French actor Ludovic Coutaud knew within minutes of stepping into New York Film Academy (NYFA) that he was destined to study acting at the school. He did just that, and now the Acting for Film alum is back in Marseille, France, and writing, producing, and starring in the unique abstract series showcasing the art of clowning, Lunatic Clown in Colors.
The multi-talented actor is also a writer for New York Film Academy’s Student Resources page, and is currently at work on another season for his webseries. New York Film Academy spoke with Acting for Film alum Ludovic Coutaud about his time at NYFA, the art of clowning, and what advice he has for current and future acting students of New York Film Academy:
New York Film Academy (NYFA): First, can you tell us a bit about yourself, where you’re from, and what brought you to New York Film Academy?
Ludovic Coutaud (LC): Hello there! I am from the land of cheeses, I mean France, the south in Marseille. I visited New York with my parents during the tough winter of 2010 and never had in mind to come live here. I remember we were walking past the former main campus in Union Square; we entered the building and right away the welcome was wonderful! We went upstairs and met with the Director of Admissions. After a few minutes, I already felt absolutely right at home.
The same evening we returned to our rented apartment and I recalled having one of the most relaxed sleep of my life, already dreaming of applying to the school. When I landed back in Marseille, still in contact with the staff, I started the application to join the Acting for Film program in March 2011.
NYFA: Can you tell us about your webseries Lunatic Clown in Colors?
LC: Of course! It is an original abstract show, filmed in Marseille and showcasing all the unique colors the company represent. Indeed, I value expressions, eccentricity, and folly—all through vibrant colors. Each episode of Season One introduces a spontaneous and yet structured Lunatic Clown in a real location. It is for all, and a way to escape into other codes of communication and through physicality. The mission is to “transport the audience in an imaginary box”—hear their thoughts and minds.
NYFA: What inspired you to make Lunatic Clown in Colors?
LC: My crazy mind, like my friends say. I would say the audiences in general, and their feedback maybe, who felt particularly interested in knowing more about these likable clowns. When I returned to France, I wanted to keep creating in a new medium, involve the style and work with all that I learned at NYFA mixing other works—my own technique in this brand new show. When I did finish the first episode, I remember thinking of my very first Acting for Film class and the fun we had. Clowning is a very loud, active, misunderstood art but it is absolutely narrowed down like any other through film.
NYFA: What are your plans for Lunatic Clown?
LC: I am currently filming Season Two with the same crew and some new members. This time I intend to release nine episodes. I also have the Lunatic Clown Classes that I will teach in partnership with one company in Marseille starting September, and privately as well. The Lunatic Clown travels, always, and five new cities are set for release on social media, starting with Brussels, then Lisbon, a passage in Madrid, then Moscow and St. Petersburg for their own series. Each city has their own hashtags and can be seen daily on Instagram.
NYFA: You write, act, and produce this webseries. Do you have a preference for any particular discipline? If so, why?
LC: I honestly love the struggle—each discipline represents a great challenge. I say ‘struggle’ because I do all of it myself and it can be hard at times… or a lonely ride. Nonetheless, I never get bored and always can bounce back with a new hat.
Creating a new show on paper is a small percentage of it, then comes the producing game that I like to call ‘team hunting’, gathering the ideal team for a special project. The clowning part is actually the most relaxed or the one that happens the least, which is funny when I think of it.
It is worth every moment when I put on the makeup—I know it is happening for real and with the people I love.
NYFA: What did you learn at NYFA that you applied directly to your work on Lunatic Clown, or your work in general?
LC: My love went directly for the Voice and Movement classes naturally, yet all the classes have in time helped me improve in front of the camera, including text analysis or even going ‘simple’. Like I said above, the different techniques that the faculty taught me for TV and film mainly had a strong impact in the making of Lunatic Clown in Colors.
After graduating, during my OPT and while on an artist visa, I had the chance to experiment, work, try, fail, and find my stamp onto the artistic world. NYFA embraced my energetic Frenchness and was very open to see where it was going throughout the program. I will never, ever forget the memorable human creative voyage NYFA was for me. Hooray Acting for Film March 2011 Section B!
NYFA: What advice would you give to students just starting out at NYFA?
LC: Make the most of it! Listen to everything everyone tells you, especially the teachers. They are there for a reason and have done it themselves.
Go audition for every possible student film, even if they are very short or unpaid. The program is there for you to practice while your acting muscle grows. Your craft will never be perfect but it will be sharp if you keep learning. Go listen to the Q&As even if you don’t know the panel and the person—every department is very important in the making of a project and you need to be aware of it.
Be on time and finally have fun in class. After all, it is acting!
NYFA: What other projects are you working on or do you plan to work on?
LC: I also write in French for the Londres Mag, a magazine for the French community in London, and I am part of the creative team for the production company Vuelven en Vida, based in Merida (Mexico). By the way, they did experience the Lunatic Clown technique too! I also teach English and self-development classes as well. All my work and contact info can be found on this fresh and vibrant website: http://ludoviccoutaud.com/
I also keep in touch with all my New York City contacts, theatre companies for future theatre productions, and workshops involving clowning. I plan on developing the clown with Season Two and Season Three. There are endless beautiful simple stories to tell and I aim to produce as much for now. Three seasons seems enough content to broadcast the work abroad.
NYFA: Anything I missed you’d like to speak on?
LC: I look forward to introduce Lunatic Clown to New York Film Academy one day, that would be such a delightful moment for me! Thank you NYFA and enjoy Lunatic Clown in Colors on YouTube! Find me on all other social medias and remember clowns aren’t just serial killers or freaky folks or work in a circus—they also have a heart full of love!
New York Film Academy thanks Acting for Film alum Ludovic Coutaud and encourages everyone to check out his YouTube webseries Lunatic Clown in Colors!