Faculty Highlights
Category

  • NYFA South Beach Instructor Daniel Abrusci Wins Gold Promax Award

    Facebooktwitterredditpinterestlinkedinmail

    New York Film Academy is excited to share that Filmmaking instructor Daniel Abrusci has won a Gold Promax Award for outstanding achievement in sound design and mixing on the Cbeebies segment Christmas Lights for BBC Latin America. 

    The Promax Awards are the world’s premier celebration of outstanding achievement in entertainment marketing and design, honoring teams of creatives harnessing passionate fandom to drive audiences, create value, and build the biggest brands in entertainment.

    The one-minute animation Abrusci worked on in his home studio was extremely heavy in sound design. “When working with animation, sound design plays a huge role because there’s no audio to start with,” he explained. “I edited three different pieces of music into a one-minute spot in order for the music to be dynamic and help boost holiday emotions.”

    The South Beach instructor had to recreate the ambiance needed for the TV spot to feel a bit more realistic, adding in stylistic sound elements to elevate the story visually. “There’s plenty of creativity involved due to the fact that a lot of these actions might sound different in real life,” shared Abrusci. “Once we have all the different sound design, voiceover, and music elements, mixing is all about making things stand out and giving everything character and space in the frequency spectrum.” Essentially, sound mixing in itself plays an important role in fully forming a character, space, or idea.

    NYFA instructor Daniel Abrusci

    Abrusci urges anyone who is looking to hone their craft to “keep practicing” as it’s practice, trial, and error that allow you to master your skills. “The more time you put into something, the better you’ll become at it. Stay passionate and make it happen!”

    New York Film Academy congratulates Daniel Abrusci on his outstanding achievement and looks forward to what’s next from the talented South Beach faculty member. 

    To view the Christmas Lights spot, view the video below. 

    Facebooktwitterredditpinterestlinkedinmail

    February 25, 2021 • Entertainment News, Faculty Highlights, Filmmaking, South Beach • Views: 1357

  • NYFA Photography Alum Jon Henry Named on The “TIME 100 Next” List

    Facebooktwitterredditpinterestlinkedinmail

    New York Film Academy (NYFA) is excited to announce that Photography alum Jon Henry has been featured in TIME Magazine’s TIME 100 Next list for 2021.

    Last year, Henry won the prestigious Arnold Newman Prize for New Directions in Photographic Portraiture­ and the Kodak Film Photo Award—for his series “Stranger Fruit.” The alum also had his photographs from the series displayed on multiple pages in the October 2020 National Geographic issue.

    Cover of the ‘TIME Magazine’ issue featuring the ‘Next 100’ (TIME Magazine)

    TIME reporter Josiah Bates, who wrote the profile on Henry for the Time 100 Next issue shared that Henry’s prolific series “Stranger Fruit” is weighted with significance: “In visual artist Jon Henry’s series ‘Stranger Fruit,’ sons pose with their mothers as if they are lifeless, re-creating scenes of mourning. The mothers stare through the camera’s lens as if holding onlookers accountable for threats their sons could one day face. In 2020—after the killing of George Floyd by police­—the series took on new poignancy.”

    The alum was featured alongside other artists who made the list including director Boots Riley, Lakeith Stanfield, Florence Pugh, and more. Henry shared his gratitude for being included in the list on his Instagram account: “Honored beyond measure to be included in #time100next. The 2021 TIME100 Next list highlights 100 emerging leaders who are shaping the future of business, entertainment, sports, politics, health, science and activism, and more. Crazy.”

    NYFA alum Jon Henry

    Henry was also featured on the cover of JRNL 4 and was also profiled by Photograph Magazine. The NYFA alum and Photography instructor’s “Stranger Fruit” series is currently on display in Portland at BlueSky Gallery through March 27, 2021, and will also be featured in Miami from March 11 – May 21 at DotFiftyOne Gallery. The series has also gone international and is currently on view at the KP Gallery in South Korea, the first international solo exhibition for the project.

    Untitled 60, St Charles, MO (2020) – Photo Credit: Jon Henry

    New York Film Academy is thrilled to congratulate one of its own for being among those selected for TIME Magazine’s TIME 100 Next list for 2021 and is proud of the recognition that Jon Henry is receiving for his body of work and the “Stranger Fruit” series.

    Facebooktwitterredditpinterestlinkedinmail
  • Meet NYFA Cinematography Instructor & ASC Member Tommy Maddox-Upshaw

    Facebooktwitterredditpinterestlinkedinmail

    At New York Film Academy, the faculty is an incredibly talented group of artists that teach the next generation of filmmakers and creators all while being active members in their industry. For NYFA Cinematography instructor Tommy Maddox-Upshaw, ASC, this is no exception. 

    Maddox-Upshaw has lensed fan-favorite shows like Empire, Snowfall, Tales, and On My Block, to name a few, and teaches 35MM, Advanced Lighting, and Stage to Screen for Actors in NYFA’s Cinematography department. 

    Maddox-Upshaw first got interested in the world of lensing and cinematography when his sister Kyla got him on set as a Production Assistant for a Hype Williams music video when he was 19 years old. “I saw how the Cinematographer worked with everyone and created such beautiful images and I already liked photography,” he shared. “I was like, ‘I want to do what he does’ and I set out to learn what I could even though my college didn’t have a film program and really no film studies.”

    Photo courtesy of Tommy Maddox-Upshaw

    From there, Maddox-Upshaw notes that the documentary film Visions of Light inspired him even further to pursue a career in cinematography, and the NYFA instructor began picking up work between his Boston hometown and New York City while continuing to further his education in cinematography. His work for commercial clients like Ford, Allstate, and HBO, to name a few, helped develop working relationships which led Maddox-Upshaw to eventually work alongside visionaries like Spike Lee and Matthew Libatique, ASC.

    He provided VFX additional photography on A Star Is Born, and worked on the second unit for Straight Outta Compton, both shot by Libatique, and shot additional photography on feature films Grown Ups 2, Beyond the Lights, and The Circle. Maddox-Upshaw also served as the director of photography (DP) for Kalushi: The Story of Solomon Mahlangu, Hello Beautiful: Interludes with John Legend, Fixed, and more.

    Photo courtesy of Tommy Maddox-Upshaw

    Recently, Maddox-Upshaw was recognized by the American Society of Cinematographers (ASC) and was welcomed as a member of the ASC. The distinguished honor is one that names Maddox-Upshaw among the legacy of celebrated directors of photography over the last 100 years.

    “Becoming part of the ASC has been a goal of mine since the time I really started to study and read American Cinematographer Magazine and watch Visions of Light when I was about 20 years old,” revealed Maddox-Upshaw.

    For his students and aspiring cinematographers, Maddox-Upshaw encourages them to study more than what’s on the other side of the lens to become a good DP. 

    “Study the art of understanding good screenplays. understand the Black and White of the page so then you can make the correct emotional decision from what is written. Try and watch a movie a day; it makes a difference after a couple of years of doing it. You can recall so much and understand why certain things in cinema work,” Maddox-Upshaw explained. 

    No one can dream bigger for you. You have to enjoy the process of your own journey you should want to be on set and learn from other people. You can learn this on your own and don’t be afraid to make mistakes especially in a learning environment.”

    In addition to teaching at NYFA, Maddox-Upshaw recently photographed Season 6 of the Fox drama Empire. Additional credits from Maddox-Upshaw include season three of the FX drama Snowfall, season two of Netflix’s On My Block, and season one of the Netflix comedy Huge in France

    New York Film Academy congratulates Maddox-Upshaw on his recent induction into the ASC and is excited to have the opportunity for Maddox-Upshaw to continue to teach NYFA students about what it means to be a director of photography.

    To learn more about NYFA’s Cinematography programs, click here

    Facebooktwitterredditpinterestlinkedinmail

    February 23, 2021 • Cinematography, Community Highlights, Diversity, Faculty Highlights • Views: 1525

  • Documentary Filmmaking Instructor Claudia Raschke Lenses Upcoming “FAUCI” Doc For National Geographic

    Facebooktwitterredditpinterestlinkedinmail

    At New York Film Academy (NYFA), our instructors are not only teaching the next wave of filmmakers and creatives alike but are out focusing on their own work and setting up the shot for the next big film. In this case, veteran cinematographer Claudia Raschke is no different, having lensed yet another prominent documentary film, FAUCI from National Geographic Documentary Films. 

    The New York-based Documentary Filmmaking instructor is known for shooting the Oscar-nominated and Emmy award-winning documentary RBG, the Oscar-nominated film God is Bigger Than Elvis, the Peabody Award-winning film Black Magic, the Oscar short-listed Mad Hot Ballroom, The Freedom to Marry, and many more. 

    Behind the scenes of “FAUCI” (National Geographic Documentary Films)

    Her latest project will see Raschke as the DP on the highly anticipated documentary FAUCI, directed by John Hoffman and Janet Tobias. The film will follow epidemiologist and famed White House COVID-19 pandemic advisor Dr. Anthony Fauci, offering a glimpse into his career and life as a public servant who has advised seven U.S presidents from the start of the AIDS pandemic in the 1980s through SARS, Ebola, and now COVID-19. 

    The film was announced on February 4, 2021, with special appearances listed like Bono, former President George W. Bush, Bill Gates, etc., and as of October 6, 2021, it is available to stream on Disney+.

    NYFA instructor Claudia Raschke on set

    Raschke’s year is just getting started, as her feature documentary work on My Name is Pauli Murray recently premiered at the Sundance Film Festival, and the 2021 premiere of Julia (CNN /Imagine Entertainment) on the horizon. Raschke’s new spy documentary, Codebreaker, aired this past January and is currently streaming after airdate on PBS’ American Experience.

    “Capturing the big and the small moments of the amazing world we live in feeds my passion for the art of cinematography. Equally important is that I bear witness to and document the unique stories that unfold before my eyes in a way that dismantles barriers, opens doors, and reveals the truth. I believe that filming intuitively, honestly and without inhibition is a journey that requires a compassionate heart and the ability to see and hear what lies beneath the surface.” – Claudia Raschke, DP

    New York Film Academy congratulates NYFA Filmmaking’s Documentary Division Cinematography instructor Claudia Raschke on all of her upcoming projects and looks forward to sharing more about the FAUCI documentary upon its release later in 2021. 

    Facebooktwitterredditpinterestlinkedinmail
  • Hannah Gilliland, NYFA Study Abroad Admissions Associate, Accepted into NAFSA Future Leaders Academy

    Facebooktwitterredditpinterestlinkedinmail

    NYFA is thrilled to announce that our colleague, Hannah Gilliland, was recently accepted into the NAFSA Academy, and was awarded a NAFSA scholarship to attend the 2021 cohort of young international education leaders of the future. 

    The NAFSA Academy is a highly cherished program of NAFSA: Association of International Educators. NAFSA “…is the world’s largest nonprofit association dedicated to international education and exchange”. Its mission is to provide a path for every student, scholar, and specialist who is seeking the benefits of international education and to have every “…higher education integrates international perspectives into its teaching, research, and service missions”.
     
    The NAFSA Academy, which informs and educates people to uphold the organization’s mission, is a competitive, yearlong, intensive training and networking course on international education. Trainees are chosen from all over the US and are from many different international education backgrounds. 

    Hannah Gilliland

    “The curriculum is rigorous and will provide Hannah with a wide-ranging array of tools for her to manage the NYFA Study Abroad Department efficiently”, stated Jim Miller, NYFA Vice President. Mr. Miller went on further to say, “we are very, very proud of Hannah — all of us at NYFA who interact and work alongside her regard her as a true gem of a colleague and we know that she has an incredible future in the field!” 

     The NAFSA Academy curriculum includes networking opportunities, an individual learning plan in which trainees arrange goals in terms of personal and institutional goals, blog assignments, attending the regional and annual NAFSA conference, and more. “What is unique is that I get to meet people all over the country and learn about all aspects of international education and while this course will benefit me, it will also benefit NYFA as a whole”, Hannah indicated upon learning of the award. 

    Hannah Gilliland at NYFA’s table at NAFSA’s 2019 annual conference

    “The NAFSA Academy will not only help with important connections but also will assist me in making the NYFA Study Abroad Department stronger and give me insight into how other Study Abroad Departments are run. I believe NYFA’s emphasis on international and globally-minded students is one of our greatest and unique strengths that sets us apart from other schools and I think that this is a great opportunity for myself and for NYFA to grow and to become more known and knowledgeable in the field of international education.”

    New York Film Academy congratulates Hannah Gilliland on her recent achievement and looks forward to what’s next from our esteemed colleague.

    Facebooktwitterredditpinterestlinkedinmail

    January 13, 2021 • Community Highlights, Faculty Highlights • Views: 1921

  • NYFA South Beach Instructor, Patrice DeGraff Arenas, Lands Role on Peabody Award-Winning Drama “David Makes Man”

    Facebooktwitterredditpinterestlinkedinmail

    Originally reported in Deadline, NYFA’s own Patrice DeGraff Arenas has landed a recurring role on David Makes Man. The Peabody Award-winning drama series is distributed by the Oprah Winfrey Network (OWN) and is currently ramping up for its second season. 

    Arenas teaches Voice and Speech Acting, Scene Study, Characterization, and Advanced Acting Technique at NYFA’s South Beach campus. In the upcoming season of David Makes Man, Arenas will play Denise, an office assistant at the Edwards Firm (where the main character David works). As originally reported by Deadline, Arenas’ character Denise is someone who “keeps things moving at the office while also learning the moods and tempo of her boss.” 

    Photo courtesy of Patrice DeGraff Arenas

    David Makes Man is from Oscar-winning screenwriter Tarell Alvin McCraney (Moonlight) and Warner Bros. and is loosely based on McCraney’s experiences, with the titular David (Akili McDowell), a 14-year-old prodigy from the South Florida projects. Arenas revealed that she began production on the project in October 2020.

    Arenas, who grew up the daughter of an arts educator, had an upbringing full of theatre, with her mom being a director in school productions. “From those early experiences, I went to college and relished watching my peers present. I gained insight about intention and action, my peers as well professors commented on my clear, direct, practical critiques,” shared Arenas.

    While Arenas has recently been involved in NYFA alum Bruklyn Miller’s award-winning film Celestial and is focused on her upcoming role in David Makes Man, Arenas revealed she is also in the development of a series with four of her former high school arts friends. In the future, Arenas hopes to be cast in a comedy and to play the role of Rose in Fences or Beatrice in Much Ado About Nothing

    Photo Credit: OWN

    As for advice for students and alumni, Arenas says “life isn’t a rehearsal, so show up ready! It’s okay to be afraid but do it anyway!” The NYFA instructor also urges actors and creatives alike to “be patient with yourself” as some goals rarely look like what you want them to “but that doesn’t mean the journey isn’t worthwhile!”

    New York Film Academy congratulates the NYFA South Beach instructor Patrice DeGraff Arenas on her upcoming role, and encourages everyone to check out the second season of David Makes Man when it is available on OWN, and to catch up on season one, with all episodes now available on HBO Max.

    Facebooktwitterredditpinterestlinkedinmail

    December 21, 2020 • Acting, Faculty Highlights, South Beach • Views: 2019

  • Live Theater Returns to NYC With NYFA PCMT’s Newest Production “NOT WORKING: A 2020 Song Cycle”

    Facebooktwitterredditpinterestlinkedinmail

    New York Film Academy’s (NYFA) Professional Conservatory of Musical Theatre (PCMT) recently performed their original musical, NOT WORKING: A 2020 SONG CYCLE earlier this month with live, COVID-safe performances at East River Park Amphitheatre in New York City.

    The original production was conceived and directed by NYFA’s Travis Greisler (The Cher Show) with musical direction by Kevin David Thomas (A Little Night Music) and was created especially for the Musical Theatre students at NYFA.

    NYFA PCMT students rehearse before the show’s debut

    NOT WORKING: A 2020 Song Cycle is a nod to the 1970’s song cycle WORKING, and portrays the various stories and vantage points of topics ranging from the global pandemic, the Black Lives Matter movement, quarantine and isolation, and our immense desire to be telling stories live and in person again.

    The full length, live musical showcases NYFA’s PCMT students performing contributions from 15 different composers/lyricists from many racial backgrounds, gender identities, and sexualities. Each composer wrote about their various points of view on all things 2020 during this time where many have been missing the element of live performance for the majority of the year.

    “It is a show about all the things that are not working in our world, written in 2020, about 2020, and performed in 2020,” said Greisler. “A thing most new musicals never get to do as they usually take so long to get written and eventually produced. We had quite the opportunity on our hands and I didn’t want to waste it.”

    In addition to the performers, composers, and lyricists involved in the show, NYFA’s PCMT also collaborated across disciplines with NYFA’s Filmmaking and Cinematography departments to capture the live performance for online streaming distribution so as to reach a potentially even larger number of viewers.

    Photo from live performance of “NOT WORKING: A 2020 Song Cycle”

    “One of the things this pandemic has taught everyone in the performing arts is the necessity to find new and creative ways to bring our performances and talents to a large audience in an unconventional way,” shared Pierro Basso (AIC-IMAGO), Chair of NYFA’s Cinematography Department in New York. “What the pandemic has not done, however, is deter from the longstanding collaboration between the Filmmaking, Cinematography and Musical Theatre departments at NYFA.”

    “NYFA is so proud of all of our students for their continued excellence in the face of very difficult circumstances,” added Senior Executive Vice President and COO at NYFA David Klein. “We are so proud of our Musical Theatre Department, the Professional Conservatory of Musical Theatre, and our musical theatre students and faculty who have overcome what seemed to be insurmountable obstacles to live performance to create a new musical during a global pandemic.”

    Photo from live performance of “NOT WORKING: A 2020 Song Cycle

    The show’s producer and Chair of NYFA’s Musical Theatre Department Kristy Cates (Wicked, Charlie and the Chocolate Factory) also added, “I am thrilled that NYFA gave us the green light to create and produce this amazing new piece of work and I know this show has been an extremely uplifting and cathartic experience for all the performers, composers and audiences alike. We are proud we were able to share NOT WORKING with New York City.”

    Facebooktwitterredditpinterestlinkedinmail
  • Film “Make America Safe” by NYFA Acting Instructor Blanche Baker Enjoys Festival Run

    Facebooktwitterredditpinterestlinkedinmail

    Our NYFA Acting faculty aren’t only professionals in front of the camera but are working professionals in the industry constantly experimenting and making their own work while simultaneously teaching NYFA students the fundamentals of their craft.

    Blanche Baker teaches in both the Acting and Musical Theatre departments at NYFA’s New York campus. With an extensive background on the stage and on screen, Baker made her television debut in the miniseries Holocaust, for which she won an Emmy Award. Her feature films include Sixteen Candles, The Handmaid’s Tale with Robert Duvall, Raw Deal with Arnold Schwarzenegger, and the Kevin Bacon HBO film Taking Chance. She was part of the Yale Repertory Theatre and Anna Sokolow’s dance troupe and her theatre roles include Steel Magnolias and Edward Albee’s Lolita with Donald Sutherland. 

    Film poster for “Make America Safe”

    In addition to writing and directing the award-winning short film Streetwrite, Baker wrote and directed her latest film Make America Safe, with award-winning cinematography Piero Basso, serving as the director of photography. The film has been garnering accolades and making its rounds on the festival circuit, recently appearing in the Global Impact Festival in Washington, D.C.

    Make America Safe is a musical short film about the 2nd Amendment and asks the question, “what if in the next few years citizens were required to carry weapons in order to ensure the safety of the public?” Using the premise of a news commentary show, the film takes a sardonic look at this possible future and examines the kind of scenarios that could arise in this world. With music composed by Andy Peterson, it sheds light on the rationales that could lead to such a future. 

    The film features a talented cast of Musical Theatre students working alongside NYFA’s professional faculty of artists as part of their Musical Theatre curriculum, which requires students to perform in original movie musicals, combining both musical theatre for the stage and for film.

    Official Selection: 
    Global Nonviolent Film Festival
    South Film and Arts Festival
    Film for Peace
    New York Short Film Festival
    Sanctuary International Film Festival

    Accolades:
    A Show For Change – Creativity Award
    Awareness Festival – Merit Award for Awareness
    X World Short Film Festival – Best International Short and Best Original Music
    Cinefest – Best Musical
    Blow Up Arthouse – Finalist

    Facebooktwitterredditpinterestlinkedinmail

    November 17, 2020 • Faculty Highlights, Film Festivals, Musical Theatre • Views: 904

  • Broadcast Journalism Update – November 2020 Edition

    Facebooktwitterredditpinterestlinkedinmail

    2020 has been an eventful year, and even though there are less than two months to go, the pace of events shows no sign of slowing down.

    “Deep in the Heart of Texas” (which is the title of a famous old song… I know a lot about “old songs”), former NYFA student Nicole Cross had a long night that dragged into the early morning (and beyond) as one of the anchors/presenters for Election Night coverage on Spectrum News 1, a 24-hour local news channel available throughout Texas.

    Danish TV producer/reporter Celina Liv Danielsen spent many, many hours in Las Vegas. But not at any of the casinos. Instead, she was at the Clark County Administration Building waiting for the latest vote count.


    Karen Hua
     remembered the first rule of TV reporting… drink water.
    NYFA instructor Evgenia Vlasova has a substantial social media presence. She discovered what it is like for a major network to see your story, and liked it so much they decide they want to do it too… Personally, I think Genia’s version was better!

    Speaking of Genia, she and I co-hosted a two-hour webinar on TV production during the age of COVID. The first hour looked at TV news production, while in the second hour we explored change in the production of talk shows, episodic television, and feature films. The webinar is part of a three-day conference called Astana Media Week, which draws TV producers and executives from throughout Central Asia.

    And, in keeping with NYFA production protocols, we wore our masks.

    Of course, lots of other things happened over the last few months. Broadcast Journalism graduate Federica Polidoro covered the legendary Biennale de Venezia, one of the few international film festivals that actually took place in-person this year.

    In Brazil, NYFA alum Daniella Gemignani celebrated a work anniversary at media giant Globo, in Sao Paulo Brazil.

     

    Paula Varejao, who works on Globo’s Mais Globosat, continues going to places I can only dream of visiting.

    Broadcast Journalism grad Beatriz Puente is working for Band TV. And while she loves her job as a producer, I think she might love being an on-air reporter even more…

    One of her recent stories was how a well-known dance club in Rio opened and violated every COVID-19 rule you could imagine. This is why Journalism is so important. Frankly, there are times when Journalism is literally a matter of life and death.

    Many time zones away, former NYFA student Abiola Jinadu has established her own production company in Nigeria. The company specializes in a wide range of video programming, the same way we train our students to be multimedia journalists capable of working in many different settings. Congratulations, Abiola!

    Closer to New York City, NYFA grad Kendall Bunch made her way to Marquette, Michigan (one of the smaller TV markets in the United States) to start her career. It is a path many of us have taken. Myself, I spent a couple of years in Madison, Wisconsin…

    Broadcast Journalism alum (and U.S. Navy veteran) Clyde D. Gunter is now a Content Strategist at ESPN Original Content.

    And current Broadcast Journalism student (and part-time Good Morning America studio crew member) Brett Mills shows how to maintain social distancing with a Sony FS5 HD/4K camera.

    Stay tuned for more updates from Broadcast students, alumni, and faculty. For more information about our Broadcast Journalism programs, click here.
    Facebooktwitterredditpinterestlinkedinmail

    November 12, 2020 • Broadcast Journalism, Faculty Highlights, Student & Alumni Spotlights • Views: 1000

  • Cinematography Instructor Mark Sawicki Featured in ‘Deadline’ and Discusses New Book “Filming the Fantastic with Virtual Technology” Bringing Movie Magic Solutions

    Facebooktwitterredditpinterestlinkedinmail

    As many TV and film productions are grappling with new social distancing guidelines and reassessing working with extras for crowd scenes, New York Film Academy Cinematography instructor for NYFA’s Los Angeles campus, Mark Sawicki, says VFX is here to help.

    Sawicki is a Clio-winning VFX and opticals artist, who has worked on incredible titles from The Dark Knight Rises and Bullet to the Head, to Tropic Thunder, 3:10 to Yuma and X-Men, among several others. Recently featured in Deadline, Sawicki shared how productions will increasingly begin to look to VFX to solve the challenging situations for making safer productions and creating scenes with crowds where multiple extras on set are typically needed.  

    Courtesy of Mark Sawicki

    Using examples from titles like Casanova, Dracula, Gladiator, Pan Am, the Lord of The Rings trilogy, and more, Sawicki explains different VFX and even practical effects that can make movie magic for keeping sets safer. He also elaborated that background actors are still integral to filmmaking, but safety will need to take precedent. “I think background actors are very important. You know, this is a moving target as we’re adapting.”

    Sawicki is the co-author with Juniko Moody of the recently released book Filming the Fantastic With Virtual Technology: Filmmaking on the Digital Backlot. Like his interview with Deadline explains, Sawicki and Moody outline some of the most ambitious evolutions in digital effects in filmmaking and the new and exciting developments in digital cinematography with their new book, ultimately providing solutions for how VFX can help solve many of the challenges arising as crews look to return to work on COVID-safe sets.

    To read the full article on Deadline, click here. Sawicki’s book has recently been released and is now available on Amazon and Kindle. 

    Facebooktwitterredditpinterestlinkedinmail

    November 11, 2020 • 3D Animation, Cinematography, Entertainment News, Faculty Highlights • Views: 1395