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  • NYFA and RED Digital Cinema Reveal RED Challenge Contest Winners

    After months of absolute suspense, New York Film Academy and RED Digital Cinema finally revealed the winners of their fierce competition. The Brazilian alumni pair, Leco Moura and Rodrigo Zan, took the stage for their clean sweep of awards at the wrap event hosted at RED Studios Hollywood on August 31.

    Moura took home the most coveted accolade of the festival, a brand new RED EPIC-W, an 8K professional digital cinema camera, as the Grand Prize for Best Cinematography for his outstanding work on “Jimbo.” Zan was the writer/director of the same heist short film, which could soon become his debut feature. From RED, he already got the jump-start: a three-week rental of a DSMC2 camera for winning the Filmmaker’s Prize.

    It was also a night to remember for Colombian alumnus Andres Hernandez. As the jack-of-all-trades in his dramedy “Monday” — script, directing, and photography — he won the Audience Award. His leading actor, Carlos Perez, accepted the prize on his behalf, for which Hernandez got a $1,500 REDucation voucher for an intensive professional camera workshop.

    The awards ceremony was the culmination of a blazing competition that started in late March, raising more than 130 submissions of the school’s one-year projects or thesis films shot entirely on RED cameras. Then, a NYFA Selection Committee led by the Chair of Cinematography Tony Richmond, best known for his work on “Legally Blonde” and “Men of Honor,” carefully watched over 30 hours of film, picking the top 19.

    Those semi-finalists had the opportunity to participate in the Audience Award category while keeping in the run for the Cinematography and Filmmaker prizes. Eleven of them decided to give it a shot at the online voting. Andres Hernandez’s film “Monday” was the favorite of the public.

    In late July, RED narrowed the 19 semi-finalists to just five. Along with “Jimbo,” the top NYFA alumni films were the coming-of-age drama “The Farthest Apple From the Tree,” by director Elmo Kebour with Italian director of photography Andrea Gavazzi; the twisted fable “Feast,” led by a female pair, Kazakhstani writer/director Aizhan Tuganbayeva with French D.P. Julie Angelo; The U.S.A. was represented in the supernatural western “Revelation,” directed by John Willment-Knowles with Ruperto Sanchez as director of photography; and the sci-fi comedy “H.A.M.,” by writer/director Boise Esquerra with Spanish D.P. Julio Escames.

    The Wrap Event held at RED Studios Hollywood highlighted the five finalists and the audience favorite to a handpicked group of guests from the industry and the NYFA/RED Jury. That is the same room where David Fincher color-corrected “Gone Girl.” Formerly an MGM lot and then later the home of the famous Desilu Productions — run by Hollywood royalty supercouple Desi Arnaz and Lucille Ball — the place preserves a piece of American film history. It was acquired by RED in the early 2000s, preventing the land from turning into high-rise condos.

    The New York Film Academy would like to thank RED Digital Cinema for this consistent and fruitful partnership through several years, being instrumental in the mission of fostering a global new generation of talented and diverse filmmakers. NYFA would also like to congratulate all winners, finalists, and semi-finalists, wishing this competition serves them as a stepping stone in the visual storytelling arts journey to become industry leaders.

    Semi-finalists (in alphabetical order):

    • “Beyond Cornfield Street”
    • “Blue Bird”
    • “Brad Lee”
    • “Family”
    • “Feast” 
    • “H.A.M”
    • “Harmonica”
    • “Jimbo”
    • “Monday”
    • “Mutus”
    • “One Last Breath”
    • “Revelation”
    • “Rosetta’s Blues”
    • “Somewhere”
    • “The Farthest Apple from the Tree”
    • “The Hook”
    • “The Other Side”
    • “Twenty Years After”
    • “Visitors”

     

  • NYFA at IFP Week: Faculty Panel, Student and Alumni Discounts, and More

    The New York Film Academy is proud to be a sponsor of upcoming top industry gathering IFP Week, in Brooklyn from Sept. 17-21. This year, NYFA faculty will be represented on an IFP panel — stay tuned for more details as they come!
    “If you can go, go!” said NYFA Documentary Filmmaking Program Chair Andrea Swift.
    NYFA Documentary Chair Andrea Swift and Producing Chair Neal Weisman explain that IFP Week is a critical industry gathering — whether you’re a producer, documentary filmmaker, screenwriter, director, or are involved in the industry in any way. It is as important for launching and maintaining careers as Sundance, and people fly in from all over the world to attend. Simply put, IFP Week is one of the most important events in the U.S. film industry.
    NYFA is proud to help sponsor it and is very pleased to share that IFP has extended a 20% discount to our alumni with special code: NYFA20.

    “IFP’s signature event, IFP Week, has expanded again this year to include numerous public screenings, talks, meet ups, and exhibitions centered on cutting-edge independent content for the big screen, small screen and Internet,” says IFP Deputy Director & Head of Programming Amy Dotson. “From our Filmmaker Magazine Talks, IFP Screen Forward Conference, Direct Access program, VR exhibitions from The Guardian, and more, our guests will have access to some of the most interesting, innovative and outspoken storytellers and leaders working today.”

    NYFA Chair of the Producing Department Neal Weisman will represent as moderator of the “Direct Access” panel: “Finding the Sales.” Neal Weisman is an award-winning film and television producer with over 20 years of international experience. Producing credits include “The Politician’s Wife” (BAFTA and International Emmy Awards for Best Drama Serial, Peabody Award), “Seeing Red” (Christopher Award), and “My Kingdom,” which starred Richard Harris in his last leading role. “Let’s Talk About Sex,” a documentary about adolescent sex in America, broadcast on TLC, digital and DVD release through New Video. Vice President, Edward Pressman Film Corporation: Oliver Stone’s “Wall Street” and “Talk Radio,” Barbet Schroeder’s “Reversal of Fortune,” Taviani Brothers’ “Good Morning Babylon,” Fred Schepisi’s “Plenty,” David Byrne’s “True Stories,” David Hare’s “Paris By Night,” Alex Cox’s “Walker,” Charles Burnett’s “To Sleep With Anger,” and Kathryn Bigelow’s “Blue Steel.”

    NYFA VR Instructor Caitlin Burns will appear on the IFP Panel “(Virtual) Reality Check: Bringing Filmmakers into the 21st Century.” As a transmedia producer for over 15 years, Ms. Burns has developed storyworlds and sustainable multiplatform strategies for franchises ranging from global blockbuster feature films, award-winning television shows, AAA console games and Virtual Reality. She also works with international brands, and organizations to use new media technologies to reach audiences and create impact. She currently serves as Vice Chair of the Producers Guild of America’s New Media Council and Lead Instructor for 360° Filmmaking and VR Gaming at the New York Film Academy.

    IFP Week in Brooklyn, NYC Sept. 17-21, Programming to include (via official website):

    Filmmaker Magazine Talks @ BRIC

    This year’s IFP Week will kick off on Sunday, September 17th with Filmmaker Magazine Talks @ BRIC. In honor of the 100th issue of the iconic publication, programming will celebrate the creative talents and industry who have filled Filmmaker Magazine’s pages for a quarter of a century. The event will feature Editor-in-Chief Scott Macaulay in talks with 2017 Academy Award-winners Barry Jenkins & Adele Romanski (“Moonlight”), Emmy-nominated director Dee Rees (“Mudbound”), The Safdie Brothers (“Good Time”), Sean Baker (“The Florida Project”) as well as past and 2017 Filmmaker Magazine “25 New Faces of Independent Film.”

    IFP Screen Forward Conference @ Made in NY Media Center by IFP

    Featuring intimate conversations with some of the most interesting, innovative and outspoken storytellers and leaders today, the program runs Monday, September 18 through Wednesday, September 20 at the Made in NY Media Center by IFP in Dumbo, Brooklyn. Speakers include Cenk Uygur (“The Young Turks”), Julie Klausner (“Difficult People”), Mark Douglas (“The Key of Awesome!”), Anjali Sud (Vimeo CEO), Jenna Wortham (“Still Processing”) and many more!

    IFP Direct Access & Meet The Decision Makers @ Made in NY Media Center by IFP

    IFP also offers aspiring artists and entrepreneurs – as well as working professionals in the media & tech industry – direct access to top industry leaders through its Meet the Decision Makers and Direct Access tracks.

    Meet The Decision Makers

    Get face-time with some of the most exciting organizations in indie entertainment today in small group meetings with company representatives from Amazon Studios, A&E, Bleecker Street, Cinetic, First Look Media, Field of Vision, HBO, IFC, Killer Films, POV, Oscilloscope, Sony Pictures Classics, Submarine, Vimeo, and more.

    IFP Direct Access

    NEW TO IFP WEEK 2017.  Join top industry leaders for sage advice and time-saving information on how to launch your narrative feature, doc, serialized content, in intimate, small workshops with accomplished industry leaders whose expertise ranges from finding financing to digital distribution.

    NYFA students and alumni are invited to attend the prestigious independent filmmaking event. As part of our partnership, IFP is offering 20% discount to students and alumni. To purchase your ticket(s), go to the website and use the Partner Code.

     

  • NYFA Los Angeles Holds Social Media Networking Night

    _DSC7452Chair of Industry Outreach and Professional Development Barbara Weintraub held a Social Media Networking Night at NYFA Los Angeles in late July. Over 220 students from the New York Film Academy’s Los Angeles campus attended the event held in the Riverside Building.

    The lobby was filled with film companies like Film Independent and New Filmmakers LA. They were there to share opportunities for students, membership experiences, and career paths.

    A color-coded system helped students get in touch with other students. Small dots on name tags indicated whether the attending was an actor, filmmaker, photographer, or game designer.  

    “There are so many students that I hadn’t met,” said acting student An Phan. “I’m at the Barham building most of the time while the photography and filmmaking students are at Riverside. I never get to interact with them. I saw a lot of portfolios and I was blown away by how talented everyone was. It was great interaction. I had a lot of fun.”

    The New York Film Academy would like to wish all the students applying for professional memberships and those students teaming up to work on a project success on their next venture.

  • NYFA Australia Welcomes Cinematographer Toby Oliver as Guest Speaker

    Sydney students were fortunate to hear from native Australian, award-winning cinematographer Toby Oliver, who has forged a successful career in the U.S. and internationally. Moderated by NYFA Australia Dean of Faculty Art Helterbran Jr., it was an inspiring Guest Speaker event which centered on the topic of work ethic in the film industry.

    Some of Mr. Oliver’s recent credits include thriller “Get Out,” with Allison Williams and Daniel Kaluuya, filmed in the U.S. state of Alabama. According to IMDB, “Get Out” ranked #1 at the U.S. Box Office on its opening weekend in February 2017.

    NYFA Sydney student Charlie was particularly pleased to hear from a cinematographer with so much experience working in intense movies. “I love horror films,” Charlie shared after the event. “It was so amazing to hear from a DoP who has worked on films I really loved. It’s was the best talk ever.”

    An accredited member of the Australian Cinematographers Society (ACS), and the Australian Academy of Cinema and Television Arts (AACTA), Toby’s credits also include the Australian WWI epic “Beneath Hill 60,” (Australian Academy nomination); TV movie “Beaconsfield” (Gold ACS Award and the ACS Best in Show); “Wolf Creek 2” (ACS Gold Award, Venice Film Festival); and “Carlotta” (Australian Academy nomination). In his uniquely international career, Toby has also created a prolific body of work in China, including the romantic Chinese-language “Waiting Alone” as well as the Australia/China co-production “33 Postcards.”

    Toby’s advice to the international student community of NYFA Australia centered on the importance of having a strong work ethic: “…(working in the film industry) is all about work ethic. If you want to do something, you got to do it properly…all the way through to the end.”

    He also pointed to having an awareness of the whole team on the film set as being essential to a film’s success, no matter the role. “Having actors who got that kind of skills to be aware of the filmmaking process, as well as their own performance, is not easy, but it can usually help make a better movie.”

    NYFA Australia students found Toby’s stories and insights particularly inspiring, given the cinematographer’s breadth and depth of experience. “Very inspiring to hear from a true Hollywood master,” said student Anthony. “This talk gave me a good idea how to work my way to success.”

    Fellow student Simon agreed. “Toby was generous with his time, sharing his insights and knowledge into the industry and his own creative and collaborative practice.”

    The New York Film Academy Australia would like to thank Toby Oliver for visiting our Sydney campus as a Guest Speaker.

  • June Graduation for NYFA Teens and Kids Summer Camps

    On Friday, June 27, the first New York Film Academy teen and kids summer camp programs came to an end. As students waited for their graduation ceremony to start, they took selfies while their parents banded together.

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    As the lights dimmed, the acting students presented their one to two minute monologues. Their head shots were projected before the video began. Filmed against a white background “audition style,” each actor chose a unique piece to perform.

    Then, the student’s short films were screened. Their backdrop was the Universal backlot, the same place “Hairspray” was filmed. Students were given a challenge to make a movie without dialogue. They wrote, directed, filmed, and edited their own productions from start to finish.

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    Their instructors and councilors were in attendance and issued certificates of completion. In their farewells they offered words of encouragement. Camera Instructor Bart Mastronardi offered the wise words of Helen Keller: “Life is either an incredible journey or it’s nothing at all.”

    “In five days you’ve done an amazing job. This is one of the best one-week programs. You’re all so ambitious. Parents and grandparents keep pushing these kids. They really appreciate it. Even if they don’t always show it,” said NYFA Instructor Martin Thompson.

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    After they collected their certificates each student was given a copy of their work to use for reels or to share with friends and family. The graduates and their families finished the night with cupcakes and dancing by the pool.

    Head of programs Ale Salinas described the programs objectively in her farewell, stating, “Some of you may have learned that this isn’t what you want to do at all, that’s valid, too. But I’m being honest when I say we’re going to miss you.”  6B2A0062

    The New York Film Academy would like to congratulate all of the students in finishing their first film. We look forward to the seeing second film real soon.

  • Chair of Cinematography Tony Richmond Screens His Classic “The Man Who Fell to Earth” At NYFA Los Angeles

    On Monday, June 26 New York Film Academy students were treated to a star-studded screening. NYFA’s Chair of Cinematography Tony Richmond screened his classic film “The Man Who Fell to Earth.” The film’s leading lady Candy Clark joined him for the discussion of one of David Bowie’s most popular films.

    Directed by Nicolas Roeg,The Man Who Fell to Earth is about an alien (Bowie) trying to save his planet by siphoning water off of Earth. To do so, he assumes the identity of Thomas Jerome Newton, starts a billion dollar company, and moves in with Mary-Lou (Clark). But the creature could not predict the cruelty of business done here on Earth and soon must face the consequences.

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    Film critic and frequent NYFA collaborator Peter Rainer hosted the Q and A. Rainer kicked off the evening by enquiring about working with the renowned director and frequent collaborator of Richmond, Nicholas Roeg.

    Landing the lead male role for any film can be difficult. Roeg originally had someone else in mind for the role. As Richmond shared, “Nick’s first choice was Michael Crichton. He was very tall. He was going to do it and then pulled out. The whole thing kind of fell apart. Then Nick saw ‘Cracked Actor,’ a documentary on David Bowie on the television. They scheduled a meet-up. Bowie kept him waiting for about six hours, eventually said he would do it, and then we were off and running.”

    Many perceive “The Man Who Fell to Earth to be a science fiction film. According to Rainer, this is not the case: The themes are much more closely related to a family drama. This weird blend of genres along with the magnetism of superstar David Bowie at the helm the film led to the creation of a hit. But, as actress Candy Clark told students, not everyone thought that success would translate.

    “It’s a two hour and twenty-three-minute movie,” Clark began. “Donald Rugoff, head of Cinema 5 at the time, was like Harvey Weinstein. He had a reputation for putting out art house films that exemplified the director’s vision. But with this film, he started seeing dollars. Nick Rogue and Graeme Clifford had spent a year and a half meticulously cutting this film, piece by piece. Rugoff got a hold of it. Despite his reputation, he decided to cut twenty-three minute. He hired a guy who cuts commercials. This film took a year to cut. The new guy did it in a week. He just willy-nilly took out stuff.”

    While touring to promote the film, Clark saw the fist American cut of the film.  She called Nick immediately after, but the damage was done. “Years later I called up Cinema 5. I pitched this big lie that I was getting asked about the film all of the time.” Clark then convinced them to release the original cut of the film, saying she told them, “You don’t have to spend any money. Just take the original poster and add a banner with the word: uncut. I’ll promote it any way you want … As a result, the American cut has dwindled to the wayside. All that is seen now is the director’s cut. It’s now out on Criterion. I never gave up on this film.”

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    During the Q and A, one student asked how Richmond planned so many of the daytime shots to get the light just right.

    Richmond revealed, “I would like to say that I did it. But I was so, so lucky with the sky. Every time we did some vast exterior there would be this incredible sky. The scene with the cottage, for instance, that cloud hung over the cottage all day. It never moved. I went back to Mexico and I was going through this little town and I felt like I’d been there. Now, it’s a huge artist commune.” The location holds artistic magic.

    The New York Film Academy would like to thank Tony Richmond and Candy Clark for sharing their experiences with our students. We would also like to thank Peter Rainer for hosting the night’s festivities. The 4k restoration of “The Man Who Fell to Earth is now available everywhere Blu-Rays are sold. Rainer’s book “Rainer on Film” is also available for sale on Amazon.

  • NYFA Welcomes Hire Heroes USA

    On June 24, The New York Film Academy College of Visual and Performing Arts (NYFA) Veteran Services Department was fortunate to collaborate with Hire Heroes USA (HHUSA) to host a daylong exclusive employment workshop for NYFA’s veteran students. The NYFA military students also benefited from one-on-one time with the Transition Specialists from HHUSA.

    Hire Heroes and New York Film Academy

    Hire Heroes visits the New York Film Academy

     

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    Hire Heroes USA is a nonprofit that provides free, expert career coaching and job sourcing to hundreds of transitioning U.S. military members.

     

    Hire Heroes USA is a nonprofit that provides free, expert career coaching and job sourcing to hundreds of transitioning U.S. military members, assisting veterans and spouses with finding employment.

    The first half of the eight-hour workshop was a practicum related to resume theory, networking techniques, and how to affectively prepare for an interview. Representatives from Hire Heroes USA, Jamie Rimphanli and Walter Serrano, coached veteran students on how to properly format their resumes and discussed, in-depth, the importance of networking and how to prepare for a job interview.

    For the second half of the workshop, industry professionals from Disney Studios, Warner Brothers, Paramount, Legendary Entertainment, and Plan A Locations joined the workshop for a moderated Q&A panel discussion. Panelists discussed how they began their careers in the entertainment industry and how they’ve navigated their careers for success.

    Highlights from the day included an exercise that had all of the participants do a speed networking session. Also, HHUSA brought a photographer who took professional head shots for the veteran students’ LinkedIn pages.

    “We felt that this training and these types of vet student-centric activities are increasingly important because they help prepare our students to meet with HR/Talent Acquisition teams from the major studios,” explained NYFA Director of Veterans Services Department John Powers.  

    Retired Army veteran and MFA cinematography student Bryan Hudson stated, “The Hire Heroes USA workshop was a fantastic forum to introduce veterans with industry insiders and provide the opportunity to learn from them. The event was beneficial to everyone involved about learning the ‘do’s and don’ts’ of the interview process and how to break into the entertainment industry. One thing that I learned from the workshop is to establish relationships that will be beneficial to both parties. Thank you to the NYFA Veterans Department for putting on this marvelous event, and I hope that this will be the first of many events with Hire Heroes USA.”

    The NYFA Veteran Services Department is extremely grateful to Hire Heroes USA for partnering with us to bring this wonderful opportunity to NYFA veteran students.

  • MFA Cinematography Grad Bob Nguyen Wins Vietnam’s Highest Award for Cinematography

    IMG_2291New York Film Academy is proud to congratulate MFA Cinematography graduate Bob Nguyen on winning the Golden Kite Award for Best Cinematography in 2016 for his work on the feature film “Sut.” The Golden Kite is the highest award given in Vietnam, and represents the country’s equivalent to an Academy Award.

    During his time as a student at NYFA, Bob worked hard to refine his cinematography skills and master his craft. He built a strong network, collaborating with many students from different programs. In addition to making connections, Bob built an impressive reel with a range of striking images that showcased his skills as a cinematographer. Bob took advantage of the network he built, finding work in Los Angeles, Italy, Australia, and Vietnam. Since graduating, he has photographed three feature films and a number of short films.

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    “Sut” tells the story of young man who became a national soccer star early in his life, but soon found himself lost after the death of his younger brother. Searching for purpose in his life, he returns to the sport he loves as the coach of his brother’s soccer team. He struggles to find a way to teach the players to come together and win as a team.

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    14Working with the director to realize his vision, Bob wanted to avoid the clichés of a formulaic sports movie. He and the director were inspired by a number of films, including “Moneyball,” and they worked to tell a simple human story against a backdrop of the world of professional soccer.  Shooting with the Red Epic digital cinema camera, Bob carefully planned his compositions and choice of lenses to present a different side of Vietnam not often seen on the screen. The film has been praised for its distinctive visual style, including winning the highest honor for cinematography given by the Vietnamese film community.

    We are proud to congratulate Bob on this incredible award, and we wish him continued success in his career as a professional cinematographer.

    June 23, 2017 • Academic Programs, Cinematography, Student and Alumni Spotlights • Views: 1817

  • NYFA LA Chair Tony Richmond Interviewed by Cineaste

    New York Film Academy Los Angeles Cinematography Chair Tony Richmond recently discussed his long-standing career as well as the new 4k digital restoration of “The Man Who Fell to Earth” with Cineaste, a leading magazine on the art and politics of cinema.

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    Beginning with his first gig as a news runner on London’s Wardour Street, Richmond chronicles his rise in the business. Early in his career, Richmond had the extraordinary opportunity to work with Jean-Luc Godard on “One Plus One” (“Sympathy for the Devil”), followed by three groundbreaking films for Nicholas Roeg, including “Don’t Look Now,” “The Man Who Fell to Earth,” and “Bad Timing,” among many other films.

    “The greatest thing about Godard, for me, and this has resonated throughout my career, is that, as he once said, movies have a beginning, a middle, and an end, but not necessarily in that order,” said Richmond about his work with Godard. “I think that’s fantastic…bloody fantastic!”

    As to his work with director Nicholas Roeg, Richmond said, “The cinematographer’s job is to put the director’s vision on the screen and maybe enhance it. But Nic has a very strong vision for the movie. What I’ve always found is that as a cameraman, or as a cinematographer as we’re called, we want to learn from the director exactly how he wants his movie to look, feel, and smell. Some of them know what they want, but they can’t put those feelings into works, whereas Nic can.”

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    To date, Richmond has worked as a cinematographer on more than ninety films from all genres, including “Men of Honor,” “Candyman,” Legally Blonde,” “Dumb and Dumberer,” and recently completed “Diary of a Wimpy Kid: The Long Haul,” with NYFA alumnus Jeremy Harris working as his personal assistant on the film.

    Having worked on a variety of genres, Richmond says he has now reached a point in his career where he will only work with friends. He’s currently working on a movie a year while serving as the Chair of NYFA LA Cinematography.

    “It’s wonderful watching these new kids coming up,” said Richmond in his interview with Cineaste.“

    Richmond will be heading east to NYFA’s New York location for an exclusive Cinematography Master Class on June 16, 2017.

    May 30, 2017 • Cinematography, Faculty Highlights • Views: 1732

  • MFA Cinematographers Complete Production Design Workshop

    The Spring 2016 MFA Cinematography students at the New York Film Academy Los Angeles completed their Production Design workshop last week, spending two days building a three-room set.  They worked on a soundstage at Burbank Studios, famous as the home of the Tonight Show with Johnny Carson and Jay Leno, among many NBC Studios productions. The class painted and dressed the set to incorporate a high level of detail, then rigging a 50’ translight backing of the New York skyline to complete the illusion. The translight will be seen outside the set windows, lit for both day and night at different points in the story.

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    This workshop was part of the Production Design course in the MFA Cinematography program, taught by instructor Francis Pezza, whose credits as an Art Director include “Outbreak,” “Dante’s Peak,” “Big Fat Liar,” and the original “Miami Vice” TV series. In addition to learning the fundamental concepts of production design, the students worked throughout the semester on designing a set that fit the needs of an original short screenplay.

    The script was written by NYFA directing instructor Anthony Cook, whose credits include writing and directing the independent feature film “Wal-Bobs,” and producing the upcoming Lionsgate series “Dead House” for actor and former NYFA student Andrew “King Bach” Bachelor and executive producer Kevin Hart. For this workshop, Cook wrote a story about an obsessive-compulsive man who must defend his carefully manicured apartment from a trespassing mouse.

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    Once the set was completed, the students shot for three days on stage as the final part of the Cinematography Practicum class. The project was photographed on the Red Dragon digital cinema camera, allowing the cinematographers to shoot in 6K and utilize a RAW image workflow.

    Cinematography instructors Anthony Richmond, ASC, BSCJacek Laskus, ASC, PSC and Rick Greenwood joined the class on stage for the shoot days. They offered guidance on lighting and blocking the scenes, helping the student cinematographers to realize the story and make best use of the intricate set.  Richmond showed the students one of his trademark techniques for creating transitions in camera, teaching them how to use nets and dimmers to recreate one of his signature visuals from films including “The Man Who Fell to Earth.”

    With guidance from their instructors, the MFA students leave this workshop with an understanding of what it takes to build a professional set, and how to shoot it. Having completed their final Cinematography Practicum shoot at New York Film Academy, the students will incorporate these ideas in their work as they begin their MFA Thesis Films next semester.

    May 17, 2017 • Cinematography • Views: 2311