New York Film Academy (NYFA) launches The 20/20 Series, created and moderated by NYFA’s Creative Director of Filmmaking and Cinematography, Liz Hinlein.
The 20/20 Series is a weekly, virtual pop-up event, open to the public, that takes attendees into the homes, hubs, and workspaces of an array of dynamic creative visionaries to allow for relaxed, engaging conversations on craft, creation and artistic vision.
Denis O’Hare, Sarah Pirozek, and Liz Hinlein speak virtually on “Creativity vs. Compromise”
Hinlein launched the series on April 15, 2020 with inaugural guests: actor Denis O’Hare (American Horror Story, The Good Wife, Dallas Buyers Club) and writer, director, and producer Sarah Pirozek (#Like, Free Tibet). Hinlein, who curated the discussion to be surrounded by understanding an artist’s ability to be creative and compromise, also opened up the conversation to the global audience, allowing them to ask O’Hare and Pirozek questions about their career and navigating the industry.
Adam Bernstein, Sarah Pirozek, and Liz Hinlein speak virtually about the creative process
After a successful launch of the series with attendees from over 70 countries tuning in to The 20/20 Series, Hinlein followed up the first conversation on April 22, 2020 with Nickelodeon network alum and renowned television director Adam Bernstein(Breaking Bad, Better Call Saul, The Sinner). Pirozek, who was a guest the previous week, also joined this week’s discussion, which touched on directing different mediums from music videos to television and film.
At this time, additional guests announced for upcoming conversations include:
Joe Berlinger (Director) – April 29, 2020
Peter Zizzo (Songwriter and Producer) – May 6, 2020
Mark Pellington (Director) & Sarah Pirozek (Director) – May 13, 2020
Anka Malatynska (Cinematographer) – May 20, 2020
Piper Perabo (Actress) & Stephen Kay (Director) – May 27, 2020
More guests will be announced each week throughout the Summer with industry professionals including cinematographers, screenwriters, VFX artists, producers, and more. For the latest updates on The 20/20 Series upcoming guests and to register for an event, click here.
New York Film Academy would like to thank the industry professionals who have contributed to The 20/20 Series and looks forward to welcoming more guests to Liz Hinlein’s creativity-focused 20/20 Series.
On Wednesday, April 15, New York Film Academy (NYFA) had the esteemed honor to host actor Denis O’Hare and writer, director, and producer Sarah Pirozek as part of The 20/20 Series, created by NYFA’s own Creative Director of Filmmaking and Cinematography, Liz Hinlein. The conversation was moderated by Hinlein and was held virtually, allowing individuals to join NYFA and the special guests from all over the world.
The 20/20 Series, created by Hinlein, is a virtual pop-up event that takes us into the homes, hubs, and workspaces of an array of dynamic creative visionaries to allow for relaxed, engaging conversations on craft, creation and artistic vision. The event began with all guests introducing their key theme of the session, “Creativity and Compromise.”
Denis O’Hare, Sarah Pirozek, and Liz Hinlein speak virtually on “Creativity vs. Compromise”
Special guest Denis O’Hare is a three-time Emmy Award nominee and Tony nominee, whose acting credits span across film, television, and theatre productions including Dallas Buyer’s Club, Garden State, American Horror Story, The Good Wife, Milk, and many more. During the discussion, O’Hare was joined by Sarah Pirozek, whose career includes directing hip-hop music videos, award-winning national commercials, documentaries and feature films, including her debut feature, #LIKE, which recently screened at multiple festivals, winning ‘Best Producer’, ‘Best Script’ and a nomination for ‘Best Indie.’
Hinlein, who moderated the event, kicked off the discussion by commenting on the collaboration process that occurs when acting in or creating a film and began with discussing O’Hare’s directorial debut film The Parting Glass, which he also wrote and produced. “Until I made this movie [The Parting Glass], I never really got that movies are collaborative and it’s not my movie,” says O’Hare. “It is the movie made by the guy who did the music, and the woman who did the brilliant job on the sets, and the DP [Director of Photography].”
Film poster for ‘The Parting Glass’
Hinlein also directly asked O’Hare what it is like individually for an actor to contribute to the ensemble of an entire project. “When you’re on stage you can definitely upstage somebody, but it is hard to do that for a film,” he begins, “ultimately, everyone is there for a reason. It doesn’t have to be a competition.” O’Hare and Pirozek then went on to explain that at the end of the day, everyone is striving to do the best possible work for each project they come in contact with.
The conversation continued with Pirzoek commenting on how building out a scene or an entire film is all about compromise. “You have to, as a creative, have to have an incredibly strong ego, but then you also have to be able to tell that ego to take a backseat.” She continued, “you have to be strong enough to continue and weigh out when I can fight for something that I think is correct and when I go ‘oh that’s just my ego talking’. I don’t need to win an argument. What I need to do is do the right thing for the project.”
Film poster for Sarah Pirozek’s debut feature film ‘#Like’
The conversation then steered from the collaboration process in film to the creativity process for many creators and performers, causing Hinlein to pose the question to both O’Hare and Pirozek on what their thoughts were regarding young and upcoming actors who perhaps underplay their performance due to not having the direction they need for a role.
O’Hare responded, “If everytime you are on camera and you are underplaying, you probably aren’t reading the script.” He went on to explain that instead, “you are creating a brand for yourself” instead of doing the character justice. O’Hare, who is a character actor himself, especially for FX drama American Horror Story, says that sometimes it does make sense to play a version of yourself in a movie and, in a sense, “underplay” the role. He notes, however, that choosing not to explore a role’s character further is limiting to yourself and the project.
Denis O’Hare’s characters from American Horror Story (Photo Credit: Screen Rant)
The conversation came to a close with a thought provoking remark by O’Hare on collaborating with other creators and artists to bring their projects to life. “My favorite projects in the world are ones that haven’t succeeded,” says O’Hare. “At the end of the day you have to ask yourself ‘what are you proud of?’”
New York Film Academy would like to thank Denis O’Hare and Sarah Pirozek for taking the time to speak on their creative processes for the 20/20 Series, created by and moderated by Liz Hinlein.
These guests are not faculty and do not teach at NYFA, but they have appeared to share their stories and experience with our students. As guest speakers are scheduled based on their availability, NYFA cannot guarantee whether a guest speaker will visit during a student’s attendance or who that guest speaker may be. This guest speaker forum is not part of any NYFA curriculum and attendance at guest speaker events is purely voluntary. Students should be aware that guest speaker events do not represent a job opportunity nor are they intended to provide industry connections.
New York Film Academy’s (NYFA) Graphic Design School has always been committed to developing the next generation of well-trained and successful designers. These students are prepared for an industry that has grown exponentially since the turn of the century, with more opportunities than ever before for skilled graphic designers to find professional work while also expressing themselves in an artistic, creative fashion.
Some of NYFA’s very own 1-Year Conservatory Graphic Design alumni have spent the past year since their graduation, continuing to learn and improve upon their skill sets as they each continue to build their impressive portfolios as professional designers.
Carl Dempsey is currently interning at Big Star Studio, a digital design firm in New York City that focuses on ground-breaking design and production. Big Star is well known for their creative sequences for Westworld, Game of Thrones and the documentary Free Solo. While Dempsey studied at the Academy, he focused on motion Graphics.
Carl Dempsey during his Graphic design showcase at NYFA
Cheryl Lin is now a Senior Designer at MTG, a design firm in New York City that provides custom high-level design solutions based on years of experience, creativity, knowledge and understanding of the current competitive climate. During her time at NYFA, Lin explored her passion for print, interactive and motion design. To view her graduation portfolio, click here.
Jose Taira is currently a Designer at FLUZ App, an app that aims to disrupt the global retail shopping experience through various consumer touch points. During his time at NYFA, Taira’s focus was print, interactive and motion design. To view his graduating portfolio, click here.
The New York Film Academy (NYFA) has been recognized as one of Variety’s Top Film Schools for 2020. This is the fourth consecutive year that NYFA has been included in the annual report, which lists Variety’s selections of worldwide academic filmmaking institutions. The report, The Entertainment Education Impact Report: The Top Film Schools and Educators From Around the Globe is created to identify leading film schools that effectively prepare their students for “successful careers in the entertainment biz.” The report is a reputable resource used by producers, film executives, and rising talent.
The schools chosen annually by Variety are known for their excellence in filmmaking education, guiding their students with “structure and encouragement and artistic expertise.” Due to the challenges caused by the COVID-19 outbreak, the 2020 report also listed colleges implementing remote learning to keep students optimistic and engaged through the pandemic.
NYFA has made special strides to accommodate the needs of the student community. As of March 2020, online workshops are available in film directing, acting, cinematography, documentary, photography, producing, screenwriting, editing, game design, broadcast journalism, and a list of musical theatre online classes. The courses are designed around remote learning and include live interactive instruction and one-on-one sessions with the instructor. Online workshops are also offered through NYFA Australia to accommodate for Asia-Pacific and Australian time zones. Throughout April to June, teens and kids after-school online workshops are also being offered. The instructors who are teaching online workshops are uncovering innovative ways to virtually bring the film industry to the student’s homes.
“Our new online model has worked surprisingly well,” said Andrea Swift, Documentary Filmmaking Chair. “We’re making just as many films, and so far, our students have used the “limitations” of social distancing as opportunities to create some extraordinary work. Creativity loves an obstacle.”
The Variety report continued by highlighting NYFA’s various creative disciplines that “span all forms and platforms,” beyond filmmaking. The piece also called out the large volume of programs at NYFA, including fine arts degrees, graduate opportunities, conservatories, and youth programs. Variety also commended NYFA’s exceptional faculty and staff, who are all working industry professionals that are active in their respective fields. Additionally, the report praised NYFA’s state-of-the-art facilities and equipment at campuses and locations worldwide.
NYFA has been included in Variety’s Entertainment Education Impact Report since 2017. In the first report, NYFA gained recognition for accelerated creative programs. Variety also called out filmmaking accomplishments of NYFA graduates, which included screenings at Venice, Toronto, Sundance, Cannes, and SXSW film festivals. Recently, NYFA alumni from the producing and cinematography programs have worked on exciting projects such as the “Tiger King” and Awkwafina’s award-winning film “The Farewell.”
Variety has been a trusted leader in entertainment and media for over 100 years with analysis, insights, and news regarding film, TV, digital media, music, and theatre.
NYFA is regionally accredited by the WASC Senior College and University Commission (WSCUC), and is an accredited institutional member of the National Association of Schools of Art and Design (NASAD). These accreditations extend to all NYFA campuses in the United States and overseas.
While the NYFA New York City campus is closed, we in the Broadcast Journalism department are all safe and sound. Our students are finding new ways to tell important stories. And just like media outlets around the world, we had to reinvent our biweekly news magazine NYFA News. Students are shooting stories with what they have — personal DSLRs, GoPros and cell phones. Here Avery Kelly demonstrates how to maintain social distancing…
Broadcast Journalism student Avery Kelly on the streets of NYC
Since the Edit Lab is currently closed, video editing is an at-home enterprise using a range of nonlinear software. Our current students are attending online classes from their kitchens and living rooms. One is in the middle of a 14-day quarantine in South Korea (ROK).
Shadab Khan is cutting stories on Staten Island. Lexi Fernau is in South Dakota. And Selin Telek is somewhere on the Upper East Side of Manhattan.
NYFA student Shadab Khan edits at home on Staten Island
The tables were turned on NYFA grad, and the Broadcast Journalism department’s superstar TA, Fabiola Torres recently. She was interviewed by a TV station in Puerto Rico about what life is like in New York City. (Or Nueva York, if you will.) And don’t you know, she provided them with some great sound “bites.” She knew exactly what the producers needed…
Fabiola Torres is interviewed by TV station in Puerto Rico
Washington state was hit early, and hard, by the COVID-19 virus. Former NYFA Broadcast Journalism student Starla Sampaco is helping to explain what is going. “I’m anchoring daily news segments on KCTS, Seattle’s PBS station on channel 9. I get a kick out of living 8-year-old-Starla’s dream (although the newsroom is pretty empty these days)… Hope you’ll tune in. It’s more important than ever to get your news from credible sources you can trust.”
Former NYFA Broadcast Journalism student Starla Sampaco
We have a saying in the news business, “there is a local angle to every national story.” New York-based (OK, Nova Iorque…) NYFA grad Viviane Faver is demonstrating that there can be “an international angle to every local story.” A freelance journalist, Viviane writes for a number of different Brazilian online news sites and magazines.
“I felt that Paloma’s pregnancy experience during the virus needed to be shared in order for other pregnant doctors to not feel alone, and for the public to have a better understanding about pregnant healthcare worker’s lives through #COVID19. And of course, because she’s my hero and the world’s. “
1-Year BroadcastJournalism alum Idris Sulun is thousands of miles away from New York, working as a journalist in his native Turkey.
“I have been working for the Anadolu Agency as a multimedia journalist. It is basically the biggest news agency in Turkey, and one of the biggest agencies in the region. |
What I am doing is completely the same as we did in our Personal Journalism class… Pitching the story to my chief editor, and if I get approval I shoot the interview and take broll I need, then go for editing. At the same time, I’m writing the news text and taking photos for the news package.”
Idris is creating wonderful, family-oriented stories. The kind of stories we really need just about everywhere these days…
1-Year Broadcast Journalism alum Idris Sulun
Finally, Hannah Palmhagen — another 1-Year Conservatory program graduate — is back home in Sweden. She is proving just how glamorous working in digital media can be. Note her practical footwear. When you work around cattle, you’ve gotta watch where you step…
Alum Hannah Palmhagen takes images of cattle in her home country of Sweden
On April 8, 2020, video game industry legend Bill Roper talked with NYFA’s Scott Rogers as part of the Masters of Game Design speaker series.
Roper discussed his career at Blizzard Entertainment, starting with him creating music and performing as a voice-over actor for the hit game Warcraft.
Video game designer Bill Roper
Roper chronicled his rise to creative director, leading the teams for Diablo and Starcraft. He discussed starting his own company, Flagship Entertainment, and creating Hellgate: London. Roper also talked about his time as Vice-President at Disney Interactive, guiding the teams for Disney Infinity and Fantasia: Music Evolved. He talked about his recent transition to Chief Creative Officer at AuthorDigital/Adept Games. Roper also took questions from the Zoom audience.
‘Hellgate: London’
A recording of this talk will be available at a future date. To learn more about upcoming Masters of Game Design speakers, please join the NYFA Game Mentor Network at Meetup.com. For more on NYFA’s School of Game Design, click here.
We Summon the Darkness, a horror film written and executive produced by New York Film Academy (NYFA) Screenwriting instructor Alan Trezza, recently screened at Fantastic Fest.
Trezza teaches screenwriting to students at New York Film Academy’s Burbank-based campus. Trezza previously wrote and directed the short film Burying the Ex, which was adapted into a feature directed by Joe Dante.
“I learned a great deal writing and executive producing We Summon the Darkness,” Trezza tells NYFA, “and I look forward to sharing all the lessons I’ve learned with my students.”
The filmstars Alexandra Daddario, Maddie Hasson, Amy Forsyth, and Johnny Knoxville, and was directed by Marc Meyers. A period story set in the height of the “Satanic Panic” of the 1980s, the movie follows three best friends into heavy metal after they head off to a secluded party one night, where the evening takes a deadly turn.
We Summon the Darkness has been receiving overwhelmingly positive praise, including at Fantastic Fest, with Bloody Disgusting calling the film “a metal mayhem joyride” with “extremely likable, fully realized characters in a fully fleshed out world.”
Fantastic Fest is an annual festival held in Austin, Texas that focuses on genre films, including horror, fantasy, science fiction, action, and cult movies. This year’s Fantastic Fest was held from September 19 – 26.
We Summon the Darkness will next be holding its premiere on Thursday, October 17, at the TCL Chinese Theater in Hollywood, followed by Q&A with director Marc Meyers and cast members Keean Johnson, Johnny Knoxville, Logan Miller, Maddie Hasson, Amy Forsyth, and Austin Swift. Tickets to the screening are available here.
New York Film Academy congratulates Screenwriting instructor Alan Trezza on his new film We Summon the Darkness and encourages everyone who can to attend to the Los Angeles premiere on October 17!
(UPDATE: 8.10.2020) We Summon the Darkness is now available on Netflix.
The composers in the NYYS songwriting program vary in age from 12-22 years old. Under the guidance of the program director, Anna K. Jacobs (2020 Jonathan Larson Grant recipient), the young songwriters chose moments from the animated Pixar film Inside Out to set to music in a verse/chorus musical form. Students from the Harlem School of the Arts, as well as students from the New York Film Academy, were assigned different songs, rehearsed with the composers, and then performed the songs in front of David Yazbek and an audience.
David Yazbek (Left) and Anna K. Jacobs (Right) share with PCMT, NYYS, and Harlem School of the Arts students
Yazbek offered feedback on all of the compositions to the NYYS songwriters. Siya Simanga (PCMT) sang a song called “Bing Bong Guide Song”, written by Grace Gamins, in which the character of Bing Bong (Riley’s childhood imaginary friend) offers Joy and Sadness help in getting back to headquarters. Jordan White (PCMT) sang the final song of the night called “I Miss Minnesota”, written by Kayden Merritt and arranged by Simon Broucke, in which Riley confesses to her parents how sad she sometimes about leaving her childhood home.Jordan was joined by PCMT students Alexis Loiselle as Sadness, Jennifer Molson as Joy, Lucia Caballero as Disgust, Mario Greiner as Anger and Siya Siyamtanga as Fear.
All of the NYFA PCMT students that participated and attended said it was very refreshing to hear the creative process talked about in a different way. Yazbek’s call to remain curious and explore multiple genres of music and types of culture was a valuable lesson for actors and composers alike and he encouraged everyone to collaborate constantly with those around them. Several PCMT students commented later that they were struck by his kindness and humility as he offered feedback, even as his obvious expertise shone through.
NYFA PCMT students perform their musical piece based on the Pixar film ‘Inside Out’
After meeting PCMT’s music supervisor, Anna Ebbesen, at a workshop a few years ago, Anna K. Jacobs has had an affiliation with NYFA in several different ways. She composed music for an original movie musical, Kaya: Taste of Paradise, for the PCMT 2-Year program. The film was directed by NYFA’s Paul Warner, choreographed by head of dance, Michelle Potterf, with a book by Jerome Parker and music supervised and orchestrated by Ebbesen.
Jacobs also did a reading of her show Echo as part of the NYFA “New Works Series ” with our musical theatre students. Ebbesen has also joined Jacobs at the NYYS Musical Theater Songwriting Program as music director. It’s true, having multiple “Anna’s” on email chains is confusing, but both of them are happy to have such a strong relationship with both the Harlem School of the Arts and the New York Film Academy, and they appreciated this opportunity to share new musical theatre with the next generation of performers and creatives.
David Yazbek observes as students perform their musical pieces
New York Film Academy thanks David Yazbek and Anna K. Jacobs for sharing an evening with NYFA PCMT students to provide constructive feedback and industry expertise. NYFA would also like to thank the New York Youth Symphony Musical Theater Songwriting Program for opening up the master class to NYFA PCMT students, and the Harlem School of the Arts for their participation and collaboration.
On Tuesday, March 3, New York Film Academy (NYFA) had the pleasure of hosting writer, actress, and producer, Naomi McDougall Jones, to discuss her latest book, The Wrong Kind of Women – Inside Our Revolution to Dismantle the God of Hollywood. Liz Hinlein, Creative Director of Filmmaking & Cinematography at NYFA’s New York campus, moderated the event.
Naomi McDougall Jones is an award-winning actress, writer, producer, and women-in film activist. She wrote, produced, and starred in her indie feature film Imagine I’m Beautiful, as well as her second feature film Bite Me, which is available on Amazon and iTunes. Her book, The Wrong Kind of Women, was released in February and is inspired by her TED Talk, “What It’s Like to be a Woman in Hollywood.”
NYFA Creative Director Liz Hinelin (Left) and Naomi McDougall Jones (Right)
Jones’ book unveils what is behind the curtain of the devastating reality of the Hollywood system, built to keep out generations of women and other minorities from holding key roles in the film industry or having their voices heard. In a stark reality where “5% of top studio films are directed by women and less than 20% of leading characters in mainstream films are female.” In the book, Jones sheds light on the casual, commonplace sexism that fills the Hollywood circuit by sharing stories from on-the-record and anonymous individuals, including her own first-hand experience being put on the outside of the studio system. While introducing the book, Jones even recounted the time she made her first feature film and was told that she would need to have a male producer attached just so financiers would trust her with their money.
Following a live reading of an excerpt from Jones’ book, Hinlein opened up the Q&A by asking Jones, “What is the impact on the general audience, who is consuming content that is predominantly from the white male perspective?” Jones replied that is was important to understand that what we consume can impact our behavior, using examples of the Spielberg film Jaws spiking the fear of sharks among the general public, as well as The Hunger Games opening the door for more female archers to pursue the sport. “That is the power you hold in your hands, and wield it judiciously.”
Hinlein remarked how everyone is indoctrinated to want to be part of the typical Hollywood system and how there is a caste system or, rather, ”the inside” and “the outside.” Jones exclaimed that the most important piece of information that anyone will ever tell you about this business is that “all of Hollywood basically functions as a more demented version of the high school lunch table.” She went on to remark that this system results in a popularity contest that never ends– with even the most well known and celebrated celebs petrified of being on the outside, “even the ones with Oscars,” she warns.
Naomi McDougal Jones explains the Hollywood system to NYFA students and guests
Jones ended the discussion with several reasons to be hopeful. While none of the principle publications in the industry have dedicated a single line to her book, it has been the subject of several important discussions and articles on several platforms from NPR to the BBC, the Washington Post and even Playboy Magazine. Jones noted that one of the largest corporations and producing entities in the world of television has made her book a required reading for their original content writers.
Jones encouraged students to learn from others but to always try your own way when it comes to producing your own film. “Nobody knows how to make money on movies anymore. The distribution companies don’t know, the sales companies don’t know, and you don’t know. So you’re as likely to figure out what works as they are. So share what you learn.” Hinlein then concluded the Q&A by thanking McDougall Jones for coming to speak and for providing her experience to NYFA students.
New York Film Academy would like to thank writer, actress, and producer, Naomi McDougall Jones for sharing her advice about navigating the film industry and her expertise with our students!
Jones’ book, “The Wrong Kind of Woman”
Her book is available for purchase online and can also be found at NYFA’s New York campus library.
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