If you rely on ride share systems like Uber and Lyft, you may be reconsidering after watching “Ryde,” written, directed and produced by New York Film Academy alumnus, Brian Visciglia, and co-written and edited by NYFA alumnus, Dustin Frost.
The thriller/horror film is about a cereal killer that uses ride share systems to lure victims in and kill them.
“The story serves as an awareness for all of us using these ride share apps and, even for the drivers, to be more conscious and vigilant with the service,” said Visciglia. “Pay attention to the correct driver, vehicle, and even clients. It’s a great system and very useful, but as always all good can be misused and/or abused.”
The idea for the film came about after Visciglia noticed a couple of intoxicated young girls calling for a cab — he wondered about their safety. A few weeks later, his friend and fellow NYFA alumnus Olavo Jr. DaSilva asked him to write a thriller for a short. Visciglia decided to update “Taxi” to a more popular and relevant transportation method — ride sharing.
The film was shot with the ARRI mini Alexa in and around Los Angeles, including Hollywood Blvd where the crew had to prepare and shoot a car crash.
“I learned a lot from my two years at NYFA,” said Visciglia. “I used that knowledge to write, organize, pre-produce, and execute everything leading up to this feature.”
As for some advice from the first time feature filmmaker, Viscigilia says, “Practice, practice, practice. Do, do! do! Don’t give up hope. Do everything with passion. Nobody wants it as much as you, so you have to keep the energy and morale going. Read. Research. Pay attention in class. Also, this is ‘art’ as well as business, stay true to your art and stay within your budget.”
Considered one of the most ideal festivals to premiere a film, the Toronto Film Festival (TIFF) has launched the careers of many up and coming filmmakers. We have high hopes for New York Film Academy Producing alumnus Eric Janvier, who produced “Gods Acre,” which will have its world premiere at this year’s TIFF.
“Gods Acre,” which is Kelton Stepanowich’s directing debut, is about an older aboriginal man, Frank, struggling to adapt to a constantly changing world. Isolated in the wilderness, his roots are firmly planted in the customs passed on to him like his ancestors before. The everyday problems of the outside world creep closer to his doorstep. As water begins swallowing up the land his cabin stands on, Frank must grapple with the decision of abandoning his home or adapt to an impossible situation.
“I was able to use the skills I learned at NYFA after graduating,” said Janvier. “I want to thank the staff at NYFA for all the great things they’ve taught me, and I wouldn’t be where I am without the school.”
Since Janvier graduated from the producing program in 2008, he has started Broken Tree Productions and has worked for such musicians as Abandon All Hope, Hit or Miss, and Shantelle Davidson, to name a few.
Janvier has recently written, directed, produced, and edited his first feature film, which is scheduled to be released in the near future.
Last week, New York Film Academy NY Chair of Animation & Game Design Phoebe Elefante hosted the first ever Pitch Contest Game for participants of Revolutionary Learning 2016. The conference, which took place at New York’s Roosevelt Hotel, focused on innovation in game-based learning – a sizable, and very profitable sector of the larger game industry.
The Pitch Contest Game, designed and run by Ms. Elefante and NYFA NY Game Design alumna Nina Mirhabibi, guided participants through a game concept development process, which resulted in a short pitch presentation to the audience and an illustrious panel of judges, which included: Dr. Elena Bertozzi (founder of the Engender Games Group at Quinnipiac University), Michael Gi (Play Designer at BrainPOP), and Bert Snow (VP of Design at Muzzy Lane Software). The panel also featured a student judge, Mickell Ford Jr., member of Mouse.org and starting freshman in the Design and Technology program at Parsons. The winning team created a game called Amor Vincit Omnia, designed to teach ethics to students in middle school and up. The Crowd Favorite award was given to the team that created Pitch Deck, a game for MBA students and aspiring entrepreneurs that aims to bring humor to the high pressure investor pitch.
“We designed the Pitch Contest Game to bring conference participants together, encourage collaboration, have fun, and design games. None of the players knew each other at the beginning, and all of the teams have plans to continue development of their concepts into playable games,” said Ms. Elefante. “That’s a big win.” All of the activities and design documentation used to help participants design their games are now available on the Revolutionary Learning Blog.
The educational games market in the US is estimated at $1.5 billion. According to Ms. Elefante, NYFA students aren’t required to make learning games, but “I always encourage our students to consider the marketplace — there are countless opportunities for game designers and developers if you know where to look.”
Unlike other top game design schools, NYFA’s Game Design School offers a course that challenges students to lead their own Game Studio with two other classmates. Throughout the semester, students receive coding support and mentorship from professional game programmers, developers, and instructors. This focused effort and unique approach of pairing students with professionals allows students to create their own digital game by the end of the semester.
Former New York Film Academy Producing student Eric Janvier produced the short film, “Gods Acre,” which will have its world premiere at the 2016 Toronto International Film Festival. The festival, which is universally regarded as an ideal platform for filmmakers to launch their careers, will be held from September 8–18.
“I was able to use the skills I learned at NYFA after graduating,” said Janvier. “I want to thank the staff at NYFA for all the great things they’ve taught me, and I wouldn’t be where I am without the school.”
Directed by first-time director Kelton Stepanowich, “Gods Acre” is about an older aboriginal man, Frank, struggling to adapt to a constantly changing world. Isolated in the wilderness, his roots are firmly planted in the customs passed on to him like his ancestors before. The everyday problems of the outside world creep closer to his doorstep. As water begins swallowing up the land his cabin stands on, Frank must grapple with the decision to abandon his home or adapt to an impossible situation.
Since graduating in 2008, Janvier started Broken Tree Productions and has worked for such musicians as Abandon All Hope, Hit or Miss, and Shantelle Davidson, to name a few.
Janvier has also gone on to produce, direct, write and edit his first feature film, which is slated for release in the near future.
The New York Film Academy is excited to share that the popular series, “Bookburners,” is coming to print through SAGA Press. “Bookburners” is a collaborative novel featuring the talents of Screenwriting Instructor Margaret Dunlap, Max Gladstone, Mur Lafferty, and Brian Francis Slattery. Previously released in 16 online installments by Serial Box,”Bookburners” is a critically acclaimed urban fantasy about a secret team of agents that hunts down dangerous books containing deadly magic.
The savvy pitch is Supernatural meetsThe Da Vinci Code in a fast-paced, kickass character driven novel chock-full of magic, mystery, and mayhem, written collaboratively by a team of some of the best writers working in fantasy.
The cover was designed by artist Marko Manev and designer Michael McCartney.
“I’m very excited that ‘Bookburners’ is coming to print,” said Dunlap. “We have a great team of writers, and it’s been a wonderful opportunity to take the skills that I learned as a screenwriter and apply them to a new medium.”
The print version of “Bookburners” will be available on January 10, 2017 from SAGA Press!
The New York Film Academy College of Visual and Performing Arts (NYFA) Athletics Department hosted its 1st Annual Athletics Banquet for its coaching staff and athletes on Sunday, August 14, 2016. The Banquet brought together the department in its entirety to recognize and celebrate everyone’s hard work and success. Since the establishment of athletics in 2014, NYFA has created seven athletic teams and two clubs that would go on to earn seven 1st place and 2nd place trophies.
NYFA’s Athletic Director, Eric Brown, took the podium and delivered a welcome speech elaborating on the department’s history, prospective goals, and plans for the future. Stefan Leach, a BFA Acting Student and men’s basketball player, said, “The banquet had a great atmosphere with lively music and amazing food! We danced, ate, and had a blast with the other athletes!”
Following Eric’s speech, each coach shared memorable moments and cherished experiences throughout their seasons. The men’s basketball coach, Lucius Allen, talked about his team and the players’ improvement over the past few seasons, along with their consecutive back-to-back championships. Steven Goldstein, head coach of the women’s basketball team, raved about the camaraderie and diligence of his team, overcoming any obstacle, earning two 2nd place trophies. The two-time championship winning men’s soccer team was introduced by their new coach Roy Lev-Ari, who spoke volumes about their commitment and his resolve as their coach. Emily Seidel introduced the co-ed softball team and talked about their improvement and dedication to the program. Elise Cregg spoke about the department and her new position as the Athletics Coordinator, as well as enjoying coaching the men’s and women’s volleyball teams.
Dinner was provided by Monte Carlo’s Italian Restaurant while the banquet ensued with music by DJ Tuesday. Alessio Mongardi, a BFA Acting Student, said “The first ever NYFA Athletics Banquet went above and beyond in its quest to bring people together for a fun and enjoyable night filled with exciting, rewarding, and inspiring moments shared with teammates and friends.”
The student athletes and coaches also participated in a raffle, which ranged from Nike gift cards, to classic historic sports movies. The athletics department looks forward to next year’s athletics banquet and celebrating the upcoming sports’ seasons!
It may have been one of the hottest days in July, but NYFA’s Environmental Biology students were not daunted. It was the day of their “Biodiversity” lecture, but instead of sitting in a class reading slides and looking at pictures of plants and animals on a TV screen, instructor Camille Boag took them to the Los Angeles Zoo. Here, they could experience spectacular examples of our earth’s biodiversity much more profoundly.
While the first 20 minutes of the field trip found the group settled in around some tables near the harbor seal exhibit, discussing the fundamentals of Biodiversity and practicing some scientific tactics of measuring it, the remaining two hours were full of exploring the zoo’s hundreds of species on exhibit.
The trip was largely a visual tour, aimed to highlight the great diversity found within and among our planet’s biomes. But students were also responsible for finding specific species, such as an endangered species (and looking up why it is endangered), a California local species, a species from a biodiversity “hot spot,” and a species with a particularly well-suited adaptation for its habitat, in a sort of zoo-wide scavenger hunt. This kept the students focused and engaged.
NYFA student Annie Song spoke about the trip, “I saw animals I’d never even heard of. Perhaps my favorite part was the special reservoir for endangered animals. I learned what caused them to be in their current state. If we were just in the classroom I would see less and I wouldn’t feel the same call to ‘save the environment’ as I did being at the zoo and seeing it with my own eyes.”
Boag’s incentive for this trip is based on the idea that a more intimate experience with our planet’s animals will foster more of a commitment to help conserve them. Who knows, maybe one of her students will make a wildlife documentary one day!
New York Film Academy High School Summer Camp graduate Sara Eustáquio was a recent recipient of the Award of Merit at the IndieFest Awards Film Awards in Los Angeles for her debut narrative fiction short film “4242.”
The young Portuguese filmmaker had already been awarded with the Award of Merit Special Mention at the Best Shorts Competition, also in LA, and the Junior Winner Special Jury Prize at the Near Nazareth Film Festival, in Israel.
Inspired by true events, “4242” is about a teenager who leaves her home country, her family and friends, to live in another country in Europe.
“This story is important to tell because teenagers across the globe increasingly face similar situations as the character of ‘4242’,” says Eustáquio. “For several different reasons, many teens end up living in different countries where they may not even speak the same language. This story is not only about immigration, as we have seen in Europe, but also about the mix up of so many feelings during adolescence. Perhaps even feelings that may occur during adulthood: loneliness, confusion, the integration process in new spaces, the challenge of displacement both physical and spiritual.”
In addition to “4242,” the NYFA New York City Summer Camp grad also has a new micro short, “Mirror,” which she produced at NYFA to compete at several international film festivals.
“My time at NYFA taught me much more than I could have imagined,” said Eustáquio. “During this program, I learned about all the technical aspects of the filmmaking process in a fast-paced environment, as well as the importance of telling a story and how to tell a story. It was an amazing experience which deeply changed my perspective and encouraged me to move forward. NYFA helped me find my voice and definitely made me realize this what I want to do.”
Actor, writer, producer, and director Seth Rogen dropped by the New York Film Academy Los Angeles campus on Wednesday, August 17th to show his new R-animated movie Sausage Partyand talk about his long acting career. Hollywood Producer, NYFA Director of Industry Lecture Series, Tova Laiter, hosted the evening.
photo by Kristine Tomaro
The auditorium crescendoed into a roar when Rogen took the stage. And he didn’t disappoint, making the students laugh all throughout. Laiter began the conversation with Rogen’s beginnings: Rogen began his stand-up career at just thirteen. He had the usual plan: become a stand-up comedian, land a sitcom, and then make movies for forever. The goal was always to make movies.
From his stand up, Rogen was able to land an agent. He auditioned for, and landed a role in, Judd Apatow’s Freaks and Geeks when he was just sixteen. Then he began writing and acting on Undeclared. Next, he was hired on The Ali G Show, for which he was nominated for an Emmy. After conquering film in The 40-Year-Old Virgin he continued for two pictures with Judd Apatow: Knocked Up and Funny People.
He then began working with his childhood friend and partner, Evan Goldberg. Their work includes This is the End, Superbad, Pineapple Express, and The Interview. He’s lent his voice to Horton Hears a Who!, Monsters vs. Aliens, Paul, and Kung Fu Panda. He’s recently turned his attention back to TV with AMC’s Preacher.
photo by Kristine Tomaro
Asked how the idea for the uniquely clever and funny Sausage Party came about he quoted two inspirations
“Honestly,” Rogen said, Home Alone is one of the movies that made me want to make movies. Seeing a kid just beat the shit out of adults- it was like an action movie for kids and I remember thinking I want to make movies like that.”
The second source: ‘When the Pixar movies started to come out I was just blown away by them. They weren’t just visually unlike anything I’d ever seen but the storytelling and the humor… It was completely a group of people working on another level. We were like, ‘Well, we’ll never be that good., so maybe we’ll do our own bastard version of that and we’ll get to take a sip from the well of glory for just a second.’”
But an R-rated animated comedy was not an easy pitch, even with Rogen’s popularity and success. “Getting it made was the hardest part. It took us literally years, and years, and years of going to meetings and being told ‘no’ by independent financing companies and by major studios. Then finally brave Megan Ellison agreed to do it.”
“So, that part was difficult. But we’d never made an animated movie. It was very different than anything we’ve ever done.”
Also, “the releasing of the movie is always the most stressful time because it’s the part that one generally has the least control over. You never know how much they spent. You know how much the movie cost to make. You have a million conversations about that. But there’s literally never a conversation where a number is said in regards to the marketing budget. “But, in the end, the journey was worth it, if it helps the next person down the line, “I think there’s a distinct possibility that if someone was on the fence about making an R-rated animated movie maybe this might nudge them to the other side of it. We hope to make more R-rated animated movies and I really hope that, if anything, this inspires other people to take this and make something better”
Laiter wanted to know what made Canadian comedians so consistently successful. “I’ve worked with British comedians before and they’re hilarious” Rogen Said, “but they don’t quite understand American culture to the degree they need to, to really infiltrate it. But Canadians grow up with American culture, but it’s not our culture. So, we probably more objective about it and a little more inclined to make fun of it”.
Rogen has a reputation for working with his friends. “When you’re working, it’s really hard to do something that feels good a lot of the time. So when I’m on set I feel so much better if Jonah or Franco or Craig or Danny are there because they are just incredible at their jobs. Of the hundreds of things I have to worry about in my job as the director, producer, writer, that is not one of them. It’s just a stress relief. On top of that, we just like each other.”
One student asked Rogen about how he handled criticism. “Honestly, that’s gotten harder as I’ve gotten older. When I was younger I was really aggressive and confident. Over the years, as I’ve read thousands of articles just saying what an idiot I am… I look back and honestly marvel at how little I thought about whether or not other people thought I was funny. It was all, ‘I think I’m good at this and I think I can do something different in movies, so I’m just going to write them’. The more I didn’t succeed, the more I’d get angry and I’d just try even harder… You just have to make sure it’s a good idea. Surrounded yourself with people who will be honest with you and give you good constructive criticism. Just never stop.”
photo by Kristine Tomaro
Another student wanted to know if Rogen had advice for actors who were older and hadn’t hit yet. Rogen responded, “Ian McKellan became famous when he was like 80. There’re so many actors that just keep going and don’t quit. And there’re actors who don’t become famous until they’re in their 50’s, 60’s, 70’s, and in the meantime they keep working in smaller roles. And if you’re only an actor and (you) can’t write or create material for yourself, then… become friends with a writer. They’re always looking for actors. Become friends with a director. They always need actors. Just link up with someone who has a job you can’t do.”
“What is the most important ingredient in comedy?” a student asked.
Rogen said, “Superbad is about two friends who don’t know how to tell one another they’re going to miss each other. That sweet center allowed us to have period blood on his leg and other crazy shit that would otherwise be appalling. So for us, we talk a lot about balance- emotion with crudeness, intelligence with stupidity, unpredictability with plausibility and sensibility. I think balance is the most important part of comedy, also between what genres you’re trying to mix- finding the exact mix of horror and comedy, of emotion and comedy. That’s what makes a movie unpredictable.”
And as parting words Rogen emphasized the ‘unpredictability’ of great movies and asked the students to surprise him with the kind of breakthrough movies that make him ask: ‘How the hell did they do that?’
That brought the house up to standing ovation.
New York Film Academy would like to thank Seth Rogen for his time. Sausage Party is now in theaters.
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