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  • NYFA Welcomes VR Software Architect Chris Bobotis

    Last week, the New York Film Academy welcomed well-known VR artist, Chris Bobotis, to speak to students in our new VR program.

    chris bobotis

    Bobotis is the Co-Founder and 360/VR Software Architect at Mettle, which introduced 360/VR plugins that have been widely adopted by leading companies world-wide, such as The New York Times, Time, CNN, HBO, Google, youtube, Discovery VR, DreamWorks TV, National Geographic, USA Today, LinkedIn, The Ellen Show, BuzzFeed, Conan 360, Framestore, Google, Jaunt VR, GreenPeace, Care, UBER, RYOT, Huffington Post, Washington Post, Apple, and Facebook. Independent filmmakers and youtubers have also widely adopted the toolset available through Mettle, shaping the content that is available through YouTube, FaceBook, Samsung, and other 360/VR viewers.

    Founded in Montreal as a production studio by Chris Bobotis and Nancy Eperjesy in 1992, the team of artists and programmers who have consistently embraced art and tech, and pushed forward the notion of empowering artists with digital tools, developing software by artists for artists.

    Chris Bobotis

    Drawing on a vast experience of production and post-production workflows, Bobotis leads the development of all Mettle software. SkyBox 360/VR plugins are the most complete set of Cinematic 360/VR production tools available for Adobe After Effects and Premiere Pro, and include a VR Player for Oculus RIFT.

    Chris generously spent a couple of hours lecturing on the theory of creating successful VR experiences, as well as demonstrating very practical how-to lessons with the software, which is used in the NYFA VR classrooms.

    At the end of the event, Bobotis offered an award to the best student VR project. Stay tuned!

    March 24, 2017 • Filmmaking, Guest Speakers • Views: 1301

  • NYFA Acting for Film Alumna’s “Frisky” Gets Distribution from Gravitas

    friskyShot on a mere five thousand dollars, 8-Week Acting for Film alumna Claudia Pickering’s film, “Frisky,” was recently digitally released by Gravitas — which happens to be the same distribution company who distributed her former NYFA instructor, Adam Nimoy’s Spock documentary — in the US and Canada.

    The Sydney-born filmmaker began her foray into filmmaking through acting, which led to creating comedy sketches, short films and webseries’, the first of which was a music video titled “Sebring,” which included Danny Trejo, who choreographed and performed a synchronized dance for the clip.

    “Acting and directing involves a lot of switching between head spaces, and a lot of trust in your cast and crew,” says Pickering. “Having a very intimate understanding of each scene really helped the process of going between ‘acting’ and ‘directing’ modes. As an actor, I could feel when we had hit the right emotional moments in each scene, but the issue was, I couldn’t see whether we’d nailed the shot. Fortunately, I had a wonderful relationship with our cinematographer, Christiana Charalambous, and trusted her that when she said she got the shot, we were clear to move on.”

    Pickering has now written and produced two feature length films, ‘Frisky’ and ‘Winning Formula‘, of which she directed the former, and both have received international festival success including Official Selection at the Chicago Comedy Film Festival, Best Feature Film at the 10th Broad Humor Film Festival in Los Angeles, Best Comedy Feature at the Atlanta Underground Film Festival and the Director’s Choice for Best Feature Film at the Austin Revolution Film Festival. Pickering won the 2015 Tropfest Tropvine competition with a stop motion animation of a giraffe telling a dad joke, and regularly creates sketches with her comedy troupe, Frothpocalypse. She is currently developing several projects through her company, Cliff House Productions.

    Frisky

    “My experience at NYFA LA was nothing short of life-changing,” said Pickering. “With incredible teachers such as Adam Nimoy, the course not only taught great acting techniques and theory, but also gave me a solid practical and theoretical foundational understanding of filmmaking. Additionally, I met some wonderful lifelong friends, one of whom, Anna Bennett, I went on to form a comedy production company with.”

    Her most recent film, “Frisky,” involves two young women who move back to San Francisco, where they had met on exchange years earlier. However, their high career aspirations quickly become sidelined by their sexual interests. While wildly crass and charismatic in their public personas, they are in fact fundamentally at odds on many levels. Their opposing beliefs surrounding responsibility and romance, combined with their close quarters while crashing in an acquaintance’s living room, find them thrust onto a fast track to discovering what their friendship is really made of. Based on true events, “Frisky” is an honest, tongue-in-cheek look at what it is to be a woman in the limbo years between college and “the real world.”

    “The film is based on my real life experiences moving from Sydney to Los Angeles — the first and most emotionally potent time was for NYFA — then from LA to San Francisco,” says Pickering. “The emotions, the the friendships, the flings, the near-misses, and the life-long lasting love for people and places. I was living in San Francisco, waiting for another feature film, ‘Winning Formula,’ to go through post production in LA. I was working as an architect to earn some money, but was really becoming disillusioned by the whole profession as I’d sit at my desk and fantasize about stories I’d like to make into movies. One night, I was invited to attend the test screening of a film that a friend of a friend had made on virtually no budget with a six month turn-around. The film was such a joy to watch — so honest and funny — and had been shot on a DSLR camera just like one I already owned and I thought to myself, ‘I can do that.’ I checked my savings account balance that night, quit my job the next day and started writing ‘Frisky'”

    For more information about how to download or stream, “Frisky,” please visit the website at friskymovie.com.

    March 24, 2017 • Acting, Filmmaking, Student and Alumni Spotlights • Views: 850

  • NYFA Veterans Treated to “Hacksaw Ridge” Screening with Mel Gibson

    The New York Film Academy Los Angeles welcomed Academy Award-winning director, Mel Gibson, to screen his Oscar-winning film, “Hacksaw Ridge,” to an audience of student military veterans. Associate Chair of Acting, Christopher Cass, and Veteran and MFA Acting for Film student Ron Ringo moderated the evening.

    mel gibson

    photo by Kristine Tomaro

    The Q&A began by asking how Gibson first came across the project, “Hacksaw Ridge.” “It was given to me three times by Bill Mechanic,” said Gibson. “He used to run Fox. He really has a passion. He loves film. I’ve never met a producer who was a big mucky-muck but was also willing to really get down in the trenches and get his hands dirty.”

    Gibson said working on this film was different than any other project before it. He is typically accustomed to creating original content or transforming a story from another medium to film. Desmond T. Doss’ story left a significant impression. Telling it correctly was a huge responsibility.

    “There were tears on the page,” Gibson said. “Among the Medal of Honor Recipients, Desmond was the guy. I mean, who goes into a place without a weapon? Generally, recipients do something incredibly courageous in an instant. Desmond was premeditated. He kept laying his life on the line, again and again. He’d crawl into enemy fire to get anyone. That’s just the kind of guy he was.”

    Gibson frequently uses military veterans in his films. He stated that there were Rangers in “We Were Soldiers” and vets in “Black Hawk Down.” “There’s something about marshaling a film crew and the chain of command and the difficulty — the ferocity of what it all takes to get a large number of people together that is kind of like a battle. You have this logistical way of trying to put things together. You have to have a general and a captain and Sargent. On a regular film, this is your First A. D. and the Director. They have to keep everyone’s morale up. Many people on set are veterans.”

    When it came time to for the Q and A portion of the event, one veteran stood up and asked, “When you’re preparing for a role or working with an actor do you listen to music to help set the mood?”

    Gibson responded, “I think music is very important because music transcends logic. It goes straight from your ear to your heart. I did an acting exercise when I was nineteen or something like that. You had to walk up to a person — could be a spouse, a brother, or a friend — and you’re never going to see that person ever again. And you’re saying goodbye for the last time.

    We all did this exercise, and everyone’s laughing and joking around. Then our instructor says he’s going to try out something different. He plays this soulful sort of Bram’s violin thing and we all had to do it again and everyone starts crying. I was amazed. It struck me how transcendent music can be. Music informs a lot of things. Almost everything you do filming wise is rhythmic whether it has music or not. Storytelling has a rhythm and a pace. Your heart, the sound of the ocean, it is all music. So, yes, I think it’s important.”

    mel gibson at nyfa

    photo by Kristine Tomaro

    Gibson also spoke about his first time on set as a director. The night before he was nervous, so he called up Clint Eastwood. Treating the student to an impersonation of Eastwood giving the advice, Gibson said, “Just say action and cut.”

    BFA Screenwriting student and Marine Corps veteran, Patrick Stinich had this to say about the experience, “It was an honor to watch this incredible true story brought to life in a very powerful way. You could tell that Mel Gibson really cares about what drives men that choose of their own free will to wade into the hell that a combat zone can become. I respect him very much as a storyteller, a director, and as a man for that. The 212-seat theater provided those of us who have served our country in a time of war a really intimate and rewarding experience with one of the film industries’ finest. Thank you for the opportunity to attend this event. I learned a lot.”

    The New York Film Academy would like to thank Mr. Gibson for volunteering the time to speak with our veterans.

    “Hacksaw Ridge” is now available on VOD and DVD. Gibson will be starring in “The Professor and the Madman,” and “Daddy’s Home 2” later this year.

    March 21, 2017 • Acting, Filmmaking, Guest Speakers • Views: 2361

  • NYFA Grad’s “The Dawn” to Screen at Kuwait Film Festival

    The DawnKuwaiti filmmaker and New York Film Academy alumnus Yousef Al-Qenaei’s short film, “The Dawn,” was very well received at the ADASA Festival and is due to screen at the Kuwait Film Festival soon, and possibly play in local Kuwaiti movie theaters thereafter.

    His film is about a young boy, Bader, who wants to go fishing with his father. The father, unfortunately, has to cancel the trip due to a work commitment, which leads Bader and his friends on an adventure to find out what it is that the father actually does.

    Al-Qenaei had a chance to talk with us about his film and his experience as a filmmaker in Kuwait.

    What brought you to NYFA, and what led you into filmmaking in the first place?

    I’ve always had a passion for film and theatre. My childhood was spent on stage, and therefore the performing arts were always something I was fond of. After a while, I began writing plays as opposed to acting in them. I found a joy in that. Film was a new medium for me. It involved less dialogue and more to show. It was a challenge I was keen on exploring. NYFA was on the top of my list, and it being in NYC, a hub for creatives, made it all the better.

    What is the current filmmaking scene like in Kuwait?

    Kuwait has always been one of the strongest in the region when it comes to the arts. True, there was a period were things became idle and a lack of interest in the industry was prevalent. But now, the means in which a person is able to broadcast their work are a lot more accessible. Therefore, talent is being recognized and the scene is more inspiring now than ever.

    Did you shoot this film during or after NYFA?

    After my time at NYFA. I actually met with members of the Ministry of Youth Affairs of Kuwait whilst in NYC, at a conference for Kuwaiti students abroad. They asked me to submit a storyline for a short film that I had written, in the hopes that the Ministry may fund it. And they did, which was lovely.

    Would you say your NYFA experience was useful in terms of being able to create this film?

    Most definitely. I did an 8-week screenwriting course at NYFA. Before then, my comprehension of story structure and screenplays in general were terribly primitive. So much so that I had never been able to actually complete a screenplay before the course. The instructors and students also helped me with my biggest challenge whilst writing: making it more about showing the emotion than having the characters speak it.

    Kuwaiti filmmaker and New York Film Academy alumnus Yousef Al-Qenaei

    Kuwaiti filmmaker and New York Film Academy alumnus Yousef Al-Qenaei

    Have you screened this film elsewhere, or will you be in the future?

    This is the first official, public screening for the film. It is due to be screened at a few more soon, and then maybe into our local theaters here in Kuwait.

    What do you hope to achieve with this film?

    The most gratifying thing for me is when people watch films coming out of Kuwait and are proud that these are local productions. There’s definitely a stigma here, that all works of television or film are mainly social dramas that tend to highlight the negatives of society. We generally tend to sway away from the neutral let alone the uplifting. So I want this film to show that we have a diverse selection of work in the region, all representing different ideologies and mindsets. Representation is key.

    Are you currently working on another project that you’d like to tell us about?

    I am. It is in the very early stages at the moment, but it is definitely a project that will be a lot more challenging than a short film, but all the more gratifying and fulfilling. Watch this space. And thank you for your time!

    March 20, 2017 • Filmmaking, Screenwriting, Student and Alumni Spotlights • Views: 1286

  • NYFA Los Angeles Meets with “The Magicians” Creators

    The Creators of Syfy’s “The Magicians,” Sera Gamble and John McNamara visited the Los Angeles Campus of the New York Film Academy this past week to screen an early episode of their critically acclaimed hit show. Students from all departments were in attendance.

    the magicians

    The duo gave a lot of advice about working in a writer’s room. For example, the team was asked if they had a favorite character. They said picking a favorite would be impossible but they knew for whom they could write the best dialogue.

    Everyone in the writer’s room gravitates toward the character that best represents them. Though, McNamera said these feelings change from week to week. McNamera stated, “I think Sera really writes Quinten very well,” to which Sera responded, “You are Margot.”

    Casting “The Magicians” ranges from quite easy to challenging according to the show’s creators. “Hale Appleman was the only Eliot. I’m positive Jason Ralph was the only Quinten,” said McNamera. But according to Gamble, there was some back and forth with the studio. “We did have a little song and dance. He came in right away. Jason was on ‘Quantico,’ which is the project we worked on right before this. We already knew him. Everyone thought that guy was amazing.” But they wanted to keep auditioning people just in case. Eventually, they realized they had the right guy all along.

    the magicians

    One student asked about the process of adapting the book series “The Magicians” to TV. “The first thing you try to tease out is what is the conflict in the literary text. What if I took two characters in the book who’ve never met and I put them together? How does the conflict work now?” McNamera stated.

    Gamble echoed that thought stating, “It’s a very instinctual process. Every adaptation is different. There are things about this book that really lend it to a visual medium. The way the author describes the arduousness of using fingers for magic, we were able to interpret that really well.”

    The New York Film Academy would like to thank Ms. Gamble and Mr. McNamera for taking the time to speak with our students. You can watch “The Magicians” every Wednesday on Syfy.

    March 15, 2017 • Filmmaking, Guest Speakers • Views: 559

  • NYFA Instructor Wins Directing Awards for “The Engine of our Ruin”

    engine is in our ruinWith politics at the forefront of our daily news, it’s refreshing to see New York Film Academy Acting for Film instructor Maria Gobetti’s thought-provoking political play “The Engine of Our Ruin,” which played at The Victory Theatre Center in Burbank, California.

    Written by Jason Wells and directed by Gobetti, the play provides plenty of laughs but also offers some chewy nuggets of political give-and-take to savor. One wrong word or one wrong inflection can lead to crisis in our volatile modern world.

    The play is an LA Times Critics Pick that has won several awards, including Gobetti’s 2016 Arts in LA Stage Award for Directing. The Los Angeles Drama Critics Circle (LADCC) recently announced its nominations and special awards for excellence in Los Angeles, and The Milton Katselas Award for career or special achievement in direction went to Maria Gobetti.

    Set in a luxury hotel suite somewhere in the Middle East, diplomat Charles Manning-Jourdain meets with delegates of an unfriendly nation in the hope that a simple trade agreement will bring their two countries closer together. But this routine mission quickly becomes an international incident thanks to an idealistic interpreter with an agenda of her own; a belligerent official who brings a rumor of war; and Charles’s own staffers, whose attempts to cover up an after-hours party might just topple a foreign government.

    engine of our ruin

    “This was one of the best directing experiences I’ve had, and I’ve directed over 80 plays — most of which have been world premieres,” said director Gobetti. “I could not have done this without experienced actors. Students should know that these actors were always prepared, always ready to work, and had great ideas. I did not have to ever ‘coach,’ only ‘direct’ actors who were already making strong choices.”

    Gobetti and Tom Ormeny, co-artistic directors of the Victory Theatre Center, are pleased to announce their next project — the first production of their season scheduled to rock the Little Victory — the world premiere of “Pie in the Sky.” Directed by Gobetti and produced by Ormeny, Katie Witkowski, and co-produced by Gail Bryson, “Pie in Sky” is set to begin previews on March 10 and is scheduled to run from March 17 through May 23.

    March 2, 2017 • Faculty Highlights, Filmmaking, Musical Theatre • Views: 1265

  • NYFA Dean of Academic Advising Screens His Newest Film “The Rachels”

    Dean of Academic Advising at the New York Film Academy, Michael Civille, screened his third feature film, “The Rachels,” at the Los Angeles campus. Civille was joined by actress, Rebecca Stone, who has over fifty credits in shorts, features, and television series. The star of the film, Caitlin Carver, was also in attendance. Carver is set to portray Nancy Kerrigan in the upcoming film, “I, Tonya.”

    the rachels

    Finally, Michael Pesa was in attendance. He is the former Chair of NYFA’s Cinematography program in LA and has over sixty credits, including “The Rachels.”

    Lydia Cedrone, Chair of Feature Track at the New York Film Academy LA, hosted the evening. She kicked off the Q and A by asking Civille to elaborate on the development of the project.

    “I am married to a very beautiful woman, named Hannah,” Civille began. “She is also an Executive Producer and the mother of my children. She works as the Senior V.P. of MarVista Entertainment, and we had talked for some time about wanting to collaborate.”

    ‘THE RACHELS’ EXCERPT (LIFETIME) from Michael Pessah on Vimeo.

    “Finally, this script came up and she handed it off to me,” he continued. “We hired a writer, then she hired Rebecca to shepherd us as a producer. The production came together very quickly. We shot for fifteen days in July and August. We locked picture in about five weeks and then we spent the fall getting it done.”

    Civille admitted to only taking about two months off from working full-time to complete the film. He says his secret is, “Work late and get up early.”

    That work ethic was present throughout the film shoot. At one point in the evening, the cast and crew began to discuss the dreaded “bathroom day,” referring to a scene in the film that takes place in the bathroom. A tight budget and a single location meant the cast and crew would have to cover a lot of ground in a short amount of time.

    the rachels

    Stone elaborated, “We were lucky that we found a location for our school that allowed us to move around as needed. Thankfully, we were able to, for example, shoot everything in the bathroom in a day. It was ambitious.”

    The rest of the cast and crew quickly chimed in agreement. Civille spoke of 110-degree days and a record-breaking heat wave. Of course, “bathroom day” fell on one of those days.

    Carver spoke about her thirteen-page workday, “Bathroom day was one of the most challenging days. Madison, who plays Rachel Nelson, she and I were having the worst time with that scene. I think it was just being locked in a bathroom all day with toilets behind you and there are ten of our crew dudes behind us, and Mike is in there with us… It was a very challenging day. But then, Mike looked at us, ‘Let it go. Just let it go. I don’t care about the dialogue right now. Just let it go.’ And I think it ended up being one of the best scenes in the entire film.”

    From all of the stress came an incredibly successful film. “The Rachels” had its premiere on January 15th on the Lifetime Movie Network.

    February 28, 2017 • Cinematography, Faculty Highlights, Filmmaking, Guest Speakers • Views: 1394

  • NYFA Welcomes Renown Kazakh Cinematographer Azamat Dulatov

    Recently, Kazakh Cinematographer, Azamat Dulatov, and NYFA alumnus, Aisultan Seitov, gave a Q & A at the New York Film Academy Los Angeles following a screening of “The Jackal.” The award-winning short film is the first mutual project of Dulatov and Seitov.

    the jackal

    From early childhood, Dulatov was interested in photography and painting, and this passion for visual arts eventually led him into the field of cinematography. His first feature film “999” earned multiple awards among different festivals. Since then he has continued to work on successful Kazakh movies such as “Barrier” directed by Zhasulan Poshanova, “Marry in 30,” directed by NYFA alumnus, Askar Bisembin, and “Taraz” by Nurtas Adambaya, to name few.

    Despite his extremely busy professional schedule, Dulatov agreed to be director of photography on Seitov’s thesis film, “The Jackal,” immediately after reading the script. “The script is the most important element to me when making a decision,” said Dulatov.

    the jackal

    “If I like the story I would work on a small indie film and would even deny a big commercial project if the story isn’t that great. Also, I always discuss with the director and production designer as to how they see the film in terms of colors, temp, atmosphere. And what actors do they want to cast,” Dulatov continued. “Film is a team effort and it’s important to make sure we are all on a same track before we start shooting.”

    While in Los Angeles, Dulatov and Seitov worked together on a new music video for Ivan Dorn, and prepared for an upcoming feature film, which will be shot in Kazakhstan in spring 2017.

    kazak jackal

    When one student asked Seitov what is the best way to enter the professional world after graduation, he replied, “Use any opportunity to get on a professional set and meet people. There are a lot of projects shot in Hollywood every single day and they all need help. Go work as a PA, or just stay all day long and observe. Yes, you might end up working for free, but it is up to you to decide if this all is about money or experience.”

    New York Film Academy would like to thank Azamat Dulatov for coming in to speak to our students, and we wish all the best to Aisultan Seitov.

    February 27, 2017 • Filmmaking, Student and Alumni Spotlights • Views: 1202

  • NYFA Grad’s “Like Father, Like Son” Wins Best Short at NYC Indie Film Awards

    Like Father, Like SonBorn in Manila, Philippines, Heinrik Caesar Matias flew to New York City in 2016 to study filmmaking at the New York Film Academy. Matias says he is passionate in acting, and creating realistic and immersive stories with characters that the audience can connect to. His passion and determination led him to create the award-winning film, “Like Father, Like Son,” while attending NYFA.

    His film received “Best Short Film” nominations at film festivals all over the world, including Chandler International Film Festival (USA), Los Angeles CineFest (USA), Barcelona Planet Film Festival (Spain), MedFF (Italy), and Feel The Reel International Film Festival (UK). It won the Gold Award for Best Short Film at the NYC Indie Film Awards.

    “The experience I had, and the lessons I learned from the New York Film Academy were all applied in the making of this film,” said Matias. “It had to be or there was no way this film could have been made given the conditions we faced. I never had any experience in filmmaking prior to NYFA and, I will admit, it was very difficult. We didn’t have a big budget plus there were only four crew members, including me as the director, and three cast members. We all had to work twice as hard. It was very draining and it was a very challenging time for all of us, but we all felt like this was a story that needed to be told. I was lucky that I had a very professional crew and a talented cast that were all patient with me and the film during its production.”

    The short film is a psychological drama that explores the dark natures of depression and how it can even affect the people around the person who’s depressed. After 20 years, Charles, an unemployed alcoholic, finally reunites with his absentee father. The two of them soon realize that the apple does not fall far from the tree.

    “Many people fail to see the magnitude of depression and it is very often dismissed as ‘all in your head,’ but I believe that this is a real thing, and it is a serious matter that must be dealt with,” says Matias.
    heinrik caesar matias

    According to the Word Health Organization, as of 2016, depression is the most prevalent mental illness with 350 million cases worldwide and, if left untreated, can often lead to suicide.

    While Matias also continues to focus on his acting career, he’s currently working on two different projects — a short story that he hopes to film this year and his first feature film screenplay.

    February 17, 2017 • Acting, Filmmaking, Student and Alumni Spotlights • Views: 1787

  • NYFA South Beach Welcomes Emmy Nominated Filmmaker Carlos Sandoval

    On Monday, January 30th, the New York Film Academy South Beach welcomed award-winning and Emmy nominated director and producer, Carlos Sandoval, for a special screening of his 2009 American Experience historical documentary, “A Class Apart,” which has been optioned by Eva Longoria to be turned into a feature narrative, and is currently in development with a major studio. Joined onstage by his Associate Producer, Jordi Valdés, current NYFA South Beach faculty member, the event was moderated by Mark Mocahbee, Chair of the NYFA SB Acting for Film Program. The screening was followed by an engaging Q & A with the student body.

    carlos sandoval

    Inspired by the enthusiasm of the students, Sandoval covered a wide range of topics, including recounting his story of how he came to make his first documentary “Farmingville” (ITVS) at 49 years of age, which consequently went on to win the Special Jury Prize at the 2004 Sundance Film Festival.

    Referring to himself as “the accidental filmmaker,” he originally came to the story in part, moved by a headline “They Wanted to Get Some Mexicans” in the local newspaper (Newsday) regarding the attempted murder of two Mexican day laborers on the Long Island town of Farmingville. Carlos originally had thought as a former lawyer, policy wonk and journalist to potentially get involved in the issue(s) from the legal perspective yet ultimately came to realize that he felt compelled to do more.

    Of Mexican-American and Puerto Rican descent and having grown up in the southwest “the echoes of segregation were around us while I was still growing up,” Sandoval recounted. “I never thought I’d see a headline like that again, in what had just become the Twenty-First Century.” It was the power of story and, in particular, the power of the ability of the film medium to, “work and get at people through their emotions; through story” that propelled him to give documentary filmmaking a try.

    In “A Class Apart,” Sandoval would once again find himself returning to issues dealing with the discrimination of Mexican-Americans, but this time in a historical context.

    carlos sandoval

    Pooling from his own documentary filmmaking experiences, Sandoval discussed the differences in approach, the process and the challenges between making a historical documentary such as “A Class Apart,” and making verité docs such as “Farmingville” and his Emmy nominated and most recent feature length film, “The State of Arizona” (PBS).

    The school would like to extend its thanks to Carlos Sandoval for taking the time to share his stories and advice with the NYFA SoBe student body.

    February 16, 2017 • Community Highlights, Filmmaking, Guest Speakers • Views: 1335