On Monday, February 11, New York Film Academy Australia (NYFAA) was delighted to welcome AFI Award-winning actor Simon Lyndon, and prominent Australian casting director Cinzia Coassin to our Australian campus.
Simon is also a sought-after theatre actor and director.
Cinzia Coassin started her career as a theatre/film and television actor, and has since expanded her reach in the entertainment industry. Located on Queensland’s Gold Coast, she is one of the preeminent Casting Directors NYFAA students will see
Cinzia is currently Casting Director on Australian feature films Unsound, a feature film supporting disability and diversity, sci-fi film Occupation, and Darkman. A seasoned Casting Associate and industry professional, Cinzia has been involved in the casting process for The Moon and the Sun, The Dressmaker, and Camp for the NBC Network, along with CBS pilot season 2014, The Code and Hiding for the ABC Network. She was also involved with the Australian search for the hit HBO series Game of Thrones, Hercules, The Shannara Chronicles,The Badlands and BIG VALLEY -The BFG. Additional casting project involvement includes The Strip and Blood Brothers for the 9 Network Australia, Spartacus, Legend of the Seeker, and K9 (children series), 33 Postcards, The King is Dead, Satellite Boy and 4 seasons of ABC US pilot season.
A creator of work, Cinzia is creative producer and collaborator on Holy Moselle, a feature film written by Michelle Coassin and has produced a short film festival – Ten to One – giving platform to writers/producers/directors to showcase their stories/films.
NYFA students were curious about Simon’s experience on Chopper, and Simon shared personal anecdotes; his experience of sleeping in a cell where a stabbing took place, and stories of Chopper showing off his shooting skills by having a friend hold a target.
He was generous in sharing his thoughts on acting techniques – method and physical techniques.
Students were treated to a viewing of Simon’s impressive showreel before Simon and Cinzia took questions from our acting students.
Of particular interest was Cinzia and Simon’s initiatives in creating work: Simon in theatre and Cinzia in producing a short film festival. In answer to student questions – what to do after graduating, Simon encouraged students to “make your own work! If you’re not getting cast, make a short film and cast yourself!”.
As Chair of Acting NYFAA, it is wonderful to see our ethos of Learning by Doing, so enthusiastically endorsed by our industry leaders. We all expressed our gratitude and appreciation to Simon and Cinzia, before taking advantage of photo opportunities. Some students were even treated to a moment of individual consultation.
Thank you Simon and Cinzia, we hope to welcome you back again soon!
On January 18, Everygirl opened at the Kallio School in Helsinki, Finland. Directed by Annemari Untamala, the play was written by actor, director, and Acting for Film instructor at the New York Film Academy (NYFA), Peter Allen Stone. The play concerns a 17-year-old girl who finds out she is dead at the beginning of the story.
Everygirl is based on a famous morality play from the 15th century, updated by Stone with a transgender character and LGBTIQA+ themes. The original medieval play, Everyman, was used by the church to encourage people to be good, or they may end up going to hell. In 2013, after watching 16 high school plays in two days while at a theatre competition, Stone began devising a more modern version.
“I thought it would be interesting to set it in a modern high school, play with current archetypes, and make the themes spiritually universal,” says Stone. “I always intended that play be performed by younger actors and for a younger audience that would hopefully receive the core message to be kind to one another.”
The next weekend, Stone outlined his vision for the play. After three years of talking about it with colleagues and running it through his mind, he finally sat down and wrote a first draft while teaching at NYFA’s Florence location. Later that year while back in New York, Stone workshopped the play with some NYFA students.
By the time a final draft was written, Everygirl had also included themes like minimalism and consumerism. One character, Things, appears through Facetime. Other characters include Death, Best Friend, Father, Fear, Beauty, Strength, and Knowledge.
However, it is the play’s connection to youth and the place of kindness in the modern world that serves as the story’s backbone. Explains Stone, “There is a transgender character named Kindnessin the play that represents the kind acts that we can do to one another everyday of our lives regardless of race, religion, or sexual orientation if we choose to lead with love.” Additionally, there is a character named Boyfriend/Girlfriend, a fluid role that can be played by a performer of any gender.
These themes are close to Stone’s heart. In 2012, Unnatural Acts, co-written by Stone, was nominated for a Drama Desk Award. Produced by Classic Stage Company, the play is based on true events revolving Harvard deans trying to expel the school’s homosexual population in 1920. “I spent over six years creating that play about the injustices done to the LGBTQ community with an exceptional group of artists,” says Stone. “We fought then, and I will continue to fight for equal rights for the rest of my life.”
Everygirl premieres January 18, where the Deputy Mayor of Education for the City of Helsinki will be in attendance. Information about the play can be found on Helsinki’s Arts and Culture website.
The New York Film Academy congratulates NYFA instructor Peter Allen Stone for continuing to apply his talents and passion to praiseworthy projects like Everygirl both home and abroad!
New York Film Academy (NYFA) Alum Tyler Williams can be seen in the new Netflix series, Medal of Honor, a docudrama anthology series based on real life servicemen who have earned the military’s highest award for valor. It’s perfect casting for the Robert Zemeckis-produced series, as Williams isn’t just a graduate of NYFA’s Bachelor of Fine Arts in Acting for Film program, but a military veteran as well.
Shortly after 9/11, Williams joined the Marine Corps, where he was eventually assigned to a top secret joint task force. After four years, Williams received an Honorable Discharge and attended business school full time in New Mexico.
After trying out for a local production starring Val Kilmer and Gary Cole for a small part as a Marine, Williams was asked to be the military technical consultant for the film, as well as a stand-in for Val Kilmer. It was his first film role and first time on a movie set. He tells NYFA, “I remember looking for the director like, ‘Who’s the General around here?’ I had no idea who did what on the set.” By the end of the shoot, Williams had fallen in love with acting for film.
The background casting director of Medal of Honor, looking to use actual veterans, had contacted New York Film Academy, knowing the school has enrolled nearly 2000 veteran students and military dependents since 2009. This was how Williams found himself on the set of the Netflix series as a background actor.
After one of the featured actors, Paul Wesley, was injured on set by a ricochet special effect, Williams was called over to double for him. After impressing the crew with his expertise around military weapons, he was invited to sit with the “stunt table” at lunch. By the end of that day’s shoot, Williams had been asked to do more stunts the following day. One complicated stunt Williams performed for the crew involved being yanked back while in a “jerk vest” to simulate being thrown back by an RPG explosion. “It looked amazing on camera!” Williams tells NYFA.
Williams credits not just his stunt classes at NYFA but also the school’s instruction in camerawork with helping him tailor his stunts to the specific scenes and set-ups.
Other film credits for Williams include the films Gamer, The Spirit, and MacGruber. Currently, Williams is working as a stunt coordinator on an MFA Thesis film, as well as auditioning for roles on major television series. He is also developing content for his YouTube channel, and advises fellow NYFA students and alumni to make their own content to help break into the industry.
“NO EXCUSES!” Williams exclaims. “Make that short film, write your own feature films, produce your own IG videos, make a YouTube channel — just get out there and use the editing and filmmaking knowledge we learned in school.”
The New York Film Academy congratulates Acting for Film alum Tyler Williams on his latest role in Netflix’s Medal of Honor and looks forward to watching his career develop!
Last night, movie and TV fans around the world watched the 76th Golden Globe Awards, where award winners were announced and presented with the famed statuettes at a televised dinner ceremony hosted by Sandra Oh and Andy Samberg.
The Golden Globe Awards are voted on by the Hollywood Foreign Press Association and have been given out to cast and crew of film and television productions since 1944. The awards show is typically looser and more casual than other ceremonies like the Emmys and Academy Awards, with Hollywood stars drinking and mingling in a dinner atmosphere.
Highlights of the evening include Jeff Bridges winning the Cecil B. DeMille Award for outstanding contributions to the entertainment industry and the subsequent, seemingly off-the-cuff speech he gave that ranged from heartfelt thanks to his family and collaborators to the invention of ship rudders called trim tabs. Among many other feelings, Bridges referred to his role in The Big Lebowski: “If I’m lucky, I’ll be associated with The Dude for the rest of my life.”
Other memorable moments from the evening included host Sandra Oh speaking to her parents from stage and winning a Globe herself for Best Performance by an Actress in a Television Series – Drama for her role in Killing Eve, and a surprise appearance by Taylor Swift, who presented the awards for Best Original Score and Best Original Song. The latter award went to Lady Gaga for “Shallow”, seen here being covered by New York Film Academy (NYFA) student Amanda Jerlov:
Additionally, the second Golden Globes ceremony since the start of the #MeToo movement contained multiple nods, references, and calls to action for more diversity in the entertainment industry for women and people of color.
The big winners of the night was an eclectic mix of expected wins for favorites, mild surprises, and upsets. The Americans won Best Television Series – Drama for its final season, while The Kominsky Method won Best Television Series – Musical or Comedy for its inaugural first season. In a year of genre-bending films, Green Book won for Best Motion Picture – Musical or Comedy while Bohemian Rhapsody took home the prize for Best Motion Picture – Drama.
Veteran actress and previous New York Film Academy guest speaker Glenn Close also surprised many with her win for Best Actress in a Motion Picture – Drama, for which A Star is Born lead Lady Gaga was considered a favorite. Close seemed genuinely surprised and gave a powerful, tearful speech that touched on her mother and gender roles in both the industry and society as a whole.
After describing how her mother regretted not doing more with her life, Close told the audience, “Women — we’re nurturers — and that’s what’s expected of us… but we have to find personal fulfillment. We have to follow our dreams. We have to say, ‘I can do that’ and ‘I should be allowed to do that.’”
Other NYFA guest speakers were at the Golden Globes too, as well as several alumni. New York Film Academy Acting for Film alum Manuel Garcia-Rulfo (Widows, The Magnificent Seven) was in attendance, as was NYFA Camp alum Lana Condor (To All the Boys I’ve Loved Before, X-Men: Apocalypse.)
Former Saturday Night Live star and NYFA Workshop Alum Bill Hader was also present last night. Hader earned five Emmy nominations last year for his work on Barry, a dark comedy about a midwestern hitman who moves to Hollywood to become an actor. At that awards show, Hader picked up the Emmy for Outstanding Lead Actor. The Golden Globe nomination for Best Performance by an Actor in a Television Series – Musical or Comedy was the latest achievement in the comedic actor’s evolving career.
The show itself was nominated for Best Television Series – Musical or Comedy, an impressive feat for a new series with only one season of episodes to date. Barry has received glowing reviews since its 2018 debut, with Hader’s performance being an obvious standout.
Hader’s Barry co-star, Henry Winkler, was also nominated for a Golden Globe, for Best Performance by an Actor in a Supporting Role in a Series, Limited Series or Motion Picture Made for Television. The veteran television actor has previously been a guest speaker at New York Film Academy.
Other guest speakers and lecturers at New York Film Academy have also worked on several Golden Globe-nominated works this year, including Adam Driver. Driver spoke with NYFA students in New York City earlier this year, and has a featured role in BlacKKKlansman, nominated for Best Motion Picture – Drama.
Guest speaker for NYFA Los Angeles Amy Smeed served as an animator on Ralph Breaks the Internet,Golden Globe nominees for Best Motion Picture – Animated. Lin-Manuel Miranda, whose agent Andrew Finkelstein spoke with NYFA students in a productive Q&A at our Los Angeles campus, was a nomineefor Best Actor in a Motion Picture – Musical or Comedy for his role in Mary Poppins Returns.
Additionally, Francesco Panzieri, an alum of New York Film Academy’s animation school, worked on the HBO series Westworld, whose star Thandie Newton earned a Golden Globe nomination for Best Performance by an Actress in a Supporting Role in a Series, Limited Series or Motion Picture Made for Television. Panzieri is a Visual Effects artist whose other credits include Spider-Man: Homecoming, Star Wars: The Force Awakens, and Avengers: Infinity War.
Eric Demeusy, who attended the 1-Year Filmmaking program at NYFA’s film school in Los Angeles, also worked on Westworld, having helped create its famous and evocative title sequence. Demeusy has previously won the Emmy for Main Title Design for his work on Netflix smash hit, Stranger Things.
The New York Film Academy is proud to see its alumni and other members of its community involved with such highly regarded, award-winning productions.
Congratulations to all of this year’s winners and nominees! Here is a full list of the winners and nominees for the 2019 Golden Globe Awards:
Best Motion Picture, Musical or Comedy
Green Book The Favourite Vice Mary Poppins Returns Crazy Rich Asians
Best Motion Picture, Drama
Bohemian Rhapsody BlacKkKlansman If Beale Street Could Talk Black Panther A Star Is Born
Best TV Movie or Limited Series
The Assassination of Gianni Versace: American Crime Story The Alienist Escape at Dannemora Sharp Objects A Very English Scandal
Best TV Series, Musical or Comedy
The Kominsky Method The Good Place The Marvelous Mrs. Maisel Kidding Barry
Best TV Series, Drama
The Americans Bodyguard Homecoming Killing Eve Pose
Best Foreign Language Film
Roma Capernaum Girl Never Look Away Shoplifters
Best Motion Picture, Animated
Spider-Man: Into the Spider-Verse Incredibles 2 Isle of Dogs Mirai Ralph Breaks the Internet
Best Director – Motion Picture
Alfonso Cuaron, Roma Bradley Cooper, A Star Is Born Spike Lee, BlacKkKlansman Adam McKay, Vice Peter Farrelly, Green Book
Best Screenplay – Motion Picture
Peter Farrelly, Nick Vallelonga, Brian Currie; Green Book Alfonso Cuaron, Roma Deborah Davis and Tony McNamara, The Favourite Barry Jenkins, If Beale Street Could Talk Adam McKay, Vice
Best Original Score – Motion Picture
Justin Hurwitz, First Man Marco Beltrami, A Quiet Place Alexandre Desplat, Isle of Dogs Ludwig Goransson, Black Panther Marc Shaiman, Mary Poppins Returns
Best Original Song – Motion Picture
“Shallow,” A Star is Born “All The Stars,” Black Panther “Girl in the Movies,” Dumpling “Requiem for a Private War,” A Private War “Revelation,” Boy Erased
Best Supporting Actress in a Motion Picture
Regina King, If Beale Street Could Talk Amy Adams, Vice Claire Foy, First Man Emma Stone, The Favourite Rachel Weisz, The Favourite
Best Supporting Actor in a Motion Picture
Mahershala Ali, Green Book Timothée Chalamet, Beautiful Boy Adam Driver, BlacKkKlansman Richard E. Grant, Can You Ever Forgive Me? Sam Rockwell, Vice
Best Actress in a Motion Picture, Musical or Comedy
Glenn Close, The Wife Lady Gaga, A Star Is Born Nicole Kidman, Destroyer Melissa McCarthy, Can You Ever Forgive Me? Rosamund Pike, A Private War
Best Actor in a Motion Picture, Musical or Comedy
Christian Bale, Vice Lin Manuel Miranda, Mary Poppins Returns Viggo Mortinson, Green Book Robert Redford, The Old Man and the Gun John C Riley, Stan And Ollie
Best Actor in a Motion Picture, Drama
Rami Malek, Bohemian Rhapsody Bradley Cooper, A Star Is Born Willem Dafoe, At Eternity’s Gate Lucas Hedges, Boy Erased John David Washington, BlacKkKlansman
Best Actress in a Limited Series or TV Movie
Patricia Arquette, Escape at Dannemora Amy Adams, Sharp Objects Connie Britton, Dirty John Laura Dern, The Tale Regina King, Seven Seconds
Best Actor in a Limited Series or TV Movie
Darren Criss, The Assassination of Gianni Versace: American Crime Story Antonio Banderas, Genius: Picasso Daniel Bruhl, The Alienist Benedict Cumberbatch, Patrick Melrose Hugh Grant, A Very English Scandal
Best Supporting Actress in a Series, Limited Series, or TV Movie
Patricia Clarkson, Sharp Objects Alex Borstein, The Marvelous Mrs. Maisel Penelope Cruz, The Assassination of Gianni Versace: American Crime Story Thandie Newton, Westworld Yvonne Strahovski, The Handmaid’s Tale
Best Supporting Actor in a Series, Limited Series or TV Movie
Ben Whishaw, A Very English Scandal Alan Arkin, The Kominsky Method Kieran Culkin, Succession Edgar Ramirez, The Assassination of Gianni Versace: American Crime Story Henry Winkler, Barry
Best Actress in a TV Series, Musical or Comedy
Rachel Brosnahan, The Marvelous Mrs. Maisel Kristen Bell, The Good Place Candice Bergen, Murphy Brown Alison Brie, Glow Debra Messing, Will & Grace
Best Actor in a TV Series, Musical or Comedy
Michael Douglas, The Kominsky Method Sasha Baron Cohen, Who Is America? Jim Carrey, Kidding Donald Glover, Atlanta Bill Hader, Barry
Best Actress in a TV Series, Drama
Sandra Oh, Killing Eve Caitriona Balfe, Outlander Elisabeth Moss, The Handmaid’s Tale Julia Roberts, Homecoming Keri Russell, The Americans
Best Actor in a TV Series, Drama
Richard Madden, Bodyguard Jason Bateman, Ozark Stephan James, Homecoming Billy Porter, Pose Matthew Rhys, The Americans
Just as 2018 was wrapping up, Netflix managed to squeeze one more buzzworthy hit movie into the zeitgeist with Bird Box, a post-apocalyptic thriller starring Sandra Bullock and featuring a haunting, memorable scene with New York Film Academy (NYFA) Acting for Film instructor, Happy Anderson.
Bird Box was an instant hit, dominating social media with both high praise and viral memes. According to Netflix, it was the media company’s biggest opening to date, having been streamed by over 45 million accounts in its first week alone.
The film, directed by Susanne Bier and written by Eric Heisserer based on the novel of the same name by Josh Malerman, is a story about survivors who must keep themselves blindfolded to stay alive from mysterious creatures who drive people insane once they look at them.
Some of the infected victims are compelled to force survivors to open their eyes and look at the creatures. As Sandra Bullock’s protagonist rows down a river blindfolded while protecting two children, a mysterious River Man comes out of the fog and attacks them. The scene is moody and tense before coming to a violent, thrilling, and frightful conclusion. The River Man is played by actor and NYFA instructor Happy Anderson.
Anderson had a blast shooting the scene, posting photos to his social media of the complicated rig needed to shoot in waist-deep water. “Bird Box time was a very fun time!” he wrote, included with a production still.
Bird Box is the latest in a string of impressive credits for Anderson, including another Netflix original film, Bright, starring Will Smith, and Mindhunter, the drama series from David Fincher that was also produced and distributed by Netflix.
Other credits include Gotham, The Blacklist, The Tick, and The Knick, co-starring Clive Owen and NYFA alum Eve Hewson. Upcoming projects include the X-Men horror film The New Mutants and the highly-anticipated television adaptation of Snowpiercer.
Anderson teaches Acting for Film at NYFA’s New York campus, along with many other working professionals who teach at the acting school. The Academy prides itself on its faculty, who share with students their experience and expertise from working in a dynamic, competitive, labor-intensive industry.
The New York Film Academy congratulates Acting for Film instructor Happy Anderson on his latest role and encourages everyone who hasn’t to check out the mysterious and haunting thriller, Bird Box!
On Tuesday, December 18, New York Film Academy (NYFA) hosted a Q&A with Creed II actor Dolph Lundgren and director Steven Caple Jr., moderated by NYFA screenwriting instructor and dedicated Rocky fan, Eric Conner.
Lundgren is best known for his role as Ivan Drago in RockyIV, which he reprised in the 2018 hit film Creed II. He also starred in Marvel’s The Punisher (1989) and The Expendables (2010), among many other films throughout the last three decades.
Caple Jr. was given the chance to direct Creed II, the latest entry of the extremely popular and successful Rocky film franchise, after directing just a handful of short films, some television episodes, and one independent feature. He follows Black Panther director Ryan Coogler, who wrote and directed the first Creed film, starring Michael B. Jordan as the title boxer who trains under Sylvester Stallone’s Rocky.
Conner opened up the Q&A by asking Lundgren about reprising the role of Ivan Drago 30 years after originally playing him in Rocky IV. “I wasn’t too crazy about it originally when I heard,” said Lundgren. “I was afraid it was going to be just a one-dimensional bad guy… but it was when I met Steven and I read the script that I realized, ‘Oh this is a real movie.’”
Conner agreed and brought up a scene from Creed II in which Drago and Rocky, longtime boxing rivals, are sitting at a table across from each other in a restaurant, just talking. “I really wanted to know who Drago was, you know, besides a ‘killing machine,’” said Caple Jr., “and it felt like a perfect opportunity to blend in that sort of, you know, two legends sitting down hashing [it] out after 30 years, yet also giving [Lundgren’s] character some dimension… so it’s more than just a revenge story.”
“Man, I was afraid to take on this project because I am a fan, you know; it was like who wants to make a sequel to something that was already dope?” joked Caple Jr. He added, “I made it for people who are honestly Rocky and Creed fans.”
Conner added that Caple Jr. was a good choice to directCreed II because he could make the Rocky franchise relevant to a new generation of viewers by connecting with Creed, the younger character of the film. Conner also shared the statistic that Creed II was the fourth movie directed by an African American director to earn over $100 million in the box office in 2018.
“There’s so much talent out there,” said Caple Jr. He shared that it was important for him to have a production team that included people of color because he wanted to provide as many opportunities as possible to progress and diversify the entertainment industry. “There’s a movement going on.” said Caple Jr.
The New York FIlm Academy would like to thank Dolph Lundgren and Stephen Caple Jr. for speaking with our students and sharing their entertainment industry knowledge and their experiences developing a story and franchise simultaneously.
Recently, on a rainy afternoon in Florence, I had the wonderful opportunity to spend time with students at New York Film Academy’s (NYFA) Florence location, located in a charming state-of-the-art facility on Via Torta, near the Basilica di Santa Croce.
The students had just returned — soaked and exhausted — from a long day filming the last scenes of their final projects. The “crews,” each comprised of four or five students, all used the city of Florence as the “film set” for their visual stories. They were in the homestretch, although they still had a few demanding days ahead, editing their films before presenting their work at the graduation screening and celebration of the conclusion of their semester abroad programs in Filmmaking and Acting for Film. These students came from 12 countries — the United States, Hungary, Ukraine, Iran, Netherlands, Romania, UK, Kazakhstan, Czech Republic, Spain, Italy, and Mexico.
After unloading their camera gear, we sat down and spoke about the impressions of their time in Florence, and at NYFA, during the past 12 weeks. “Life-changing” was the most echoed description; all heads also nodded “yes” when one student said, “this study abroad opportunity has by far been the best experience of my life so far; during these months I have grown so much as a person and as a filmmaker. ”
One student fervently told me that, while he had had a passion for acting from a young age, before NYFA he had doubts about whether it was something he wanted to pursue instead of an economics degree; but now he wants nothing more than to be an actor.
All of the students’ reactions warmed me with joyfulness and “NYFA pride.” There was more under the surface because all of the sentiments were very familiar to me — each word and narrative brought back vivid and distinct memories…
It was 1976 when my feet stepped off a plane at the Leonardo da Vinci–Fiumicino Airport in Rome and a new phase of my life began. Much of it stays with me to this very day, and now, encircled by this wonderful group of young “creatives,” more and more remembrances came rushing back to me.
I arrived at 18, never having previously left US soil, with just $300 dollars in my pocket and a full scholarship to study art in Florence that was graciously provided by publishing icon, Anna K. Meredith. At a later point I learned that Ms. Meredith, who at the time headed the family’s The Meredith Corporation — a massive publishing empire that produces dozens of the most popular magazines (including Sports Illustrated, Fortune and PEOPLE) — personally chose me as the first recipient of her generous study abroad grant.
My route to this study abroad experience was an extraordinary one; I was a freshman at the University of Denver and in the Spring of that year my favorite art instructor approached me — quite out of the blue — and handed me a formal document. “Read it!” she ardently and rather exuberantly stated. It was an acceptance letter from a US-accredited Art School in Florence. I was offered an acceptance and didn’t even know that I had applied! My professor, seeing my dismay, explained, “Jim, I applied on your behalf because I knew if you had this opportunity, it would change your art and your life in so many amazing ways.”
Now, I knew that in a week this delightful group of talented young people would be saying goodbye to the city of Florence, to the New York Film Academy staff and faculty, to their classmates and their friends, and that they would walk forward — as I did 40 years ago — into lives that will be forever changed for the better.
My teacher was certainly more accurate than she could ever have imagined. It is both the magic of Florence and the impact of the experience of studying abroad that simply cannot be explained well in words, because they reside in a spirit deep within the city — and at the same time — in one’s own heart.
Isabel, a short film starring New York Film Academy (NYFA) Acting for Film alum Ioanna Meli, is now available on Amazon Prime Video, allowing millions of the streaming service’s subscribers to check out the haunting drama.
Ioanna Meli originally hails from Greece, and studied for her Master of Fine Arts in Acting for Film from NYFA’s Los Angeles campus, where she was trained and taught by a faculty of working professionals from Hollywood, Broadway, and the independent film industry.
NYFA’s MFA in Acting for Film program is an intense commitment — students learn two years’ worth of education in only sixteen months, and are often rehearsing and studying on weekends, in evenings, and wherever they can find those extra minutes to devote to their craft. Meli was more than up for the task however, and her work in Isabel shows off her talent and the skills she picked up while at the Academy.
Written and directed by Alex Knudsen based on a story by Charlotte Zang, Isabel tells the story of an elderly woman named Isabel Dove at the very end of her life. However, when she seemingly passes away, she wakes up hours later as her younger self. The mystery grows deeper from there as Isabel searches for answers and reflects on the life she thought she was leaving behind. The film stars Jamie Donnelly and Lauren Elyse Buckley as old and young Isabel, respectively; Meli co-stars as Meredith.
About her experience filming the short, Meli tells New York Film Academy, “Working with Alex on set was a fantastic, collaborative experience. The film’s dialogue was composed to express only what was necessary to move the story forward, creating a sense of mystery that’s powerful in this film.”
Meli continued, “The scene we did with Lauren was challenging; our energies and objectives in the story are very different and in the scene, we meet under circumstances that both of our characters are uncertain about. Working through that together was an interesting process.”
The New York Film Academy congratulates Acting for Film alum Ioanna Meli on her stellar work in Isabel, and encourages everyone who can to check it out on Amazon Prime Video!
On Thursday, December 6, New York Film Academy (NYFA) hosted a TALENT MEET AND GREET at its Los Angeles Campus. NYFA invited talent agents and managers from around Hollywood to meet with Acting for Film alumni in an informal setting.
Agents and managers that attended the event were: Guy Kochlani (Across the Board Talent Agency), Laura Bowman (Brady, Brannon & Rick Talent), Ryan Hayden (Ideal Talent Agency), Denise Barrett (BBA Talent), Jean-Marc Carre & Vincent Carre (Central Artists), Sandy Oroumieh & Lucia Chiao (Rothman / Andrés Entertainment), Christopher Montgomery-Bender (Prodigy Talent), and Tyler Kahl (Allegory Creative Talent).
The talent agents and managers set up their own desks and booths and NYFA alumni went from table to table handing out headshots and spending a few minutes with each representative. For the aspiring actors this was a unique opportunity to meet many talent representatives — all in one evening!
The NYFA alumni were given time to pitch themselves and ask the agents and managers advice on careers, the entertainment industry, and how to succeed. Hearing real-world critiques from a variety of industry professionals helped them better prepare for their future as they continue to network and pursue their acting careers.
Barbara Weintraub, Chair of Industry Outreach and Professional Development, organized the event and was thrilled with the turnout and positive feedback from both the alumni and agencies. She heard back from students the next day who were contacted by the companies.
Here is just some of what the alumni had to say following the meet and greet:
This experience has been nothing short of amazing. It’s one thing to email your headshot and resume to an agent and hope to hear back, but now not only do you get to hand them a physical copy — you get to sell your personality to them. —Jack
I love this. It’s a great opportunity to meet with agents and managers!
It’s great to see agents in real life instead of just submitting your headshot.
—Laura Van Yck
This event is so great, and I am so happy that the school is doing this and giving us the opportunity to get in touch with people in the industry and to get to know new people and talk to them.
New York Film Academy thanks the industry representatives for their time and looks forward to having more of these events in the future!
On Wednesday, December 5th, New York Film Academy (NYFA) hosted a Q&A session with Emmy Award-winning editor, actor, writer, and director, Steven Sprung, following an episode of Community which Sprung directed. Sprung is best known for his editing work on Star Trek Beyond, Entourage, and Arrested Development.
The Q&A began with a student who inquired about Sprung’s time at Syracuse University. Sprung shared that in college, he and his friends were very enthusiastic about filmmaking and worked together to produce numerous short films. During this time, Sprung got the chance to write, direct, edit, and act as these short films had very small production teams and needed many roles filled by very few people. He discovered that he had a special talent for editing and was nominated for an A.C.E. Eddie Award for outstanding achievement in editing while still an undergraduate at Syracuse.
Another student asked what advice Sprung had for actors trying to perform comedic material. “Do a lot of live productions ‘cause you can get instant feedback on whether people are finding things funny,” answered Sprung, “…and… don’t try to be funny; that’s the biggest killer of all.” Sprung suggested that actors “really get invested in the drama of a scene” because a character’s investment and reactions in the moment heighten the humor.
One student in the audience asked if Sprung felt that the entertainment industry was progressing in terms of the number of roles available for actors of color and international actors. Sprung said that, in his experience, most mainstream television shows and movies have mostly white and American production teams and actors. However, he added that there are increasing roles for actors of color and international actors because there is “so much content” available to consumers: cable TV, streaming services, web series etc.
Another student asked Sprung what makes actors stand out in auditions, inspiring casting directors to choose them as opposed to their peers. Sprung discussed how he cast one of the actors in the episode of Community that the students had just watched; he ultimately chose this actor because he “lit up the room” in auditions — Sprung liked his energy and his delivery. He informed students that casting is not an exact science or necessarily predictable; casting is based on a number of factors including industry relationships, whether casting directors are looking for known or unknown actors, personal opinion, etc.
One student asked Sprung how to become a known actor. Sprung said that he believes that that type of motivation to be unsustainable in the long run. He added, “If your primary motivation is to entertain people, or to engage creatively with others… if you have a vision for your life, then you can do that no matter who’s paying you, no matter who’s validating you, or hiring you or not hiring you.”
The New York Film Academy would like to thank Emmy Award-winning editor, actor, writer, and director, Steven Sprung for sharing his industry experiences and wisdom with our students!