Netflix’s binge-worthy new limited series is Behind Her Eyes and it has everyone talking about all the twists and turns. The series, which released on February 17, stars NYFA alum Eve Hewson as lead character Adele.
Eve Hewson studied at NYFA in 2008 in the Acting for Film program and has since appeared with Sean Penn and Frances McDormand in This Must Be the Place and Steven Spielberg’s Bridge of Spies. Hewson also appeared alongside Taron Egerton and Jamie Foxx in Robin Hood. She recently appeared in the BBC adaption of Eleanor Catton’s novel The Luminaries as Anna Wetherell that premiered in the U.S on February 14, 2021, on Starz.
Eve Hewson as Adele in “Behind Her Eyes” (Netflix)
Hewson’s latest project, Behind Her Eyes, is a psychological thriller adapted from Sarah Pinborough’s 2017 novel of the same name. The story follows the love triangle of single mother Louise and married couple Adele (Hewson) and David. With a series of shocking twists, and a highly talked about ending, the story is nothing short of gripping, where nothing is what it seems.
Poster for “Behind Her Eyes” (Netflix)
Hewson’s character Adele is married to David, who is having an affair with the new resident to the town, Louise. Adele, surprisingly, is interested in forming a friendly connection with David’s new lover but sets off an entangled web of twisted circumstances and conspiracy.
New York Film Academy congratulates Acting for Film alum Eve Hewson on the release of her latest project and encourages everyone to check out the new limited series, now streaming on Netflix.
NYFA is excited to celebrate Documentary Filmmaking alum Elaine Minionis joining the ranks of multiple creatives who have had the distinguished honor of being awarded an Emmy. The regional Emmy, awarded in late 2020 by the National Academy of Television Arts & Sciences’ Suncoast Chapter, was for Minionis’ film Uncanny: The Dolls of Mariana Monteagudo.
The short documentary was produced by Minionis and was picked up for national broadcast by PBS. The film follows renowned Venezuelan visual artist, Mariana Monteagudo, who currently lives in Florida. The film especially captures Mariana’s creative process and her inspirations behind her intriguing, eerie doll sculptures, all made of repurposed materials. From following Mariana dumpster diving to visiting local thrift shops for useful material, Uncanny also touches on topics like immigration, consumerism, and more viewing them through the lens of contemporary art.
Still from “Uncanny: The Dolls of Mariana Monteagudo”
“Coming from a strong family tradition of ceramists in Venezuela, Mariana loves giving a second life to objects that are discarded by our society,” shared Minionis on her personal Instagram. “Like a waste picker, she [Marina Monteagudo] walks around neighborhoods to salvage gems from people’s bulk trashes, rescuing textiles or baseball balls, plastic bottles of orange juice, or an old unkempt teddy bear. To her, everything has potential for inspiration and hybridism, and that’s the way she lives her life: continuously seeking, always resuscitating abandoned things, permanently combining and thinking ahead of time, and placing her faith into the most unimagined creations.”
Also a native of Venezuela, Minionis got her start in the arts by writing poetry at a very young age. Her big break came in 2005 when she was one of a handful of winners selected for a national poetry contest, receiving as a reward a text publication with one of the most important literary houses in Venezuela (CELARG). As she grew up and continued to study, her love of photography and documentary became more clear.
NYFA alum Elaine Minionis with her Emmy and one of Mariana Monteagudo’s dolls
In 2006, the Emmy-winner saw her still photography work featured as part of the advertising for the 20th Century Fox production of Elipsis. In 2008, Minionis came to study Documentary Filmmaking in NYFA’s 1-Year Conservatory program. Of her experience, she shared that “non-fiction visual storytelling became an artistic and intellectual space” that allowed her to explore research and visual concepts of storytelling.
After graduating, Minionis worked at the Brooklyn-based production company Flicker Flacker Films, as an intern and then the assistant editor for a History Channel feature-length documentary The Naturalized. She eventually became an independent producer at Discovery Networks Latin America/US Hispanics in the Original Production & Development Department.
New York Film Academy congratulates Minionis on her Emmy win and is proud to count her amongst the NYFA alum ranks. We look forward to her future projects and wish her continued success.
NYFA had the honor of hosting a live video Q&A with the President of MGM’s Motion Picture Group, Pam Abdy, to discuss the film production process with NYFA students and alumni. Tova Laiter, Director of the NYFA Q&A-List Series, curated and moderated the event.
Abdy is the current President of MGM’s Motion Picture Group and oversees the development, production, and post-production for all MGM and Orion films. Abdy is currently developing a multitude of films such as Fiddler on The Roof, Project Hail Mary, and Ron Howard’s Thirteen Lives, amongst others.
At her previous position, Makeready Films/eOne, the company financed and produced Queen & Slim from director Melina Matsoukas and writer Lena Waithe and A Million Little Pieces from director Sam Taylor-Johnson. Previously, Abdy served as President of Production at New Regency, where they released the acclaimed Alejandro González Iñárritu’s Academy Award-winning Birdman, David Fincher’s Gone Girl, Darren Aronofsky’s Noah, Adam McKay’s Academy Award-winning The Big Short, and Iñárritu’s The Revenant in 2016, which received twelve Academy Award nominations, including Best Picture, and Best Actor for Leonardo DiCaprio.
Tova Laiter (Left) and Pam Abdy (Right)
Laiter began the conversation by asking Abdy what a day in the life of the President of MGM Motion Picture Group looks like. Abdy explained that most days consist of hours of Zoom meetings from pitching and financial planning to meetings with production staff and discussing forward slate planning. “It’s an all-encompassing job especially being at home with my daughter in the next room,” shared Abdy. “It’s a little chaotic, but that was just today. Every day is different.”
Abdy, whose original plan to be a dancer got derailed by injury, got her first big break as Danny DeVito’s assistant, after working at the front desk at DeVito’s Jersey Films. “It was a life-changing opportunity for me,” she remembered. “He is a mentor to me and a second father. I learned how to make movies at that company and was given space to grow and they [the whole team] really taught me how to make films and be on set.”
Sometimes the best education is watching and observing something Abdy does to this day, even as President at MGM Motion Picture Group. She urged NYFA students to remember that no job is too small to do no matter how many years of experience you have. “It doesn’t matter what I have to do. Every job is meaningful and nothing is beneath me,” said Abdy. “I will do whatever it takes to navigate a problem. I feel like some people think things are not their job, but to be a great producer, you have to manage so many different personalities and money. It’s an incredible responsibility that doesn’t get enough credit.”
Part of being a great producer means being able to collaborate with the director, something Abdy mentioned as being one of the most important parts of putting a movie together and in production. “It’s everything to find the right director for your film,” she emphasized. “If it’s not the right director the film won’t have the right point of view. The best day of a producer’s life is getting the director on the movie, but it’s also the worst day because it becomes the director’s and you may not agree with everything they do. Your vision may not be their vision. But when that person comes on and they elevate that, there’s nothing better.”
Pam Abdy (Left) with the cast and crew of “Queen & Slim”
One of the career highlights for Abdy has been the vision of Melina Matsoukas and Lena Waithe, with whom she worked with on Queen & Slim. While on the film, Abdy learned a very important lesson that has stayed with her to this day. “I usually have to be part of everything and find solutions. That movie wasn’t about that. It was about creating a safe space and giving Melina and Lena the floor while I stand in the background to help navigate things as they needed them,” she began. “What was so joyful about that film is both of those women are such visionaries. Allow artists and visionaries to have the space to tell their stories. Don’t impose your own on their process. I learned about creating space for artists’ voices and it was the greatest joy of my career.”
Abdy, like many others in the film industry, is continuing to adapt to the film industry facing restrictions due to the COVID pandemic. “Before, you hustled, made major movies, dealt with your budget, and put the movie together which – sometimes things took longer. Now, you don’t have the luxury of time anymore. You are locked down. If you are not working in a pod, then you leave the set. It’s not as fun,” she laughed. “Sometimes magic happens when you are making a film and I worry that the new rigidness may impact that work. There’s no answer right now as to when this part is going to stop, and it’s so expensive. What it’s doing is putting a burden on film budgets for COVID costs. There is a danger that good movies won’t get made because the cost is too burdensome.”
Pam Abdy during promotion for Zach Braff’s “Garden State”
One student asked Abdy how to become a better producer. Abdy urged them to get their hands on as many scripts as possible, even the one that got made already. “Study filmmakers. Filmmakers love to know their producers understand other filmmakers’ work. Take time and watch how filmmakers grow. See what changes. Watch the language and understand the common thread of their films throughout. Then, define your taste and identify what actually is your taste.”
As Laiter closed the discussion and thanked Abdy for her generous wisdom, Laiter asked Abdy what has made her so successful in her career. Abdy replied it’s all the positives and the negatives about herself combined. “As I get older I recognize my flaws and I’m trying to do better with delegating. Be kind and be generous to everyone. This whole business is based on relationships and the experience of those relationships.”
Abdy’s upcoming slate includes Joe Wright’s Cyrano, Ridley Scott’s Gucci, Channing Tatum and Reid Carolin’s Dog, and Paul Thomas Anderson’s untitled upcoming film. New York Film Academy would like to thank Pam Abdy for sharing her time and invaluable knowledge of the film business with NYFA students and looks forward to welcoming her back again in the near future.
To watch the full conversation, click here or view the video below:
New York Film Academy (NYFA) Alum Lana Condor returns as Lara Jean Covey in Netflix’s original film To All The Boys: Always and Forever. The film is the third and final installment in the To All The Boys I’ve Loved Before series adapted from the novel series of the same name from Jenny Han.
Lana Condor and Madeleine Arthur and in “To All the Boys: Always and Forever” (Netflix)
After attending Acting for Film at NYFA’s camps, Condor graduated high school and had her film debut as the popular mutant Jubilee in the summer blockbuster X-Men: Apocalypse. Immediately following, Condor appeared in the Mark Wahlberg thriller Patriots Day, co-starring alongside fellow NYFA alum Themo Melikidze. Condor has also appeared in Alita: Battle Angel, the TV series Deadly Class, and the coming-of-age film Summer Night.
To All The Boys: Always and Forever will have fans seeing beloved character Lara Jean (Condor) faced with the difficult decision of what to do after she graduates high school and whether her future includes long-term boyfriend Peter, played by Netflix favorite Noah Centineo (The Perfect Date, Sierra Burgess is a Loser). From the film series beginning with 16-year old Lara Jean having her secret love letters go public to all of her crushes, to the unexpected twists along the way leading up to the third film, fans will have to say goodbye to Condor’s character as she closes her high school chapter.
Noah Centineo and Lana Condor in “To All the Boys: Always and Forever” (Netflix)
What is the NYFA alum up to now that the To All The Boys I’ve Loved Before trilogy has concluded? Condor is still booked and busy and will appear in the upcoming films Moonshot and the edgy comedy Girls Night. In her spare time, the actress has been known to share style and beauty tips on her social media channels and was most recently profiled by Vogue.
New York Film Academy congratulates Lana Condor for bringing the character Lara Jean Covey to life over the past few years and looks forward to her future roles in Hollywood and beyond. To All The Boys: Always and Forever will be available to stream on February 10, 2021, on Netflix.
NYFA had the privilege of hosting a live video Q&A with the co-founder of We Are the Mighty, David Gale, Medal of Honor recipient & Chair of NYFA’s Veteran Advancement Program Col. Jack Jacobs, and We Are The Mighty (WATM) Chief Content Officer and director Chase Millsap. Tova Laiter, Director of the NYFA Q&A-List Series, curated and moderated the event.
David Gale is an executive and award-winning producer who is currently serving as the Exe.VP of Development and Production at Gunpowder & Sky. Before joining G&S, Gale co-founded and was CEO of WATM, a media brand focused on hiring and telling the stories of our military veterans. Gale oversaw the release of 28 films when he was at MTV Films, including Varsity Blues, Save The Last Dance, The Longest Yard, Election, Hustle and Flow, and the cultural phenomenon Napoleon Dynamite.
(Clockwise) Tova Laiter, Chase Millsap, David Gale, and Col. Jack Jacobs
Chase Millsap produced the short film, The Captain’s Story, in collaboration with National Geographic to highlight the struggles faced by America’s wartime allies. His work has been featured in National Geographic, The Huffington Post and he has appeared on Buzzfeed and CNN International. Millsap is the Chief Content Officer at WATM and has helmed digital, social, film, and television projects for Warner Brothers Studios, CBS Studios, Netflix, and Blumhouse Productions.
Col. Jack Jacobs served in Vietnam twice; both times as an advisor to Vietnamese infantry battalions, earning three Bronze Stars, two Silver Stars, and the Medal of Honor, the nation’s highest combat decoration. After Jacobs’ retirement, he was a Managing Director of Bankers Trust and now serves as the Chair of the Veterans Advancement Program at the New York Film Academy. Jacobs also serves as an on-air analyst for NBC News and he is also the co-author of the memoir, If Not Now, When?, which won the Colby Award.
Rhett Cutrell filming Army trainee Stormy Gideons on the set of “Ten Weeks” (Photo courtesy of We are the Mighty / Quibi)
Millsap, Gale, and Col. Jacobs discussed the making of their series from Blumhouse TV/We Are The Mighty docuseries Ten Weeks. The series, inspired by Col. Jacobs’ book Basic: Surviving Boot Camp and Basic Training, is a docuseries that follows a cohort of recruits in their journey from untested, young adults to soldiers during basic training at Fort Jackson, South Carolina. Though the docuseries Ten Weeks was originally supposed to be released on Quibi, the series will be available to stream on Roku devices in 2021.
Ten Weeks (named for the length of basic training) would not have been possible without the support of the U.S. Army, which colonel Jack Jacobs brought in to collaborate throughout the process. Millsap explained that it was a documentary, but it had to have a plan in place: it meant knowing the limits of production each day while on set as it was an active training ground with real challenges, safety concerns, and a rigorous approval process for certain shots. But it was all worth it.
Army Trainees Trinity Carpenter and Stormy Gideons about to receive their banner during “The Anvil” (Photo courtesy of Blumhouse TV / Quibi)
“Going through boot camp is an experience most people don’t experience or get to see,” shared Jacobs. “It’s the backstory of national defense.” Gale agreed and added the project “is by veterans for veterans so you can’t understate the importance of the series and also give credit to the Army for giving us the opportunity to use this space.”
While Ten Weeks is by veterans like Millsap and Col. Jacobs, David Gale, who has been in the film business for many years co-founded WATM because he didn’t see many veterans in higher positions throughout the filmmaking industry. “There is so much talent in the military community and when they leave there are few outlets for them to go into in entertainment,” he shared. Col. Jacobs, who spearheads NYFA’s Veterans Advancement Program, added that many across the industry don’t realize how talented are those who serve and what they can accomplish. “[At NYFA], it’s an opportunity to hone what they know and learned in uniform to the arts.”
Army trainee Stormy Gideons and Drill Sergeant Stewart being filmed by Rhett Cutrell on set for “Ten Weeks” (Photo courtesy of We are the Mighty / Quibi)
Millsap knows all too well the challenges that one can face when transitioning from the military to the film industry. “I spent over a decade in uniform and I didn’t know what I wanted to do, so I leaned into what I was passionate about,” shared Millsap. “In the military, it’s very easy to see what someone’s job is or what they do. As you think about your next step, your creative work is going to be your calling card. You’ve got to spend your time learning the skill set and reading and watching. Study what’s on the screen to figure out how it was made.”
Millsap and Col. Jacobs, like so many veterans in the entertainment and film industry, are aiming to make military stories exude authenticity and provide more opportunities to veterans looking to break in. Col. Jacobs advised, “No matter what you’re doing, you have to be prepared for some measure of rejection, but you have to keep working at it and it (the project) has to speak to you.”
(L-R) Army trainee/soldiers Leo Eades, Joshua Oller, Stormy Gideons, Trinity Carpenter, and Riley Barnard on graduation day (Photo courtesy of We are the Mighty / Quibi)
Laiter thanked the distinguished producers for the series that will open up another world in an authentic and compelling way.
New York Film Academy would like to thank David Gale, Col. Jack Jacobs, and Chase Millsap for sharing their time and expertise with students and the NYFA community. For more information on veteran opportunities at New York Film Academy, click here.
To hear the full conversation, click the video below our watch on our YouTube channel here.
Elsabet Ademe was born in Ethiopia, and as a teenager, she embarked on the most dangerous journey of her life – traveling the treacherous smugglers’ route toward the West, living in several countries, and working in each one to save money. Her goal was to make it to the United States to pursue a career in film. Years later, Ademe is a U.S. citizen and BFA graduate from New York Film Academy with an active career in Los Angeles.
Acting for Film Alum Elsabet Ademe
“I had a dream of becoming an actress since I was six years old, so when I got a chance to follow my dream, I decided to go to school first,” said Ademe. “I did my research about a film school, then I came across the New York Film Academy in 2014. I took the Acting for Film 1-Year Conservatory program in New York, then I did few theaters in NYC. In 2016, I moved to LA and started the NYFA’s Acting for Film BFA program.”
After Ademe graduated in 2018, she picked up acting, casting directing, producing, and writing projects. Her first web series pilot, The Bartender, got picked up by PAN Africa Film Festival.
Ademe recently wrote a book called Behind Sunrise, based on true events, which is available on Amazon, Barnes & Noble, and more. The book’s synopsis reads:
The story of the bright and positive, yet ferociously determined, Sarah Belay.
Sarah is a sixteen-year-old Ethiopian girl with big dreams. She wants to travel to Europe to pursue the arts. However, she has a huge problem – her family is dead set against it.
When she hears the man who drives her to school talk about human smuggling, her ears perk up. She knows what she’s going to do. Weeks later, in the dead of night, she leaves her home to embark on a journey that dramatically changes her life.
With little information from her transporters, Sarah travels the perilous off-road paths toward Sudan in the care of suspicious and increasingly cruel men. The battle for survival brings out the worst in some, and the incredibly good in others as a bond forms between some of the travelers.
Arriving in Sudan, Sarah finds work and saves money for what she believes is the most dangerous leg of the journey – the long trek through the Sahara Desert and into Libya. The passage, however, is a nightmare far worse than anything she could have imagined. Abandoned by the smugglers in the vast barrenness of Al Kufrah, the friends escape and hire a local Libyan smuggler to get them to Tripoli.
Instead, he takes them to the middle of the desert and into even more life-changing dangers. Will Sarah survive the journey to reach her dreams? Or will the circumstances beyond her control destroy her?
Ademe will appear in the short film Raine on the Run, which is slated to be released later this year and will continue to expand on her acting and writing skills for the future. “I’m Ethiopian so English is my second language and I have learned a lot to develop my writing skills, while also building a network through NYFA,” shared Ademe. “I discovered myself at NYFA and through me, I can do anything.”
Originally reported in Deadline, NYFA’s own Patrice DeGraff Arenas has landed a recurring role on David Makes Man. The Peabody Award-winning drama series is distributed by the Oprah Winfrey Network (OWN) and is currently ramping up for its second season.
Arenas teaches Voice and Speech Acting, Scene Study, Characterization, and Advanced Acting Technique at NYFA’s South Beach campus. In the upcoming season of David Makes Man, Arenas will play Denise, an office assistant at the Edwards Firm (where the main character David works). As originally reported by Deadline, Arenas’ character Denise is someone who “keeps things moving at the office while also learning the moods and tempo of her boss.”
Photo courtesy of Patrice DeGraff Arenas
David Makes Man is from Oscar-winning screenwriter Tarell Alvin McCraney (Moonlight) and Warner Bros. and is loosely based on McCraney’s experiences, with the titular David (Akili McDowell), a 14-year-old prodigy from the South Florida projects. Arenas revealed that she began production on the project in October 2020.
Arenas, who grew up the daughter of an arts educator, had an upbringing full of theatre, with her mom being a director in school productions. “From those early experiences, I went to college and relished watching my peers present. I gained insight about intention and action, my peers as well professors commented on my clear, direct, practical critiques,” shared Arenas.
While Arenas has recently been involved in NYFA alum Bruklyn Miller’s award-winning film Celestial and is focused on her upcoming role in David Makes Man, Arenas revealed she is also in the development of a series with four of her former high school arts friends. In the future, Arenas hopes to be cast in a comedy and to play the role of Rose in Fences or Beatrice in Much Ado About Nothing.
Photo Credit: OWN
As for advice for students and alumni, Arenas says “life isn’t a rehearsal, so show up ready! It’s okay to be afraid but do it anyway!” The NYFA instructor also urges actors and creatives alike to “be patient with yourself” as some goals rarely look like what you want them to “but that doesn’t mean the journey isn’t worthwhile!”
New York Film Academy congratulates the NYFA South Beach instructor Patrice DeGraff Arenas on her upcoming role, and encourages everyone to check out the second season of David Makes Man when it is available on OWN, and to catch up on season one, with all episodes now available on HBO Max.
2020 isn’t going to stop Ritika Shah from making bold moves in the fashion world. Recently, the 1-Year Photography Conservatory alum shot a full fashion editorial for the highbrow style magazine, Harper’s Bazaar India.
The photos, which can be found in Bazaar’s November 2020 issue, featuring images that capture the “Magic of the Weave,” a concept by the magazine’s editor paying homage to clothes that have been made of traditional, handwoven Indian weave, “Brocade,” with a modern twist.
Shot by Ritika Shah for “Harper’s Bazaar India”
As an independent photographer, Shah revealed that her style has evolved over time to be “very minimal” which is emulated in her photos. “I had full creative freedom in terms of the location and frames used for each shot and the model’s poses,” revealed Shah. “I decided to follow my vision, but I had to make sure that the imagery aligned with the magazine’s aesthetic as well.”
One of the biggest aspects of shooting the project was the location of the shoot, something that Shah was very confident about when taking on the project. “Luckily, I had done a recce [pre-shoot] with this location on another project before, so I had kept it in mind. When I got a call from the fashion stylist for this shoot, I immediately suggested this location, shared the images, and it got approved.”
The location ended up being a huge focal point for the spread and Shah’s vision overall. “It had elements of traditional Indian architecture, but in a modern setting; Just like the clothes were made of traditional handwoven Indian weave, with modern silhouettes. The location played a big role in supporting the concept of the shoot.”
Shah has been in the business for four years as an independent fashion photographer. Previously, she shot the cover for Verve Magazine and had her work featured in Contributor Magazine, Homegrown Magazine, and more. “It’s been a great journey working as an independent photographer and I am always grateful for all my learnings at NYFA,” explained Shah. “NYFA taught me to question everything that I liked and I still question myself as to why I like or dislike something; it helps in getting the creative juices flowing.”
New York Film Academy would like to congratulate NYFA Photography alum, Ritika Shah, for her stunning fashion photography portraitures featured in the November issue of Harper’s Bazaar India. For more photos from the NYFA alum, check out her Instagram here.
From working with globally recognized brands like Champion and U.S. Polo Assn. to working on Miami-based short films Hi8, My Dear Delilah, Watch Me, and Piece, NYFA alum Michael Bradway is booked and busy, focusing on both an acting and modeling career that he explains compliments both disciplines.
(Photo courtesy of Michael Bradway)
Bradway grew up in Boca Raton, Fl with his mom and two sisters. Bradway remembers first being intrigued by modeling and entertainment when his twin sister Natalie was approached at their local mall one day by a talent manager. “Slowly, one opportunity led to another,” he shared. “However, I didn’t know I wanted to be an actor until my senior year of high school when I was in the school production of Fiddler on the Roof, it was was an incredible, new experience.” That experience led Bradway to apply for NYFA’s South Beach campus to pursue a BFA in Acting for Film not long after.
Campaign for Polo (Photo courtesy of Michael Bradway)
“NYFA South Beach felt like the best choice being a hands-on acting for film program, where I could also study theatre,” Bradway said. “Being at NYFA South Beach for the past three years has taught me so much about acting and filmmaking. For example, hitting your mark, being in the moment, and learning about numerous actors and playwrights. We took editing and film craft classes to get a better understanding and gain more respect for the filmmaking side of a project too. One thing I learned at NYFA, that will stick with me forever, is to always be the most prepared person in the room and there is no excuse not to be.”
Pursuing acting and modeling has been a helpful experience for Bradway, who recommends that actors look into modeling opportunities to improve their craft. “It’s a great way to explore a different style of art and meet people in various industries,” he explained. “Agencies hold open calls online with instructions, so depending on where you’re located I suggest looking up the agencies in your area.”
Bradway is currently signed with SELECT Model Management and has booked multiple campaigns for famous brands like Champion, U.S. Polo Assn., Verizon, and Brightline Train. “Brightline Train was definitely one of my favorites because of all the running we had to do through the train, in a park, and they even created their own mock highway for us to run through too,” revealed Bradway.
Champion campaign (Photo courtesy of Michael Bradway)
When asked about whether he prefers acting or modeling, the NYFA alum explained that both creative pursuits have given him so much joy. “I’ve been so fortunate to have worked with incredible people and companies worldwide,” he shared. “I don’t necessarily have a favorite between the two. Acting has actually helps me with modeling and vice versa. Modeling can be very interactive, even without having to say any lines. You’re capturing a moment with each photo taken and most of the time the company/photographer wants those moments to look natural. Acting has definitely helped me with that skill.”
In addition to modeling helping his acting skills and acting helping his modeling, Bradway also shared that NYFA South Beach campus’ close-knit community helped him grow in his craft and build a community of faculty and students alike. “it’s a building full of amazingly talented and genuinely wholehearted people who are currently working in the industry,” he gushed. “They are funny, hardworking and all have the same goal in mind; to tell their stories. There are so many stories to tell which is why more people should be exploring acting and filmmaking. Many hands are involved in a single film with a vast amount of different jobs, so there is something for everyone.”
New York Film Academy would like to thank New York Film Academy South Beach alum Michael Bradway for taking the time to share more about what he has learned from modeling and acting and how both careers have helped him grow in the industry.
Lebogang Fisher or “Lebo” (pronounced Leh-boo), is a South African actress and director (M R Management, Stella Talent) and NYFA alum. Her name “Lebogang” means to be thankful, and she has been, time and time again, for the opportunities she has had, including most recently when she was one of ten selected to be part of the inaugural group of Warner Bros. TV’s (WBTV) “Actors in Training” program.
The WBTV Actors in Training program is designed to connect Warner Bros. Studio with emerging actors who may have had their final year of dramatic training curtailed or negatively impacted by the COVID-19 pandemic. Out of 6,800 actors from 280 training programs worldwide who participated in the program, Warner Bros. selected Fisher as an actress to watch and to be introduced to the entertainment community at large.
NYFA Alum Lebogang “Lebo” Fisher
If not for the pandemic, Fisher would have been playing Ophelia in a South African production of Hamlet at The Fugard Theatre in Cape Town later this year. In the meantime though, you can watch her work as Cressida in The Show Must Go Online’s Troilus and Cressida.
Fisher attended NYFA’s 1-Year Acting for Film Conservatory program in New York City after her agent in South Africa suggested she audition for the program. “My family didn’t have the money, but you could audition for a talent-based scholarship,” shared Fisher. Recalling her audition for the scholarship, Fisher shared that she remembered messing up one of her monologues, but quickly pivoted and tried something else. “When I was done [with the second monologue], the scout said to me, Yeah…You need to lead with that one next time. He offered me a scholarship on the spot.”
Following graduation and after finding her footing in the artist community, Fisher discovered the Warner Brothers initiative from a friend on Facebook which prompted her to submit all her materials to the program in hopes of being selected. “At that point in time, I was quite disheartened. A lot of projects that I was auditioning for/preparing for were postponed due to the pandemic, and eventually, all were canceled. Even my survival job fell through,” she revealed. “When I saw the WBTV call, I felt a glimmer of hope. I knew I had to swing BIG.”
After going through the process and being selected as one of the ten finalists, Fisher acknowledged the honor of being selected. “Being able to meet with the casting team and the showrunners at WBTV is amazing,” said Fisher. “The ability to create a long-lasting relationship with other creatives around the world is something that this pandemic has enabled us all to do. It’s opened me up to people I may never have been able to meet.”
When all is said and done, Fisher shared that being an artist is “a lifetime commitment” and advises students and artists of the craft to remember that. She also reminded NYFA acting students to remember: “There will be many long days. It can be fun, exciting, the newness of the city and the students around you may feel like falling in love. It can also be challenging, strange, but pay attention. Time moves fast.”
New York Film Academy congratulates Acting for Film alum Lebogang “Lebo” Fisher on her outstanding achievement and looks forward to seeing what is next from the actress in her career journey.