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  • “Acts of Desperation” Provides New York Film Academy (NYFA) Alumni Credit & Experience Opportunity

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    Acts of DesperationThe Industry Lab of New York Film Academy-Los Angeles (NYFA-LA) has announced the completion of the feature film, Acts of Desperation, starring veteran actors Paul Sorvino (Goodfellas, The Rocketeer) and Jason Gedrick (Backdraft, Dexter.) 

    The quirky thriller was sponsored by the Academy, but involved members of NYFA community as well. Faculty members Richard Friedman (director), Leslie Bates (producer), Neil Casey (director of photography), and Toi Juan Shannon (editor) were the forces behind the film, which afforded opportunities to NYFA alumni.

    Acts of Desperation starts with a woman on a bridge, desperate and considering jumping. But the real action begins when we meet Alan Grillo, a cop on the edge, obsessed over the fact that his wife is having an affair. At the same time, he is tracking a shrewd bank robber who is falling in love with the desperate and obsessed woman whose life he saved on the bridge. As if that’s not enough, the bank robber is also being blackmailed by two unhinged street criminals who will stop at nothing to get their money. Time is running out for all of them as their worlds collide in this unpredictable and compelling thriller centering on six individuals and their treacherous “acts of desperation.”Acts of Desperation

    Shot exclusively in Los Angeles, Acts of Desperation is the first feature credit for over 20 NYFA Filmmaking alumni through Industry Lab, a program designed to facilitate such opportunities. The production companies Scars of the Mind Picture Company and UnicVisions plan to produce many more films through the NYFA Industry Lab, offering even more occasions for our alumni to receive both experience and feature credits to add to their resumes. 

    A special screening will be announced later this month.

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    October 19, 2018 • Filmmaking, Industry Lab • Views: 197

  • New York Film Academy (NYFA) Student and Faculty Work to Screen at DOC NYC 2018

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    For the fourth consecutive year, the New York Film Academy (NYFA) Documentary School has been selected to screen a slate of exceptional student documentaries as part of the prestigious DOC NYC film festival.

    Screens from DOC NYC 2018 films

    The largest documentary film festival in America, DOC NYC is also among the most consequential. One of the most respected programmers in the documentary world, Artistic Director, Thom Powers has a track record for programming Academy Award winners and nominees. Thanks to Executive Director (and Academy Award-nominated NYFA alum), Raphaela Neihausen, the festival has also become one of the most important annual gatherings of the worldwide documentary community.

    The festival will premiere four NYFA DOCS shorts, curated by the Documentary program. NYFA was invited by noted Shorts Programmer, Opal H. Bennett.

    Save the Date: November 9th at 11:45 a.m. 
    IFC Center
    323 6th Ave
    New York, NY 10014

    Tickets are just $12 and you can buy them here.

    NYFA’s Showcase features just the tip of the iceberg of remarkable NYC student work:

    Cricket Liu
    Cricket Liu (China, 18 min., Julia Cheng), an aging Cricket Fighting master uses his ancient art to earn all he can for the grandson he is barely allowed to know. Matt struggles daily to remember what happened even minutes ago in I Love You, Wally (USA, 19 min., Simona Kubasova Prakash). In Keliling Bali (Bali, 4 min., Gary Bencheghib, DP Aitor Mendilibar), Gary and Sam attempt to circumnavigate the plastics-filled ocean surrounding Bali. On a rocky Danish island, five-year-old Tobias sets out on a quest to find its famed mythological creatures in The Trolls & I (Denmark, 19 min., Charlotte Madvig Schmidt).

    EXPECTED TO ATTEND: Directors Julia Cheng (’18), Simona Kubasova Prakash (’18) and Charlotte Madvig Schmidt (’18); DPs Braulio Jatar (’18) and Aitor Mendilibar (’13) and Producer Sam Bencheghib

    Cricket Liu

    Cricket Liu

    Also taking place during the course of the week:

    To Kid or Not to Kid

    The World Premiere of NYFA Doc prof Maxine Trump’s To Kid or Not to Kid on Sunday, November 11, 2018, 2:15 PM at the IFC Center.

    EXPECTED TO ATTEND:  Director Maxine Trump, Producer/NYFA DOCS Master Class prof, Josh Granger and PA/Production Coordinator and NYFA DOCS graduate Marie Vanderusten (’16).

    Grit
    The NYC Premiere of the NYFA Doc prof Tracie Holder-produced Grit on Sunday, November 11, 2018, 5:15 PM at Cinepolis Chelsea and onThursday, November 15, 2018, 12:45 PM at the IFC Center

    EXPECTED TO ATTEND: Producer Tracie Holder; Director Cynthia Wade, Sasha Friedlander; Executive Producer Abigail Disney

    RBG

    RBG 

    And screening as part of Thom Powers’ Short List:

    RBG – shot by NYFA DOCS instructor, Cinematographer, Claudia Raschke

    Free Solo – edited by NYFA DOCS instructor, Editor, Bob Eisenhardt

    Breslin and Hamill: Deadline Artists edited by NYFA DOCS Master Class prof, Geof Bartz – World Premiere/Closing Night Film

    DOC NYC has also tapped several of NYFA DOCS’ venerated faculty for panels and special sessions throughout the week, which will be announced shortly.

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  • “Sympathy for the Devil” at 50: New York Film Academy (NYFA) Los Angeles Chair of Cinematography Tony Richmond Presents Restored Godard Film 

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    Fifty years ago, Jean-Luc Godard filmed an intimate, groundbreaking documentary about the Rolling Stones, capturing the recording of one of their most seminal tracks: “Sympathy for the Devil.” The 1968 documentary shares the same title, though it was originally titled One Plus One before its producers controversially took final cut away from Godard. sympathy for the devil

    The Museum of Modern Art (MoMA) recently held a limited theatrical release for the 50th anniversary of Sympathy for the Devil, which was kicked off with a Q&A with New York Film Academy-Los Angeles (NYFA-LA) Chair of Cinematography Tony Richmond, A.S.C., B.S.C. Richmond served as Godard’s director of photography on the documentary, and supervised the color grading of the newly restored, 4K version of the film.

    The restoration was done in London by Arrow Films, working off the still-preserved original 35mm negative. “It’s just wonderful,” says Richmond of the project, adding it was “such an honor to go back to a film I shot fifty years ago and give it another life.”

    Sympathy for the Devil was one of Richmond’s earliest films as director of photography. He has mostly worked on narrative features since then, including Don’t Look Now, The Man Who Fell to Earth, The Sandlot, and Legally Blonde. The London-born, BAFTA-winning cinematographer has resided as Faculty Chair of NYFA-LA’s cinematography school since 2015, where students receive hands-on training in the unique visual language of film with state-of-the-art equipment they can use on their classmates’ productions. 

    Sympathy was a landmark moment in rock and roll documentaries, preceding other films like Gimme Shelter and The Last Waltz. Along with a strong political message, the film captured the birth of one of the Rolling Stones’ most famous hits. It was also a turbulent shoot, with legendary French filmmaker Jean-Luc Godard butting heads with his producers, who changed his original ending. As an infamous story goes, at a screening of the film, Godard attempted to screen his original ending outside in the parking lot, and when one of the producers intervened, he punched him in the face. 

    Additionally, some of the film was shot on the streets guerilla-style, without permits. Some shots included jumping out of Godard’s car to film his wife, Anna, spray-painting walls, roads, and vehicles, and then hopping back in the car and taking off before the police arrived.

    With an incredible story told by the film and another one around the making of it, it was no surprise that MoMA would host a limited release on its 50th anniversary. The Q&A with Tony Richmond was held after the September 13 screening, which Richmond told NYFA was “a great success. I enjoyed the Q&A, telling them how much in awe I was with Jean-Luc Godard and what an honor it was to shoot a film for him at such a young age.”

    In a recent profile by Rolling Stone magazine, Richmond went into further detail about the shoot, describing how they would pre-light for each member of the band before they would stroll into the studio after a late night of recording and maybe some hard partying: “We knew where Mick was gonna be, where Keith was gonna be, where Brian and Charlie were gonna be, and it was lit in such a way that we never had to touch anything between takes or disturb the Stones in any way…

    “And then the guys would come in, and they’d get down to work, and we would shoot. We were very quiet, and we had a very, very small crew — just a guy pushing the dolly, a focus-puller, Jean-Luc and I, and everybody else was way in the background.”

    Speaking with NYFA, Richmond added, “I wouldn’t know what we were going to shoot until [Mick Jagger] arrived on the set. I can’t tell you how exciting and frightening that was.”

    All told, the new 4K restoration and MoMA’s limited release of Sympathy for the Devil went very well, and included both the theatrical and Godard’s original ending. Richmond told Rolling Stone, “I hadn’t seen it again on a large screen until recently. And I have to say, I think it’s really fantastic… You really see how they’re putting the music together.”

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    October 15, 2018 • Cinematography, Documentary Filmmaking, Faculty Highlights • Views: 245

  • New York Film Academy (NYFA) Congratulates Producer Dana Lustig on the Release of Feature Film “Look Away”

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    The New York Film Academy (NYFA) encourages everyone to check out the new psychological thriller Look Away, which releases this October 12, 2018 on VOD and in theaters nationwide. In a Hollywood culture currently dominated by epic franchise films and sequels, Look Away is an independent film crafted by passionate filmmakers and actors looking to tell an exciting, new story without the luxury of a $200 million budget. The film was directed by Assaf Bernstein — known for the hit Netflix series Fauda — and produced by prolific filmmaker and celebrated New York Film Academy (NYFA) lecturer Dana Lustig.

    Look Away is a thriller-horror about an alienated teenager who switches places with her evil mirror image. It stars Oscar-winning actress Mira Sorvino (Mighty Aphrodite), Jason Isaacs (Harry Potter, Star Trek: Discovery, The Death of Stalin), and India Eisley (The Secret Life of the American Teenager). Eisley is starring next in the television miniseries I Am the Night with Chris Pine (Star Trek, Wonder Woman), produced and directed by Patty Jenkins (Monster, Wonder Woman).

    Lustig was born in Israel and has directed five feature films and produced over twenty independent features, working with many high-profile actors, actresses, and filmmakers. Embodying the modern female filmmaker archetype that is finally getting the recognition it deserves in Hollywood, Lustig balances her career in the industry with her occasional lectures at New York Film Academy and other institutions, as well as with being a full-time mother.

    “Filmmaking is a 24-hours-a-day job, it never stops,” Lustig tells NYFA, continuing, “You might find your next story at the dinner table or dreaming at night. It is a lifestyle.”

    As for the types of narratives she pursues, Lustig says that she looks for stories that are “diverse, creative, and moving. Even if it’s a period film, it needs to be current and relevant to today.”Dana Lustig

    The true survival story Jungle, starring Harry Potter lead Daniel Radcliffe, was produced by Lustig and released earlier this year. The film shot both in Colombia and Australia’s Gold Coast, where NYFA has another location with access to the Village Roadshow backlot.

    Lustig directed the dark love story A Thousand Kisses Deep starring Dougary Scott (Mission: Impossible 2) and Jodie Whittaker (Attack the Block, Broadchurch). Whittaker herself has been making headlines this week as she debuted as the Thirteenth Doctor — and first female Doctor — in the long-running smash British series Doctor Who. A Thousand Kisses Deep was nominated for a British Independent Film Award.

    In addition to A Thousand Kisses Deep, Lustig also directed the comedy Wild Cherry starring Rob Schneider, Kill Me Later starring Selma Blair, Confessions of a Sociopathic Social Climber starring Jennifer Love Hewitt, and Wedding Bell Blues starring John Corbett. Additionally, Lustig was a partner at Berman Lustig Productions for ten years, along with producer Ram Bergman (Looper, Star Wars: The Last Jedi.) BLP produced the hit Rian Johnson indie Brick as well as Dancing at the Blue Iguana, directed by Oscar nominee Michael Radford.

    Dana LustigLustig tells NYFA that she feels the urge to always keep moving and looking forward to the next project, saying “We can never really be satisfied as storytellers.” She is currently executive producing Spider in the Web with Ben Kingsley and Monica Bellucci and has just wrapped filming the second season of Israeli hit series Very Important Man. She is scheduled next to direct the remake of the Israeli film The Man in the Wall.

    And still Lustig finds time in between projects to speak with film school students at NYFA. One piece of advice she gives to aspiring filmmakers that comes from her roles both as a director and as a producer is to “Find the next great story to tell — one that is financially viable in the current market, both commercially and artistically.”

    The New York Film Academy congratulates producer, filmmaker, and lecturer Dana Lustig on her long list of successes and looks forward to the many still to come! Look Away releases nationwide this October 12.

    Dana Lustig Look Away

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    October 11, 2018 • Faculty Highlights, Filmmaking • Views: 510

  • New York Film Academy (NYFA) Sits Down with South Beach Director Maylen Dominguez to Discuss Women in Film

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    The New York Film Academy (NYFA) has announced that Maylen Dominguez is the new Campus Director of the South Beach location. Dominguez will also continue in her previous role as Chair of Filmmaking in South Beach.

    Maylen has spent the last three years as Chair of Filmmaking, having helped the fledgling South Beach campus establish itself as a force in the South Florida film industry. NYFA South Beach was the only Florida institution featured in Variety’s Best Film Schools of 2018 list. Additionally, the South Beach location was one of only three Florida schools featured in Hollywood Reporter’s Top 25 American Film Schools.

    NYFA South Beach Campus Director Maylen Dominguez


    Recently, NYFA had the pleasure to sit down and chat with the new NYFA South Beach Campus Director about her career, her time at NYFA so far, and her plans for the future:

    New York Film Academy (NYFA): What does it mean to you to be the new Director of NYFA South Beach?

    Maylen Dominguez (MD): I have a very special connection to Miami, this is the place where my father landed when he was 12 years old and exiled from Cuba. It’s the place where my grandfather, in his mid 50s, re-studied for his medical license and became a doctor again. They ended up moving to Puerto Rico, which is where my father met my mother, and where I was born.

    When I was two weeks old we moved back to Miami, and then my father, who was a doctor in the navy, moved all over the US. I moved to Miami three years ago to be the Chair of the Filmmaking Department, but have been blown away by the experience of living in a place that is so culturally diverse. I love that I get to speak Spanish again. I love that a cortadito (espresso shot) gets passed around periodically in the middle of the day at the office. And I love being back near palm trees and the warm ocean. So, it is an understatement to say how proud and grateful I am that I get to mix the three things I love: Miami, film, and education. The chance to inspire students from all over the world to tell their very unique and beautiful stories is a gift.

    NYFA: Can you elaborate a bit on your background and experience in the film industry?

    MD: I spent nearly ten years in LA hustling through all sorts of jobs in the film business. It was a real eye opener that no one cared about my academic accomplishments, and when I was in the agent trainee program at Endeavor (which is now William Morris Endeavor) the other four people in the mailroom were lawyers. But it was a great learning experience, I read 40 scripts a week and learned what made a story get through the system — and it taught me humility.

    Working with Nely Galan exposed me to producing and how to develop something from the seed of an idea into a television show. Working with Minnie Driver in her production company, I got to see the process of developing a film project. It was interesting to see, not only her acting process, but why she picked the projects she picked. During this time I learned how to produce movies independently. I also got invaluable set experience working with her. I had written and directed a few short films, a documentary, written a couple of features and TV spec scripts, and from this work received a scholarship from NBC to work in TV, but I soon became pregnant and put the crazy hours and lifestyle on hold. Now that my daughter is older, I’ve been writing again and am in the process of producing a short film and feature.

    NYFA: Can you talk about being an Hispanic woman in this industry?

    MD: One of our recent graduates is Cuban and he said to me, “I feel honored that I’ll be receiving my diploma from a fellow Cuban.” It really touched me because it reminded me that everything that I do is not just as me but also as the half Puerto Rican, half Cuban me. It’s inspiring when you can see someone of a similar background in a position of influence. The same is true in film and TV. If you are a little girl and you see a complex representation of different cultural backgrounds on screen, it allows room for that possibility to exist in your life. If all you ever see are women of color in subservient and service careers, as a little girl, you begin to believe that that’s as far as you can go. Film and television are such powerful media, and we must use it to make impactful positive changes in our culture.

    NYFA: Can you speak to being a woman in the film industry during the #MeToo movement, what has changed, and what still needs to be improved upon?

    MD: The only way to make changes in a broken system is to bring the bad stuff to light, the stuff that we don’t really want to talk about. And that, to me, is what this whole movement is about, understanding that as much power as was used to control women, leading them to be ashamed and hide things away, can now be turned into power as they break silence and help this not happen to the next generation of women in the film business. It’s led to some hard, but good conversations with film colleagues. And it’s something we talk about in our classes here. Both men and women need to talk about it with depth, empathy, and understanding in order to make real changes. I’m grateful that we have a smart, creative, open student population that is listening and ready to demand change and equality in the film business.

    NYFA: What do you think are the advantages to filming and studying film in Miami?

    MD: Miami is a vibrant, artistically rich, and diverse city, so location-wise it has endless potential. And the film community is still relatively small, so once you get your foot in the door everybody helps support you. Our campus is like a true family/small production company. We help each other through personal issues as well as all of the acting and filming struggles that happen. We also have fun together; we have small get-togethers for holidays and support each other’s successes. When our students graduate, it feels like a family member is leaving, you’re so proud of them but you miss them.

    NYFA: What is your vision for the future of NYFA South Beach?

    MD: I have a very clear image of NYFA South Beach being this large vibrant campus that becomes a center point for film and acting education in the Southeast. I see us continuing to be a creative hotbed where people in the local community, as well as the film community at large, want to partner and do projects with us.

     

    The New York Film Academy would like to congratulate Maylen Dominguez on her new position and thank her for her hard work and service to the community!

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    October 10, 2018 • #WomenOfNYFA, Faculty Highlights, Filmmaking • Views: 995

  • Student Perspective: NewFilmmakers LA Latinx and Hispanic Cinema Event 

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    Andres Vergara is a Spring 2018 MFA Screenwriting student at New York Film Academy (NYFA). On September 8, he and over two dozen other students from NYFA’s Los Angeles campus attended the NewFilmmakers LA Latinx and Hispanic Cinema Event. Vergara found time between his classes and writing his screenplays to recount the event in his own words:

    Diversity took over at the NewFilmmakers LA Latinx and Hispanic Cinema Event this eighth of September. Hundreds of guests got together at the Samuel Goldwyn Theater as proof that opportunities are opening up for filmmakers from different backgrounds to share their points of view with an audience always hungry for unique stories that showcase different cultures. It began with a wonderful reception where delegations from many different film schools got a chance to mingle and take photos on the red carpet. The New York Film Academy group was strong as students from different ethnicities joined their Latinx and Hispanic peeps to celebrate diversity.

    Once everyone got a seat in the theater, the first panel was announced and five amazing people from the industry walked onstage to share stories, points of view, and advice. The panel included: Nicole Levy, writerNewFilmmakers LA Latinx Event for Marvel’s Cloak and Dagger; Frank Gonzales, Executive in Charge of Diversity at the DGA; Richard Ray Perez, from Sundance; Hebe Tabachnik, Programmer at the Seattle and Palms Springs International Film Festivals; and Catherine Hardwicke; Director of Twilight and the acclaimed Thirteen. This very diverse group (not only in their background, but in their jobs) gave guests insight into how the Hollywood Industry is changing. Even though it is getting more and more competitive, it is uplifting to know there are also more and more people willing to make a bet on new, different voices.

    The second panel comes up. Five amazing Latinas who are taking a stand, not only for their origin, but for their gender, take the stage. Even from a male point of view, it is inspirational to know that the industry is making room for women who are quickly rising to the top: Paula Sabbaga, writer for CW’s Dynasty; Roxanne Pompa, VP for International Formats at CBS; Greta Talia Fuentes, Creative Executive at MACRO; Edith Mendoza, SVP for Comedy Development at CBS; and Alejandra Reyes Rocha, Television Literary at UTA. These great role models for women and Hispanics alike talked about how they got where they are, discussing the many options that exist for diversity and showing their support for upcoming filmmakers. They encouraged us to have a sense of community in which we help each other out as fellow Latinx.

    NewFilmmakers LA Latinx EventAfter an enriching Q&A, we were invited back to the lobby to have great Mexican food, accompanied by Latin music to keep up the mood. And after another chance for networking, even with some of the guest speakers, the showcase finally began. Filmmakers from countries like Argentina, Brazil, Mexico, Guatemala, Spain, the United States, Mexico, and my native Colombia—among others—screened amazing short films that showed unique stories and points of view that all cinephiles can love. From romance to sci-fi and a compelling documentary about a Peruvian farmer, the productions made the audience applaud the talent of emerging Hispanic filmmakers.

    NewFilmmakers LA is very much committed to creating a platform for new talent, and whether you are a director, a writer, a cinematographer, or even if you are more into TV than film, they make sure that their events are a well-rounded and fulfilling experience in which guests can enjoy different pieces and hear from those who are making their way through the industry. Not to mention, it is a perfect opportunity for meeting colleagues. My ethnicity encouraged me to attend one of their events for the first time, but my love for films and my admiration for their initiative will have their monthly events in my schedule from now on.

    Written by Andres Vergara

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    October 4, 2018 • Community Highlights, Diversity, Filmmaking • Views: 422

  • And the Winners of the New York Film Academy 48 Hour Film Challenge Are…

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    Last month, New York Film Academy (NYFA) held a 48 Hour Film Challenge for its students. The objective of the contest was to create a short public service announcement (PSA) about the importance of voting. 

    With the midterm US elections quickly approaching and representing a watershed moment in modern American politics, NYFA felt it was important its students had a voice and worked together to communicate with one another about the democratic institution.

    The goal of the challenge was to create something that would motivate and inspire people to vote in the upcoming US elections. The midterms are held every two years in the middle of a presidential term, and are often given less news coverage and weight than a presidential election, focusing on smaller elections as well as the entire 435-seat House of Representatives. However, with the country severely fractured politically and culturally and following a close presidential election with an unexpected outcome, 2018’s midterms have been taken more seriously by politicians, the media, and voting citizens alike.

    With only 48 hours to film and edit their PSAs, the challenge wrapped in the evening of September 23. Students could then watch and vote for their favorite from the top three videos. Voting ended at 11:59 p.m. (EST) on September 28.

    With the most votes, the winner of the Vote PSA 48 Hour Film Challenge is…

    VOTE NOW OR TAKE WHAT YOU GET

    …and the winning students who worked on the PSA are…

    Winnie Wang, Xu Cheng, Thor Renner, Carla Hancock, Nino Kvaratskhelia, King Wong, and Nikolaos-Nikias Galatis

    While the winning students certainly earned their votes and the top prize, everyone involved should be commended for the hard work they put into a very worthy cause.

    Student Life and Title IX Coordinator Carlye Bowers, who helped organize the event, stated, “It was very inspiring to see students, who have never met each other, get together and create such powerful messages — all within 48 hours!”

    This year, Election Day in the United States will be held on November 6. The New York Film Academy congratulates the winners of the 48 Hour Film Challenge and encourages everyone who is eligible to go out and vote!

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    October 3, 2018 • Community Highlights, Contests, Filmmaking, Student Life • Views: 393

  • New York Film Academy (NYFA) Screenwriting Grads Celebrate With an Industry Pitch Fest

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    It was that time of year once more as graduating BFA New York Film Academy (NYFA) Screenwriting students recently attended their culminating Industry Pitch Fest Event, held at the penthouse ballroom of the Andaz Hotel on Sunset Boulevard in West Hollywood, surrounded by the astounding views of Los Angeles.Screenwriting Pitch Fest Sept 2018

    A catered event and mingling opportunity for students, executives, and faculty alike, this capstone evening celebrated the New York Film Academy’s graduating Screenwriting school students by offering them a unique opportunity to jumpstart their professional development and pitching their film and TV thesis projects to entertainment industry professionals.

    These exceptional writing students spent their final semester in their Business of Screenwriting classes working with instructor Jerry Shandy in conjunction with Faculty Chair Nunzio DeFilippis and other members of the Screenwriting Department, preparing and fine-tuning their pitches. They were also joined by a stellar Screenwriting alum that night. The Pitch Fest shared the venue with an equally impressive event by NYFA’s Producing school.

    The students’ dedication and passion for their work was on display as they pitched their thesis projects, which they had developed for nearly a year. Students left with new contacts, excitement about the scripts they’d worked so hard on, and a sense of what it’s like to meet with industry professionals.

    Considered by the school to be their first night as professional screenwriters, their hard work paid off as the talented and creative students pitched agents, managers, studios, and digital, VR, TV, and film production company executives in a relaxed, roundtable environment.

    Screenwriting Pitch Fest Sept 2018Organized and hosted by Jenni Powell, Ashley Bank, and Adam Finer, the Pitch Fest featured representatives from Hollywood companies including: Jim Henson Company, MGM, Practical Magic, Verve, Rain Management, Little Studio Films, Tremendum Pictures, and Gulfstream Pictures.

    The New York Film Academy wishes to thank all of its participants, particularly our industry guests, without whom this evening could not have been possible. NYFA also extends a big congratulations to all of our BFA graduates and wishes them the best of luck as they move forward in their professional journeys!

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    September 26, 2018 • Community Highlights, Screenwriting • Views: 522

  • Shanghai Theatre Academy Representatives Visit New York Film Academy (NYFA)

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    Earlier this September, representatives from the Shanghai Theatre Academy visited New York Film Academy’s Battery Park campus in New York City. These representatives included Mr. Lou, General Secretary of Shanghai Theatre Academy, and Mr. Wei, Vice Dean of Film School of the Shanghai Theatre Academy, as well as scholars who are currently in New York.Shanghai Theatre Academy Visit

    The Shanghai Theatre Academy representatives sat down with senior administration and faculty from New York Film Academy (NYFA) to discuss cultural and education affairs between the US and China, as well as potential future partnerships. These senior administration and faculty members from the New York Film Academy included Mr. Jean Sherlock, CEO and owner of the Academy; Mr. Michael Young, President; Mr. David Klein, Senior Executive Vice President; and Dr. Joy Zhu, Executive Vice President (China Region). 

    Both parties have met several times in the past and have already established a strong partnership. The discussions that took place during this month’s meeting were focused mainly on the forefront issues and future plans for furthering educational partnerships between the US and China. 

    Mr. Lou took this opportunity to share his experiences and thoughts on how the Internet has completely reshaped the way entertainment and film are now studied. His perspectives were incredibly deep and well articulated, with Mr. Sherlock and Mr. Young both agreeing with many of his views and thoughts. 

    Shanghai Theatre Academy VisitDiscussions also continued on how to maintain and strengthen the cultural and education relations between the East and West as well as future opportunities for the two institutions to specifically work together. NYFA has prided itself on its focus for a cultural exchange of ideas between the school’s global campuses and the students and educators of China. 

    Late last year, President Michael Young toured China to strengthen the Academy’s cooperation with the country’s aspiring filmmakers, actors, and storytellers. And earlier this summer, a class of students from Shanghai Theatre Academy took a 1-week Photography course at NYFA, where they trained on state-of-the-art equipment with the school’s renowned professional faculty. 

    The New York Film Academy thanks the representatives from the Shanghai Theatre Academy for their visit and for a meaningful and intelligent discussion over several subjects!

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    September 25, 2018 • China, Community Highlights, International Diversity • Views: 314

  • Q&A with New York Film Academy (NYFA) Doc Instructor Maxine Trump

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    Maxine Trump is a filmmaker, producer, editor, and author. She is based in Brooklyn and teaches Documentary at the New York Film Academy. Her films Musicwood and To Kid or Not To Kid cover such varied topics as the state of the acoustic guitar industry and the decision to not have children, respectively. NYFA sat down with her and talked about her career as a documentarian and freelance filmmaker, as well as her new book:

    New York Film Academy (NYFA): How does the process for writing a book differ from writing a screenplay or documentary? Do you prefer one to the other?

    Maxine Trump (MT): That’s an interesting question. It’s very different, it’s a different way of talking to an audience. Although you still want to be accessible, it is more academic — no surprises there — writing an academic book.

    Maxine Trump

    Maxine Trump

    I never go for an academic voice in my films, everything should be entertaining, never educational. I tell all my students never to describe your documentary films as educational. Even the BBC has taken that word out of their mission statement. It just sounds boring, and your film will be boring generally, if it’s educational. You’re not making instructional YouTube videos, that’s a very different form of entertainment. Although I love hybrids, and being inventive with formats. So maybe there will be an amazing instructional documentary that someone will make and I’ll eat my words, but I’ve yet to see it. Werner Herzog comes close.

    Anyone want to experiment?

    NYFA: I watched your “Trumps Against Trump” short and Donald Trump was elected President shortly thereafter. How have you dealt with sharing his last name since?

    MT: That’s funny to be asked that question here, people ask me ALL the time. You know we often make documentaries to deal with something personal that we have wrestled with, even if it’s not obvious in the film we’re making. I know one famous documentarian that realized they kept making films that somehow always wrestled with a father figure. So this was my purging, I had to do something. And with all the crazy, shocking political decision-making right now, this film brings a little bit of light. Some humor, and helps me cope with my name. After all, as I’m told in the film by one great character on the street, the [guy] ruined my name.

    NYFA: You’ve covered disparate topics from the decision to children not having access to toilets to the acoustic guitar industry’s interaction with the environment. How do you decide to focus and hone in on topics that you think will make for good and worthwhile documentaries?

    MT: This is a lovely question, and one that I talk about a lot with the students. You will sit with your film for a very long time, so what are you passionate about? I’ve made documentaries with an underlying message, from the overloaded New York sewage system, to people deciding not to have children. But my films are entertaining. I don’t even like the phrase “social issue filmmaking” anymore, and I make them all the time. But, first and foremost, I think often about who might be coming home from a hard day at work and would want to turn on my film. I don’t want them to necessarily feel bad about life, I want them to feel like there is hope and be surprised and sometimes shocked and sitting on the edge of their seats and laughing, and crying, and want to see more.

    That’s filmmaking.

    Maxine Trump - Musicwood

    Maxine Trump’s “Musicwood”

    NYFA: What projects do you have coming up that people should keep an eye out for?

    MT: The beauty (and the bane) of freelance is that you’re always working, juggling about five projects any one time. But I love this life. Yesterday I was commissioned to write TV treatments for micro-docs for a TV network, today I’m talking to distributors about my latest feature documentary To Kid Or Not To Kid, about people deciding whether or not to have children. And this afternoon I’ll be pulling together casting ideas for a web series for public television that I’ve just been comissioned to make. And then, of course, I teach at NYFA. This lifestyle allows me to teach (and write) about real world examples.

    I love my flexible life, and it’s so great that NYFA supports faculty to work in this way. I think we have a really strong documentary department helmed by Andrea Swift and supported by Amanda Brzezowski, and it’s a joy to teach.

    The New York Film Academy would like to thank Maxine Trump for her time answering our questions and for all the hard work she does to educate NYFA’s Documentary school students. You can purchase her new book, The Documentary Filmmaker’s Roadmap: A Practical Guide to Planning, Production and Distribution here.

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    September 24, 2018 • #WomenOfNYFA, Documentary Filmmaking, Faculty Highlights • Views: 413