode was made. Thanks to the concepts learned at NYFA, I was able to assertively respond to the necessities of both Chris and Scott.”

    He is now in postproduction on his thesis film, “Marcus,” which merges live action and CGI.

    Vega also was the DP on NYFA Filmmaking alumna Cheyenne Pasquer’s film, “Worth It?,” which screened at the London Monthly Film Festival December 2016, Miami Independent Film Festival December 2016, The Lovecraft January 2017, and the California Women’s Film Festival February 2017, where it was nominated for Best Director.

    “At the beginning we both had a lot of questions about the complexity of the film, since the script was extensive for the amount of days I could afford to shoot,” said Pasquer about her collaboration with Vega. “Most of the shoot was overnight, so I think the adaptation was a crucial skill that me and Edgar developed during the shoot of ‘Worth it?’ We were both in a difficult scenario not only because the film was physically demanding, but also because we successfully worked out with our crew and actors. As a DP he delivered beautiful shots that matched with the requirement of the story, both aesthetically and narrative wise.”

    “Worth It?” will be screening at this year’s Cannes Short Film Corner in May.

    April 28, 2017 • Cinematography, Filmmaking, Student and Alumni Spotlights • Views: 145

  • Award-Winning Comedian Adrián Minkowicz Returns to NYFA to Perform Stand Up

    Born in Buenos Aires, Argentina, Adrián Minkowicz, also known as “The Argentinean,” is an award-winning comedian based in New York. He performs stand-up in English and Spanish with equal success, touring internationally, performing in major clubs and festivals like “Just for Laughs” and the “Fringe” in Edinburgh. He has been featured guest on talk-shows and done sets on TV in Europe, South America and in the USA, on shows like “the Artie Lange Show” and “Gotham Comedy Live.” He also opened for renowned comedians like Artie Lange and Godfrey.

     Adrian MInkowicz

    “I met Artie in the comedy circuit, at the Comic Strip Live or the Comedy Cellar,” recalls Minkowicz. “He thought that my story was interesting enough to bring me to his show and he interviewed me three times. I recently had the honor to open for him at the Count Basie in New Jersey. His fans really love him and he deserves it. He is not only a very talented and hilarious man, but a really nice and giving person.”

    A prolific published writer, Minkowicz is also the author of several theatre plays, TV scripts, articles for magazines and newspapers, and sketches for radio.

    “When I started living in New York many years ago I felt that I need it to complement my formation as an actor, playwright and comedian with film studies and I decided to attend New York Film Academy,” said the NYFA alumnus. “It has been really helpful for my career for several reasons. I’m not only a comedian but I’m also a published playwright in Argentina. I run a theater and dance company with my wife called ‘Human Works’ based in Brussels. Our last project ‘Dry Act #2: South Domino’ is a piece about games divided in three parts: a documentary, a performance and a board game that I invented. I would never have been able to make the documentary without attending NYFA.”

    In addition to his work in New York, Minkowicz holds a yearly workshop for professional comedians in Buenos Aires, sharing his experiences as an international and New York based comedian. The workshop is given as a ‘writer’s room’ where the participants have the possibility of developing material together with colleagues. “I receive a lot of questions about whether you can translate material from one language to another, and my answer is normally no,” says Minkowicz. “The reason is that people will not perceive me the same way in Argentina as they do in the United States or United Kingdom. Therefore, the comedian should always be aware of what different peoples perception of you are and act in consequence, not necessarily giving them what they want, but you could prove them wrong in their opinions.”

    Minkowicz will be featured in tonight’s April 27 open mic show at the New York Film Academy Theater at 17 Battery Place in lower Manhattan, hosted by NYFA Instructor Criag Fox. The evening begins at 7pm and includes a night of stand-up, live music, and poetry where NYFA students have the opportunity to share the stage with NYC pros.

    On May 18, Minkowicz is producing his own show called “The Argentinean’s Rancho” at the New York Comedy Club. (Tickets are only $10 with the code “Rancho.”)

    He will be performing for an hour at the “Best Newcomer” all August at the Fringe Festival in Edinburgh. It’s a solo show with stand-up, film, and music, featuring known and not so known comedians from around the globe “advising” him on what is the best way to win a prize a the festival.

    April 27, 2017 • Filmmaking, Student and Alumni Spotlights • Views: 1118

  • NYFA Covers Make-A-Film-Foundation’s Premiere of “The Black Ghiandola”

    This Saturday the New York Film Academy’s Red Carpet Team was invited to cover an exclusive event at the Academy of Motion Picture Arts and Sciences. Filmmakers from every corner of the globe showed up for the premiere of “The Black Ghiandola,which was created by the Make-A-Film Foundation.

    make a film foundation

    The Make-A-Film Foundation is an organization, founded by NYFA alumna Tamika Lamison, that gives terminally ill children an opportunity to make a movie. Their goal is to make 50 shorts a year with hospitals, 60 children short films, and two red carpets a year.

    This first red carpet of the year highlighted filmmaker Anthony Conti; a sixteen-year-old who was diagnosed with stage 4 Adrenal Cortical Cancer. Conti took his diagnose and turned it into art. The “Black Ghiandola” is a love story set amongst a zombie apocalypse. With his entire family gone the only thing he wants to do is save the love of his life. Conti passed before the screening, but he was able to see a final cut and approved of how his vision turned out.

    make a film

    It is no surprise the film was a huge success. Directors included Sam Raimi, Catherine Hardwicke, and Ted Melfi. Appearances by Johnny Depp, Penelope Ann Miller, Richard Chamberlin, Laura Dern, David Lynch, and former NYFA guest speaker J.K. Simmons elevated the film.

    NYFA LA Red Carpet Correspondent and current student Amari Agee had the opportunity to interview Hardwicke and Miller on the carpet. Agee said of the evening, “I had a blast. I can’t wait to do it again.”

    The New York Film Academy would like to thank Ms. Lamison for giving this incredible opportunity to our students. For the latest in red carpets and special events for all of NYFA’s campuses check us out on Snapchat.

    April 26, 2017 • Community Highlights • Views: 339

  • NYFA Musical Theatre Alumna Cast in Asian Tour of “Sister Act”

    sophie KimNew York Film Academy Musical Theatre alumna Sophie Kim So-hyang has been cast in the US production of the hit Broadway musical “Sister Act,” making her the first Korean actress to have been cast in the American production of the musical. She will play the part of Sister Mary Robert, a quiet and timid nun who becomes inspired by the main character Delores to eventually break out of her shell. The show is a musical adaptation of the hit 1992 comedy film of the same name starring Whoopi Goldberg.

    “My Korean agent told me that there will an audition for ‘Sister Act’ in the Asian tour and that I should try to get in,” said Kim. “At first, I didn’t think too much about it because there are no roles for Asians in the play. But since it was an Asian tour, my agent told me that there would be a slight possibility of getting the part. So, I auditioned, got several callbacks, and finally got it. I was so excited!”

    Born and raised in Korea’s theatre district, Kim and her mother went to many shows as a child. “My parents were really supportive and always encouraged me to be an actress,” she recalls. “I was the kind of girl who loved to sing and dance.”

    While in Korea, Kim performed in many shows such as “Rent,” “Aida,” “Mamma Mia,” “Dreamgirls,” “Fame,” “West Side Story,” “Evita,” and “Wedding Singer.”

    sophie kim

    After attending and graduating from NYFA’s Musical Theatre Conservatory, Kim became the first person to join the AEA (Actors Equity Association) as a theatre actress from Korea. She played ‘Gigi’ from Miss Saigon (Paramount Theatre) ‘Tupim’ from ‘The King and I’ (Harbor Lights Theatre). Kim also appeared in the show of “Oliver,” “Spool Girl,” “6 Month Club,” and “Portrait of Father.”
    “Everything I’m doing now I learned from NYFA,” said Kim. “I learned history, preparing for auditions, ballet, vocal, stage combat, jazz, tap, Meisner, makeup, improv, and so much more. I would never be able to get a job if I didn’t go this school.”

    This Friday, April 28th, Kim will perform in the EnoB Benefit Concert at Saint Peter’s Church in Manhattan. The Benefit Concert is a semi-annual fundraising event hosted by EnoB, a non-profit music outreach organization that serves hospitalized and disabled children and youth and senior citizens through the joy and the healing power of music. It’s an opportunity for EnoB to raise funds to sustain the critical services for people in need and celebrate its work among friends and family.

    The Asian tour of “Sister Act” will begin in Singapore from May 9-28.

    April 26, 2017 • Musical Theatre, Student and Alumni Spotlights • Views: 916

  • NYFA Filmmaking Alumnus Premieres “Bullock the Bruiser” at Manhattan Film Festival

    bullock the bruiserNew York Film Academy Filmmaking alumnus Marcelo Mayen delivered an impressive thesis film that premiered at the Manhattan Film Festival at the Cinema Village in New York City. His film, “Bullock the Bruiser,” is an action-thriller with elements of comedy that surround Wilson “The Bruiser” Bullock, who gains his superhero persona after hospitalizing the most hated man in the city, Richard Tucker. However, in order for Wilson to win back the love of his ex-girlfriend, he’s going to have to prove that he’s done indulging his petty superhero identity.

    “The main theme I explore in this film is wanting a fresh start in life,” said Mayen. “Whether we’ve wanted to explore a new career, leave a toxic relationship, or move to a new city, we’ve all been at a point where we’ve wanted a clean slate. But we also know there’s always something — or someone — that tries to keep us from getting that clean slate we need in order to achieve happiness, whatever that means for us. That’s the main theme I explore, and it was inspired by my own decision to move to New York City three years ago to pursue my passion for filmmaking and telling stories.”

    Mayen admits that while Guy Ritchie’s “Snatch” certainly had an influence on his approach to Bullock, his inspiration comes from an eclectic mix of directors from other genres. “I wanted to find inspiration in films that balanced the perfect amount of comedy, action, and drama while keeping the pacing of the film entertaining and fun for the audience,” said Mayen.

    Perhaps the most challenging part of the project was the post-production phase. Being a meticulous director, Mayen says, “I never like to rush art. I am so glad to have met my wonderful post-production team, Jay Rothman, Jose Venutolo, and Nate Seymour because they shared my same passion and determination to make sure this was a film worth showing.”

    Speaking on his time at NYFA, Mayen says it was an extremely fast-paced learning environment that introduced him to many techniques including the importance of editing, sound, color-grading, lighting, cinematography, and all the elements that make up a great film.

    Bullock the Bruiser

    NYFA photo by Stephany Viera

    Mayen is currently working on two projects. One is a feature length action-comedy screenplay that he plans to pitch to studios and enter into The Blacklist. The other is a short film that will involve a Latino lead and will deal with issues of racism and the struggles of being an illegal immigrant in the era of Trump.

    “Bullock the Bruiser” will be screening next at the NewFilmmakers Festival at the Anthology Film Archives in New York City.

    April 25, 2017 • Filmmaking, Student and Alumni Spotlights • Views: 1029

  • Broadcast Journalism Alumnae Cover Stock Exchange and Ellis Island Hospital

    On any given weekday morning you can find New York Film Academy Broadcast Journalism School alumna Gillian Kemmerer reporting from the floor of the New York Stock Exchange. Asset TV, where Gillian is the senior U.S. anchor, has updated its look with new graphics and the service with new programming. In this business, you can’t stand still. (And when you have an exclusive, you can’t be shy about saying so!)

    Chenavari Net Long Going Into French Election from Asset TV US on Vimeo.

    DelphineThis Friday, a remarkable news story produced by current NYFA Broadcast Journalism student Delphine Darmency is being shown at an event sponsored by New York Women in Film & Television. They will be screening Delphine’s story “Ellis Island Hospital,” which she created as a class project in the Fall 2016 1-Year Broadcast Journalism course. In fact, it is the first long-form story she ever produced.

    It says a great deal about Delphine that her story was chosen to be included in a prestigious professional film series. She came to NYFA from her native France to become a multimedia journalist. Obviously, she has already learned a great deal.

    The screening takes place at the Kaufman Astoria Studios (34-12 36th Street, Astoria) on Friday April 28 at 6:30 pm. Admission is free. RSVP online to reserve a seat. Delphine’s story is part of a series called “Women Filmmakers: Immigrant Stories,” and is screening along with director Teresa H. Mular’s film “Four Journeys.”

    April 24, 2017 • Broadcast Journalism, Student and Alumni Spotlights • Views: 1355

  • NYFA LA Welcomes Talent Manager Carol Brodie

    carol bodieThe New York Film Academy was thrilled to have Talent Manager Carol Bodie speak with the Acting for Film Department in Los Angeles this past week. Tova Laiter, Director of the Guest Speakers Series, hosted the evening along side NYFA Instructor Anne Moore.

    Bodie is responsible for helping guide the careers of many Hollywood elites including Jon Hamm, Jada Pinkett Smith, Joel Edgerton, Jim Sturgess, David Oyelowo, Kim Cattrall, Winona Ryder, Hailee Steinfeld, Rosie Perez, Calista Flockhart, and many others. Bodie has also produced “Girl Interrupted” and is working with many of Hollywood’s rising stars including Ruby Rose.

    Bodie kicked off the Q and A by welcoming all of her “future clients.” Bodie started her career when she moved to LA in her early twenties. She hadn’t expected to get in the entertainment industry, but all of her acting friends encouraged her to get work at an agency. When she finally found an agent she wanted to work with she realized she didn’t know what she was doing. “I literally answered the phone, ‘Hello.”

    Despite being told assistants do not get promoted it didn’t take long for Bodie to rise through the ranks. “I literally worked harder than anyone else,” she said. “I would get there at seven in the morning. Then I’d work all day. Stephen (her boss) would leave for a screening or event. He’d come back after and leave post-it notes all over my desk. So, I was working Saturdays and Sundays.”

    Bodie at NYFA LABodie had a lot of advice for her students. One insider tip is to find moments to surprise the casting director. “You have to remember Casting Directors are people too. We have bad days. We get bored.” Bodie suggests that if you’re given two scenes to read, read the second piece first. You’ll instantly have the director’s attention.

    “For actors the only thing to do is act. Do a play even if it is a small production,” Bodie suggests. “It’s all about relationships. Become friends with assistants and managers.” This way you’ll be the first to hear about all of the auditions.

    “Get out of your own head,” Bodie told the students. “Make it about the other person. By focusing on other people it relaxes you. Go to IMDb and look at what they’ve cast. They’re a person, too. They’ll want to tell you about their experience.”

    The New York Film Academy would like to thank Ms. Bodie for taking the time to speak with our students.

    April 21, 2017 • Acting • Views: 1801

  • Producing Grad Inks TV Series Deal From NYFA Guest Speaker

    Heidi Segal Recent Producing graduate from the New York Film Academy’s 1-Year Producing Conservatory, Heidi Segal, is a shining example of how it’s never too late to change your career and pursue an endeavor that is much more fulfilling. The former government contractor of 25 years rediscovered her creativity and hit the ground running while learning the craft of producing. She’s been busy working on several projects since graduating from the program, and was able to catch us up with her new career in a recent interview.

    What made you decide to transition from government contractor to producing for film and TV?

    After escaping an abusive marriage in early 2015, I relocated from Annapolis to Baltimore, MD to be closer to my client base. That summer I discovered “House of Cards” season 4 was shooting in the city and was curious about what it’s like being on set. So I signed up to be an extra and ended up working on the show 9 days over the next couple of months, to include being Robin Wright’s stand-in for a day. Since my industry had become so standardized, there was no longer anything creative about it, so I started crewing for friends on their first films or web series and taking acting classes. Quickly realizing that I preferred being behind the camera instead of in front of it, and enjoying the creative process of filmmaking, I decided to take a couple months off work and attend the 8-week Filmmaking program at NYFA with the intention of returning to Baltimore and my career. However, halfway through the filmmaking course, I realized producing films and TV series was exactly what I should have been doing years ago. Between my natural creativity and 25+ years of directly-relevant business experience, I immediately signed up for NYFA’s 1-Year Producing Conservatory, quit my consulting business, moved to NYC, started Mixed Sygnls Productions, LLC, and went back to school. I’m glad I did.

    Would you say the producing school at NYFA was useful in terms of what you’re currently working on?

    Absolutely. There is no way I could have executed this career transition as completely and efficiently as I have. Without the formal training and networking opportunities provided by the program, it would take me years to figure out I’m doing. I would not have been able to quit my career and focus solely on creating films and TV series.

    Can you tell me a little bit about your short film, “Matthew’s Monsters”? 

    The logline is: Happy-go-lucky by day, a young boy is haunted by the sounds of monsters stomping around his room when the lights go out…until he discovers the source of the monsters’ footsteps.

    I adapted “Matthew’s Monsters” from a story in the book “Icarus of Brooklyn” by Matthew Alper. I wrote the screenplay, cast the two characters (a 4 year-old boy and his mother), directed, and edited the film. I also optioned “Icarus of Brooklyn” for my thesis project and am now developing it into a feature film.

    “Matthew’s Monsters” will be screening at the Cannes Short Film Corner and is being considered for 35 other film festivals worldwide.

    matthews monsters

    “Matthew’s Monsters”

    Can you talk a little bit about your series, “Rough Cut”? Where did the idea come from and what is the status of the project?

    We had a reality TV sizzle reel assignment in the Producing Conservatory 2nd quarter. Each student had to come up with their own concept and pitch to the Producing Department Chair, Neal Weisman. I came up with an entertainment industry-related competition/reality series. I apparently went overboard on my assignment and produced a full pitch package. Neil and Richard D’Angelo suggested I take the project out of the school and find an experienced reality TV Showrunner to attach as a Co-Producer and start marketing the series. I pitched the project to Eric Leemon after he came in for a guest lecture. He loved it, we inked a deal, and he handed it off to his agent at William Morris Endeavor (WME) to shop around for a buyer.

    You’ve recently been working with ID/Discovery. Can you tell me what your position is at the network?

    We had an internship requirement in the Producing Conservatory 4th quarter. Eric Leemon facilitated getting me onboard with HudSun Media here in NYC to work on the development team on the Discovery ID Channel crime reality show Bad Blood season 2. I worked as a researcher to identify murder cases that met the show’s concept for episode consideration. After graduating from NYFA, HudSun Media hired me on an as-needed basis to continue episode research support and to help the production team prepare to shoot and produce episode 5. All 6 episodes are in post production – so my work there is complete.

    What do you hope to achieve at Cannes, especially with your involvement in the Cannes Film Business Program?

    The networking opportunity at Cannes is my primary focus. I’m hoping to find financing and distribution deals for my upcoming feature films and possibly for “Rough Cut” and the other TV series I am creating.

    What else are you currently working on?

    Under my company, Mixed Sygnls Productions, LLC, I have optioned four feature films. I am currently developing and preparing to produce two of the smaller budget features — “My Name is Velouria,” a $2M action thriller that I plan to shoot in upstate NY this fall, and “Icarus of Brooklyn,” a $3M coming-of-age drama set in Brooklyn in the late 70s, early 80s that I plan to shoot in NYC next spring.

    The other two features will be in the $15-25M range with production planned for late 2018 into 2019. I am also producing a teaser for Michael C. Bryan’s book “Creepy Kid” that will be published later this year. We plan to co-produce a feature film and TV series based on the book. In addition to “Rough Cut,” I am also creating a comedy reality TV series called “Kinda Sketchy” and two narrative TV series. I am creating “Bad Wolff”as a limited series about domestic abuse and domestic violence with the plan to launch a follow-on drama series called “Closure.”

    April 20, 2017 • Producing, Student and Alumni Spotlights • Views: 1995

  • Roadside Attractions’ Eric d’Arbeloff Screens “Manchester by the Sea” at NYFA LA

    Students packed the Riverside Theater in Los Angeles to see one of last year’s most critically acclaimed films, “Manchester by the Sea,” and hear from one of the men who made the film possible, Co-Founder of Roadside Attractions, Eric d’Arbeloff. Roadside Attractions has released over 130 films including “Winter’s Bone,” “Love & Friendship,” “Southside with You,” “Mr. Holmes,” “Love & Mercy,” “The Cove,” “Margin Call,” “Arbitrage,” “Hello My Name is Doris,” The September Issue,” and “Mud.” Tova Laiter, Director of the New York Film Academy’s Guest Speakers Series, hosted the evening alongside NYFA Instructor Shaun Conan.

    Eric d’Arbeloff

    D’Arbeloff started by giving a little history on his company. “We are a small company focused on theatrical releasing. We’re kind of like a specialty boutique production company. We don’t do VOD releases or direct to video. We have a relatively small slate compared to some of our competitors. Typically, an IFC or Sony Picture Classics will do thirty or forty films a year. We’re more like ten or twelve films a year. From the get go the company was always designed for partnerships.”

    It was that spirit of partnership that brought Roadside Attraction to Amazon. Their first film together, “Chi-Raq,” opened to great critical acclaim. Thinking bigger has always been part of their DNA.

    Exhibition community is still establishing the rules with the rise of streaming services. Netflix, for example, likes to release everything on the same day. If you can watch it in theaters you can watch it on the app. But d’Arbeloff and Roadside believe that films like “Manchester by the Sea” wouldn’t exist without a theatrical release and critical discussion. Neither model is better, d’Arbeloff stressed. But he’s in the camp of traditional releasing.

    He explained the different aspects of his job, which include curating the right types of film. Prints and advertising budgets are a difficult challenge. One of the largest challenges is picking the right release date. Holidays, elections, award season and other film release dates all play a key factor in when a movie comes out. D’Arbeloff described this process as “reading the tea leaves.”

    During the Q and A portion one student, Theresa, asked, “Is there any advice to young filmmakers who get their shorts into festivals and are rewarded? How do we manage to transition to features from shorts? Should we wait for feedback or start on a new project?”

    Eric d’Arbeloff at NYFA LA

    “The great thing is there are multiple avenues to make a name for yourself,” d’Arbeloff replied. “I think it certainly helps if you’re a writer or someone who likes to read and is good at developing material. There was a time when I was a producer. I would go to Sundance and keep tabs on all the filmmakers. When I first started you really had to decide, ‘are you going to be in television or film? Are you interested in business or are you interested in creative?’ That’s not the case anymore. I really want to encourage you guys to try everything. There are no boundaries.”

    The New York Film Academy would like to thank Mr. d’Arbeloff for taking the time to speak with our students. Roadside’s latest picture by Whit Stillman (Metropolitan, Barcelona) entitled “Love & Friendship” starring Kate Beckinsale is currently available on Amazon.

    For more information on Roadside Attractions, you can click here.

    April 19, 2017 • Guest Speakers, Producing • Views: 1636