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New York Film Academy
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New York Film Academy Filmmaking

Hands-on Intensive 4-Week Filmmaking Workshop

OVERVIEW

The Four-Week Workshop provides students with a thorough introduction to the foundations of film craft. Many students find the one-month length fits conveniently into their yearly schedules. The workshop is a full-time program. Students must be prepared to make a serious commitment to its completion.

FORMAT

The Four-Week program is structured around the production of three short films of increasing complexity. Students will be introduced to the traditional concepts of shooting motion picture film and will apply this foundation of knowledge to contemporary practices of shooting with digital technology. All projects will be shot on high definition digital video cameras.

Classes and hands-on workshops are held throughout the week and some weekends are reserved for additional classes or shooting. Time will be required outside of class for writing, location scouting, casting, and editing. The fourth week is devoted to shooting and editing the final film, culminating in the final screening.

As in all New York Film Academy workshops, each student writes, directs, shoots and edits a series of short film projects of his or her own using high-def digital video, film lighting packages, and digital editing software. Classes in directing, writing, editing, cinematography, and production cover the creative and technical demands of telling a story with moving images. Each week all the students’ films are screened and critiqued in class with the instructor.


Course Descriptions

The following classes are designed to be of immediate and practical use in an integrated curriculum. Each week students are able to immediately apply the lessons learned in their classes to the films they are producing.

Director’s Craft
Writing
Editing
Hands-on Camera/Lighting
Production Workshop

Director’s Craft

Director’s Craft introduces students to the language and craft of filmmaking. Topics covered include storyboarding, composition, camera movement, continuity, montage, pacing, and rhythm.
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Writing

This course is designed to help students develop their scripts for their final films. Students will be instructed in story structure, dramatic arc, creating characters, text and subtext, refining stories, and scriptwriting style.
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Editing

Editing is an art unto itself. Regardless of the editing system a filmmaker uses, it is the editor’s ability to work with the shots and tell a story that makes all the difference. Workshop students will learn how to use the digital editing system, Avid Media Composer. Each student edits his or her own films and can supplement classes with individual consultations at the editing station. Students are taught the fundamental concepts of film editing, both practical and aesthetic.
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Hands-on Camera/Lighting

Through a series of hands-on classes and instructor-led workshops, students are introduced to the fundamentals of 16mm film using the 16mm Arri-S camera before moving onto HD image making. The craft of composing images with the Canon 5D HD camera will be taught "from the ground up" and presuppose no prior knowledge of filmmaking. The proper use of basic lighting instruments and their contribution to the image will be explored in class exercises and demonstrations. Through hands-on workshops and camera tests, students will also learn fundamental lighting techniques. As they progress through the workshop, students learn how to support the mood of the story with lighting choices and they experiment with expressive lighting styles.
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Production Workshop

The Production Workshop is designed to demystify the craft of filmmaking. It is a hands-on class in which students stage and shoot exercises under the supervision of the instructor. The technical aspects of filmmaking are seen as tools to realize the story. The guiding idea is that once students can articulate the objective of a given scene, the necessary craft and techniques will follow. Through the in-class exercises, the rules and tools of mise-en-scène and continuity are defined and practiced.
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Film Projects

Mise-en-scène
Continuity
Music & Image

Mise-en-scène

In their first film, students are introduced to mise-en-scène, or directing a shot to visually tell a story. Once they create a dramatic moment, they concentrate on the dynamics of the shot that will best express it. This project teaches students how the relationship of the subject and the camera creates drama. Each student designs and shoots a scene, which has a beginning, middle, and end. Students learn to pay close attention to the choice of lenses, distances, and angles. Since the story must be told in no more than three shots, each shot must be staged to express as much as possible about the characters and their actions. Students should rehearse the shot for blocking of actors and camera until the scene works without needing to stop; only then should they roll camera.
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Continuity

Continuity is one of the fundamental principles of modern filmmaking. By making a "continuity film," students learn the way cuts can advance the story while sustaining the reality of the scene. They learn the difference between "film time" and "real time."

Students are challenged to make a film that maintains continuity in story, time, and space. The action in these films unfolds utilizing a variety of shots (10-15) in a continuous sequence (no perceptible jumps in time or action). Students must produce a clear, visual scene while maintaining the truthfulness of the moment. It is essential that the audience believes in the reality of the scene. Students write, direct, shoot, edit, and screen a film of up to three minutes.

Students must thoroughly organize and pre-produce their projects by completing the following elements: Script, Location Scout, Breakdown, Floor Plan, Storyboard, and Schedule of Shots.
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Music & Image

The third project introduces students to the relationship between sound and film, as well as to narrative tools like montage and jump cuts. In this project, students are encouraged to explore a more personal form of visual storytelling.

Students choose a short continuous selection of music. In the editing room they cut their images to work in concert with, or in counterpoint to, the music. Students should experiment with rhythm and pacing. Each student writes, directs, and shoots his or her project on film, edits digitally, and screens a completed Music Film.

In addition to storyboards, students may use a still camera to plan their films. This assists them in their choice of locations, distances, angles, and lighting.
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Dates & Tuition

Fees
Tuition: $3,412 (USD) +
Equipment Fee: $517 (USD)


Students will also incur additional expenses on their own productions. This varies depending on how much film they shoot and scale of the projects.



Location & Available Dates

For New York City:
Jan 3, 2017 - Jan 28, 2017
Feb 6, 2017 - Mar 4, 2017
Mar 6, 2017 - Apr 1, 2017
Apr 3, 2017 - Apr 29, 2017
May 1, 2017 - May 26, 2017
Jun 5, 2017 - Jul 1, 2017
Jul 10, 2017 - Aug 5, 2017
Aug 7, 2017 - Sep 1, 2017
Sep 11, 2017 - Oct 7, 2017
Oct 2, 2017 - Oct 28, 2017
Oct 23, 2017 - Nov 18, 2017
Jan 8, 2018 - Feb 3, 2018
Feb 5, 2018 - Mar 3, 2018
Mar 5, 2018 - Mar 29, 2018
Apr 2, 2018 - Apr 28, 2018
May 7, 2018 - Jun 2, 2018
Jun 4, 2018 - Jun 30, 2018
Jul 2, 2018 - Jul 28, 2018
Aug 6, 2018 - Aug 31, 2018
Sep 4, 2018 - Oct 6, 2018
Oct 1, 2018 - Oct 27, 2018
Oct 22, 2018 - Nov 17, 2018

For Los Angeles:
Jan 3, 2017 - Jan 28, 2017
Feb 6, 2017 - Mar 4, 2017
Mar 6, 2017 - Apr 1, 2017
Apr 3, 2017 - Apr 29, 2017
May 1, 2017 - May 26, 2017
Jun 5, 2017 - Jul 1, 2017
Jul 10, 2017 - Aug 5, 2017
Aug 7, 2017 - Sep 1, 2017
Sep 11, 2017 - Oct 7, 2017
Oct 2, 2017 - Oct 28, 2017
Oct 23, 2017 - Nov 18, 2017
Jan 8, 2018 - Feb 3, 2018
Feb 5, 2018 - Mar 3, 2018
Mar 5, 2018 - Mar 29, 2018
Apr 2, 2018 - Apr 28, 2018
May 7, 2018 - Jun 2, 2018
Jun 4, 2018 - Jun 30, 2018
Jul 2, 2018 - Jul 28, 2018
Aug 6, 2018 - Aug 31, 2018
Sep 4, 2018 - Oct 6, 2018
Oct 1, 2018 - Oct 27, 2018
Oct 22, 2018 - Nov 17, 2018

For Gold Coast Australia:
Jan 30, 2017 - Feb 24, 2017
Mar 6, 2017 - Mar 31, 2017
May 1, 2017 - May 26, 2017
Jun 26, 2017 - Jul 21, 2017
Sep 25, 2017 - Oct 20, 2017
Nov 6, 2017 - Dec 1, 2017

For Sydney Australia:
Jan 30, 2017 - Feb 24, 2017
Mar 6, 2017 - Mar 31, 2017
May 1, 2017 - May 26, 2017
Jun 26, 2017 - Jul 21, 2017
Sep 25, 2017 - Oct 20, 2017
Nov 6, 2017 - Dec 1, 2017

For South Beach Florida:
Mar 6, 2017 - Apr 1, 2017
May 1, 2017 - May 26, 2017
Jul 10, 2017 - Aug 5, 2017
Sep 11, 2017 - Oct 7, 2017

For Paris France:
Jul 9, 2017 - Aug 5, 2017

For Florence Italy:
Apr 16, 2017 - May 13, 2017
Jun 25, 2017 - Jul 22, 2017
Sep 17, 2017 - Oct 14, 2017

For Berlin Germany:
Feb 6, 2017 - Mar 3, 2017

For Amsterdam Netherlands:
Jul 10, 2017 - Aug 4, 2017



Please note: Dates and Tuition are subject to change
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