Page 109 – NYFA

NEW YORK FILM ACADEMY (NYFA) FILMMAKERS DIRECT ‘THRIVE’ WITH MAROON 5’S JESSE CARMICHAEL

New York Film Academy (NYFA) alum Shivin Sanjeev Grover and his brother, NYFA BFA student Sunny Grover, recently collaborated with Maroon 5 keyboardist and rhythm guitarist Jesse Carmichael on the two minute short film Thrive, which focuses on the struggle and obstacles still faced today by the LGBTQIA+ community.

The film was written and directed by Shivin and Sunny, two brothers from India, and is part of Carmichael’s 2 Minute Movies (2mm) project, which was created last year. Thrive is the first film to come from 2mm with a focus on LGBTQIA+ rights.

In an interview with Get Out Magazine, Carmichael says he is “hoping that things are moving in a more and more equanimous and loving, tolerant, and open direction in [India],” adding that Shivin and Sunny “reached out to me with an idea about doing some sort of film in the realm of trying to open people’s eyes to the violence that people in [the] LGBTQIA+ etc. experience.”

Carmichael first rose to fame as a founding member of rock/pop group Maroon 5, one of the most popular and successful rock bands of all time. Maroon 5 played the Halftime Show at the most recent Super Bowl and have such hits as “Girls Like You,” “Sugar,” “Moves Like Jagger,” and “This Love.”

“Through this process, we had the honor of being mentored by Jesse Carmichael who implored us to explore the subtlety and elegance that can be achieved through visuals and music,” says Shivin. “This experience goes beyond words and went on to make this process all the more special.”

Thrive is a visually evocative and emotionally powerful film, that gets a lot across in its short two-minute running time. “We set out to create a visual letter that juxtaposes the love shared within the community with the violence and hate inflicted by those who have not yet had the chance to share this acceptance with us,” adds Shivin.

The film has been critically well received and was featured in at least two national magazines to date, as well as a laudatory review from renowned film critic Alan Ng and a recommendation from the BAFTA- and Oscar-qualifying Aesthetica Short Film Festival.

In addition to the two brothers, much of Thrive’s film crew also came from New York Film Academy. This includes current NYFA BFA students Rob Hughes (key grip) and Jessica Coro (art director), and NYFA alumni Nupur Mehrotra (producer), Alex Cvetkov (cinematographer), Brandon Lattman (gaffer), Hala Abou Chakra (assistant director), and Maria Quintana (set photographer). In addition to co-writing and co-directing, Sunny also served as the film’s production designer.

The New York Film Academy congratulates the NYFA students and alumni on their hard work and the success of Thrive, and wishes the best of luck to co-directors Shivin Sanjeev and Sunny Grover as they continue to make films they are passionate about!

Q&A with New York Film Academy (NYFA) Alum and Emmy Winner Bill Hader

On Thursday, April 18, New York Film Academy (NYFA) alum and prolific actor, writer, and director Bill Hader participated in a lively and entertaining Q&A following a screening of his hit HBO series Barry. The event was moderated by Director of the NYFA Q&A Series Tova Laiter.

Hader is best known for his work on Saturday Night Live, for which he won an Emmy, and has acted in a number of successful films including Superbad (2007), The Skeleton Twins (2014) and Trainwreck (2015), among many others.

Laiter opened up the Q&A by asking Hader about his start in the industry. He shared that while he did funny impressions for his friends and family when he was growing up in Tulsa, Oklahoma, he really loved to go to the movies. “When I watched a movie, I got really drawn in by the story, the cinematography, the look of it, the feel of it,” said Hader.

When Hader was a teenager, he enjoyed making short films of his own and enrolled in a Filmmaking workshop at NYFA where he made four short films and got a lot of positive feedback from his instructors. Ultimately, Hader moved to Los Angeles, where he started as a production assistant and various low level jobs in the industry.

After working for a while as a production assistant, Hader started to feel creatively unsatisfied, so he started taking improv comedy classes at Second City Theater in Hollywood. Actress Megan Mullally saw Hader perform at Second City and noticed how talented he was and told executive producer of Saturday Night Live, Lorne Michaels, about him. “I had no manager, no agent, no anything,” said Hader, “so I met Lorne Michaels and I auditioned… I auditioned like four or five times for the show… and finally I got the job.”

A number of students in the audience were interested in asking Hader questions. One student asked how Hader makes his acting feel authentic on shows like Barry. “You have to be truthful, instinctual, and not just go for the laughs,” said Hader. He shared that he watches others express their emotions through small idiosyncrasies and that he will occasionally mimic those mannerisms while acting.

Another student inquired about Hader’s writing process for Barry. “We kind of have little ‘tentpole’ scenes,” said Hader, “we gotta write this to get to that… We’re constantly working on it but we never fully plan… but the fun of it is kinda seeing where the characters take it… Know that the process is messy and that you’re gonna fail a lot.” He emphasized that writing should always be “character driven” and centered on emotion.

One student asked what advice Hader would give to his younger self when he was starting his career. “I would say to myself, ‘You don’t need to figure it all out this millisecond; it takes time.’

I was terrified of failing… but you have to fail; you have to learn from that and keep doing it and keep doing it… it’s all a process,” said Hader.

The New York Film Academy would like to thank actor, writer, and NYFA alum Bill Hader for sharing his writing and acting advice as well as the lessons he learned from his experience in the entertainment industry with our students.

‘Enter the Forbidden City’ Premieres at New York Film Academy (NYFA)

On April 22, well-known Chinese director Mei Hu premiered her newest film, Enter the Forbidden City, at New York Film Academy (NYFA). The event was held at the theatre of NYFA’s New York campus, located near Battery Park in downtown Manhattan.

Enter the Forbidden City tells the story of an 18th century opera troupe from Southern China that visits the capital city of Beijing to celebrate the Emperor’s 80th birthday. The Emperor was so impressed that the troupe was invited to stay in the city, where they helped usher in the Chinese art form now known today as “Peking opera.”

The film took three years to complete and was written by Jingzhi Zou. It stars Dalong Fu, Yili Ma, and Ziwen Wang, among others.

The premiere played to a full theatre. NYFA’s Senior Executive Vice President, David Klein, introduced the film, and expounded on the strong relationship NYFA has with Chinese cinema and Chinese film schools. Several students from NYFA attended the premiere as well.

Before the screening, Hu spoke to the audience about the film, as well as about China’s role in global cinema today. She mentioned that the American film, Avengers: Endgame, will be released on April 24 but has already passed 500 million Chinese Yuan in pre-sale tickets, an incredible amount of money. This is the first time an American film of this size has been released in China before its domestic premiere, a historic moment in Hollywood-China cinema.

The Enter the Forbidden City screening went very well, with the film receiving a good reception overall from the packed house crowd at New York Film Academy.

New York Film Academy (NYFA) Filmmakers Direct ‘Thrive’ with Maroon 5’s Jesse Carmichael

Thrive is a visually evocative and emotionally powerful film, that gets a lot across in its short two-minute running time. “We set out to create a visual letter that juxtaposes the love shared within the community with the violence and hate inflicted by those who have not yet had the chance to share this acceptance with us,” adds Shivin.

In addition to the two brothers, much of Thrive’s film crew also came from New York Film Academy. This includes current NYFA BFA students Rob Hughes (key grip) and Jessica Coro (art director), and NYFA alumni Nupur Mehrotra (producer), Alex Cvetkov (cinematographer), Brandon Lattman (gaffer), Hala Abou Chakra (assistant director), and Maria Quintana (set photographer). In addition to co-writing and co-directing, Sunny also served as the film’s production designer.

NEW YORK FILM ACADEMY STUDENTS WORK ON NYFA CO-PRODUCED ‘STAR TREK’ DOCUMENTARY ‘WHAT WE LEFT BEHIND’

What We Left Behind: Looking Back at Star Trek: Deep Space Nine, a documentary set to be released later this year, was co-produced by New York Film Academy (NYFA) and worked on by several students of NYFA’s Industry Lab.

The documentary, directed by Ira Steven Behr and David Zappone, is a deep look at the syndicated Star Trek spinoff that aired from 1993 – 1999. Behr was a writer and producer on the series as well as its showrunner for several seasons. The film features interviews with nearly all of the show’s cast members, as well as several people who worked behind the scenes.

Star Trek: Deep Space Nine was the third live-action and fourth Star Trek series overall, premiering in 1993 as the widely-popular Star Trek: The Next Generation was in its penultimate season. Deep Space Nine stands out from other Star Trek films and shows for its darker tone and its pioneering serialized structure, with now-commonplace season- and series-long story arcs that were rare for most television dramas before the turn of the century. Additionally, it had an ensemble cast that was much more diverse than typically seen in science fiction at the time, led by African American actor Avery Brooks as Captain Benjamin Sisko.

After becoming available to stream on Netflix and other services, Deep Space Nine has steadily gained newer fans, and has a reputation among many Star Trek fans as being the best series in the canon.

Shout! Studios recently acquired worldwide rights to distribute the documentary, which has been mostly crowdfunded by Deep Space Nine’s die-hard fans. Shout! plans to make the film available on multiple streaming platforms. The film is mostly finished, though is still going through some post-production, and is tied to a campaign for the entire run of Deep Space Nine to be remastered in HD. The film is also expected to have a theatrical release at some point.

New York Film Academy provided some resources for the production of the film after being approached by producer and co-director David Zappone. On four different occasions, NYFA provided film equipment for multiple interviews and location shoots, including a road trip to a Las Vegas Star Trek convention.

Additionally, on three different shoot days, students from the NYFA Industry Lab worked on the film. The crew included BFA Filmmaking students Star Li, Ferid Hasbun, and Rupert Sanchez as camera operators; MA Film & Media student Patrick Anenu as 1st AC; and Anvar Madraimov, and David Bu as Grip & Electric.

The significant resources provided to the production led to NYFA being named in the credits for What We Left Behind—NYFA Principal and Owner Jean Sherlock and Dean of Students, Los Angeles and CSO Dan Mackler are listed as Co-Executive Producers (NYFA). This isn’t NYFA’s only connection to the Star Trek universe; Adam Nimoy, director of multiple Star Trek episodes and For the Love of Spock—a documentary about his father, Leonard Nimoy—has taught at the Academy.

What We Left Behind’s production and release come amid a cultural renaissance for Star Trek, which recently followed its trilogy of blockbuster reboot films with a new critically-acclaimed CBS series, Star Trek: Discovery. Several other television series are also in the works, including an animated series, a Starfleet Black Ops Intelligence Section 31 series, a youth-oriented show focusing on Starfleet cadets, and the return of Patrick Stewart as Captain Jean-Luc Picard in a new sequel series to The Next Generation due to air later this year.

The New York Film Academy looks forward to the release of What We Left Behind: Looking Back at Star Trek: Deep Space Nine, and encourages everyone to check out the film when it becomes available!

New York Film Academy (NYFA) Photography Instructor Joan Pamboukes Speaks at Artexpo New York

On Saturday, April 6, New York Film Academy (NYFA) Photography Instructor Joan Pamboukes gave a lecture at the Artexpo New York. The Artexpo was held from April 4 – 7 at Pier 90 on Manhattan’s West Side. Each year thousands of art industry insiders flock to Artexpo New York in search of art and artists that can influence trends in galleries worldwide.

Pamboukes is an award-winning artist based in Astoria, Queens. Her artwork has been exhibited at venues including The Montclair Art Museum, Chashama UpTown, The Dumbo Arts Festival, and The Arts Council of Princeton. Honors for her work include the 2014 Sky Award, the 1999 Art and Literacy Award, and the 1999 Albert Munsell Media & Performing Arts Award.

Pamboukes’s lecture was entitled Media Transections & Contemporary Photography Influences, and discussed her work, which explores projects that transect human interactivity with screens—including smartphones, television, and video games—as well as how the human experience is currently shaped by the dominance of advanced technology in modern society.

On display was Pamboukes’s portfolios, featuring “images that flash before us, mingling with personal memories and emotions, and influencing our state of mind.” Visual artists, collectors, gallery owners, art dealers, and anyone else interested in statement art and fine art photography were invited to attend the presentation, held at the Education Pavilion. Pamboukes was introduced by New York Film Academy Chair of Photography David Mager.

“Joan is not only an incredible professor, but an amazing artist as well,” Mager recently told NYFA. “Her work looking at today’s technology is sometimes sardonic, but always interesting and beautiful.” He added, “She often brings her artistic vision and approach into the classroom.”

Later this year, Pamboukes will have work on display at the Open World: Video Games and Contemporary art exhibition, curated by Theresa Bembnister at the Akron Art Museum, exhibiting from October 2019 – February 2020. The show is expected to travel as well.

‘Boxing Girls’ Features Two New York Film Academy (NYFA) Alumni

Boxing Girls, a new Arabic-language drama from the Middle East Broadcasting Center (MBC) premiered earlier this year and is the screenwriting debut of New York Film Academy (NYFA) alum Afnan Alqasimi. Additionally, the program features actress and NYFA alum Dana Al Salem.

Alqasimi hails from the United Arab Emirates and attended NYFA’s 4-week Filmmaking workshop in April 2012. Alqasimi previously worked on the animation short Homecoming. Al Salem is originally from Bahrain and enrolled in NYFA’s 4-week Filmmaking workshop at our Los Angeles campus in August 2015. Al Salem previously appeared in The Sleeping Tree and the short film Canary.

Boxing Girls is gaining buzz for its focus on female characters and stars several well-known Arabic performers, including Fatima Al Hosani, Ali Al Sherif, and Shaifan Al Otaibi. The program was directed by Saudi filmmaker Samir Aref and was produced by O3 Productions and twofour54 Abu Dhabi.

“This drama production is particularly unique, because it puts a real emphasis on the region’s young talent — both in front of and behind the camera,” says Maryam Eid AlMheiri, CEO of Media Zone Authority, Abu Dhabi (MZA) and twofour54.

The program was shot over two months across various locations in Abu Dhabi, before completing production in Riyadh, Saudi Arabia. Additional cast members include Mila Zahrani, Abdul Aziz Skeirin, Alaa Shaker, Anoud Al Saoud, Abeer Sander, Noura Ezzer, Mohammed Meshaal, Rakan, Zuhair Haider, and Zara Al Balushi.

Boxing Girls debuted in February of this year.

The New York Film Academy congratulates workshop alumni Afnan Alqasimi and Dana Al Salem on the production and success of Boxing Girls!

New York Film Academy (NYFA) and The Actors Fund Helps Young Students “Look Ahead”

On Friday, April 12, New York Film Academy hosted a filmmaking workshop for students participating in “Looking Ahead,” a program under the umbrella of The Actors Fund which provides education planning, counseling services, leadership, community service and social opportunities for professional young actors. “Our program’s all about giving students the opportunity to learn about the industry in a hands-on environment—beyond acting—to see what happens behind the scenes and broaden their perspectives,” shared “Looking Ahead” youth services specialist, Vy Nguyen.

NYFA’s collaboration with The Actors Fund and “Looking Ahead” is part of our community outreach program, which strives to give young adults who are not typically given opportunities to express their voices and realize their dreams the chance to do so.

The workshop, led by NYFA Filmmaking instructor Bart Mastronardi, provided a full overview of all the technical elements of shooting a scene, from lighting to camera operation to sound to set decoration and continuity. The students were enthusiastic learners and were complimented multiple times for their respectfulness and adaptability. Mastronardi was very impressed by the group; he informed them that their focus and politeness would take them far in the entertainment industry.

Harry White, age 13, acted as a director during the workshop; he got to call “Action!” and “Cut!” as well as help out the lighting team. “I had a lot of fun today,” he said, “I learned a lot about how the camera works and the calls and what all the stuff means.”

Justin Claiborne, age 12, had one of the most technically complex jobs onset: camera operator. When asked about his experience with “Looking Ahead,” he said, “I thought it was amazing; I always wanted to be one of the [camera operators]; it was really cool to have that experience.”

KylieRae Condon, age 14 and one of the most inquisitive students in the group, performed another technically complex role—focus puller; it was Condon’s job to make sure that the actors were always in focus during shooting. “I had a lot of fun,” she said, “and I thought it was very informative and hands-on.”

The New York Film Academy congratulates the bright group of young students on their successful completion of our filmmaking workshop and thanks The Actors Fund and “Looking Ahead” for all their assistance in the collaboration.

Q&A with NYFA Acting for Film Instructor Melissa Sullivan

Melissa Sullivan was so shy growing up, she would stare at the ceiling to avoid looking at people. Eventually, realizing “ceilings weren’t going to get me anywhere in life,” she decided to make a change—and committed to talking to one stranger a day. That, plus an affinity for the stage, got Sullivan out of her shell and into a variety of performing arts: theatre, television, film, and music.

Sullivan, who teaches acting and is the musical director of the NYFA Glee Club, took some time to discuss her career as a multi-hyphenate and her upcoming album.

New York Film Academy (NYFA): How/when did you know you wanted to pursue the performing arts?

Melissa Sullivan (MS): In Naha, Okinawa, my mother put me in a ballet class. I remember a performance being back stage. I loved it. The smell of the stage, the curtains, the anticipation of the performance. I wasn’t the best dancer but the experience was informative and I knew I was at home in the theatre.

NYFA: You’ve performed in a variety of fields—theater, television, film, and music—and have also directed. As an artist, how do you see yourself and why?

MS: When I first moved to Los Angeles things were very different than they are now. I heard “Are you an actor, or a singer? You need to pick one.” Now it is much more fluid. Performers have more freedom to explore, perhaps because of technology and the access to it. The connection of artists globally through technology is amazing. I studied at California Institute of the Arts where all disciplines lived side by side. You would hear music in the hallway, walk by a piece of art, see dancers in the distance, artists in the gallery discussing someone’s work, and watch filmmakers editing in the graffitied sub-level. It was such a great environment. After I graduated, I never gave that spirit up.

NYFA: Speaking of, you have a long list of credits in various mediums. Of all the work you’ve done, what are you most proud of and why?

MS: Recording my album of original music and playing Honey in Who’s Afraid of Virginia Woolf at the Actors Studio, directed by Barbara Bain.

NYFA: Additionally, are there any others that stick out in your mind of being particularly memorable and why?

MS: Filming an episode of Shameless. I had been called into the casting office for Shameless for a few years and was happy to finally land a part. I’m really happy with the work that I did on that show. The experience was fast paced and yet enjoyable. It is a great production from the actors, directors, AD’s, scripts, grips and on.

NYFA: As a multi-hyphenate, what is the most challenging aspect about wearing different hats, project to project? How do you take on the challenge?

MS: Working on a few things at once suits my mind. I am very busy, so I write music while I walk my dogs or drive to work. I wrote some of my favorite songs in my car. I guess to be a multi-hyphenate you have to organize your time well and I have gotten better at this. Teaching has inspired me to take more risks. When you talk with students about their growth and how to facilitate it, you in turn have to follow suit with your own work.

NYFA: You’re the musical director of the NYFA Glee Club and have said that “music can transform people.” Can you elaborate on that?

MS: I have seen students petrified to sing in front of one person, but at the end of the semester they are performing in front of an audience of 90 people. Singing brings people confidence. It is a raw emotional expression. With the Glee Club I try to foster leadership and collaboration. We have student conductors and section leaders. I am blown away by their talent.

NYFA: Speaking of music, you have an album coming out in December. How would you describe your music?

MS: I am a trained jazz singer so my songs come from a jazz foundation, but it is an amalgam of genres: jazz, blues, and pop. I am almost finished! It’s been quite a journey.

NYFA: What’s your favorite thing about teaching at NYFA?

MS: I admire my colleagues. I appreciate the support that the acting and filmmaking teachers give to one another. I also love the fact that the students are from all over the world. I have so much respect for foreign students who open their hearts and act in a second language. I also really like working with the veterans. I appreciate the time they served for our country and I find most of them are highly disciplined at NYFA. They are brave and want to dive into the craft.