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  • NYFA Welcomes Sherry Lansing and Stephen Galloway as Guest Speakers

    NYFA students at the Los Angeles campus were invited to an exclusive Q & A event featuring former Paramount Pictures chairman Sherry Lansing and Hollywood Reporter writer Stephen Galloway, who penned Sherry Lansing’s recent biography, “Leading Lady: Sherry Lansing and the Making of a Hollywood Groundbreaker.” Director of Q and A series Tova Laiter hosted the evening.

    Lansing started her career as a script reader and worked her way up the ladder until she became president at 20th Century Fox in 1980. Lansing was the first woman in history to hold the position.

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    Next, Lansing took on producing for such hits as “Fatal Attraction” (1987) and “Indecent Proposal” (1993). Later, Lansing became the chairman and CEO at Paramount where, for 12 years, she oversaw production and marketing on 200 movies — including blockbusters such as “Braveheart,” “Forrest Gump,” “Saving Private Ryan,” and “Titanic.”

    Lansing had a lot of advice for up-and-coming film creators. One large piece of advice was, “Returning every phone call is just good business. You never know were ideas come from.”

    ‘The executive’s job is to just find good talent,” she told students. “Every film that does poorly is my failure. Every film that does well is not my success.”

    Lansing left the entertainment industry at 60 to pursue an entirely new career in the non-profit industry, and created the Sherry Lansing Foundation, which focuses on cancer research and education. She sits on nine major profit and non-profit boards.

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    Galloway centered the book on Lansing’s journey from an insecure young girl to her incredible ability to make a space for herself where previously there had been no women, saying, “There was no Churchill before Winston Churchill. There was no Sherry Lansing before Lansing.”  

    One of the questions asked was, “What advice do you have for screenwriters and working with a budget? We are always instructed to write from our imagination, but I’ve heard other people say you should write for the budget. What do you think?”

    Lansing responded, “You should always write from the heart. Our job in the studio is to keep the eye on the budget.”

    Lansing advised that striking a harmonious balance is in the best interest of the writer, particularly when working with a studio: They have bought the script and will eventually do with it as they please. If the writer wants to stay on the project they should find a way to work with the studio.

    The New York Film Academy would like to thank Sherry Lansing and Stephen Galloway for taking the time to speak with our students.  

  • NYFA Alumni interviewed for Brazilian TV Program “Planeta Brazil”

    NYFA MFA filmmaking alumnus Rafael Nani recently found a unique venue to share his student NYFA experience — Brazilian TV juggernaut Globo’s program “Planeta Globo.” The program aims to show how Brazilian nationals live outside of their homeland, highlighting success stories as well as the inevitable struggles in foreign cultures. “Planeta Globo” came to interview Nani in Los Angeles while the then-student was hard at work on the set of his NYFA thesis film, “Bloody Eyes”.

    “Planeta Globo” spoke with Nani about his previous short film projects, including “Rose Garden,” which he filmed during his first year at the New York Film Academy. Nani, who recently completed NYFA’s MFA program at the Los Angeles campus, shared his perspective on some of the finer points of filmmaking and the complexities of directing a film.

    In addition, “Planeta Globo” seized the chance to shine the spotlight on five other NYFA Los Angeles grads and students: acting for film alumnae Sabrina Percario and Carolina Inoue; filmmaking student Iylia M. Idris; film and media production student Ricardo Mata; and NYFA New York filmmaking alumna Flavia Vieira. These five were showing the true community spirit of NYFA while working with Nani on the set of “Bloody Eyes.”

    Each discussed their different roles on set.

    Percario, the project’s supervising producer, discussed the challenges and advantages of working on a multicultural set. Inoue, who is in charge of production design, spoke about the importance of getting right look down for the film. Idris is both first and second assistant camera person for the film, and she explained the different responsibilities for each role. Vieira is lending her expertise to the picture as the lead makeup artist, and discussed the ways good (or bad) make up can effect the look of a film. Finally, Mata, the resident sound technician, explained the differences and similarities between working on short and feature length films.

    You can see the whole segment here, along with more interviews of the cast and crew.

    July 18, 2017 • Acting, Film School, Filmmaking, Student and Alumni Spotlights • Views: 208

  • NYFA Community Outreach Program’s NEXT Big Venture

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    The New York Film Academy’s Community Outreach Program has been around since 2012, forging partnerships that have included The British Academy of Film and Television Arts – Los Angeles, HandsforHopeLA, AmeriCorps, Young Storytellers, and the Bill Duke Media Foundation. NYFA’s Community Outreach Program has managed to teach fundamentals of filmmaking to students in a Los Angels Unified school district, students who typically don’t have access and who are from underserved communities. What they have in store NEXT will elevate their already commendable level of service education.

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    It is the goal of Community Outreach to not just educate, but to encourage students to tell their story from their perspective. This goal is achieved in a variety of ways. Here’s what’s been happening lately in NYFA’s Community Outreach Program:

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    With the AmeriCorps, Program Head of Outreach Mason Richards took NYFA Instructor Bart Mastrodoni and three cameras to a local high school. The challenge presented to the student was to write, direct, and edit a short film in a single day.

    Bill Duke Media Foundation

    Most teens have asked the question, “Who am I?” With the Bill Duke Media Foundation partnership and NYFA, students were asked this very question and challenged to create an answer on film. The goal was to help them get comfortable with telling their own stories. They made a short film exploring that query on the Universal Backlot that screened for their families at their graduation.

    Young Storytellers

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    Students involved in the Young Storytellers Program were given the opportunity to film on the Universal Backlot. Learning from instructors and teacher’s assistants, the kids formed teams and filmed several projects on the Western lot.

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    HandsForHopeLA is an after-school program for children living in a single parent home. They teamed with NYFA to create a PSA on texting and driving. Students involved with this program created an anti texting and driving PSA. Families of the students were able to see the final product.

    Through NYFA’s Community Outreach Program and partnerships, some students discover a future hobby and some discover a potential career. It is these career-minded students, the ones who arrive early and stay late, the ones excited to work on other peoples projects, the students eager to come back to NYFA for whom The NEXT Young Filmmaker Program was created.

    NYFA’s NEXT Young Filmmaker Program

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    The NEXT Young Filmmaker Program is the “advanced outreach” program offering hosted by the NYFA Office of Community Outreach. Select students who have already participated in one of our Community Outreach Partner programs have an opportunity to go a step further in learning the filmmaking process with the NEXT Young Filmmakers Outreach Program, and learn supporting roles and crew positions in the film industry beyond directing and acting.

    Head of Community Outreach Mason Richards said of the program, “We’ve found that most young filmmakers are only taught key positions in film production such as ‘director’ or ‘actor.’ We strive to show them what else is out there as far as careers in filmmaking.”

    He continued, “We at NYFA feel that there are multiple ways to prepare young people for a career in cinema, and being a part of a team, working on skills of collaboration, team-building and communication are integral to the craft of filmmaking.”

    The hope of the NEXT Young Filmmakers Outreach Program is to offer an opportunity for select LA high school students to receive a scholarship to participate in our advanced filmmaking program. Those selected will participate in a one-week workshop at the end of the summer when there are fewer opportunities for students from underserved communities until school is back in session.

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    In our week-long filmmaking program, we teach these talented young filmmakers advanced classes in lighting, production design, production sound, and assistant directing training. The aim is to keep the students who are engaged and serious about a career in filmmaking on a track to prepare them for college.

    This is also a way for them to develop their personal voices as storytellers and filmmakers. In the NEXT Young Filmmakers program, 12 outstanding students will have the opportunity to work with NYFA faculty to further explore their paths in filmmaking.

    The first NEXT Young Filmmaker’s Program will begin in August. The New York Film Academy would like to wish the students a successful semester.

    July 17, 2017 • Academic Programs, Community Highlights, Film School, Filmmaking • Views: 130

  • NYFA Filmmaking Alumnus Cartier Williams Hoofs With Smirnoff Sound Collective

    New York Film Academy filmmaking alumnus Cartier Williams is drumming up a revival in the world of dance on film with his unique brand of tap dance. Williams is a self-professed “hoofer,” a dancer who loves the element of tap that emphasizes stomps, stamps, syncopation, percussion and heel motion. With a recent collaboration with Smirnoff Sound Collective, Cartier is on a mission to bring tap back in film.

    NYFA: Tell me a little about your background and what brought you to NYFA.

    CW: Well, I started tap dancing when I was four years old, taught by my grandmother Audrey Williams. At the age of six, I performed a piece choreographed by Grammy-award winning singer Mya, and won Apollo Kids at the prestigious Apollo Theater, distinguished as one of The Apollo Theater’s youngest “Apollo Legends.”

    Later that year I was invited to the Kennedy Center Honors alongside Robert Downey Jr. When I was 10 years old, I toured with tap legends Buster Brown, Jimmy Slyde, and Dianne Walker on a international tour called “Footnotes.” I shared the stage with Gregory Hines, The Nicholas Brothers, and Peg Leg Bates. On that tour I performed for two U.S Presidents and co-starred in “PBS Special: In Performance at The White House” with Bill Clinton.

    I toured Japan and the U.S in the Tony Award-winning show “Bring in ‘da Noise, Bring in da Funk,” co-starring Savion Glover. I performed for the AFI Awards: A Tribute To Tom Hanks. Other appearances include The State Department, CIA, FCC, New York Botanical Garden, and New York Children’s Museum of Manhattan. I performed for The Opening of the Cannes Film Festival for Moulin Rouge, appeared in Spike Lee’s Bamboozled and recently appeared in Bart Mastronardi & Alan Rowe Kelly horror film Tales of Poe.

    I ended up at the New York Film Academy in 2009 because I wanted to rekindle the love between tap dancing and film. But I also had something else on my mind, too, that I had to settle: I’m a huge fan of horror films and I wanted to become a director because of Wes Craven and the genius movie he made called “Scream.” I felt I needed to go to the Film Academy to figure this out. So I had two goals: to fix tap dancing and film’s beautiful long relationship, and learn how to make horror films.

    NYFA: Can you tell us a bit about your latest project with Smirnoff Sound Collective?

    CW: It’s funny how the Smirnoff video came about. I was on the computer and had just set up my Facebook for my new dance company and I received a message about me dancing in the video. So immediately I talked to the director Stacey Lee, who was hired by VICE to put it altogether.

    I was excited all these great brands coming together for tap dancing! Stacey and I had a great creative talk about me and my dancers and what my creative world was like. We met up a couple times and had one glitch: all the dancers except one in my company weren’t of age to be in the video. So it ended up being only me and Yusaku Komori, who you see in the video.

    A few weeks later we then shot the music video. The process was awesome! Of course early call times, breakfast, hair and makeup … It was complete fun because both of my favorite worlds are coming together all at once. Some scenes there were lots of people on set and sometimes just me and the director because maybe someone is setting something up on the next shot somewhere else.

    The most important thing as a tap dancer is good sound, so that was the first thing I wanted to talk about when I arrived. Tap dancing is percussive and visual, and for me the percussiveness is just as important as the visual. So I must say me and the sound man were best buds! Because sound is important and that was reinforced at NYFA.

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    NYFA: What did you learn at NYFA that helped you on your career journey?

    CW: When I was at NYFA I became so independent creatively. I learned so much about myself and the stories I wanted to tell. NYFA helped me become the confident director and writer I wanted to be. I ended up directing, choreographing,and producing my own shows when I left the school. My dancing became more powerful because I had stories to tell with the dance that was meaningful. I also learned how to work with people more [collaboratively], because tap dancing is a solo art form at heart and film is not. I learned how to be a team player and how to be patient.

    NYFA: What’s next for you?

    Next I am performing on July 22 at The Smithsonian Museum of American History for The March On Washington Film Festival closing ceremony. But currently I am in production for my new show called “ZIGITYBOP!” It will premiere at the Oslo Jazz Festival and in Zurich Switzerland this August. I recently started a GoFundMe page because I would love to bring the show back home to the states. I’m also currently writing a tap-horror short film that I will film this fall.

    NYFA: What is your greatest memory at NYFA?

    My greatest memory at NYFA was creating a show with my classmates Matt Denoma and Max Schiano called “Beautiful Choas.” It was a tap show that infused multimedia with electronic music. We performed the show numerous times in Long Island for the public school system. The kids loved it and it was just a blast for me, because the guys I depended on in film class was there for me when it was time to create a tap show. How fun!

    The New York Film Academy would like to thank Cartier Williams for taking the time to share some of his story with our community.

    July 17, 2017 • Acting, Film School, Filmmaking, Student and Alumni Spotlights • Views: 360

  • Highlights from Disney’s D23 Expo 2017

    This week, Disney held its bi-annual fan expo, D23, in Anaheim, CA. Marvel, Pixar, Disney Animation, Disney Interactive Studios, and Walt Disney Productions rolled out major announcements this weekend, while fans and industry insiders were treated to sneak-peek teasers, celebrity appearances, exclusive merchandise, incredible cosplay, and more. Here are some highlights.

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    A New “Star Wars” Park?

    Disney took the opportunity at D23 to reveal new details about its plans for a new themed-land called “Star Wars: Galaxy’s Edge.” The project is shaping up to be one the company’s most immersive fan experiences.

    The Verge quoted Walt Disney Parks and Resorts Chairman Bob Chapek as explaining: “We are working on our most experiential concept ever … It combines a luxury resort with immersion in an authentic environment.” Basically, the goal will be for guests to live out their own “Star Wars” adventure throughout the course of their stay, complete with windows that look into outer space and a hotel designed like a spaceship.

    Celebrity Appearances

    Directors, stars, animators, and Disney giants were all present throughout the D23 Expo, and fans able to enjoy exclusive panels, talk-backs, and sneak-peeks presented by their favorite Disney stars. As Nerdist reported, “We saw the cast of ‘Descendants 2,’ ran into Mark Hamill and Stan Lee as Grand Marshalls of the Ultimate Fan Street Party, and saw ‘Black Panther’sChadwick Boseman running to his meet and greet. It was always good to keep an eye on the D23 app for surprise appearances.”

    Live-Action Films

    This year’s D23 Expo saw two jam-packed presentations, for animated and live-action films, respectively. Trailers, teasers, and A-list stars were in attendance to promote upcoming Disney live-action films.

    Slated for 2018 is “A Wrinkle in Time,” and director Ava DuVernay was there with stars Oprah Winfrey and Mindy Kaling to screen the trailer. Audiences were also treated to a talks and teasers for upcoming mega projects, “Star Wars: The Last Jedi,” and “Avengers: Infinity War.”

    But that wasn’t all in the live-action arena. The expo also promoted upcoming live-action adaptations of Disney classics slated to be directed by industry giants: “The Lion King” (Jon Favreau), “Dumbo” (Tim Burton), and “Aladdin” (Guy Ritchie). You’ll be able to catch Disney’s n live action adventure, “Dumbo,” on March 29, 2019. “Aladdin” has been cast. Earlier this month rumors circulated online that Disney was having trouble casting the film. Will Smith has been tapped to play the Genie. “Power Rangers” break-out star Naomi Scott will play Jasmine, and jumping on the magic carpet as Aladdin is Mena Massoud.

    Animated Films

    In the animation category, Disney screened a short film called “The Speed Test,” and hosted panels and teasers for major upcoming releases including “Toy Story 4,” Pixar’s “Coco,” “The Incredibles 2,” “Frozen 2,” “Wreck it Ralph Breaks the Internet,” and an upcoming feature from Dan Scanlon, yet to be titled.

    Perhaps the biggest news on the floor was the fact that all of the living Disney Princesses would make an appearance in “Ralph Breaks the Internet: Wreck-it Ralph 2.”  The cast includes Auli‘i Cravalho from “Moana,” Kristen Bell from “Frozen,” Kelly MacDonald as “Merida,” Mandy Moore from “Tangled,” Anika Noni Rose from “The Princess and the Frog,” Irene Bedard from “Pocahontas,” Linda Larkin from “Aladdin,” Paige O’Hara from “Beauty and the Beast,” and Jodi Benson from “The Little Mermaid.”

    More details were also released for “The Incredibles 2.” Holly Hunter shared that her character, Mrs. Incredible, will be doing more of the heavy lifting this time around: “Bob’s actually home with the kids this time…”

    “Tangled: The Animated Series” amassed the original cast in the same place for the first time. Mandy Moore and Zachery Levi shared their enthusiasm for the characters. “Disney said they didn’t want to do the show without us,” Levi said.

    Video Games & VR

    The long-awaited third installment of the Kingdom Hearts series revealed a new playable world. Andy’s room from “Toy Story” will be a playable space in “Kingdom Hearts 3,” coming out in 2018.

    Marvel will be releasing a new VR game in 2018 titled “Powers United VR.” The game will allow the player to become their favorite hero, including Hulk, Rocket Raccoon, and Captain Marvel and will be exclusive to the Oculus Rift.

    Free Treats

    It wouldn’t be Disney if magic wasn’t present in every detail. At this year’s D23 Expo, the free swag was cold brew coffee with foam designs of iconic Disney characters — including Darth Vader. Shoppers were treated to exclusive merchandise launches not yet available anywhere else, from limited edition figurines to clothing lines.

    To see NYFA’s behind-the-scenes coverage of live events, follow us on #Snapchat @NYFilmAcademy.

  • NYFA Alum Janek Ambros’ Film Produced by Barbara De Fina

    New York Film Academy alumnus Janek Ambros, known for his work on “Valley of Bones,” “10,000 Saints,” and “Imminent Threat,” is working with Marin Scorsese’s long-time producing collaborator, Barbara De Fina.

    Ambros’ film, “May 15th in Paris,” retells the story of a large protest on the streets of Paris on May 15, 1848. Ambros uses a narrator to recount this historic date and juxtaposes that story with images of current controversial populist political wins across the globe.

    Ambrose did an email interview with NYFA Correspondent Joelle Smith to talk about his experience making this film.

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    NYFA: How did you team up with Hollywood legend Barbara De Fina? 

    Ambros: Since I was a kid, Barbara De Fina and Irwin Winkler were two people I greatly admired. As a director, I dreamed I would one day have as supportive and creative producers as Martin Scorsese did. However, it wasn’t really my intention to have her produce my films. I originally wanted to see if she had any projects she needed funding for, because I dabble in film finance.

    But when I came back from Paris and showed her the footage, she had a lot of great notes on the narration, editing, and overall pacing. We ended up collaborating on it and in the end, she decided to come on board as a producer.  

    NYFA: What was it like working with such a giant in the producing field?

    Ambros: Someone who has produced for my favorite director of all time is now producing my films. It was obviously a little surreal. It truly is an honor to work with her. But when it’s all said and done, she simply made the film better and that is always the goal. It’s extremely important to listen to others who have experience and expertise greater than your own. You don’t want to be too rigid-minded in your thinking. Having a good creative producer on board is incredibly valuable.

    NYFA: Can you expand upon why you wanted to compare the incidences of 1848 with the recent U.S. presidential election and Brexit? 

    Ambros: I’m really into history. It’s really important to not just know your history, but also understand how it applies today. No situation is entirely unique. In the 1840s, those in power blatantly ignored the powerless. To me, their situation is similar to how today’s “corporate Democrats” failed a lot of the lower and middle class. People finally had enough. However, when they went to the ballot, citizens went in the wrong direction, similar to the French in the 1840s when they voted for Napoleon Bonaparte. 

    NYFA: How did all of these events affect you as a creator? 

    Ambros: Given Trump, the overall rejection of globalism by many in Western countries, and the rise of nationalism, my approach to how I create content has changed. I’ve always been into politics. I’ve done shorts on the military industrial complex, the bank bailouts, authoritarianism, etc. I’m just sticking to my original game plan.

    I see a lot of other writers pull an audible to make their work reflect what’s happening with Trump and that can be great. But, I’d be cautious against changing your entire approach. Things are always going to evolve, especially living in a world with a never-ending news cycle. So, if you keep trying to make everything “current,” it can be challenging. 

    I do think this political climate will spark a “New Wave” of more politically challenging films, which is great. Our company is trying to focus on filmmakers who are making movies that strive for greatness. We want to be like Zoetrope, who tackled challenging cinema in the ‘60s and ‘70s.  

    NYFA: What did you learn at NYFA that helped you make this film? 

    Ambros: The most important element I learned from NYFA to help make this film was to just go out and make it. So many other film schools focus on academia, where NYFA really taught me how to go out and make a film and learn from doing. Although my ultimate aspirations are writing and directing, I went to NYFA for producing. I’m glad I did. I no longer have an excuse to not make a movie.

    NYFA: What did you learn while making this film? Would you change anything about your process? 

    Ambros: I learned a lot about taking in surroundings when making a film. My previous doc was a lot of talking heads and stock footage with mostly stylized editing. This one I couldn’t have any stock footage and didn’t want to do any interviews; I wanted to approach it more as an experimental film with each segment having its own style. So, I was forced to really push myself to look for interesting imagery and create a solid composition and shot design. 

    NYFA: What projects do you have coming up next?

    Ambros: My next film is “Arlington West.” I’ll, once again, be working with Barbara De Fina. The movie is about two Iraq War veterans who spend the night debating war and peace along the Santa Monica pier after attending the Arlington West memorial service.

    We have other projects in development as well that include an adaptation of the widely acclaimed ”Nixon’s Nixon,” penned by Russell Lees, about the night before Nixon gets impeached; an adaption of the timeless play “An Enemy of the People,” by Henrik Ibsen; and a VR sequel to “Mondo Hollywood,” the 1967 cult classic. Lastly, we’re developing a psychedelic comedy about the re-awakening of liberalism in America entitled “Mondo Oligarchy.”

    The New York Film Academy would like to congratulate Ambros for his incredible success with “May 15th in Paris,” and thank him for taking the time to share his story.

  • NYFA Los Angeles Welcomes Casting Director Nancy Nayor as Guest Speaker

    On Monday, July 10, New York Film Academy Summer program acting for film and filmmaking students were invited to a Q & A with casting directing extraordinaire, Nancy Nayor after watching “Before I Fall,” which she has cast. Director of the Q & A Series Tova Laiter hosted the evening.

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    Nayor who served for 14 years of head of Universal Feature casting before striking on her own, is best known for her work with directors such as: Steven Spielberg Spike Lee, Ron Howard, Oliver Stone, John Hughes & Sam Raimi’s among many others.

    Her movies include the following: “Act of Valor,” “Ouija,” “Road Trip,” “The Whole Nine Yards,” “The Grudge,” “The Exorcism of Emily Rose,” “When a Stranger Calls,” “Kit Kittredge: An American Girl,” “Darkman,” “Casper,” and Wes Craven’s “Scream 4.”

    Nayor gave the students a strong list of do’s and don’t within the casting room. One that surprised many students was: do not shake hands, especially during germ season. Casting directors can meet with over 40 people in a day. They cannot afford to get sick.

    The biggest tip of the night was not to be too nervous and to not over-rehearse before going into an audition so the emotions can shine through. Prepare, yes, but Nayor shared that actors are not necessarily required to be off book, and should not be nervous about every flub. Directors are looking for multiple things, such as how well an actor works with a group or their ability to improvise. But most importantly, they want to know that an actor can be human on camera.

    Laiter asked Nayor about the difference between casting for comedy and drama. Nayor mentioned several differences: “I think it’s different in the sense that there’s a comic timing. People who have it are born with it. You can develop it, but in the end, you’re either born with it or you’re not. In dramatic casting people have to really go for it. Actors really have to commit.”  

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    Nayor also advised dramatic actors to stick to the script more so than comedic actors who may improvise. “When I worked on ‘21 and Over,’ people came into the audition room idolizing these two great writers from ‘The Hang Over.’ But the writers were so tired of their own words. They wanted the actors to improvise… ”

    One student asked, “How do you get discovered?” Nayor responded, “There’s no way you can be undiscovered, technically, because there’s this thing called YouTube. I’m a big believer in self-tapes, whether that’s actors and writers coming together or you writing for yourself. You don’t have to wait for permission to be creative. That project can be a calling card for you.”

    Laiter shared that some of the people who work with Spielberg, whether a composer or cinematographer, had said in NYFA Q&As that he had found them by watching movies on TV late at night, so you never know who is going to see it.

    The New York Film Academy would like to thank Nancy Nayor for taking the time to speak with our students. Naylor has done casting for 12 films scheduled for release in 2017 including “Delirium” and “Scorched Earth.”

     

    July 12, 2017 • Acting, Film School, Filmmaking, Guest Speakers • Views: 354

  • NYFA Alumnus Manuel Garcia-Rulfo Screens “Magnificent 7” at Los Angeles Campus


    Screenshot 2017-07-17 13.23.05On Thursday, July 6, New York Film Academy alumnus, Manuel Garcia-Rulfo, gave a Q & A at the Los Angeles campus. Garcia-Rulfo is known for his work on the “
    From Dusk Till Dawn” television series, “Cake” starring Jennifer Aniston, and “180 Grados.” 

    The Q&A event with Garcia-Rulfo included a special screening of “Magnificent 7,” and was attended by students currently enrolled at the NYFA college as well as the tweens from the NYFA summer camps. Associate Chair of the Acting Department Miguel Cruz hosted the evening.

    Garcia-Rulfo has achieved an incredible feat by working professionally in the entertainment industry both Mexico and the United States. He said he was able to achieve this by being selective with what acting projects he accepted early in his career.

    As a young actor in Mexico, Garcia-Rulfo was constantly offered roles in the telenovelas. “They offer you everything, in the beginning, to work on these soap operas. And you’re very hungry in the beginning. But I knew what I wanted my career to look like. I said no to a lot of things early in my career.”Screenshot 2017-07-17 13.23.22

    While he may have said no to parts that did not feel authentic, he poured everything into what he did love, including his studies in the 1-Year Acting for Film Program at the New York Film Academy’s Los Angeles campus.

    Of his time at NYFA Garcia-Rulfo said, “New York Film Academy really gave me the chance to work in front of the camera – a lot! Having that experience makes you comfortable to be in front of the camera. Once you get out of here [NYFA] you know everything. I already knew all the aspects of the camera setup and crew when I was on set – having that prior knowledge was one of my favorite things. NYFA gave me a base upon which to build. For that, I am very thankful.”

    Garcia-Rulfo shared a story with the students about his time at NYFA. He and a friend decided that if they were going to work after the graduated they would need representation. They each had a reel and a short film finished. Thinking this would be enough to win over an agent, they decided to rent out the ballroom of a fancy hotel in Beverly Hills. They shipped out fancy baskets filled with chocolate to every representative. “Manuel is a great Mexican actor,” Garcia-Rulfo would tell agents over the phone. They ordered cases of champagne and food. The ballroom was decorated and soon the big day arrived.

    “I don’t think even my mother showed up,” Garcia-Rulfo said.

    The point of the story, according to Garcia-Rulfo, is that craft should always come first.

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    “There’s no formula to this thing we’re doing,” Garcia-Rulfo explained. “If I have any advice to actors it’s this: just buckle up because it’s going to be a bumpy ride. It’s very tough. But, I think we have to enjoy that experience as well. Nurture your craft.”

    The New York Film Academy would like to thank Manuel Garcia-Rulfo for taking the time to speak with our summer camp students and our college students. Garcia-Ruflo will be starring in the remake of “Murder on the Orient Express” alongside Johnny Depp, Daisy Ridley, Michelle Pfeiffer, and Penélope Cruz coming out November 10, 2017.

    July 7, 2017 • Acting, Film School, Filmmaking, Guest Speakers • Views: 607

  • NYFA Summer Camp Students Enjoy Special Screening of “Top Gun”

    _A4A1610On Saturday, July 1, teens and tweens participating in the New York Film Academy Summer Camp in Los Angeles took a break from the hard work of filmmaking to see a summer blockbuster classic. “Top Gun” was screening in the field at the Autry Museum.  

    Usually, the students are hard at work developing their film projects. Most days, they are learning the difference between camera lens sizes, rehearsing a new acting technique, experimenting with the latest 3D technology, revising a script or shooting on a professional backlot. On this night, however, their hard work was rewarded with a special screening.

     

    _A4A1611This screening was unique because it was surrounded by some of the top food trucks in Los Angeles. For many of the students, this was the first time they had seen a movie under the stars. The combination of live music and multicultural food trucks made the night an event.

    The head of Summer Camps, Ale Salinas said, “This is a unique and fun experience.
    We’re doing this for the students to bond and watch fun movies in a Hollywood way.”_A4A1582

    The New York Film Academy is proud of the great strides out Summer Camp students are making and hope their night off was a fun one.  

     

  • NYFA Gold Coast Celebrates the 4th of July

    NU4A0357In keeping with the New York Film Academy’s international community spirit, around 70 students and staff from New York Film Academy Gold Coast celebrated the American holiday 4th of July, at the Southport Campus.

    Acting and filmmaking students from all intakes came together with the 1-week teen campers to celebrate this all-American themed event.

    The celebrations also fell on orientation day for the July 2017 actors, filmmakers and screenwriters, who joined the festivities, as they were welcomed to NYFA Australia.

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    Students and staff partied to all of the great American songs while indulging in hot dogs, snow cones and an array of red, white and blue candy. Students also had fun posing at the American-themed photo booth and tested their knowledge on a 4th of July Quiz.

    And, to connect the American celebrations to a universal love for film, the movie “Independence Day” was screened at the on-campus theatre for students to enjoy.

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    Campus Manager DJ Stonier said of the event: “The students and staff all in attendance had a blast and it was wonderful to see everyone enjoying each others company. It’s important to celebrate significant events that bring staff and students together that are also equally important across our campuses globally. At NYFA Australia our philosophy is to create a sense of belonging, community and celebration, both within and outside of the academic realm.”

    January 2017 Diploma Acting student Evelyn Dolan said, “Wow, it was so amazing to be part of this celebration for all of the students and the Academy. I can’t wait until next year’s.”