New York Film Academy Los Angeles Takes Time to Give Thanks and Give Back

The holiday season is a time for sharing, caring, being with family and friends, spreading good cheer, and giving back — and that’s exactly what happened during the Thanksgiving break at the New York Film Academy (NYFA) Los Angeles this season.

This November, the New York Film Academy’s Office of Community Outreach hosted a delicious, traditional, family-style Thanksgiving dinner for over 50 NYFA students who happened to be on campus the night before Thanksgiving, and wanted to share a hearty meal with friends both new and old.

The event was hosted in the rotunda in the Riverside Building decorated in warm fall colors, and open to the entire student population. Therefore, RSVP’s were essential. There was lots of love in the room, with students from all parts of the world able to fellowship and partake in the warm meal.  For some students, it was the first time sharing in the American tradition of turkey, stuffing, cranberry sauce, fresh homemade pumpkin and apple pie with all the fixings.

The dinner was also a thank you to students who participated with NYFA C.A.R.E.S. in a volunteer orientation at LA Family Housing (LAFH) to serve food to families in need over the holiday. LAFH helps people transition out of homelessness and poverty by providing a continuum of housing enriched with supportive services.

Over the holidays, as well as throughout the year, LAFH accept donations to “adopt a family” by providing household goods and gift cards, as well as “meal sponsorship,” providing food to over 250 adults transitioning out of homelessness.

“Through NYFA C.A.R.E.S. its our goal to not only think about our those less fortunate over the holidays, but throughout the year,”  says Mason Richards, NYFA Community Outreach Chair. “It’s our plan to have NYFA students continue to volunteer throughout the upcoming year. We’re slated to volunteer during the month of December and beyond. It’s always a good feeling to connect with others and really feel a part of a community.”

To learn more about volunteer opportunities through NYFA C.A.R.E.S. contact: [email protected].

NEW YORK FILM ACADEMY DOCUMENTARY SCHOOL FEATURED IN IDA’S DOCUMENTARY MAGAZINE

The New York Film Academy’s Documentary School is honored to be the subject of a feature in Documentary magazine’s Fall 2017 issue. Documentary magazine is the major international publication of the prestigious International Documentary Association (IDA).

NYFA Los Angeles Chair of Documentary Filmmaking Sanora Bartels and NYFA New York Chair of Documentary Filmmaking Andrea Swift gave an exclusive interview to Documentary magazine’s Tom Gianakopoulos, for the Doc University section. Gianakopoulos is also an instructor at NYFA Los Angeles’ Summer Camps programs, where he teaches screenwriting.

In a wide-ranging conversation about the New York Film Academy’s Documentary School at both the New York and Los Angeles campuses, the two documentary department chairs answered questions and described the unique creative and technical aspects of NYFA’s professional programs for Documentary magazine’s 18,000 print and 20,000 e-subscribers.

NYFA’s documentary program’s strengths and alumni successes owe much to the philosophy of learning-by-doing, NYFA Los Angeles Chair of Documentary Filmmaking Sonora Bartels explained: “Students at both campuses hit the ground running, and that first semester is a doozy. Right off the bat you have camera classes; you have directing classes; you have sound and producing classes—all of the practical instruction.”

NYFA New York Chair of Documentary Filmmaking Andrea Swift agreed. “We are very story-focused and, as mentioned earlier, our structure comes from the guiding principle that you learn how to make films by actually making films. The beating heart of that is telling a story.”

The interview in Documentary drew light to NYFA’s recent inclusion in the Hollywood Reporter’s list of the Top 25 American film schools, as well as stellar alumni successes including Raphael Neihausen’s Academy Award-nominated “Joe’s Violin” and Muhammed Hamdy’s Oscar-winning “The Square.” Yet both NYFA program chairs were quick to point out that these represent just a small slice of the myriad perspectives and cultures represented by NYFA’s thriving, diverse, international student body.

“If you do documentaries because you want to learn about the world, come to NYFA,” Sanora Bartels said in her interview. “You will learn about the world around you right here in the classroom, where you will figure out how to work with other cultures very quickly.”

While documentary film industry is more popular than ever across sectors including academia, media, and popular culture, The National Endowment for the Arts (NEA) and IDA published a report this year on the uncertain sustainability and vital importance of the documentary industry, concluding, “Everyone is a stakeholder.” The New York Film Academy is proud to be a part of the movement to sustain and promote documentary filmmaking across the globe.

NYFA COMMUNITY OUTREACH SPOTLIGHT: BAFTA LA

As part of New York Film Academy’s dedication to give back to the community, NYFA LA has been running a filmmaking program in partnership with the British Academy of Film and Television Los Angeles (BAFTA LA) for youth in need.

The young aspiring filmmaking students participate in a 9-week film intensive curriculum, created by NYFA Community Outreach, that focuses on telling their stories and finding their voice. New York FIlm Academy faculty work with the Washington Prep High School students who learn how to make their own films from start to finish over the course of a nine weekend program. They start by learning elements of screenwriting and move on to directing and producing. They will then shoot on real sets at Universal Studios’ backlot and complete a film each. BAFTA LA as a program partner helps to select the students from each cohort and also collaborates by providing film industry professionals, mostly directors, editors, and other industry experts to participate as mentors throughout. Each student’s film is entered into Washington Prep’s Student Film Festival where NYFA Community Outreach announces the recipients of scholarships to participate in NYFA’s The NEXT Young Filmmaker Program. Four students from each year’s program receive a scholarship to a summer teen filmmaking camp at the New York Film Academy.

We sat down with NYFA Community Outreach Chair and Film Directing Faculty, Mason Richards to discuss the program:

Tell us a little more about the partnership and the people who help make this program happen.

Ava DuVernay (left) and NYFA Community Outreach Chair Mason Richards (right)

We are entering our 6th year of this partnership with BAFTA LA and we are both equally excited to continue with the program. Our next cohort starts next semester, in January. A large part of the success of this outreach partnership between NYFA and BAFTA LA is due to the very firm commitment from Chantal Rickards, President of BAFTA LA and Sharyn Ross, a volunteer for BAFTA who has been the main force getting the students here. Chantal has attended (and has been a special guest speaker) at our community outreach graduations, and she’s always very inspiring to the students – constantly reminding them that regardless of what the world may present, anything is possible. Also, at the heart of the BAFTA LA-NYFA outreach partnership is our liaison Sharyn Ross and her partner Jeffrey Thal, who both give their time so very generously to the students, not just to help them develop their craft as young filmmakers, but also as young adults and productive citizens. This partnership is also possible because of the dedication of Washington Prep High School Film teacher Darryl McCrane, who gets all of the students ready for their NYFA experience with his film class where the students learn and practice their craft. Darryl’s filmmaking classroom space in South LA at Washington Prep HS has become a safe space for students to express themselves creatively.

Darryl’s class is a favorite for the students at the high school, and we are thrilled to be able to extend their filmmaking education to our New York Film Academy LA campus. Together, BAFTA LA, Washington Prep, and NYFA – we are like a family working together to ensure that we create a space for the students to be their best selves, and be able to tell their stories through film.

Beyond learning the basics of filmmaking, what do students come away with when they complete the program?

At the end of the 9 week film program, the students leave the New York Film Academy not only with an official certificate of completion which is awarded at their final screening at the NYFA Theater, but they also leave with a great foundation and the fundamentals of how to make a film. This knowledge and experience making their own short films and interacting with NYFA students, faculty and other industry professionals can really help to shape and contribute to their professional development.

Apart from teaching the fundamentals of filmmaking, the NYFA Community Outreach film program also focuses on teaching the young filmmakers non-cognitive skills related to motivation, integrity, and interpersonal interaction. There is a certain level of emotional intelligence that the students gain from working in groups, taking on various roles on the productions, and the opportunity to be in charge and tell their stories. They also have loads of fun shooting on the Universal Studios backlot.

What have been some of the highlights of this program?

NYFA Community Outreach Students with Samuel L. Jackson. Photo courtesy of BAFTA LA

It was really special that at this year’s BAFTA Britannia awards that BAFTA LA choose to focus the entire evening on the young people in the outreach program. Sitting in the audience, I was happy to see that they opened the entire dinner and live broadcast at The Beverly Hilton in Beverly Hills, highlighting how awesome the students in the outreach program are. While these ceremonies honor the work of industry professionals like Jodie Foster, Chantal Richards was deliberate in letting the audience know that our young people are who really matter. It was a special moment not only for BAFTA LA, Washington Prep HS, and NYFA Community Outreach, but also for the students and their families. I sat with some of the students at the dinner and could feel their excitement, especially when they got to meet some of their favorite Hollywood successes like Ava DuVernay, Jennifer Lawrence, Samuel L. Jackson, and Jodie Foster. It’s always great when you’re recognized for your talents and your hard work in front of an audience, and for the opening of this year’s Britannia Awards our community outreach students were the stars of the night.

NYFA Community Outreach Students with Ava DuVernay and high school Film Instructor Darryl McCrane. Photo courtesy of BAFTA LA
NYFA Community Outreach student Rosie Lorias with Jennifer Lawrence. Photo courtesy of BAFTA LA

 

 

 

 

 

 

 

Variety highlighted the importance of programs like this in a recent article. In your experience, how important are they to the community?

It’s so important during this time in our American history – and during this time in Hollywood, which seems to be checking itself about what is important and who matters – that we remember the next generation. For us in community outreach, inclusion and diversity are not just buzzwords that we use – its practice and application, and the BAFTA LA-NYFA partnership is just that – practice and application on how we can effect change and enhance the landscape of our storytelling, as well as the next generation of decision-makers in the film industry.

Stay tuned, there’s a future generation of amazing storytellers in the making.

NYFA students at BAFTA

 

Until COVID restrictions on the Universal Studios backlot subside, not all cohorts or students will be able to attend production workshops on the backlot. The backlot is generally not used for production workshops for screenwriting, animation and game design departments.

New York Film Academy Documentary Program Chairs Interviewed in IDA’s Documentary Magazine

Poised as the training ground for the next generation of leaders in this field, the New York Film Academy’s Documentary School was featured in the Fall 2017 edition of Documentary magazine, the biggest international documentary magazine and a publication of the prestigious International Documentary Association (IDA).

In a wide-ranging conversation about NYFA’s Documentary Filmmaking Conservatory, NYFA Los Angeles Chair of Documentary Sanora Bartels and NYFA New York Chair of Documentary Andrea Swift gave a wide-ranging interview to Documentary magazine’s Tom Gianakopoulos, in the Doc University section. Gianakopoulos also teaches screenwriting at the New York Film Academy Los Angeles’ youth programs.

Sonora Bartels told Documentary readers that NYFA’s hands-on learning style sets it apart: “Students at both campuses hit the ground running, and that first semester is a doozy. Right off the bat you have camera classes; you have directing classes; you have sound and producing classes—all of the practical instruction.”

Andrea Swift agreed: We are very story-focused and, as mentioned earlier, our structure comes from the guiding principle that you learn how to make films by actually making films. The beating heart of that is telling a story.”

The Documentary interview also spotlighted NYFA’s inclusion in the Hollywood Reporter’s list of the Top 25 American film schools, as well as major alumni successes including Raphael Neihausen’s Academy Award-nominated “Joe’s Violin” and Muhammed Hamdy’s Oscar-winning “The Square.”

The New York Film Academy Documentary programs have embraced a global worldview since their inception. “If you do documentaries because you want to learn about the world, come to NYFA,” Sanora Bartels told Documentary. “You will learn about the world around you right here in the classroom, where you will figure out how to work with other cultures very quickly.”

NYFA Broadcast Journalism Program Weekly Updates Nov. 20

The old model of “natural disaster reporting” revolved around sending a reporter (or reporters) into a devastated area, and hoping that they could put together a quick overview of “the situation.” But people on the ground, especially trained journalists, often have the best idea of what is going on. (Often knowing more than the government agencies tasked with helping impacted communities.) Now, through social media, that information is getting out faster than ever. But, a word of caution: “The first report is always wrong.” Yes, I’ve said that before, but it deserves repeating. This is why journalists need to be part of the editorial process, as opposed to well-meaning but often imprecise “citizen journalists.” It takes more than a camera to be a journalist…
Continuing the theme of new technology, The New York Times has been posting 360-degree videos daily for a year. And based on that experience, Digiday reports the Times has learned some important lessons. Chief among them is that location is often the key to digital engagement: Taking people someplace they want to see, in 360-degrees, generates views.
Among the places the Times cameras visited were the street outside Wrigley Field the moment the Chicago Cubs won their first World Series in 108 years (for our international readers, the Cubs play that strange American game called “baseball”), inside a NASA installation designed to mimic a Mars colony, and in the ghost towns that surround the Fukushima power plant that melted down six years ago. Personal profiles, on the other hand, were less successful. My favorite 360 video was the demolition of a old, especially hated highway bridge, dreaded by generations of New York City drivers and now in the process of being replaced by two modern spans.
I have to admit the next story strikes me as somewhat strange … I understand the attraction of podcasts (I started my career in radio, I get it), but some people are now listening to podcasts two-times or three-times the normal speed. According to BuzzFeed, this allows so-called “podfasters” to binge-listen to an entire series in just a matter of days. Maybe this is a generational thing, but I have to ask, “why?” Apparently the answer is: “to have more time to listen to more podcasts.”
Finally, last Friday saw the graduation of our latest group of 8-week Broadcast Journalism workshop students. That’s them in the picture below, with the rather “mature” Department Chair (me) in the center, and our always youthful Camera Instructor (Daniel Hernandez) on the left.
One of the new graduates was Ryo Matsuo — or, if we were in Japan, Matsuo Ryo. He wrote a heartfelt Facebook post about his NYFA experience. Here is an excerpt:
“When I started attending the class, I considered giving up and dropping out because I wasn’t confident about my skills and English. However, finally, I got it. I was able to graduate from class.
I appreciate having met wonderful friends and teachers … If I couldn’t see them, I couldn’t reach here.”
Thank you, Ryo-san. We’re going to miss you, and your classmates. Keep in touch!

Dare to Be Remarkable: New York Film Academy Alumna Adriana Ledesma on Film, Family and Future

Adriana Ledesma, via IMDB.

Latina filmmaker and New York Film Academy (NYFA) Masters of Screen and Media graduate Adriana Ledesma is hard at work, applying her remarkable skill set as a writer, director, editor, cinematographer, producer, production manager — and more — to tell distinctive stories. In an industry focused on better promoting diversity and women in film while also creating opportunity for individuals with unique voices, this rising filmmaker is intent on creating engaging stories and touching audience’s hearts, and we are excited to watch her blaze a unique path.

In the past few years NYFA alumnus Adriana Ledesma has premiered her work at numerous film festivals, including her films “Departure,” “Karma,” “A Choice,” and “Empathize.” In 2016, “Departure” won the Bronze Award for Short Film at the Fameus International Film Festival, and was also nominated for the Best Short Drama Jury Award at the Hollywood Screenings Film Festival and the Best Short Film Hollywood Cinefest award at the Hollywood Cinfast. Adriana’s passion, experience, and unending love of mankind lend a unique perspective to her films, helping to create an experience audiences won’t soon forget.

Recently, the busy filmmaker took the time to catch up with the NYFA Blog and share some of her thoughts with our international community.

NYFA: Some of your films have been honored with multiple awards. How did that feel? 

Adriana Ledesma, via IMDB.

AL: Of course it’s always a great satisfaction that someone external, in this case some real experts, value the work you do and that you put so much effort into accomplishing. I don’t do things to receive something in return, but I am very passionate and I believe you should put more than 100 percent on everything you do — or else, what’s the point in doing it at all? So it has been an honor for me.

NYFA: Can you tell us a bit about your experience in the film industry since graduating from the New York Film Academy?

AL: Well, it certainty hasn’t been an easy road. There have been many obstacles and many sacrifices involved, but when you set your mind towards what you truly want, there’s nothing that can stop you.

What you need to do is take the risk, forget about all the complications you might find on the way, and step out of your comfort zone. Don’t limit yourself, and dare to be remarkable.  

I’ve been very fortunate to be able to do what I love, to wake up and go to set every day. I feel blessed.

Adriana Ledesma on set, via IMDB.

NYFA: You are from Mexico originally and left home to pursue your dream, which is something that many members of our international NYFA community can relate to. Can you tell us a bit about that experience, and how your home and family have inspired your work?

AL: I am a person who values family immensely and thank God I come from a family where love, affection and support are key. Even though I know they miss me as much as I miss them, the fact that they are always there for me, giving me advice and encouragement, pushes me to continue. …

Adriana Ledesma, via IMDB.

… I have countless memories of my childhood, climbing trees, riding bikes with my neighbors, playing soccer, going to the park with my siblings and my parents, etc., but there is one that stands out from when I was around nine years old. I was with some cousins and friends at my cousin’s house, and all of our parents no longer knew what to do to entertain us anymore, so they came up with the idea of all of us creating a whole episode of a TV program. We were very young at that time but I remember, knowing nothing, we pulled together a very decent project with nothing but one camera. Some of us took care of crew-type activities, some of them were acting in it, we had production design involved and even visual effects with some blood. That moment, at that age, felt magical for me.

Adriana Ledesma on set, via IMDB.

NYFA: Who are your influences? And how would you define your style as a filmmaker?

AL: I am mostly inspired by Akira Kurosawa and Steven Spielberg. The way they portray their stories, the approach they have when it comes to every single element involved, the importance they give to movement, acting, and framing while doing a film, is also how I love doing mine.

For me, making a film is like putting a duet dance piece together: it’s all choreography. First you do the research — you gather all the elements you might use, then you explore styles and steps and you make your creativity shine.

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Once you have planned all the moves, you have to spend time rehearsing so it goes as well as possible. But when you’re actually shooting, you have to deal with unpredictability and uncertainty, because even when you’ve been working on it for a long time, the music might take you to different places.

Then it becomes about timing. Each of the puzzle pieces have a detailed purpose, a precise time where they are needed, a specific meaning — so at the end, if everything flows as it was supposed to, the unified project gives you goose bumps.

The New York Film Academy would like to thank Adriana for taking the time to share a part of her story with our community. Keep an eye out for many of her exciting new projects in development, including “Growing Up,” “Once in a Life time,” “Los Elegidos,” and “Until the End,” among others.

New York Film Academy Alumna Kellyanne Chippendale Talks “Meisnered” at NYFA Los Angeles

On Tuesday, Nov. 14, 2017, director and comedian Kellyanne Chippendale brought her short documentary “Meisnered” to the New York Film Academy. The film chronicles her experiences studying the Meisner Technique, and how it changed her life. The documentary also includes the short film “Getting Meisnered.” Director of the Q&A Series Tova Laiter and Chair of Acting for Film Anne Moore hosted the evening.

Kellyanne Chippendale had an unconventional path into the entertainment industry. She began the same way as many, with a passion for watching movies that was passed down from her parents. But by the time she was in college, her focus had shifted. She went to school for broadcast journalism, focused on becoming an educator, and thought about having a family.

“I taught every single subject and every single grade except math,” Chippendale said. But something was missing. She wanted to try acting, but the audition process never seemed to go her way. “I’d prepare so well and then once I got into the room…” So she did what any rational adult would do: She joined a stand-up comedy class. When they asked her to come back the following season she knew she was on to something.

Her continued hard work led her to wear many hats for the company. “I started producing my own shows because that’s the only way you can make money in comedy when you’re first starting out.” She began with dinner shows, where patrons would pay $50 a table to have dinner and a show. Through this she began to form relationships with other comedians, getting invited to perform at other shows, and building a roster for her own performances.

Her film “Getting Meisnered” is about this process of becoming an actress and, more specifically, about her instructor, Wolfgang, who helped her have a major breakthrough in acting through the Meisner technique. She says this experience changed her life. The idea of working off an actor’s true essence and building a scene with a partner was a philosophy she was able to take into her real life.

Moore and Chippendale gave a short demonstration of one of the Meisner exercises. One actor makes an observation about the other. Then the statement is acknowledged and repeated as the actors search for the truth in the moment.

One student asked which books would be best to read if they were interested in studying the Meisner technique independently. The answer they received was “Meisner on Acting” and Larry Silverberg’s four-part series “The Sanford Meisner Approach: An Actor’s Workbook.”

The New York Film Academy would like to thank Chippendale for taking the time to speak with our students. Check out her short film “Getting Meisnered” on IMDB by clicking here.

NYFA Faculty Spotlight: Leander Sales

Leander Sales is a New York Film Academy educator and a renowned editor. He’s worked with legendary director Spike Lee as an Assistant Editor on “Do the Right Thing,” “Malcolm X” and “Crooklyn.” He’s directed two feature films: “The Life I Meant to Live” and “Don’t Let Your Meat Loaf.” We sat down with Sales to ask him about his career, his time at NYFA, and what his students probably don’t know about him.

What’s your education or professional background?

I attended a year of college at the University of North Carolina School of the Arts in the School of Drama. I then decided to travel so I went to NYC and worked as a security guard at Macy’s for a year and a half to save money. With that money, I moved to Florence, Italy for two years which was a very educational period in my life.  Professionally, most of my work was with Spike Lee on nine of his feature films, music videos, and commercials.

What brought you to NYFA?

The international student body is what attracted me to the school. I have a great appreciation for different cultures.

What are some of your career or personal milestones that the NYFA community should know about?

I am the Chair of the Motion Picture Editors Guild African American Steering Committee and our mission is to mentor fledgling filmmakers.

Also, when I traced my DNA to Cameroon, Africa, it was a very important milestone for me.

What are you working on right now?

Editing a movie: “The Counter – 1960”

What was the most satisfying project you’ve created or worked on in your career so far?

“Do the Right Thing” as apprentice editor, “Malcolm X” as assistant editor and “Get on the Bus” as picture editor. “The Life I Meant to Live” as director/editor.

What is your favorite course to teach?

The course may vary, but I like teaching hungry students. Hunger cannot be taught.

Leander Sales | New York Film Academy Faculty

Is there a program or department at NYFA with which you’re closely involved?

I’m closely involved with the documentary department and the acting department.

What is one piece of advice that you would give incoming or current graduate students?

The piece of advice I give to my students is to network.

What is your favorite aspect of teaching?

I love it when students recognize how valid their own life experiences are when creating their projects.

What is most challenging about teaching for you?

Language barriers.

What is the most helpful advice you’ve received?

Sometimes I can easily fix something but I have to let the student fix what’s not working, then at the end of the process, they can have a better sense of achievement.

Growing up, what did you want to be?

I always wanted to be a world traveler. I’ve seen a lot of Europe and I’ve been to Africa six times. Filmmaking is another way of traveling.

Who has influenced you the most in life?

My uncle Ron Dortch has had a huge impact on my life.

What creators have influenced you the most?

The people I’ve made movies with and watched solve problems. That list is very long.

Where are you from originally? 

Winston-Salem, NC.

What do you do to take a break from work and teaching?

Travel with my kids, play basketball with my kids, hike, play the guitar badly along with Eddie Hazel and Jimi Hendrix and cook with my kids.

What is an interesting fact about yourself that your students and fellow Faculty might not know about you?

They may not know that I often watch tv with the sound off.

The New York Film Academy would like to thank Mr. Sales for his work with the school. If you’d like to learn more about Sales and his professional career click here.

NYFA Gold Coast Advanced Diploma April ’17 Students Hold Graduation Showcase

The April ’17 Graduates with Acting Coordinator Louise Lee Mei

On November 9th, the New York Film Academy Gold Coast campus held its Advanced April ’17 Actors End of Year Showcase and Graduation. Graduating students were joined by family and friends at Event Cinemas at Pacific Fair to celebrate their achievements and the body of work they accomplished throughout the year.

New York Film Academy Australia delivers the nationally recognized Advanced Diploma of Screen and Media, with chosen coursework focused on the craft and business of acting for film. Students who enroll with the program commit a tremendous amount of time and effort, which paid off handsomely with a much-anticipated screening at the April ’17 graduation.

Acting Coordinator, Louise Lee Mei, opened the event by welcoming guests and congratulating the four graduating students: Christopher Gillham, Esther Crane, Marc Johnson and Sherry Kawecki.

“The Advanced April Actors are a group of very hard workers who we are extremely proud of,” said Mei. “We are excited to present these great actors to the industry.”

The screening included Acting for Film scenes and the group’s pilot episode “Eternity”, concerning a jilted lover turning her hand to black magic and threatening the delicate balance between good and evil.

The New York Film Academy congratulates our NYFA Gold Coast Advanced April ’17 Actors!