Leander Sales is a New York Film Academy educator and a renowned editor. He’s worked with legendary director Spike Lee as an Assistant Editor on “Do the Right Thing,” “Malcolm X” and “Crooklyn.” He’s directed two feature films: “The Life I Meant to Live” and “Don’t Let Your Meat Loaf.” We sat down with Sales to ask him about his career, his time at NYFA, and what his students probably don’t know about him.
What’s your education or professional background?
I attended a year of college at the University of North Carolina School of the Arts in the School of Drama. I then decided to travel so I went to NYC and worked as a security guard at Macy’s for a year and a half to save money. With that money, I moved to Florence, Italy for two years which was a very educational period in my life. Professionally, most of my work was with Spike Lee on nine of his feature films, music videos, and commercials.
What brought you to NYFA?
The international student body is what attracted me to the school. I have a great appreciation for different cultures.
What are some of your career or personal milestones that the NYFA community should know about?
I am the Chair of the Motion Picture Editors Guild African American Steering Committee and our mission is to mentor fledgling filmmakers.
Also, when I traced my DNA to Cameroon, Africa, it was a very important milestone for me.
What are you working on right now?
Editing a movie: “The Counter – 1960”
What was the most satisfying project you’ve created or worked on in your career so far?
“Do the Right Thing” as apprentice editor, “Malcolm X” as assistant editor and “Get on the Bus” as picture editor. “The Life I Meant to Live” as director/editor.
What is your favorite course to teach?
The course may vary, but I like teaching hungry students. Hunger cannot be taught.
Is there a program or department at NYFA with which you’re closely involved?
I’m closely involved with the documentary department and the acting department.
What is one piece of advice that you would give incoming or current graduate students?
The piece of advice I give to my students is to network.
What is your favorite aspect of teaching?
I love it when students recognize how valid their own life experiences are when creating their projects.
What is most challenging about teaching for you?
Language barriers.
What is the most helpful advice you’ve received?
Sometimes I can easily fix something but I have to let the student fix what’s not working, then at the end of the process, they can have a better sense of achievement.
Growing up, what did you want to be?
I always wanted to be a world traveler. I’ve seen a lot of Europe and I’ve been to Africa six times. Filmmaking is another way of traveling.
Who has influenced you the most in life?
My uncle Ron Dortch has had a huge impact on my life.
What creators have influenced you the most?
The people I’ve made movies with and watched solve problems. That list is very long.
Where are you from originally?
Winston-Salem, NC.
What do you do to take a break from work and teaching?
Travel with my kids, play basketball with my kids, hike, play the guitar badly along with Eddie Hazel and Jimi Hendrix and cook with my kids.
What is an interesting fact about yourself that your students and fellow Faculty might not know about you?
They may not know that I often watch tv with the sound off.
The New York Film Academy would like to thank Mr. Sales for his work with the school. If you’d like to learn more about Sales and his professional career click here.
The April ’17 Graduates with Acting Coordinator Louise Lee Mei
On November 9th, the New York Film Academy Gold Coast campus held its Advanced April ’17 Actors End of Year Showcase and Graduation. Graduating students were joined by family and friends at Event Cinemas at Pacific Fair to celebrate their achievements and the body of work they accomplished throughout the year.
New York Film Academy Australia delivers the nationally recognized Advanced Diploma of Screen and Media, with chosen coursework focused on the craft and business of acting for film. Students who enroll with the program commit a tremendous amount of time and effort, which paid off handsomely with a much-anticipated screening at the April ’17 graduation.
Acting Coordinator, Louise Lee Mei, opened the event by welcoming guests and congratulating the four graduating students: Christopher Gillham, Esther Crane, Marc Johnson and Sherry Kawecki.
“The Advanced April Actors are a group of very hard workers who we are extremely proud of,” said Mei. “We are excited to present these great actors to the industry.”
The screening included Acting for Film scenes and the group’s pilot episode “Eternity”, concerning a jilted lover turning her hand to black magic and threatening the delicate balance between good and evil.
The New York Film Academy congratulates our NYFA Gold Coast Advanced April ’17 Actors!
“Newton,” a feature-length film by NYFA alumnus Amit V Masurkar, is now in the running for an Academy Award for Best Foreign Language Film — just one in a long line of successes the Indian dark comedy-drama and its writer & director have already seen.
Co-written and directed by Amit, “Newton” stars Rajkummar Rao as Newton Kumar, a rookie government clerk who seeks to uphold democracy and conduct fair elections in Chhattisgarh’s conflict-ridden jungles. The film has received positive reviews, including from India’s Huffington Post, which called it “a touching, personal and very human film.”
Amit first premiered “Newton” at the 67th Berlin International Film Festival, where it won the CICAE Art Cinema Award. Since then, Amit has presented his film at nearly 50 festivals, including the Tribeca Film Festival in April, where it screened in the International Narrative Competition, and the Hong Kong International Film Festival, where it won the coveted Jury Prize.
An Academy Award would be the crowning achievement to go with these accolades, and the journey to attaining one is a long and tough road. Films that are produced outside of the United States and are delivered in a predominantly non-English language are eligible for the Best Foreign Language Film Academy Award. Unlike other Oscars, the Foreign Language Film Award is unique in that the golden statue is presented not to the filmmakers, but to the nation that produced it—adding an air of patriotic pride to the category.
Each country must then select just one film per year to represent it at the Academy Awards, creating a lot of competition between movies of all genres, especially in a nation as populated and cinema-oriented as India. “Newton” was selected from a shortlist of 26 films to represent India at this year’s Oscars, and the final nominations from five different countries will be announced along with the other Academy Award noms early next year. The 90th Academy Awards will be held at the Dolby Theatre in Hollywood on March 4, 2018.
Amit V Masurkar honed his screenwriting skills at New York Film Academy’s New York campus, taking the 8-Week Screenwriting workshop in 2009. After writing for numerous sketch and comedy shows, Amit’s directorial feature-length debut “Sulemani Keeda” became a surprise indie hit. “Newton” is only his second feature film, and Amit has proven to be one of India’s most exciting voices in filmmaking.
The New York Film Academy congratulates Amit V Masurkar on such a fantastic achievement, and looks forward to seeing what further accomplishments he and “Newton” will achieve!
The list of sports films and sports comedies are endless, but not many movies have been about the burgeoning E-Sports wave, the billion-dollar industry of competitive video games. New York Film Academy Australia (NYFA AU) Gold Coast alumnus and California native Josh Hale sought to change that, and it’s starting to pay off for the filmmaker.
His mockumentary film “Digital Athletes: The Road to Seat League” just had its North American premiere at the Historic Bay Theatre on November 3, and has already picked up multiple awards and official selections to festivals around the world. “I am on cloud nine,” Hale told NYFA while in California showcasing his film.
Hale’s most recent win was the Best Comedy Film Award from the San Francisco International New Concept Film Festival. The Festival bills itself as an “international platform for film lovers, new filmmakers and film/media students who love filmmaking to stand out,” with a specific mission of “discovering and selecting potential talents with new concepts to accelerate the prosperous development of the film industry.”
Hale told The San Leandro Times that his mockumentary style was inspired by comedy classics like “This is Spinal Tap” and “Best in Show.” He continued, “I find E-Sports fascinating.” Hale shot the entire feature-length film on Australia’s Gold Coast on a tiny budget of $5000, using local actors.
Hale graduated from the Advanced Diploma of Screen and Media in Filmmaking at NYFA AU Gold Coast. Skills he developed during his time at NYFA AU, including producing and budgeting, were the fundamental skills he utilized during the production. Hale is still a part of the NYFA AU family, and is now passing on his experience and knowledge at the campus as a Teaching Assistant.
“Josh utlitzed his hands-on training with NYFA Gold Coast to go make a feature film right out of college,” noted NYFA Gold Coast Director Tasha Cooper. “He’s one of our success stories and we’re very proud of his recent achievements.”
The New York Film Academy congratulates Josh Hale on his success, and looks forward to seeing what further accomplishments his hard work and dedication will bring!
The New York Film Academy is excited to host an early screening of the film “Porto,” starring Lucie Lucas and the late Anton Yelchin. The event will take place at NYFA’s New York City campus on Wednesday, Nov. 15.
Set in the ancient Portuguese city of the same name, “Porto” tells the story of an American loner, Jake (Anton Yelchin) and a French student, Mati (Lucie Lucas) who “embark on a night of carefree intimacy.” As the official plot describes it, “This romantic encounter is viewed from years later, both characters still haunted by the powerful connection they shared. Using a mix of film stocks and art direction that evokes a bygone era of European cinema, ‘Porto’ delivers a cinematic form of saudade – a Portuguese word that describes an emotional state of nostalgic longing for a person or place that one has loved.”
Lucie Lucas & Anton Yelchin in “Porto”
The film was shot on 35mm, 16mm, and 8mm film stocks to represent the three different time periods — the one-night stand, the days surrounding it, and present day — represented in the story.
Lead actor Anton Yelchin tragically passed away in an accident in 2016, and “Porto” is one of the final films he shot before his death.
Lucie Lucas in “Porto”
Director Gabe Klinger and co-writer Larry Gross will attend the NYFA screening and take part in a Q&A following the film. The Brazilian-born director previously directed the documentary “Double Play: James Benning and Richard Linklater.” Attendees will include NYFA Filmmaking, Acting, and Cinematography students.
The film opens Friday, Nov. 17 in New York City at Sunshine Cinema and Friday, Nov. 24 in Los Angeles at Nuart Theatre. Watch the trailer for the film below:
Another week, another tragedy that journalists from around the world are sent to cover. This time it is in a small town called Sutherland Springs, Texas. In fact, it isn’t really a town: It is an “unincorporated area” governed by an adjoining community. Once again, it is a case of gun violence. And once again, “the first report was wrong.” But as Gizmodo effectively points out, often these weren’t stories based on fragmentary initial information. No, these were deliberate lies spread to promote somebody’s agenda. Google and Twitter were initially the chief purveyors of these falsehoods.
In the echo chamber of social media, the gunman who systematically killed as many members of a small Christian congregation as he could “was a member of a ‘Pro Bernie Sanders Group,’ a ‘#MUSLIM Convert,’ ‘a radical Alt-left, with potential ties to ANTIFA,’ or named ‘Samir Al-Hajeeda.'” In fact, he was a white guy who had received prison time and a dishonorable discharge from the U.S. Air Force, after being convicted of domestic violence. The Air Force failed to notify civilian authorities of the conviction, allowing the gunman to legally buy the weapons he used to commit mass murder. How did that information come to light? It was reported by a journalist … a real journalist.
Lauren McGaughy of the “Dallas Morning News” wrote a touching “open letter” to the people of Sutherland Springs, apologizing for the way journalists and “media” had overrun their small community, robbing them of their privacy, and complicating an already tragic situation. There has to be a better way to cover events like this, but I don’t know what it is. (Do you have some ideas?) McGaughy said it all when she told the people of this small Texas town, “You’re more than a hashtag.”
You may, or may not, be familiar with Cheddar. They are an upstart financial news service that aims to provide viewers in their 20s and 30s with information attuned to their needs and style. (They bill themselves as the “Leading Post Cable Network.”) It’s very different from CNBC, Fox Business News and Bloomberg TV. And that’s intentional. Personally, I prefer Asset-TV. But I’m prejudiced, because NYFA grad Gillian Kemmerer is an anchor and head of U.S. programming there. However, I do watch CNBC’s “Squawk Box,” where Broadcast Journalism workshop alum Cameron Costa works. (I can’t play favorites, can I?)
Digiday reports that Cheddar anticipates revenue of $11 million this year. And a chuck of that will likely find its way into the launch of a general news off-shoot. You can bet that it won’t look like conventional network or cable news fare, as the folks who watch those platforms aren’t Cheddar’s target audience.
Public broadcasting outlets are far less flashy, yet as in the classic children’s tale of “The Tortoise and The Hare,” the race doesn’t necessarily go to the fleet of foot. (And if you don’t know one of my favorite childhood stories, you can find it here courtesy of the U.S. Library of Congress, no less.) Public radio was something of an endangered species, until podcasts came along. That allowed Public radio stations across the United States to get into the content business, where they could “push” programming to subscribers, instead of hoping that the audience would “tune in” to AM or FM broadcasts.
Increasingly Public Radio stations are banding together to generate news programming relevant their particular region, instead of relying almost exclusively on programs originating from the East or West coasts. It’s a smart move, as it allows these stations to offer unique programming geared to local interests, and to cut costs through collaboration. And “doing more with less” is pretty much the mantra for most journalism outlets today, and will likely remain so for the foreseeable future.
The 2017 edition of DOC NYC included another fantastic New York Film Academy Documentary Department Showcase, spotlighting the work of NYFA students. NYFA faculty also had work represented at the festival, which MovieMaker Magazine has named amongst the top 5 “coolest documentary festivals in the world.”
NYFA President Michael Young with NYFA DOC NYC Documentary Filmmakers at the NYFA Showcase, IFC Center.
Known as one of the most prestigious documentary festivals in the U.S., DOC NYC is held annually at the IFC Center in Manhattan’s West Village. The 8-day festival provides a cutting-edge platform for documentaries and includes panels and conversations with industry leaders.
This is the third year in a row that NYFA Documentary Filmmaking students have premiered their original work at DOC NYC. The five NYFA student films premiering at the festival were “Atomic Love” (Yusaku Kanagawa), “Home Free” (Marie-Chan Kasongo), “Little Red Lie” (Mariko Ide), “Jatar” (Braulio Jatar), and “Janguaribara” (Lucas M. Dantas). Following the special screening, students, faculty, and industry guests alike enjoyed the usual excellent day-long after party/reunion, networking with fellow filmmakers and documentary industry insiders.
NYFA Doc NYC Showcase Poster
“DOC NYC is one of the most important documentary film festivals in the world. It’s a huge honor to be included in their showcase for the third year in a row. Luckily, our students are up to the challenge,” said Andrea Swift, Chair, NYFA Documentary Department. “These five films are as accomplished as they are diverse, which is representative of the majority of NYFA documentaries.”
Three NYFA faculty members were also honored with film screenings at DOC NY: “Scotty Bowers and the Secret History of Hollywood” (featuring NYFA Digital Editing Professor Bob Eisenhardt, multiple Emmy Award-winner and Oscar nominee), “Hot Grease” (NYFA Documentary Department Producing Professor Jessica Wolfson), and “Atomic Homefront” (NYFA Documentary Department Cinematography Professor Claudia Raschke, four time Oscar nominee).
DOC NYC Shorts Programmer Opal Bennet and NYFA Documentary Filmmaking Chair Andrea Swift with filmmakers.
This week, our nation celebrates the men and women who have served our country in the US Military by paying special tribute to by honoring them on Veterans Day. Over the last seven years, nearly 1,500 military service members, veteran students, and military dependents, have selected the New York Film Academy (NYFA) to be the choice for their higher education. “Jerry Sherlock, who was a veteran of the US Air Force, founded the New York Film Academy 25 years ago and was always committed to making NYFA a welcoming learning environment for veterans who wanted to tell their own stories through the visual and performing arts,” stated Michael Young, NYFA’s President. “As a role model and leader to our veterans, we are honored to have, Colonel Jack Jacobs, Congressional Medal of Honor Recipient, as the Chair of the NYFA Veterans Advancement Program,” said President Young.
NYFA in the Veteran’s Parade
Colonel Jack Jacobs is an Army Veteran who received the Nation’s highest military honor for his heroism in Vietnam, the Medal of Honor. Colonel Jacobs, a media personality who can be seen regularly on MSNBC and NBC, and often on shows including Morning Joe, Bill Maher, Stephen Colbert and Rachel Maddow, is one of only 73 living Medal of Honor recipients.
Colonel Jack Jacobs at NYFA
Colonel Jacobs interacts with NYFA’s veteran students on a regular basis providing them with encouragement, advice, and opportunities while they are enrolled at NYFA, and also when they return to the school for the many activities that the NYFA Division of Veteran Services arranges for veteran students and alums. While Colonel Jacobs may best be known by the public for his television work, his greatest passion is supporting the military community by serving on the board of numerous veteran non-profit organizations, and speaking at many veteran events. Recently Colonel Jacob’s gave the keynote at the 21st annual Military Ball, attended by over 700 military leaders, which was hosted by the Pierre Claeyssens Veterans Foundation. In his speech, Colonel Jacobs noted, “There’s nothing like military service that gives young people authority and responsibility at an early age.” He continued,” People who serve time in a uniform can do anything… offering a job to veterans is not charity. These are ‘the’ best people.” The New York Film Academy Salutes the service of all US military Veterans This Veterans Day.
NYFA Musical Theatre alumna Ilda Mason is no stranger to the hustle and bustle of life as a working actress in New York City. Since graduating from NYFA, she has performed in not one but two professional productions of “West Side Story” and toured the country with “Cinderella.”
Now, as she gears up for her next adventure — performing as Pilar in a tour of “Legally Blonde” in China! — Ilda took some time to catch up with the NYFA community to share her thoughts on success after school and believing in yourself, no matter what.
NYFA: First, can you tell us a little bit about yourself and what brought you to NYFA?
IM: I was born and raised in Panamá City, Panamá. I studied ballet on and off for many years because I always found myself coming back to it despite of all my other extracurricular activities I did in school, like musical theatre.
I auditioned for my first professional musical in 2008. It was “Beauty and the Beast,” and we performed in the biggest theatre in the country. I knew that’s what I wanted to do with my life, but as a plan B, I studied Structural Architecture. So I have a degree in Architecture!
I knew I wanted to come to the United States to study Musical Theatre and it seemed like fate when I saw NYFA at a student’s stand in the very same building where that huge, first musical took place. I knew instantly that NYFA was it because it mixed Musical Theatre and Acting for Film.
NYFA: Do you have any favorite NYFA moments from your time studying with us?
IM: I loved my first NYFA Musical, “Spring Awakening.” Such an incredible show to be part of! It was my first audition process in New York, and to be cast in it was out of this world. Everything about it was exciting, new and powerful. And my favorite class project was the Final for Performance Lab, in which we had full creative freedom to do whatever we wanted and create a medley of songs and musicals to tell a new story. It was my favorite because I had the opportunity to see how my classmates shined so bright.
The team I was a part of was amazing! Terra made the most incredible medley of rock songs and musical theatre hits that told the story of a rock band going to space, and I got the role of the astronaut! We used Christmas lights against the dance classroom’s mirror to create the illusion of being in space and … it was just perfect. To this day, my favorite class assignment.
NYFA: Why musical theatre? What inspires you about this kind of storytelling?
IM: Musical Theatre brings together my love for acting, singing, and dancing. There is something magical about being on stage, telling a story with so many challenging elements. It’s live, always. You have to be on your A game all the time, whether it is trying to get the job or then keeping your mind, body and soul to 100 percent because your body is your instrument and you need to be ready to do a show eight times a week. It’s inspiring to me because it is special, it is demanding and it is rewarding. To dance my heart out every night, to sing a gorgeous score and to tell a beautiful story for a living must be the best job in the universe. I stare in awe whenever I see a Broadway show, or incredible acting on film. I want to do that, I want to be there. That’s why I moved countries.
NYFA: While at NYFA, you choreographed the Musical Theatre Department’s production of “Carousel.” Can you tell us about that experience, and how it has shaped what you do today?
IM: I was chosen by Chad Austin to be his associate choreographer for this show, and it was one of the most gratifying experiences I’ve had. To see a show from concept to end required a lot of hard work and we were a team that was committed. Getting to work so close to Chad as director/choreographer, gave me a look into all it takes to create something special. Being able to help choreograph and teach to our cast made me grow so much. I taught me about leadership, ownership and commitment. I needed to know every single move, step and position because the cast was counting on me. I think this was the biggest preparation to be a dance captain on Broadway one day soon.
NYFA: You performed in two separate professional productions of “West Side Story.” What was it like to approach the same show in two different iterations?
IM: My first “West Side Story” will always hold a dear place in my heart. That production in Signature Theatre was flawless in every single way. It was so special to do such an iconic show that tells the story of Latino immigrants just like me, surrounded by such inspiring actors. We did a very immersive, intimate production in which only 300 people were all around us while the Jets and Sharks ran amongst them during the prologue.
The second time I was part of the cast in Paper Mill Playhouse and that on its own was already mind-blowing. We rehearsed at the New 42nd St. Studios, and I was once again surrounded by massive Broadway stars, but the story was the same. Same beautiful message, stunning score and the best dancing there can be. The best part was seeing how different directors and choreographers bring the same show to life.
NYFA: You recently performed in the national tour of “Cinderella.” For our students, how did you adjust and sustain your work for the tour conditions and schedule? Was there anything that surprised you or challenged you along the way?
IM: Being on tour is incredibly challenging and demanding. I learned and grew exponentially during those 10 months on the road. I learned that you must go in being 100 percent in every possible way, because the nature of touring will take a toll on you. I learned about making a lot of money and saving a lot of money for my future; I learned about the importance of rest. My body needed rest because we never truly had a day off while on tour since our “off” days where travel days. I learned about not falling into the claws of drama. Drama is meant to happen when you live in such a small bubble, and it will drain you mentally and spiritually.
I learned how to be more like my dad and stay calm, collected and in a way diplomatic because these people become your family. You don’t want to fight on the road. I learned about the importance of keeping myself healthy and injury-free. So many people had to leave the tour because they got hurt and couldn’t perform anymore. I learned how to cook on the road! By the end of tour, I had a mini kitchen with me, equipped with a mini electric skillet, mini rice cooker, cutting board, spices, cutlery — you name it. It gave me the comfort of eating the food that I loved and missed and the peace of mind that I always had something to eat even when we were in the middle of nowhere, and saved so much money because of it.
It’s challenging to be away from your loved ones, to miss out on things, to be surrounded by the same people every single day, but that was also something beautiful because you appreciate your long distance relationships with friends and loved ones; because you appreciate your alone time, and sharing time; because touring is a whole new ball game and doing a show about kindness and dancing a beautiful Ball every night is pretty spectacular.
Processed with Snapseed.
NYFA: What is next for you? Can you tell us about any upcoming projects that excite you, or any new avenues you hope to explore soon?
IM: I’m so excited because next month I will be going to China to perform as Pilar in “Legally Blonde: the Musical”! We will be doing a short tour through Shanghai, Shenzhen, and Beijing, and I couldn’t be more thrilled about this Chinese adventure!
NYFA: Would you say your time at NYFA was at all useful in preparing for what you are doing today?
IM: Absolutely. I was so prepared for that first audition season. I was my strongest in every way and ready to tackle any dance call, had a full repertoire of songs and enough confidence in who I am that I was ready to start the job of auditioning and having a day job at the same time. With time I grew to learn more about what was my style, what songs show me best at the actual audition time and what to wear to show who I really am and who I can be. I had incredible teachers at NYFA and I’m thankful for all the pieces of gold they gave me as guidance for this difficult journey though the musical theatre/film industry.
NYFA: Any parting thoughts for our readers?
IM: Musical Theatre is hard work and perseverance to its core. It’s about not giving up and showing up to those auditions even though you are tired, haven’t been seen for Equity calls or even if you are scared. I learned a huge lesson from a close friend of mine. My tour roommate, an immigrant from Malaysia who was on an O-1 visa just like me and was also non-Equity, booked the Broadway revival of “Miss Saigon” and made her dreams come true.
After that I realized that there is no audition too big. You want to be on Broadway, right? So you have to go to that Broadway call! She unknowingly taught me that you never know if you never try, and that if you feel you are right for something you have to go for it.
Funny story, that’s how I landed this “Legally Blonde” tour! I applied to get an appointment and didn’t get one. The day of the audition I looked in Audition Update and found the location of the singers call. I marched there determined to be seen and, because they were running ahead of schedule, they were so nice to let me sing for them.
Long story short: I crashed the audition and got the role. We need to believe in ourselves first and always.
The New York Film Academy would like to thank Ilda Mason for sharing a part of her story with our community.
Manage Cookie Consent
This website uses cookies to improve user experience. By using our website, you consent to all cookies in accordance with our Cookie Policy.
Functional
Always active
The technical storage or access is strictly necessary for the legitimate purpose of enabling the use of a specific service explicitly requested by the subscriber or user, or for the sole purpose of carrying out the transmission of a communication over an electronic communications network.
Preferences
The technical storage or access is necessary for the legitimate purpose of storing preferences that are not requested by the subscriber or user.
Statistics
The technical storage or access that is used exclusively for statistical purposes.The technical storage or access that is used exclusively for anonymous statistical purposes. Without a subpoena, voluntary compliance on the part of your Internet Service Provider, or additional records from a third party, information stored or retrieved for this purpose alone cannot usually be used to identify you.
Marketing
The technical storage or access is required to create user profiles to send advertising, or to track the user on a website or across several websites for similar marketing purposes.
To provide the best experiences, we use technologies like cookies to store and/or access device information. Consenting to these technologies will allow us to process data such as browsing behavior or unique IDs on this site. Not consenting or withdrawing consent, may adversely affect certain features and functions.
Functional
Always active
The technical storage or access is strictly necessary for the legitimate purpose of enabling the use of a specific service explicitly requested by the subscriber or user, or for the sole purpose of carrying out the transmission of a communication over an electronic communications network.
Preferences
The technical storage or access is necessary for the legitimate purpose of storing preferences that are not requested by the subscriber or user.
Statistics
The technical storage or access that is used exclusively for statistical purposes.The technical storage or access that is used exclusively for anonymous statistical purposes. Without a subpoena, voluntary compliance on the part of your Internet Service Provider, or additional records from a third party, information stored or retrieved for this purpose alone cannot usually be used to identify you.
Marketing
The technical storage or access is required to create user profiles to send advertising, or to track the user on a website or across several websites for similar marketing purposes.
