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  • American Cinematographer Spotlights New York Film Academy Cinematography Grad Egor Povolotskiy

    American Cinematographer magazine, the official publication of the American Society of Cinematographers, recently spotlighted the meteoric rise of New York Film Academy MFA Cinematography grad Egor Povolotskiy in it’s Rising Stars of Cinematography piece.

    In an issue that also features ASC giants like the creative minds behind The Last Jedi, American Cinematographer highlights how Povolotskiy’s pathway to success in Los Angeles was paved in large part through his NYFA connections.

    First, Povolotskiy points to his NYFA instructor and mentor Mike Williamson, and later to fellow NYFA alum and line producer Mariietta Volynska, who hired the cinematographer for his first project post-graduation, based on his NYFA thesis. 

    Since then, Povolotskiy has padded out his already impressive resume with three wins at the Rochester International and Voya Film Festivals plus another four nominations for his short film We Are Enemies.

    Now with eight features and almost 60 short films under his belt, we had a chance to hear from Povolotskiy about his experience working on the riveting thriller, Gold Dust, and his own journey behind the lens.

    NYFA: First, can you tell us a little bit about your journey and what brought you to the New York Film Academy?

    EP: My journey starts back in Russia. I was at university getting my first master’s in artificial intelligence. Somewhere in the middle of my education, I started taking pictures of my friends and becoming interested in photography in general. I realized that AI was not that interesting for me anymore, and I started growing more as a photographer. (I still finished my masters though!)

    During university, I was working as a photojournalist as well as a wedding and family photographer, shooting for Marriott Hotels in Moscow. I was also an official photographer of Russian Association of Motorcyclists. Bikers and their bikes were involved in film productions, and for me it was always magic to see how films were done. So the next time I saw them on set, I called the president of this association and asked him if I could stop by and take some pictures just for myself. It was a shoot of a son of one of the most famous directors in Russia, with the biggest production company. I ended up being hired as bts [behind-the-scenes photographer] after my first day on set.

    After working for three years as bts and 2nd unit, the producer asked me one day if I wanted to DP a film. I refused, and told her that I would first get my education. … I had a sense of framing and lighting, but I didn’t know anything about being a DP at that time. Being a DP is not just framing and lighting. A DP is a storyteller, a head of a department, a set runner and problems solver — that’s became a definition of my job now.

    When I was choosing a school I was really afraid to go overseas, but my wife supported me, saying that everything was going to be how I wanted. My parents also gave me big support. My DP friends recommended NYFA as a possible school — hands-on and not that expensive. I was choosing between London, Lodze (in Poland), and NYFA, and I choose NYFA in the end.

    Egor Povolotskiy via IMDB

    NYFA: Do you have any favorite NYFA moments from your time as a NYFA student?

    EP: As for favorite moments — I really don’t know, because it was great overall. … Every project I was shooting, I was trying to do better and bigger than my previous project. I still have warm feelings about NYFA and mention it where I can. I was also TA-ing sometimes between projects. By the time I graduated, a lot of people at NYFA knew me already. But I was still afraid of what would happen after school, how I was going to find a job. But right at two weeks after my graduation, I booked my first feature film as a DP!

    NYFA: Can you tell us a bit more about your experience shooting Gold Dust?

    EP: That was a fun experience. I went to an interview and I usually talk first, but here I was kind of shocked that the director took the initiative. He ask me, “What’s wrong with you Russians, you shoot so differently?” I really didn’t know what to answer. Later when we became friends he told me that he hired me because of the way I told him that I like to shoot fast. David Wall — a true director, in my understanding of what that means: great powerful leader, a captain of a ship. …

    We were actually blessed to have a desert with its very different looks — breathtaking sunsets, rain, heat — we got everything taped. We got a great “family” film by the end.

    Egor Povolotskiy Cinematography reel summer 2017 from Egor Povolotskiy on Vimeo.

    NYFA: Can you tell us a bit about your prep process before you start working on a film?

    EP: I read the script as the “dumbest person,” meaning that everything should be clear for me. If I have any questions, there’s going to be a person [in the audience] who will ask the same question. Then, myself and the director talk about the story in general. … In most cases I’m able to tell what kind of film the director sees in his mind. I do a beat breakdown of a script, and we decide if the film needs to be stylized or not. Then I build visual arcs based on developing the character and style of the film. Usually I give a couple of options to the director, if he gives me freedom. I prefer collaboration over the projects were I have no creative influence — every film is a part of myself.

    … I remember at NYFA we had some sort of test. If the director wanted a shot, but the producer was not giving him money, which side you will take? There are always two [out of three] things you have to choose: not expensive, good or fast. The secret is you can combine all three, actually!

    Being a collaborator with understanding of storytelling is a great help for a director, if you’re fast. … You have to stay in the budget, and then the producer will always love you. Learning how to use visual tools (composition, lighting, movement, editing, color grading), how to be a leader, how to delegate to your crew and build a shooting process so the crew feel safe, comfortable, respectfully treated — it is huge work.

    Being a DP you’re learning not only about other people, but also about yourself.

    Gold Dust film poster via IMDB

    NYFA: Are you working on any other upcoming projects you’d like to share?

    EP: As for future projects, I’m prepping a film with Richard Friedman (NYFA instructor), a TV series with Cyril Zima, and a mystic feature film with Alex Babaev.

    The New York Film Academy would like to thank Egor Povolotskiy for taking the time to share a part of his story with our students.

     

  • New York Film Academy Alum Sapra Drops Love Trumps Drugs Music Video

    At the New York Film Academy, we are big believers in the idea that understanding all different aspects filmmaking offers a huge advantage for aspiring artists — an advantage that can pave the way to all kinds of creative successes. NYFA Cinematography Conservatory grad Sapra (2009) is living proof that being able to approach the entertainment industry from multiple angles is sure to come in handy. The dynamic artist is many things — rapper, actor, director, producer, cinematographer — and now he has just dropped his own music video, Love Trumps Drugs.

    Sapra took the time to catch up with the NYFA Blog to speak about his experience making his own music video, and what it’s like to forge a truly unique path as a multi hyphenate artist.

    NYFA: First can you tell us a little bit about your journey and what brought you to the New York Film Academy?

    Sapra: I was born in New Delhi, India, and started playing instruments as a kid. I was auditioned for a theater show randomly when I was bunking a class and that got me a lead part in a big theater production. That started my acting career. I got a taste of what it feels like to be in front of 5,000 people at an early age and I got addicted to the fun of performing. I remember while all of my school friends were studying in seventh standard and I was touring with my high school all over India. So I got to skip the classes!

    In college, I was a theater performer, emcee and an event manager. I had my own event management company called Beyond Exclamation. This was in my first year of college. After doing a lot of that, I wasn’t able to really reach out to millions of people, I was performing for thousands. So the yearning to learn film got me to NYFA. I started with studying film and cinematography, and then ventured into acting for film.

    After graduating from NYFA, I directed and produced multiple music videos for other artists, and I also directed and acted in PSAs. NYFA gave me a kick start in Los Angeles

    NYFA: Love Trumps Drugs is very polished, romantic, and high-energy music video. Can you tell us a little bit about what inspired the music and the story?

    Sapra: I see the youth involved in all kinds of substance and I also see adults fancying the use of marijuana. I had a personal encounter where female friends of mine would use marijuana and become delusional and act weird. I also saw a lot of my talented friends leaving back for their country get involved in things they should have stayed out of.

    What I found common in all of them was abuse of such drugs. I saw people who were more talented than me giving up because the drug made them weaker. So I thought of an interesting way to entertain youth and suggest my thoughts. I am not being judgmental about the usage of marijuana in my video, however, I am suggesting a fact.

    NYFA: What surprised you most during the music video shoot?

    Sapra: The steady cam guy did not show up, so I had to find someone on the day of. I was the producer on this so it was a challenge juggling multiple things and keeping everyone happy.

    What also surprised me was the amount of money and time one has to spend to make each frame look good. Also one has to be spontaneous for last-minute story changes.

    NYFA: Were there any challenges in creating this music video, and how did you overcome them?

    Sapra: Budget was a challenge. What we wanted was not cheap. Our financier backed out two days before the shoot, so I had to take out a loan. The rest was easy as I had a great team.

    NYFA: What advice would you share with our NYFA students who want to produce their own music and music video?

    Sapra: Los Angeles is a producer’s paradise — you can make anything happen here! You can work with the best of the best people and teams if you hang tight. The best part is that it doesn’t matter if you have money or not. What matters is whether you are ready to put in the work.

    My agent, Jon of JS Represents, says Los Angeles is a one-way move. Once you are here, get financially stable first. Make this your home and keep on your career, and you will find yourself where you want to be. The industry will cast you when they are ready for you in their time. So hang tight and don’t give yourself a time limit.

    NYFA: What is next for you? Any upcoming projects you can tell us about?

    Sapra: I am looking for distribution for my next music video Coco, which is my favorite of all. I filmed it in Mammoth. I have produced the video and it’s directed by my decade-old friend AB Chandra.

    I have two more videos in pre-production and a series I am casting for — and guess what? All this with no financial support from anyone!

    NYFA taught me in the beginning: DIY (do it yourself). I have the best mentors and team in the world. I am the lead actor/rapper and producer in all the productions.

    NYFA: Would you say your time at the New York Film Academy was at all useful for the work you are doing now?

    Sapra: Yes, NYFA taught me a lot. They supported me after completion of my course. They had great follow up. Dan Mackler, Michael Pessah, and Kirill guided me throughout my stay at NYFA.

    NYFA gave me a jump start and gave an overall understanding of Hollywood and filmmaking in general. Doing multiple projects and finding ways to make them happen without any resources is a part of the great training one can get from NYFA. You can be the best writer, actor, or director, but if you don’t consistently produce your content you may not be seen for years in the industry. That’s what NYFA taught me.

    The New York Film Academy congratulates Sapra on his exciting music video launch. Check out Love Trumps Marijuana, Coco, and more from Sapra, coming soon!

  • NYFA to Screen Sneak Preview of “Porto” With Gabe Klinger and Larry Gross

    The New York Film Academy is excited to host an early screening of the film “Porto,” starring Lucie Lucas and the late Anton Yelchin. The event will take place at NYFA’s New York City campus on Wednesday, Nov. 15.

    Set in the ancient Portuguese city of the same name, “Porto” tells the story of an American loner, Jake (Anton Yelchin) and a French student, Mati (Lucie Lucas) who “embark on a night of carefree intimacy.” As the official plot describes it, “This romantic encounter is viewed from years later, both characters still haunted by the powerful connection they shared. Using a mix of film stocks and art direction that evokes a bygone era of European cinema, ‘Porto’ delivers a cinematic form of saudade – a Portuguese word that describes an emotional state of nostalgic longing for a person or place that one has loved.”

    Lucie Lucas & Anton Yelchin in "Porto"

    Lucie Lucas & Anton Yelchin in “Porto”

    The film was shot on 35mm, 16mm, and 8mm film stocks to represent the three different time periods — the one-night stand, the days surrounding it, and present day — represented in the story.

    Lead actor Anton Yelchin tragically passed away in an accident in 2016, and “Porto” is one of the final films he shot before his death.

    Lucie Lucas in "Porto"

    Lucie Lucas in “Porto”

    Director Gabe Klinger and co-writer Larry Gross will attend the NYFA screening and take part in a Q&A following the film. The Brazilian-born director previously directed the documentary “Double Play: James Benning and Richard Linklater.” Attendees will include NYFA Filmmaking, Acting, and Cinematography students.

    The film opens Friday, Nov. 17 in New York City at Sunshine Cinema and Friday, Nov. 24 in Los Angeles at Nuart Theatre. Watch the trailer for the film below:

  • NYFA Los Angeles Celebrates it’s Fall 2017 Graduates

    On Saturday, September 23rd, 2017, the New York Film Academy congratulated another graduating class as they crossed into the next stage of their professional careers. Three ceremonies were held throughout the day to accommodate the more than two hundred students who have now completed their education at NYFA.

    Many students spent the previous day at Warner Brother’s Studios screening their final films on the backlot. The occasion is always an emotional one. Warner Brothers is a Hollywood institution that has been home to some of the greatest names and films in the entertainment industry.

    Families were able to gather for photos before the ceremony began. A NYFA backdrop had everyone looking red carpet ready. When it was time for parents to take their seats, students formed neat rows as they filed into the building.

    This year’s commencement speakers ranged from a Hollywood star, a casting director who worked closely with Stephen Spielberg, and a producer/writer for several of the greatest television shows ever made. Each speaker had a copious amount of advice to give to the graduates. A common theme to all the speeches was that the students should learn from the speaker’s own mistakes so they could do even better in their own careers.

    New York Film Academy | Acting School Graduation

    The first speaker to grace the stage was Valorie Massalas, casting director extraordinaire. Her credits include “Indiana Jones,” “Chaplin,” “Total Recall,” “Alive,” “Honeymoon in Vegas,” “Gods and Monsters,” and “Back to the Future II” and III. She received an Emmy nomination for her work on “Annie.” She is a new inductee into the Motion Picture Arts and Sciences.

    Massalas spoke directly to the actors about how the industry has changed since she began her career. The most disturbing change to Massalas is the rise of the social media actor. These are Hollywood hopefuls who have never taken an acting class but have 20 thousand or more followers, and they are being cast in major motion pictures because the heads of studios believe they can put audience members into seats.

    “I’m sharing that with you because it’s disturbing to me that you spend all your time training like you’ve done, with these beautiful people, honing your craft, but if you don’t have social media numbers you could lose a job to somebody who does,” Massalas said. “It’s important for you to be aware of that because it’s just part of our world today. It’s not going to go away, In fact, it’s going to get worse.”

    It wasn’t all bad news. Certainly, some of the changes would be favorable for the next generation chosen to run Hollywood. Social media is also giving other creatives access to the tight-knit entertainment community. “When I was first starting out you didn’t have the kind of access that you have today with social media,” Massalas said.

    “The most important thing you must always remember is that you are the president of your own company. You have to be prepared to run your business like the president of a company. If you’re not doing that, you’re failing your career because nobody is going to run your business better than you.” Massalas warned students.

    New York Film Academy | Film School Graduation

    The second commencement speaker to take the stage was actor Joshua Helman. Helman’s credits include some of the biggest action films of the last ten years including “Mad Max: Fury Road,” “X-Men: Days of Future Past,” “Jack Reacher.” He’s also been prolific in television starring in HBO’s “The Pacific,” the mini-series “Flesh and Bone,” and M. Night Shyamalan’s “Wayward Pines.”

    Throughout Helman’s hilarious speech, he blended solid life advice with anecdotes from his time getting started in the industry. He began with a bit of advice he had learned from a teacher. “When I was in acting school, a singing teacher told me that the most valuable things an entertainer has to offer the audience are vulnerability and generosity. And not only have I never forgotten that, but I found it to be true.” He concluded this thought saying, “Come back to vulnerability and generosity. It will never be wrong. Find the stuff that challenges you, the truth that scares you, and offer it up to the world with joy.”

    Helman also wanted to prepare students for the reality of how long it can take to start a career. “You have to prove yourself and that can suck. It means working a day job, it means losing sleep, and it means facing long stretches of seemingly infinite time when you feel like you are going nowhere. That is par for the course. Each of you, if you’re not an insane person, is going to want to give up at some point…”

    But, Helman amended, there’s a way to survive the hard years. “You can make peace with it if you never forget that you are doing it in order to do the job that you love and that (entertainment) is your real job.”

    New York Film Academy | Producing School Graduation

    The final speaker of the night was Cherie Steinkellner. She is perhaps best known for producing the multi-award winning television show, “Cheers.” She also wrote for such groundbreaking shows as “The Jeffersons” and “Who’s the Boss?” Finally, she wrote for and produced the Disney animated series and feature film, “Teacher’s Pet” starring Nathan Lane.

    Steinkellner takes issue with the adage, “Those who can’t-do, teach.” “I don’t believe that to be true,” she said. “I think those who can’t-do, learn. Which is to say, if you find yourself to be an irresistible force up against an immovable object, if you find that you can’t achieve something, instead of fighting the same darn thing, consider that the point isn’t to step over that obstacle. Maybe the point of the lesson is: What can I learn from this?”

    With that thought in mind, Steinkellner also wanted to make sure students didn’t think that graduating meant their best days were behind them. She closed out her speech stating,

    “When I was in school, in the seventies, people would say to me these are the best years of your life. I hated that. School is short and life is long. You will never forget the years that you have spent here at the New York Film Academy. I haven’t forgotten the years that I spent in college. Please, trust this elder. The good stuff is all ahead of you. Let’s see what you make. Let’s see what you do. Let’s see your ‘weird.’ Congratulations on your graduation and welcome my friends to the best years of your life.”

    The New York Film Academy would like to thank Joshua Helman, Valorie Massalas, and Cherie Steinkellner for taking the time to speak with our students. We’d also like to congratulate all of our incredible students on their graduation. We hope to see you back here soon, telling the next generation your success story.

    MFA in Acting:

    Vicente Almuna Morales

    Ainur Rauilyevna

    Alejandra Gonzalez

    Vincson Green II

    Haoran Li

    Elizabeth Otaola Cortina

    Nanli Wang

    Chaoyue Zhao

     

    BFA in Acting:

    Melissa Abugattas Lozada

    Reya Al-Jaroudy

    Ratnavali Anderson

    Ira Calilung

    Whitney Cheng

    Abbilyn Chuha

    Jennifer Anne Cipolla

    Briana Davis

    Joseph Ekstrom

    Michael Furlough

    Emmanouil Giamas

    Maria Manuela Gomez

    Anes Hasi

    Christian Elijah Leighty

    Nina Madzirov

    Phillip McNair

    Bethany Rhiannon Daisy Milner

    Rebecca Momo

    Alessio Mongardi

    Analisa Moreno

    Vanessa Rene Nuevo

    Chunxiao Ouyang

    Trinity Page

    Fernando Peralta

    Zachary Thomas Perry

    Raven Ramos

    Maurice Roberson II

    Simran Sangian

    Billy Xiong

    Ming Jie Yang

     

    AFA in Acting:

    Tia Blackwill

    Corinna Camero

    Melissa Celikovic

    Jassen Charron

    Gregory James Drake

    Kurt Alexander Eberle

    Andre Forrest

    Aaliyah Jones

    Wadley Sterlin

    Travis Nevin Tendler

    Robert Tevlin

    Danielle Torck

     

    MFA in Producing:

    Mazen Aleqbali

     

    BFA in Producing:

    Ruddy Cano Hernandez

    Nyshon Ferrell

    Carlos Gonzalez

    Chor Kei Hui

    Brandon William McCarthy

    Thandiwe Mlauli

    Gilma Edith Montecer Lore

    Sagar Patel

    Angel J. Pitre

    Sim Sagiroglu

    Peijun Zou

     

    AFA in Producing:

    Mengying Sun

     

    MFA in Photography:

    Amal Alahdal

    Dania Saud Altalhi

    Pamela Garcia-Aguirre

     

    BFA in Photography:

    Rushank Anil Agrawal

    Brenda Cantu

    Tanya Gawdi

    Kingi Kingibe

    Ziomara Ramirez

    Wen Tao Tu

     

    MFA in Documentary:

    Sultan Sulaiman Aljurays

    Camilla Elisabeth Borel Rinkes

    Amira Hamour

    Ashley Danielle Harris

    Yuan Li

    Kristin Lydsdottir

    Huda Abdulsalam Moraidikha

    Maria Carolina Sosa Andres

    Guangli Zhu

     

    MFA in Cinematography:

    Jhonny Fabian Garcia Sarmiento

    Rafael O. Rivera

    Maria Sevilla

    Manuel Velasquez Isaza

     

    MFA in Film:

    Joud AlAmri

    Gerald Albitre

    Mahfouz Maeid M. Alzahrani

    Almaz Amandossov

    Dias Azimzhanov

    Yang Bai

    Alma Baimuratova

    Rushikesh Bhadane

    Beatriz Cabrera Figuerez

    Xiaoyue Cao

    Yue Chen

    Moataz Ezzat Elsayed Gamal Elbahaey

    Boise Badilla Esquerra

    Efrain Santiago Fierro

    Anuja Ganpule-Sheorey

    Zesheng Gao

    Mariia Gerasymiuk

    Di Hang

    Amber A. Harris

    Jacob Houghton

    Oboatarhe Ikuku

    Runjie Ji

    Annu Kapil

    Gabriela Ledesma

    Jian Li

    Yitong Li

    Yixin Liang

    Gengru Liu

    Zichen Liu

    Michael Louka

    Kendra McDonald

    Rachel Gebrael Meguerdijian

    Maria Mitkovskaya

    Sonakshi Mittal

    Aditya Rajendra Mohite

    Amanda Molefe

    Rima Mori

    Dina Najialdaies

    Vibhav Vinayak Nayak

    Kevin Nwankwor

    Anita Name Dos Santos

    Hiroki Ohsawa

    Derek Parker

    Ana Camila Parra Bernal

    Yuntong Peng

    Rene Rodriguez

    Francia Romero

    Guoqiang Sheng

    Yu Sheng

    Savannah Sivert

    Jourdain Antoine Smith

    Julien Supplice

    Mohitha Vankima

    Shashank Narendra Varma

    Chenyi Wang

    Tixiao Wang

    Zheng Wang

    Erxuan Wu

    Yuzuan Wu

    Lijun Yang

    Meng Yu

    Xiankai Zhang

    Xiaoxiao Zhang

    Xiwen Zhang

    Rui Zhu

    Xuerong Zhu

     

    AFA in Film:

    James Bonfiglio

    Peter Farquhar

    Casey Swing

    Zhen Wang

     

    MFA in Screenwriting:

    Jean-Baptiste Hakim

    Keaton Kaplan

    Kobus Louw

    Aida Marie-Louise Noujaim

     

    MA in Screenwriting:

    Kwang Jin Chai

    Rosa Falu-Carrion

    Samuel Gonzalez Jr.

    Roberto Tapia

     

    BFA in Screenwriting:

    Nick Davis

    Nawaf al Hoshani

    Felix Martinez Autin

     

    MFA in Game Design:

    May Alotaibi

     

    BFA in Game Design:

    Cody Fowler

    Min Han

    Alecksandar Jackowicz

    Mario Monaco

     

    MA in Film:

    Mina Abrahim

    Vedang Bhatt

    Dhriti Borah

    Julian Andres Bueno Sanchez

    Maurice Cassidy

    Jaya Prasad Chitturi

    Xingyue Dai

    Abdallah ElDaly

    Jiawei Gao

    Giunel Ismaiylova

    Abebowale Johnson

    Melissa Johnson

    Vicken Joulfayan

    Chenyang Li

    Mengke Li

    Xi Lin

    Yilin Liu

    Haixiao Lu

    Hin Lam Allan Ng

    Yu Qiu

    Srikanth Navarathna Raju

    Jose Mario Salas Boza

    Kongpob Sangsanga

    Elizabeth Soto-Lara

    Sukrut Shirish Teni

    Jianyu Wang

    Yu Wang

    Jiaxing Wu

    Sipei Wu

    Xueqing Wu

    Siqi Xiao

    Qingjing Yan

    Zain Zaman

    Chen Zhang

    Yiyun Zhang

    Yang Zhou

     

    BFAin Film:

    Ryan Adams

    Sara Ait Benabdallah

    Fawaz Saleh Al-Batati

    Basil Alamri

    Abdullah Saleh Alawaji

    Hani Alqattan

    Ayman Ahmed Alzahrani

    Jascha Bellaiche

    Rolf Niklas Martin Berggren

    Ambre-India Bourdon

    Tammy Cook

    Jose Guilherme Correia Jr.

    Antonio Gassan Darwiche

    Rumena Dinevska

    Gabriel Erwin

    Cirenia Raquel Escobedo Esquivel

    Jiaqing Ge

    Daniel Ivan Gonzalez Ramirez

    Oliver Granö

    Kartikye Gupta

    Akira Hayakawa

    Anton Hermawan

    Nuria Stella Hernandez

    Dongyan Jiang

    Yudi Jiang

    Autumn Joiner

    Joanna Krawczyk

    Henrique Kraychete Freire

    Gabriel Legua

    Xuejiao Liu

    Zhuangzi Liu

    Ana Catalina Loret de Mola

    Mario Mazzarella

    Eric Milzarski

    Nikola Nikolovski

    Varunn Pandya

    Konstantinos Pateronis

    Vladislav Petrov

    Celeste Pillay

    Katherine Pinkston

    Albert Theodore Pranoto

    Anastasia Reinhard

    Alejandro Rojas Melo

    Brooke Schulte

    Richard Selvi

    Denis Semikin

    Muhamad Ashram Shahrivar

    Shiyi Shao

    Jiajin Song

    Michael Tharp

    Hary Johann Tuukkanen Itriago

    Santos Verdia-Cross

    Tiange Wei

    Assem Yedgey

  • NYFA Gold Coast Q&A With Vice President of Queensland Branch of the Australian Cinematography Society (ACS)

    This September, Vice President of the Queensland Branch of the Australian Cinematography Society Hemma Kearney gave a Q&A at the NYFA Gold Coast campus. Hemma is an internationally renowned filmmaker and cinematographer. She has traveled the world as a cinematographer and produces films for small businesses, not-for-profit organizations, and multi-national companies.

    With over 10 years industry experience, Hemma discussed how her ethos in all things filmmaking is to break the rules and deliver a strong message using the tools of filmmaking.

    She’s worked on major feature films, notably “The Chronicles of Narnia,” but was inspired to make her own films. This led her to create her own production company, Show + Tell Productions.

    Hemma has since become the vice president of the QLD Australian Cinematographer’s Association branch. She lectures around the world on her travels, inspiring young filmmakers to also explore outside of the filmmakers average toolkit or boundaries.

    After the Q&A at NYFA’s Gold Coast campus, July Advanced Filmmaking student Rosie Spooner stated, “I feel really inspired and motivated to pursue my career as a female cinematographer. Hearing Hemma talk about her experiences has made me feel determined to work hard to make it happen.”

    July Advanced Filmmaking student Rob Caccaviello agreed: “Having Hemma Keanery in our presence was not only a great experience, but an awesome opportunity for us.”

    He continued, “It was inspiring to listen to someone who’s created their own success at this age. Having her share her journey with us as aspiring filmmakers was a huge privilege. Her success came with a great sense of passion, determination and commitment, values which she encouraged us to embrace.”

  • NYFA and RED Digital Cinema Reveal RED Challenge Contest Winners

    After months of absolute suspense, New York Film Academy and RED Digital Cinema finally revealed the winners of their fierce competition. The Brazilian alumni pair, Leco Moura and Rodrigo Zan, took the stage for their clean sweep of awards at the wrap event hosted at RED Studios Hollywood on August 31.

    Moura took home the most coveted accolade of the festival, a brand new RED EPIC-W, an 8K professional digital cinema camera, as the Grand Prize for Best Cinematography for his outstanding work on “Jimbo.” Zan was the writer/director of the same heist short film, which could soon become his debut feature. From RED, he already got the jump-start: a three-week rental of a DSMC2 camera for winning the Filmmaker’s Prize.

    It was also a night to remember for Colombian alumnus Andres Hernandez. As the jack-of-all-trades in his dramedy “Monday” — script, directing, and photography — he won the Audience Award. His leading actor, Carlos Perez, accepted the prize on his behalf, for which Hernandez got a $1,500 REDucation voucher for an intensive professional camera workshop.

    The awards ceremony was the culmination of a blazing competition that started in late March, raising more than 130 submissions of the school’s one-year projects or thesis films shot entirely on RED cameras. Then, a NYFA Selection Committee led by the Chair of Cinematography Tony Richmond, best known for his work on “Legally Blonde” and “Men of Honor,” carefully watched over 30 hours of film, picking the top 19.

    Those semi-finalists had the opportunity to participate in the Audience Award category while keeping in the run for the Cinematography and Filmmaker prizes. Eleven of them decided to give it a shot at the online voting. Andres Hernandez’s film “Monday” was the favorite of the public.

    In late July, RED narrowed the 19 semi-finalists to just five. Along with “Jimbo,” the top NYFA alumni films were the coming-of-age drama “The Farthest Apple From the Tree,” by director Elmo Kebour with Italian director of photography Andrea Gavazzi; the twisted fable “Feast,” led by a female pair, Kazakhstani writer/director Aizhan Tuganbayeva with French D.P. Julie Angelo; The U.S.A. was represented in the supernatural western “Revelation,” directed by John Willment-Knowles with Ruperto Sanchez as director of photography; and the sci-fi comedy “H.A.M.,” by writer/director Boise Esquerra with Spanish D.P. Julio Escames.

    The Wrap Event held at RED Studios Hollywood highlighted the five finalists and the audience favorite to a handpicked group of guests from the industry and the NYFA/RED Jury. That is the same room where David Fincher color-corrected “Gone Girl.” Formerly an MGM lot and then later the home of the famous Desilu Productions — run by Hollywood royalty supercouple Desi Arnaz and Lucille Ball — the place preserves a piece of American film history. It was acquired by RED in the early 2000s, preventing the land from turning into high-rise condos.

    The New York Film Academy would like to thank RED Digital Cinema for this consistent and fruitful partnership through several years, being instrumental in the mission of fostering a global new generation of talented and diverse filmmakers. NYFA would also like to congratulate all winners, finalists, and semi-finalists, wishing this competition serves them as a stepping stone in the visual storytelling arts journey to become industry leaders.

    Semi-finalists (in alphabetical order):

    • “Beyond Cornfield Street”
    • “Blue Bird”
    • “Brad Lee”
    • “Family”
    • “Feast” 
    • “H.A.M”
    • “Harmonica”
    • “Jimbo”
    • “Monday”
    • “Mutus”
    • “One Last Breath”
    • “Revelation”
    • “Rosetta’s Blues”
    • “Somewhere”
    • “The Farthest Apple from the Tree”
    • “The Hook”
    • “The Other Side”
    • “Twenty Years After”
    • “Visitors”

     

  • NYFA at IFP Week: Faculty Panel, Student and Alumni Discounts, and More

    The New York Film Academy is proud to be a sponsor of upcoming top industry gathering IFP Week, in Brooklyn from Sept. 17-21. This year, NYFA faculty will be represented on an IFP panel — stay tuned for more details as they come!
    “If you can go, go!” said NYFA Documentary Filmmaking Program Chair Andrea Swift.
    NYFA Documentary Chair Andrea Swift and Producing Chair Neal Weisman explain that IFP Week is a critical industry gathering — whether you’re a producer, documentary filmmaker, screenwriter, director, or are involved in the industry in any way. It is as important for launching and maintaining careers as Sundance, and people fly in from all over the world to attend. Simply put, IFP Week is one of the most important events in the U.S. film industry.
    NYFA is proud to help sponsor it and is very pleased to share that IFP has extended a 20% discount to our alumni with special code: NYFA20.

    “IFP’s signature event, IFP Week, has expanded again this year to include numerous public screenings, talks, meet ups, and exhibitions centered on cutting-edge independent content for the big screen, small screen and Internet,” says IFP Deputy Director & Head of Programming Amy Dotson. “From our Filmmaker Magazine Talks, IFP Screen Forward Conference, Direct Access program, VR exhibitions from The Guardian, and more, our guests will have access to some of the most interesting, innovative and outspoken storytellers and leaders working today.”

    NYFA Chair of the Producing Department Neal Weisman will represent as moderator of the “Direct Access” panel: “Finding the Sales.” Neal Weisman is an award-winning film and television producer with over 20 years of international experience. Producing credits include “The Politician’s Wife” (BAFTA and International Emmy Awards for Best Drama Serial, Peabody Award), “Seeing Red” (Christopher Award), and “My Kingdom,” which starred Richard Harris in his last leading role. “Let’s Talk About Sex,” a documentary about adolescent sex in America, broadcast on TLC, digital and DVD release through New Video. Vice President, Edward Pressman Film Corporation: Oliver Stone’s “Wall Street” and “Talk Radio,” Barbet Schroeder’s “Reversal of Fortune,” Taviani Brothers’ “Good Morning Babylon,” Fred Schepisi’s “Plenty,” David Byrne’s “True Stories,” David Hare’s “Paris By Night,” Alex Cox’s “Walker,” Charles Burnett’s “To Sleep With Anger,” and Kathryn Bigelow’s “Blue Steel.”

    NYFA VR Instructor Caitlin Burns will appear on the IFP Panel “(Virtual) Reality Check: Bringing Filmmakers into the 21st Century.” As a transmedia producer for over 15 years, Ms. Burns has developed storyworlds and sustainable multiplatform strategies for franchises ranging from global blockbuster feature films, award-winning television shows, AAA console games and Virtual Reality. She also works with international brands, and organizations to use new media technologies to reach audiences and create impact. She currently serves as Vice Chair of the Producers Guild of America’s New Media Council and Lead Instructor for 360° Filmmaking and VR Gaming at the New York Film Academy.

    IFP Week in Brooklyn, NYC Sept. 17-21, Programming to include (via official website):

    Filmmaker Magazine Talks @ BRIC

    This year’s IFP Week will kick off on Sunday, September 17th with Filmmaker Magazine Talks @ BRIC. In honor of the 100th issue of the iconic publication, programming will celebrate the creative talents and industry who have filled Filmmaker Magazine’s pages for a quarter of a century. The event will feature Editor-in-Chief Scott Macaulay in talks with 2017 Academy Award-winners Barry Jenkins & Adele Romanski (“Moonlight”), Emmy-nominated director Dee Rees (“Mudbound”), The Safdie Brothers (“Good Time”), Sean Baker (“The Florida Project”) as well as past and 2017 Filmmaker Magazine “25 New Faces of Independent Film.”

    IFP Screen Forward Conference @ Made in NY Media Center by IFP

    Featuring intimate conversations with some of the most interesting, innovative and outspoken storytellers and leaders today, the program runs Monday, September 18 through Wednesday, September 20 at the Made in NY Media Center by IFP in Dumbo, Brooklyn. Speakers include Cenk Uygur (“The Young Turks”), Julie Klausner (“Difficult People”), Mark Douglas (“The Key of Awesome!”), Anjali Sud (Vimeo CEO), Jenna Wortham (“Still Processing”) and many more!

    IFP Direct Access & Meet The Decision Makers @ Made in NY Media Center by IFP

    IFP also offers aspiring artists and entrepreneurs – as well as working professionals in the media & tech industry – direct access to top industry leaders through its Meet the Decision Makers and Direct Access tracks.

    Meet The Decision Makers

    Get face-time with some of the most exciting organizations in indie entertainment today in small group meetings with company representatives from Amazon Studios, A&E, Bleecker Street, Cinetic, First Look Media, Field of Vision, HBO, IFC, Killer Films, POV, Oscilloscope, Sony Pictures Classics, Submarine, Vimeo, and more.

    IFP Direct Access

    NEW TO IFP WEEK 2017.  Join top industry leaders for sage advice and time-saving information on how to launch your narrative feature, doc, serialized content, in intimate, small workshops with accomplished industry leaders whose expertise ranges from finding financing to digital distribution.

    NYFA students and alumni are invited to attend the prestigious independent filmmaking event. As part of our partnership, IFP is offering 20% discount to students and alumni. To purchase your ticket(s), go to the website and use the Partner Code.

     

  • NYFA Los Angeles Holds Social Media Networking Night

    _DSC7452Chair of Industry Outreach and Professional Development Barbara Weintraub held a Social Media Networking Night at NYFA Los Angeles in late July. Over 220 students from the New York Film Academy’s Los Angeles campus attended the event held in the Riverside Building.

    The lobby was filled with film companies like Film Independent and New Filmmakers LA. They were there to share opportunities for students, membership experiences, and career paths.

    A color-coded system helped students get in touch with other students. Small dots on name tags indicated whether the attending was an actor, filmmaker, photographer, or game designer.  

    “There are so many students that I hadn’t met,” said acting student An Phan. “I’m at the Barham building most of the time while the photography and filmmaking students are at Riverside. I never get to interact with them. I saw a lot of portfolios and I was blown away by how talented everyone was. It was great interaction. I had a lot of fun.”

    The New York Film Academy would like to wish all the students applying for professional memberships and those students teaming up to work on a project success on their next venture.

  • NYFA Australia Welcomes Cinematographer Toby Oliver as Guest Speaker

    Sydney students were fortunate to hear from native Australian, award-winning cinematographer Toby Oliver, who has forged a successful career in the U.S. and internationally. Moderated by NYFA Australia Dean of Faculty Art Helterbran Jr., it was an inspiring Guest Speaker event which centered on the topic of work ethic in the film industry.

    Some of Mr. Oliver’s recent credits include thriller “Get Out,” with Allison Williams and Daniel Kaluuya, filmed in the U.S. state of Alabama. According to IMDB, “Get Out” ranked #1 at the U.S. Box Office on its opening weekend in February 2017.

    NYFA Sydney student Charlie was particularly pleased to hear from a cinematographer with so much experience working in intense movies. “I love horror films,” Charlie shared after the event. “It was so amazing to hear from a DoP who has worked on films I really loved. It’s was the best talk ever.”

    An accredited member of the Australian Cinematographers Society (ACS), and the Australian Academy of Cinema and Television Arts (AACTA), Toby’s credits also include the Australian WWI epic “Beneath Hill 60,” (Australian Academy nomination); TV movie “Beaconsfield” (Gold ACS Award and the ACS Best in Show); “Wolf Creek 2” (ACS Gold Award, Venice Film Festival); and “Carlotta” (Australian Academy nomination). In his uniquely international career, Toby has also created a prolific body of work in China, including the romantic Chinese-language “Waiting Alone” as well as the Australia/China co-production “33 Postcards.”

    Toby’s advice to the international student community of NYFA Australia centered on the importance of having a strong work ethic: “…(working in the film industry) is all about work ethic. If you want to do something, you got to do it properly…all the way through to the end.”

    He also pointed to having an awareness of the whole team on the film set as being essential to a film’s success, no matter the role. “Having actors who got that kind of skills to be aware of the filmmaking process, as well as their own performance, is not easy, but it can usually help make a better movie.”

    NYFA Australia students found Toby’s stories and insights particularly inspiring, given the cinematographer’s breadth and depth of experience. “Very inspiring to hear from a true Hollywood master,” said student Anthony. “This talk gave me a good idea how to work my way to success.”

    Fellow student Simon agreed. “Toby was generous with his time, sharing his insights and knowledge into the industry and his own creative and collaborative practice.”

    The New York Film Academy Australia would like to thank Toby Oliver for visiting our Sydney campus as a Guest Speaker.

  • June Graduation for NYFA Teens and Kids Summer Camps

    On Friday, June 27, the first New York Film Academy teen and kids summer camp programs came to an end. As students waited for their graduation ceremony to start, they took selfies while their parents banded together.

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    As the lights dimmed, the acting students presented their one to two minute monologues. Their head shots were projected before the video began. Filmed against a white background “audition style,” each actor chose a unique piece to perform.

    Then, the student’s short films were screened. Their backdrop was the Universal backlot, the same place “Hairspray” was filmed. Students were given a challenge to make a movie without dialogue. They wrote, directed, filmed, and edited their own productions from start to finish.

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    Their instructors and councilors were in attendance and issued certificates of completion. In their farewells they offered words of encouragement. Camera Instructor Bart Mastronardi offered the wise words of Helen Keller: “Life is either an incredible journey or it’s nothing at all.”

    “In five days you’ve done an amazing job. This is one of the best one-week programs. You’re all so ambitious. Parents and grandparents keep pushing these kids. They really appreciate it. Even if they don’t always show it,” said NYFA Instructor Martin Thompson.

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    After they collected their certificates each student was given a copy of their work to use for reels or to share with friends and family. The graduates and their families finished the night with cupcakes and dancing by the pool.

    Head of programs Ale Salinas described the programs objectively in her farewell, stating, “Some of you may have learned that this isn’t what you want to do at all, that’s valid, too. But I’m being honest when I say we’re going to miss you.”  6B2A0062

    The New York Film Academy would like to congratulate all of the students in finishing their first film. We look forward to the seeing second film real soon.