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  • New York Film Academy Instructor Joe Burke Releases Another Cancer Movie Indie Short

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    For many passionate filmmakers, one of the greatest challenges is bringing a film to life in spite of budgeting hurdles. New York Film Academy (NYFA) Directing instructor Joe Burke recently set a great example with how to execute a clear, enteratining, artistic vision on a shoestring budget with his newly released comedy, Another Cancer Movie. Check out his film, and his insights on indie production for NYFA students, below.

    ANOTHER CANCER MOVIE from Joe Burke on Vimeo.

    NYFA: First, can you tell us a little bit about your journey and what brought you to teach at the New York Film Academy?

    JB: I started out making films at a very early age. I was eight years old when I first picked up the camera, and I haven’t put it down since. I studied film and acting all growing up, and eventually went to film school in Chicago, followed by grad school at the American Film Institute in LA. Once my career began to start growing after grad school, I found myself getting to a point where I really missed the film school setting. Hollywood can be a crazy place, and a lot of the “business” side of things can unfortunately interfere with the artistic side, and it can be very frustrating. It’s very easy to lose yourself in it all. For me, it was very important to reconnect to the fundamentals of why I really wanted to be a filmmaker, to reconnect to the actual craft and art of it all. I decided to pause on my career for a moment, and shift my energy back to film school. I love being in the classroom, both as a student and as a teacher.

    I was thrilled to join the NYFA staff and teach Directing. I love teaching. I love making films. I love inspiring my students, and even more so, being inspired by them.

    NYFA: Do you have any favorite NYFA moments or memories from your time teaching with us?

    JB: I am very proud of the students I have taught. I have come across many talented young filmmakers who I see very bright futures for: it’s always inspiring to witness. I have found myself many times taken aback by the power of some of my students’ work. Those are my favorite memories.

    NYFA: Why filmmaking? What inspires you most? What kind of stories are you most passionate to tell?

    JB: I love telling stories on film. For me, it’s all about capturing the heart and sole of people, of characters. To shed a light on both the drama and natural comedy that exists in all our lives. I love human stories that are grounded and relatable. I love making an audience truly feel something. I naturally lean towards humor, because I think a strong sense of humor is so important in life — but it has to come from an honest place. That’s why it’s funny; because it’s true.

    NYFA: For our students interested in making their own shorts outside of school, what is your best advice about producing on a shoestring indie budget?

    JB: My best advice would be write a film around a location that you can shoot at for free. If you have a location(s) you know you are able to shoot at, write your movie with that in mind. It’s what we did with Another Cancer Movie, as well as what I have done with many of my films — including our last one, House Sitting, and even my first feature Four Dogs.

    Also, find friends you like to work with and trust. Build your community of people who will be there for you, and work for you because they believe in what you’re doing. Don’t feel the need to pay everyone the big bucks early on. Work with people who understand you have a tight budget, just make sure to feed them well! Great food on set goes a very long way. And of course, keep a very positive and fun energy on set. As the filmmaker, you must set the tone on set to keep everyone in good spirits. It’s a team effort, but the director is the leader.

    NYFA: What’s next for Another Cancer Movie?

    JB: Another Cancer Movie just had its world premiere online. We’re stoked to finally be releasing it. This is a very personal movie to us, and we can’t wait to share it with everyone.

    NYFA: What’s next for you? Any other projects upcoming you can tell us about?

    JB: Right now, the big focus is developing a TV show with a buddy of mine. I can’t talk too much about it at the moment, but it’s an exciting project for us. I am also working on a couple of other screenplays, and acting in a few fun projects as well.

    Thank you so much for having me be a part of this. For those folks who would like to keep up with what I am doing, they can find me on Instagram/Twitter @joeburkefilm and my website joeburke.net

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  • New York Film Academy Photography Alumni Partners Photograph Swedish Star Jasmine Kara

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    When you’re starting your own photography business, few things are as exciting as those first few high profile gigs. New York Film Academy (NYFA) Photography alumni and teaching assistants Stephany Viera Fernandez and Neil Camposuelo recently celebrated this landmark, during a promotional shoot with Swedish singer and songwriter Jasmine Kara.

    To celebrate and share their success, Stephany and Neil have offered the NYFA blog a sneak peek behind the scenes.

    NYFA: First, can you tell us a bit about your journey and what brought you to NYFA?

    Steph & Neil: Coming from two different parts of the world where photography is not as broad, unlike here in New York, one of the main reasons was to be able to keep growing and to build confidence — not just as a photographer, but also as a complete artist. We attended NYFA in different school years, but we both felt this school is the best avenue to do so.

    We wanted to be surrounded with talented and motivated people who shared the same passion as us. Along with the great faculty and other amazing students, being with them daily and continually creating work opened a whole new domain of ideas and philosophies on how we view the industry that is ahead of us.

    NYFA: Why photography? What inspires you about this medium?

    Steph & Neil: What is really astounding about photography is how you can be able to create your own world, but also at the same time you can capture the world right in front of you.

    There are so many ways you can maximize the use of this medium. Also, the power of one frame and the longevity of preserving that one frame can influence not just the present but also years to come. It is like a relationship also; it builds up gradually, and requires understanding between you and the medium to obtain the peak of mastery.  

    NYFA: How did you two connect as collaborators?

    Neil: After I finished my stint as a student here in NYFA, I applied to work as a TA last year, which eventually made Steph my colleague. That was when I got to know more about Steph and her work. I saw we had the same passion and motivation to succeed, and that was when I proposed the idea to her to work as a photographer duo.

    Steph & Neil: We knew it would be a good idea because we both have different cultural backgrounds and expertise; the dynamic between us is very good. Working with two brains and bodies can get more work done, and we are able to experiment with contrasting ideas and putting everything together cohesively. We both have trust, and along the way we help each other grow as we fill in our individual differences, strengths, and weaknesses.

    NYFA: Do you have any favorite NYFA moments from your time studying (and/or working as a TA) with us?

    Steph: For me, it was when I met all the teachers here in NYFA. I was really in awe of the load of talent and knowledge that they all have. It gives me the drive every day to potentially reach the same level.

    As for working as a TA, it is like being a student all over again. I continuously go along with the classes and I also experience in real time how fast photography changes in terms of style and techniques. That helps me to always have a different outlook and an open mind whenever I approach our own work.

    Neil: Just like what Steph said, my favorite moment here in NYFA is also the opportunity to meet all the teachers, to have a conversation with them and basically to learn from them every day. It is really a blessing to have such a group of people this great, because it helps me to stay humble, work harder, and keep track of my vision — our vision as a photographer duo.

    It is also great to work as a TA here at school because it gives you a sense of responsibility. I consider it a noble profession to be a part of student development, in terms of their career and life, to be able to help them, as well as guide them to be great on what they want to pursue.

    NYFA: Can you tell us a bit about your recent shoot with Jasmine Kara? How did this collaboration come about, and any inspiration or details you can share?

    Steph & Neil: We will be doing a cover for her upcoming single that will be released into three different languages (English, Spanish, Persian) this August. We cannot really tell yet the full detail of the single, but it is about how we can carry on in life with all the negativity and problems through laughter.

    The concept we are planning to do is a mix of humor and inspirations from Greek sculptures, work from photographers like Roger Ballen and Chris Buck, and relating it to the music video of Jasmine Kara’s single. Our main idea is having our own take of humor in a contemporary art approach, as we are trying to blend in the mood of the song but still remaining grounded in the style of our work as a photographer duo.

    NYFA: When photographing a star like Kara, how do you prepare? 

    Steph & Neil: This kind of opportunity do not come every day. So, when we knew we would have the chance to do a shoot with her, we started doing our pre-production plan.

    We had at least one-and-a-half weeks and to prepare, and even though it was a short period of time, this is one of the advantages of working as a photographer duo; we’re able to accomplish more and finish on time.

    Plus, [we did] a lot of research also. It is important to get to know the subject, her personality, and her background history as a singer. We had a couple of meetings with her, talking about the ideas for the shoot and making sure everything was according to plan.

    NYFA: What is your must-have piece of photography equipment, or your must-do ritual when preparing for a shoot?

    Steph & Neil: We never forget to have a scrim-jim on our equipment list every time we shoot. It is a very versatile diffusion, and helps soften and tone the light. This is like the signature look we have on most of our work.

    And for a must-do ritual, we love to eat before and even after a shoot! We always double-check everything also from the pre-production and the equipment we are using to avoid mishaps.

    NYFA: What’s your advice to students interested in photographing on the pop and music scene?

    Steph & Neil: For us, it’s not just about photographing on the pop and music scene. In general, our advice is that students should continue to grasp anything they can learn. Continue reading books, watching movies, talking to people. In the future, this will be an accumulation of knowledge and experiences that they can apply to their work. They should not be afraid of experimenting, breaking the rules of photography, risking ideas. In this era of photography where everything has been done already, students should be able to create ways to improve these latter ideas into something new and contemporary.

    On the other hand, students must still respect and give credit to the history of photography, the art of it, and take time to understand how we got here to this point — especially in the level of creativity.

    Lastly, we would like to share this quote with everyone. This is a mantra for us working as a photographer duo: “Luck is what happens when preparation meets opportunity.” We both believe that we make our own luck, that we should have to work for it, and just keep creating beautiful images.

    NYFA: Would you say your time at NYFA was at all useful for the work you’re doing now?

    Steph & Neil: Absolutely, NYFA was like our training ground and a big part of the foundation of who we are now as an artists and photographers.

    Coming here to New York City and to this school with no prior professional experience, it did help bring out the best in us. The school gave us not just the tools but also the mental preparation to face the reality of this industry.

    Thank you and congratulations to Stephany and Neil!

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  • New York Film Academy Highlighted at New Taipei City Film Industry Exchange Conference

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    The New York Film Academy College of Visual & Performing Arts (NYFA) was honored to participate in a high-level New Taipei City media event, the New Taipei City Film Industry Exchange Conference.

    NYFA Executive Vice President for the China Region Dr. Joy Zhu was a panelist at a segment of the event that focused on the cultivation of talent. Dr. Zhu offered an experienced American and Chinese perspective to the conference delegates, which included members of the Taiwan media.  

    NYFA Executive Vice President for the China Region Dr. Joy Zhu.

    The conference saw film industry professionals from around the globe converge to explore the new Linkou International Media Park, the largest film park in northern Taiwan. Under the guidance of the city government policy, the film industry in New Taipei City has cumulatively developed nearly 130 hectares of industrial land, not only attracting famous TV stations like TVBS and FTV, but also 597 film companies, including Vieshow Cinemas of Banciao Mega City, Showtime Cinema of HiMall, Ambassador Theatre’s Crown Plaza and the upcoming Showtime Live Shulin Store.

    The opening ceremony was presided over by the mayor of New Taipei City, the Honorable Zhu Liwen. In his speech, Mayor Zhu Liwen commended NYFA, and stated, “NYFA’s involvement will bring opportunities of high-level film and media education to the media park.”

    Along with the American Institute in Taiwan (AIT) and the National Taiwan University of Arts (NTUA), the event marked an exciting opportunity for NYFA to forge a new and lasting partnership aimed at fostering talent and cultivating rising stars in New Taipei City.

    An Memorandum of Understanding (MOU) signing between NYFA and NTUA was a highlight that captured a great deal of media attention. The agreement is expected to yield a rich collaboration on future culture exchanges, academic partnerships, research, trainings, and more, as the institutions work together to develop new courses and programs attuned to the exciting opportunities developing in New Taipei City.

    As New Taipei City opens its state-of-the-art film park up to the world, the New York Film Academy is honored to partner with the city’s government, National Taiwan University of Arts, Linkou International Media Park, and the American Institute in Taiwan, to cultivate rising professionals in the media and entertainment industry.

    NYFA is very grateful to the Commercial Specialist Department of the American Institute in Taiwan for this opportunity.

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  • NYFA DOCS got off to a great start in the 1st Quarter of 2018

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    We seem to be beating industry’s 50-50 in 2020 goal, and docsters are killin’ it across the board.  

    In January alone…

    An Academy Award nomination landed Documentary Filmmaking Instructor Kristen Nutile in Oscar’s limelight as Editor of the  Netflix original doc, Heroin(e).

    October Films promoted Louis Mole (’13) to Head of Development

    Sundance gave Documentary Cinematography Instructor Claudia Raschke some serious love, lauding her work as director of photography of the acclaimed, RBG, featuring her on the celebrated “Women Who Shoot panel. You’ll find Claudia-centric articles include American CinematographerFilmmakerIndiewire, etc.

    With a two-minute micro-doc, alum Gary Bencheghib (’14) moved the President of Indonesia to launch a massive cleanup of the most polluted river in the world. The initiative will employ 7,000 people for seven years, stopping millions of tons of plastics from reaching the ocean each year, and radically improving the lives of 20 million people along the river.

    And then came February…

    A Sniper’s War, the first feature doc from director Olga Schechter (‘14) premiered to rave reviews at two top festivals, Santa Barbara International Film Festival and Big Sky Documentary Film Festival.

    “Powerful and disturbing.” – Hollywood Reporter

    Superb cinematography.” – Hollywood Reporter

    “Stunning.” – Counter Punch

    “The most chillingly frightening killer imaginable. – Film Threat

    A 9 out of 10.” – Film Threat

    Schechter scored these key reviews despite the lack of a release date, a publicist, or even a production company. A good, old-fashioned bidding war immediately broke out and it looks like Journeyman Pictures has won worldwide rights with a promise of theatrical release. A Sniper’s War has since gone on to win multiple festivals including Best Foreign Documentary at the Academy Award Qualifying, Arizona Film Festival. (With the new eligibility rules, the Arizona win almost certainly qualifies the film for the Oscar race. The Academy will confirm their new list of qualifying festivals later this spring, so we’ll know for sure then.)

    In other February news, Netflix premiered doc series First Team: Juventus, edited by Andrea “Fuma” Fumagalli (‘09), which “is produced with elegance and cinematic finesse,” and “ultimately reminds us of the simple beauty of the beautiful game.” – Sports Illustrated 

    Documentary Producing Instructor Dorottya Mathe also premiered her feature, The Independents, at SBFFThe Hollywood Reporter likes it too, especially, “the way in which it subverts all the clichés of the star-is-born story,” and pronounces it, “an extremely engaging film.” Graduate Erica Wong (’14) assisted Dorottya on the production, and fellow NYFA Instructor Piero Basso served as DP. Documentary Instructor Jessica Wolfson’s feature, Hot Grease followed its Discovery premiere with VOD roll out on Discovery Go.

    March didn’t miss a beat either…

    Wynona Barbera (’16) took a walk on the fiction side and produced El Cat which became an Official Selection of the hip, HBO Women in Comedy Festival.

    Furlough, the second 2018 fiction film from NYFA Documentary Instructor Dorottya Mathe (Production Supervisor) opened in theaters. The female-driven comedy starred Academy Award winners Melissa Leo, Whoopi Goldberg and Anna Paquin.

    Back in the doc world, Invisible Killers: Ebola Virus, associate produced by Laura Snow (’13) for The Documentary Group aired on Discovery and Science Channel. (And is now available on Discovery Go.)

    Francesca Pagani produced The Italian Mafia’s Young Foot Soldiers and associate produced Inside The Two-Decade Fight to Bring Down a Confederate Monument, both for VICE.

    Weighing in for the 6-Weekers, Kendall Ciesemier (6-Week ’17), now a Mic staff producer, has created a series of pivotal social media micro-docs around the Parkland students’ anti-gun violence campaign, including Should This Responsible Gun Owner Surrender his AR-15? and Parkland Teen vs. NRA Member.

    Director/Producer Tarryn Crossman (‘12) won another SAFTA Award, this time for the hard-hitting MTV Shuga episode In Real Life. Mentions include: Marie Claire, Cosmopolitan and Screen Africa.

    Mariko Ide (’16) edited her first piece for Google.

    Kristen Nutile edited Weed The People (directed by Ricki Lake and Abby Epstein),  which premiered at SXSW — where Indiewire and Interview magazine both pronounced it a “must-see” film. And even People magazine gave it a write-up.

    The Stolen River, directed by Krisztina Danka (6-Week ’17), won Best Environmental Film at the Calcutta International Film Festival. That was after taking Best in Show at Cinema Verde International Environmental Film Festival, as well as awards at Independent Shorts Awards, Impact DOCS Award, LiFFT Filmotsav and others.

    Andrea “Fuma” Fumagalli (’08) premiered his first feature documentary, Amigos Del Tren, at San Diego Latino Film Festival.

    The Second quarter of 2018 is off to a great start as well. More on that shortly.

    One spoiler, though…

    Two documentaries nominated for Peabody Awards this year have NYFA Documentary School bloodlines: Heroin(e), edited by prof, Kristen Nutile and Newtown, Associate Produced/Associate Post Produced by Laura Snow (’13).

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  • Platino Awards and New York Film Academy Industry Lab Collaborate on Eugenio Derbez & Rob Schneider Comedy Sketch

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    The New York Film Academy Industry Lab participated in the production of the fifth edition of the Platino Awards, which was celebrated April 29 at Riviera Maya and broadcast to more than 60 countries. The Platino Awards have quickly become the Oscars of the Spanish and Latin-American film industry.

    The New York Film Academy team shot a comedy sketch written by and starring Eugenio Derbez (Overboard, How to Be a Latin Lover, Instructions Not Included), and Rob Schneider (Saturday Night Live, Grown Ups, Don´t Mess with the Zohan).

    The premise of the sketch was built around the clichés that Latin artists face when crossing over into the American film and television industry. Based on Derbez’s recent success in hits such as Overboard and How to be a Latin Lover, this hilarious sketch focuses on Rob Schneider wanting to cross over to the Latin market and being asked to audition by Derbez for all sorts of stereotypical characters.

    The sketch was directed by Spanish comedy director Miguel Cruz (Aída, CaigaQuienCaiga). Cruz is also a senior acting instructor for sitcoms and drama at the New York Film Academy Los Angeles campus.

    The Industry Lab was proud to offer equipment and production services for this groundbreaking sketch. NYFA Cinematography alumni Mridul Sen and Filmmaking alumni Fady Elmankabady were able to work as Gaffer and AC, under the guidance of Spanish Director of Photography Jon Aguirresarobe, son of renowned cinematographer Javier Aguirresarobe (ASC).  

    The Industry Lab is a production services entity of NYFA, offering equipment and crew support for professional productions. Our Industry Lab members have excelled in all aspects of production which enables them to acquire real world experiences. 

    The New York Film Academy would like to thank Rob Schneider, Eugenio Derbez, the Platino Awards, and the students of Industry Lab for putting together such an incredible event and hilarious sketch.

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  • African Black American Film Society Celebrates African American Women in Times of War and Conflict

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    Members of New York Film Academy (NYFA) African and Black American Film Society (ABA) attended the first annual Greenlight Women Celebration in February, hosted by actress, model, and singer Shari Belafonte and actress Wendy Davis.

    NYFA students sat amongst filmmakers, magazine owners, and businesswomen for an amazing brunch followed by a Q&A to pay tribute to African American women that served our country in times of war and conflict.

    As the lights dimmed and all eyes focused on the screen, ABA members sat mesmerized as they watched clips from the soon-to-be-released documentary, Invisible Warriors: African American Women in World War II, which captures the untold stories of black women who battled Nazism abroad as well as racism and sexism at home. When the picture faded to black, the students applauded the moving stories of bravery and incredible obstacles that these women endured. Directed by Gregory Cooke, the harsh circumstances that African American women faced during wartime resonated throughout the room.

    Shari Belafonte and NYFA Producing Instructor Kimberly Ogletree led the discussion honoring four fascinating black female veterans that served in the Vietnam, Grenada, and Iraq wars. The women spoke of racism and sexism they encountered in the military, and their hopes for the next generation of soldiers, naval, and air force officers.

    NYFA students learned the historical context of these stories, during eras when anti-war activities, major Civil Rights demonstrations, the rise of Black Power, and the burgeoning Women’s Movement would impact the lives of women serving in the military.  Each of the women took a moment to discuss the sexual assault they witnessed or experienced first-hand, and shared how they were able to cope.

    Greenlight Women in Association with Loeb & Loeb Present: First Annual Black History Month Celebration Brunch on Saturday, Feb. 24th, 2018 at Sportsman’s Lodge in Studio City, California. (Photo by Arnold Turner/ATA)

    Judith Welsh, retired JAG stated:

    “You do not let your circumstances overcome you. You must overcome the circumstances.”

    These veterans confronted adversity. Giving up, being broken, or walking away was never an option for these women. The opportunity for students to bear witness to their situations and war stories from the black female soldiers’ perspective was extremely educational, and these particular women were honored to share because they had never before been given a forum to speak about their experiences.

    Retired Captain Joan Arrington Craigwell served as a flight nurse in the United States Air Force during one of the most heinous conflicts in Vietnam, the Tet Offensive. Joan’s voice was calm yet subdued as she spoke about the horrors she encountered from the frontline. Joan received the Bronze star for bravery and her service.

    There was a dead silence across the room as Joan and Gloria spoke in detail about unbelievable moments they experienced first-hand.

    A student asked, name one obstacle you had to overcome?

    Craigwell answered, “Having to go to Vietnam and the surprises that you faced. I still have a thing about not being able to save every person. It’s a nursing thing and I still carry that guilt knowing it was impossible.”

    Retired Army Lt. Colonel Dr. Gloria Willingham-Toure vividly remembers her obstacle, as a nurse having to make the painstaking decision of which injured soldiers would receive medical attention. She said, “When soldiers were flown directly from the battlefield they had some unbelievable wounds and I had to do triage like I never did before, which meant I had to walk past those I could not help. So I would cry, cry, and cry, until one of my commanders said, ‘You gotta decide today, are you going to be crying or help those that you can,’ and I changed at that point.”

    The stories were so intense that a young comedian, Alycia Cooper, silently stood as all eyes shifted to her, and in one swift second she lightened the entire mood and tone in the room. As I glanced at the two tables of ABA members I could see a needed relief from the stories, because the realities of war are hard to hear.

    Craigwell spoke of trying to desegregate one of her housing units in 1961. Her white friend had heard of a vacancy and asked if she could take it. When her application was denied they took up the issue with their higher-ups. They were told by command that this housing was set aside for black members.

    When Craigwell pushed back she was reassigned. Those in attendance, at the brunch, tut-tutted at the thought. Craigwell assured them the move was for the best. “I started doing some of my best work after that,” she said. Currently, Craigwell works to help veterans with employment, housing, and counseling.

    New York Film Academy student and veteran Hattie Sallie stood tall to applaud the honorees for their service. She said, “During my time in the armed forces, I could see the fruit beginning to bear which I attributed to the work and accomplishments of those that came before me.” She added, “There are more programs for soldiers battling PTSD. Officers are better trained. Progress is slow but it’s happening.”

    Our honorees were Lt. Col. Patricia Jackson-Kelly, who served in the Air Force, Navy, and Army between 1977-2003. Jackson-Kelly stated, “I applaud the youth today; your movement has been so refreshing. If it wasn’t for you I don’t know what we would do. The young people are speaking up for what they believe in and I encourage you to do that.” Today, Jackson-Kelly is the vice president of the National Association for Black Military Women.  

    Dr. Gloria Willingham-Toure is a retired Army Lt. Colonel. She served over 20 years in the reserves and in the Army National Guard. She began her career at Brooks Medical Center as a civilian nurse during the end of the Vietnam War. She retired from the 6222nd U.S. Army reserves Forces School, 5th Brigade, 104th Division Institutional Training, as the director of medical courses preparing our nation’s medical personnel for deployments.

    Willingham-Toure stated, “My only prayer during the end of the Vietnam war was that I hoped that the training I had given my soldiers would help them stay alive.”

    Judith Mary Welsh was a Personnel Specialist and retired JAG who served in the U.S. Navy. She served in Germany, where she won “Best Supporting Actress” in the 7th Corp tournament of plays. She retired from the 88th Military Police Unit. Welsh, and reiterated to the students to “Always overcome your circumstances.”

    And finally, Joan T. Arrington Craigwell attended the U.S. Air Force School of Aerospace Medicine. She would later work in Southeast Asia at Clark Air Base in the Philippines and Republic of South Vietnam. Craigwell stated, “We live in the greatest country in the world and attacking our democracy means death.”

    When opening the celebration, the President of Greenlight Women, Ivy Kagan Bierman, highlighted the importance of the group’s mission statement. Their statement proclaims: “Greenlight Women is an alliance of accomplished, creative, business professionals whose mission is to champion women and promote diverse perspectives in media.” Bierman stated that the wording of their mission statement and the name of their group had been crafted carefully, because, “We’re tired of sitting in meetings talking about change. We want to make change happen, now.” 

    Two New York Film Academy staff members sit on the board of Greenlight Women. Chair of the Diversity Action Group Kimberly Ogletree is a NYFA producing instructor and the chair of NYFA Los Angeles’ Industry Lab. Barbara Weintraub is chair of industry outreach and professional development, and she serves on the board of Greenlight Women as vice president.

    The New York Film Academy would like to thank Greenlight Women for giving our students an opportunity to speak with the women who defended our nation. To learn more about the mission of Greenlight Women click here.

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  • Nova Fest Awards Best Musical & Best LGBT Film to New York Film Academy’s Plus One

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    The New York Film Academy (NYFA) Professional Conservatory of Musical Theatre (PCMT) has snagged two film festival wins for its original movie musical Plus One. The epic short film utilizes original music as it follows three generations of women, two unexpected pregnancies, and a time-traveling secretary with the key to their futures.

    After a successful run at the NOVA Fest, Plus One went home with the top trophies for Best Musical and Best LGBT Film.

    Plus One’s trophies will be proudly displayed in the Musical Theatre office at the NYFA New York City campus. Stop by and check them out, and learn more about PCMT’s work!

    PLUS ONE – trailer from SEAN ROBINSON on Vimeo.

    Two-Year Conservatory students at PCMT have had the opportunity to perform in original movie musicals since the program began in 2012. The unique experience allows conservatory students to prepare for the film and television industry as well as the stage. Each PCMT original movie musical is created from scratch with original stories and scores, and executed through collaborations with working industry professionals. Past films have featured collaborators such as Tony Award-winner James Monroe Iglehart and Tony Award-nominee Charlotte D’amboise. Yet each PCMT movie musical maintains its focus on its student performers, allowing the next generation of artists to truly shine.

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  • Candy Clark and Peter Rainer Screen American Graffiti at New York Film Academy Los Angeles

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    The Los Angeles Campus of the New York Film Academy welcomed back actress Candy Clark following a screening of the classic film American Graffiti. Previously, Clark had joined us for a Q&A following the classic David Bowie Film, The Man Who Fell to Earth. Prolific Film Critic Peter Rainer moderated the event.

    Candy Clark has worked in the film industry for nearly four and a half decades, with roles in classic films including George Lucas’ American Graffiti, The Man Who Fell to Earth, David Fincher’s Zodiac, Steven Soderbergh’s The Informant!, and Buffy the Vampire Slayer. Clark has also worked on TV series including Magnum P.I., Criminal Minds, and a few episodes of the 2017 version of Twin Peaks.

    Peter Rainer has been in the industry for over 30 years, and currently writes for NPR, The Los Angeles Times, and the Christian Science Monitor. He’s also the author of Rainer on Film: Thirty Years of Film Writing in a Turbulent and Transformative Era.

    George Lucas’ American Graffiti is a coming-of-age comedy based heavily on Lucas’ own teenage years in Modesto, CA. It was a huge success, and is one of the films that led to the start of the “summer blockbuster.” The film’s success also gave Lucas the funding for a film he’d wanted to do for a long time — a space opera that eventually became Star Wars.

    Rainer and Clark opened the discussion by talking about the doubts studio executives had about American Graffiti, specifically: “they hated the title … nobody knows what graffiti means.”

    Producer Francis Ford Coppola asked everyone on set — actors included — to come up with a new title. Coppola’s suggestion was “Rock Around the Block,” but Clark said they held firm. “American Graffiti has a good rhythm … it just sounds great.”

    One audience member asked if Clark always knew the film would be a success. With a big smile on her face, Clark said that she always thought it would be a hit. Earlier in the Q&A, Clark even talked about how she had a first audition before she’d seen the script, and after reading it, she insisted her agent get her another audition so she could do the writing justice. She really identified with the characters, as she had spent her youth cruising between drive-ins in Fort Worth, Texas.

    Clark talked about her experiences on set, including the fact that “there would not be many takes at all, they had to move on.” Regardless, Clark said she always had confidence in her portrayal of Debbie, who she felt was an easygoing and kind character.

    Clark also reminisced fondly about her castmates and told stories from their time together, including one about Richard Dreyfuss: He was late meeting her for dinner because Harrison Ford and Paul Le Mat threw him in the hotel swimming pool.

    The New York Film Academy would like to thank Candy Clark for coming back and speaking to our students about this classic film, and Peter Rainer for his insightful moderation.

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  • Tony Richmond Screens Men of Honor With Special Q&A at New York Film Academy Los Angeles

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    New York Film Academy Chair of Cinematography Tony Richmond recently hosted a special screening of his film Men of Honor for New York Film Academy students at the Los Angeles campus. Rather than a formal Q&A following the film, Richmond encouraged his students to join him in an intimate conversation.

    Richmond is well known for his cinematography on beloved classics including The Sandlot, The Man Who Fell to Earth, Don’t Look Now, Legally Blond, and Alvin and the Chipmunks, yet Men of Honor has a special place in his heart because both of his sons worked on the crew with him.

    Based on a true story, Men of Honor follows Navy diver Carl Brasher, the first Black man to become a U.S. Navy Master Diving Instructor. Extraordinarily, Brasher was able to passe the qualification test to become a master diving instructor with an amputated left leg. It’s an inspiring film that earned numerous award nominations.

    About the film’s star, Cuba Gooding Jr., Richmond said, “He’s a wonderful actor and an even better man.”

    Filming underwater presented a lot of fun cinematography challenges for Richmond. Some of the behind-the-scenes stories he shared with NYFA students included the creation of an eight-foot-deep pool to accommodate Richmond’s photography, and rigging Cuba Gooding Jr.’s diving helmet with lights.

    Students were curious to hear how Richmond was able film underwater with such clarity. Richmond explained that finding a good lighting balance was the most important element.

    “There’s a very fine line when filming underwater,” he said. “There were times during the filming process that I felt there just wasn’t enough silt in the water.”

    In order to give the tank a realistic feeling of the ocean, silt, the fine sand found in ocean water, had to be added.

    “You have to be careful when adding that stuff,” Richmond warned. “If you put too much silt in the tank it takes four days to filter it out.”

    One student asked about the most challenging aspect of making the movie. Richmond didn’t hesitate to answer: the film’s final courtroom scene

    The location was on the seventh floor of a beautiful old building, but because of its age Richmond couldn’t set up a lighting rig inside. Instead, everything had to be lit through the windows.

    After an enlightening evening, Richmond’s final advice to his Cinematography students was about working with directors:”You have to remember that this is the director’s film. Before you’re called in for an interview, he or she has already been working for months if not years on it.”

    The New York Film Academy would like to thank Tony Richmond for taking the time to host Man of Honor and speak with our students.

    To learn more about the Cinematography programs offered at the New York Film Academy, click here.

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  • New York Film Academy’s Peter Allen Stone Leads Introductory Acting Workshop for Veterans

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    There are many actors that have served in the military prior to discovering their talents on a film set or theatres’ stage. Gene Hackman, Clint Eastwood, Morgan Freeman, and even Mr. T are just a small sampling of those who wore the uniform before hitting it big in Hollywood.

    Veterans aspiring to the screen were invited from across the tri-state area for a very special introductory workshop to Acting for Film at the New York Film Academy last weekend.

    Under the energetic tutelage of NYFA Acting for Film Chair Peter Allen Stone, attendees found the acting exercises to be engaging and enjoyable as they worked through dialogue designed to help students better understand acting in front of the camera.

    Dozens of service members, many of whom are producers, writers, and directors in their own respect, were excited to offer their first lines in front of a rolling camera.

    “Acting is fun!” radiated Peter Allen Stone at the conclusion of the class. “Thank you all for your work today — it’s really great when there is a lot of energy and people are passionate about learning these techniques.”

    After the class, New York Film Academy’s Division of Veteran Services’ staff was on hand to offer assistance about Department of Veteran Affairs-related benefits.

    A participant checks his mark and waits for “Action!” as Chair of NYFA Acting for Film Program Peter Stone sets the scene.

    The New York Film Academy (NYFA) has been privileged to enroll more than 1,500 veteran students and military dependents at our campuses in New York City, NY, Los Angeles, CA, and South Beach, FL., since 2009. The Los Angeles and South Beach campuses also participate in the Yellow Ribbon Program, which allows eligible veterans and dependents in many cases the opportunity to go to school tuition and fee free. The honorable Colonel Jack Jacobs, Medal of Honor recipient and on-air military strategist for NBC/MSNBC, is the Chair of the NYFA Veterans Advancement Program.

    Join us on Facebook or go to www.NYFA.edu/veterans for more information.

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