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  • New York FIlm Academy (NYFA) Filmmaking Alum Pablo C. Vergara Wins At International Film and Metal Festival

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    Necromurder, the film by New York Film Academy (NYFA) alum Pablo C. Vergara, won the Award for Best International Fictional Film at 2019’s International Film and Metal Festival (FICIME.)

    necromurder
    The festival, which began this year in Colombia, aims to visualize and support the metal music and film industry not just in Colombia but around the world, generating a forum for artistic expression from the a genre that has influenced a search for identity for many generations, and which has been influenced by many artistic sources.

    FICIME received over 500+ submissions from across the globe. Sixty-eight audiovisual projects were selected for the fest, in eight categories, including films from Syria, Croatia, Burkina Faso, Africa, Russia, and Scandinavia.

    Necromurder is a music-oriented movie with strong visuals and design—written, directed, and starring Vergara, who was inspired by films like The Crow and The Doors. The film, based on real events, revolves around two musicians fighting for the title of King of Evil, where their own demons and lifestyles will lead them down a spiral of destruction that culminates in murder. For more details on the film its sources, check out our interview with Vergara here.

    Vergara hails from Mexico City and works as a cinematographer, actor, and filmmaker, among other roles, and enrolled in New York Film Academy’s Filmmaking program in New York in Fall 2016, before moving to Hollywood to work on completing his MFA at NYFA’s Los Angeles campus. 

    Vergara will be returning to NYFA on October 15, screening his film along with other NYFA filmmakers by invitation of Chair of Filmmaking Claude Kerven. The event will be held at NYFA’s New York campus at 7 p.m.

    New York Film Academy congratulates Filmmaking alum Pablo C. Vergara on his festival win and encourages everyone to check out the film when it screens at NYFA’s New York campus on October 15!

    necromurder pablo c. vergara

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    September 20, 2019 • Film Festivals, Filmmaking, Student & Alumni Spotlights • Views: 560

  • New York Film Academy (NYFA) MFA Filmmaking Students Visit Buzzfeed

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    Students from the New York Film Academy (NYFA) 2018 Master of Fine Arts in Filmmaking program had the opportunity to tour Buzzfeed’s LA Lexland campus on Thursday, Sept. 12, 2019. The MFA Filmmaking students, who study at NYFA’s Los Angeles campus, were joined by producer and on-camera talent Rie McClenny for their field trip.

    The visit included a chance to tour the studios, offices, prop room, and canteen, as well as the Buzzfeed Tasty Studio where McClenny whips up all manner of desserts for the Tasty Channel. The students enjoyed seeing the new media campus and learned a great deal about how the company operates.

    “Huge thanks to Rie and Buzzfeed for having the class!” says NYFA instructor Rebecca Louisell.

    Buzzfeed MFA

    From the left, front row: Rie McClenny (Buzzfeed), Rebecca Louisell (Instructor), Mahmoud Abul Burghul, Adilet Zhumabek, Kritika Chawla, Agnes Shinozaki, Veronica Badell, Haining “Carl” Gu, Shiran Wang. Back row: Ryan Mechling, Nick Sivakumaran (Instructor), Chin-Wei Chang, Lan-Chi Chien, Ether Tian Jin

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    September 17, 2019 • Film School, Filmmaking • Views: 323

  • New York Film Academy (NYFA) Filmmaking Alum Tracy Oliver Launches ‘First Wives Club’ Series

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    First Wives Club, the new adaptation of the hit 1996 film developed for television by New York Film Academy (NYFA) Filmmaking alum Tracy Oliver, premieres this week.

    Oliver attended the New York Film Academy 4-Week Filmmaking workshop at our Los Angeles campus in 2005. In that workshop she met fellow classmate and NYFA alum Issa Rae, forming a friendship and working relationship that continues to this day. Oliver wrote an episode of Rae’s career-launching webseries, The Misadventures of Awkward Black Girl, as well as starring in the show as Rae’s antagonist, Nina. She has since become a wildly successful Hollywood screenwriter, with script credits including Barbershop: The Next Cut, Little, and The Sun is Also a Star.Tracy Oliver

    Additionally, Oliver co-wrote the hit comedy Girls Trip with Kenya Barris, which made over $140 million at the box office. Oliver and Barris were nominated for a 2018 Image Award for their work on the movie.

    First Wives Club, Oliver’s latest project, is loosely adapted from the feature film of the same name, which starred Diane Keaton, Better Midler, Goldie Hawn, and Maggie Smith, and took audiences by storm in 1996. The original film revolved around a group of women who cope with the divorce and seek retribution against their ex-husbands. The show has been in pre-production for several years, having gone through multiple producers, casts, and studios, before Oliver was handed the reins.

    Oliver’s adaptation focuses more a story of sisterhood, and chronicles three best friends after one of them, Hazel, is caught up in an infamous cheating scandal. The three friends, who all recently came out of relationships, support each other while seeking revenge as they learn to put themselves first. The show stars Jill Scott, Michelle Buteau, and Ryan Michelle Bathe as the three friends—Hazek, Bree, and Ari. The cast also includes Mark Tallman, RonReaco Lee, and Malik Yoba. In addition to developing the show, Oliver also directed its seventh episode.

    Tracy Oliver

    First Wives Club will premiere on September 19 as a launch title for the brand new Viacom streaming service, BET+, which also goes live on September 19. Its first season, which filmed in New York City late
    last year, will air for ten episodes.

    New York Film Academy congratulates Filmmaking alum Tracy Oliver on the launch of her new series, First Wives Club, and encourages everyone to check out the show when it premieres on BET+!

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    September 17, 2019 • #WomenOfNYFA, Film School, Filmmaking, Student & Alumni Spotlights • Views: 282

  • New York Film Academy (NYFA) Filmmaking Alum Tushar Tyagi Films ‘Saving Chintu’

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    New York Film Academy (NYFA) Filmmaking alum Tushar Tyagi has shot Saving Chintu, a film exploring LGBTQIA+ themes in India, starring Life of Pi actor Adil Hussain.

    Tushar Tyagi Saving ChintuTyagi originally hails from India and attended the 1-Year Filmmaking conservatory at NYFA’s New York campus in 2013. He is currently based in Hollywood and has won multiple awards and nominations for his work, including at the Los Angeles Independent Film Festival Awards and the Canada International Film Festival. His previous film was the 2017 short Kaashi.

    “I thank New York Film Academy for the constant support, from where it all started,” Tyagi tells NYFA. “I’m thankful for the valuable time I spent there, developing much-needed skills required for an independent filmmaker. It’s been an absolute pleasure learning my craft at most hands-on practice academy in the world.”

    Saving Chintu was directed by Tyagi, who co-wrote the film with Sanyam Kumar and Corey Wright. The cast includes Edward Sonnenblick, Sachin Bhatt, Dipannita Sharma, Priyanka Setia, and Adil Hussain (Life of Pi, Hotel Salvation, What Will People Say.) The short was produced by Ritika Jayaswal and Tyagi.

    The film is already receiving buzz for its thoughtful exploration of LGBTQIA+ themes in the Indian and Indian American community. The story focuses on the lives of an Indian American gay couple who visit India to adopt a child suffering from HIV, examining social issues including the LGBTQIA+ communities of India, HIV/AIDS, and the child adoption system. 

    In 2018, homosexuality was decriminalized in the country by the Supreme Court of India, making it more relevant than ever for these themes to be explored by artists and filmmakers like Tyagi. 

    “I feel making this film is so important for me,” says Tyagi. “It’s like my calling, to start the conversation in my small capacity and to start a wave of change in the evolving circumstances around the globe and in the world of present Asia. It’s high time to create awareness and start a conversation on a bigger level through the medium of film and art for social issues like these.”

    New York Film Academy congratulates Filmmaking alum Tushar Tyagi on Saving Chintu and wishes him success as he continues to explore complex and socially important issues through his work.

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    September 16, 2019 • Film School, Filmmaking, Student & Alumni Spotlights • Views: 826

  • New York Film Academy (NYFA) Filmmaking Alum Robert Nazar Arjoyan Releases I Promised Her Life

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    This week, I Promised Her Life, the award-winning short film by New York Film Academy (NYFA) Filmmaking alum Robert Nazar Arjoyan, premiered on Vimeo.

    The film is about a grieving Armenian-American mother named Elena who defies centuries-old tradition as she walks the line between death and the afterlife on the day of her daughter’s funeral. In the lead role is Anne Bedian (Curb Your Enthusiasm, Lost, The Grid). I Promised Her Life has played over 30 festivals, and has so far picked up 7 awards.

    Arjoyan attended the NYFA 4-Week Filmmaking camp at our Los Angeles campus in 2004, where he made three films. His studies and eventual career in film was fate: after randomly stopping at a slot machine while vacationing in Las Vegas and winning the jackpot, Arjoyan celebrated by using the winnings to attend the camp. “The voice in my head demanded that someone, anyone, go pull that machine,” Arjoyan tells NYFA.

    His gut feeling paid off; his mother pulled the handle on the slot, won the jackpot, and soon after Arjoyan was learning the skills needed to be a filmmaker in Hollywood. “I look back upon those weeks on the storied Backlot with tremendous fondness and gratitude,” says Arjoyan.

    “The summer I spent at NYFA as a 15 year old taught me the core fundamentals that helped me make I Promised Her Life,” adds Arjoyan, “and will continue to do so for all future projects. That was a magical and invaluable experience.”

    New York Film Academy congratulates Filmmaking alum Robert Nazar Arjoyan on the release of his new film, and encourages everyone to check out I Promised Her Life on Vimeo!

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    September 13, 2019 • Film School, Filmmaking, Student & Alumni Spotlights • Views: 469

  • New York Film Academy Filmmaking Alum Hannah Lux Davis Directs ‘Charlie’s Angels’ Music Video

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    The music video for “Don’t Call Me Angel,” the tie-in single to the latest Charlie’s Angels film performed by Ariana Grande, Miley Cyrus, and Lana Del Rey, and directed by New York Film Academy (NYFA) Hannah Lux Davis releases tomorrow, September 13.

    The song, released by Republic Records, is the first single off the Charlie’s Angels official soundtrack album and serves as the film’s main theme. The latest entry of the popular franchise about three crime-fighting women stars Kristen Stewart, Naomi Scott, and Ella Balinska, and was written and directed by Elizabeth Banks.Hannah Lux Davis

    Davis originally hails from Bellevue, Washington, and attended the 1-Year Filmmaking Conservatory at NYFA’s Los Angeles campus in 2004. Since then, she has directed music videos for such high-profile musicians as Whitney Houston, Lil Wayne, Halsey, and Drake. She has frequently collaborated with Ariana Grande, and directed the hit videos “Thank U, Next” and “7 Rings.”

    For her work, Davis has been nominated for multiple MTV Video Music Awards, and has won twice—in 2013 she won Best Hip-Hop Video for “Love Me” by Lil Wayne, and in 2014 she won Artist to Watch for “Miss Movin’ On” by Fifth Harmony.

    “Davis has a uniquely colorful style that can be seen in her videos for Hilary Duff’s ‘Sparks’ and David Guetta’s ‘Hey Mama’ featuring Nicki Minaj,” writes Lucy Binetti in a profile on Davis for Substream Magazine.

    In the article for Substream, Davis talks about her commitment to following her own instincts and style, as well as her passion for filmmaking. “I really do think this is the only thing I’m meant to be doing,” says Davis.

    New York Film Academy congratulates Filmmaking alum Hannah Lux Davis on her successful career as a music video director, and encourages everyone to check out her latest project, “Don’t Call Me Angel” by Ariana Grande, Miley Cyrus, and Lana Del Rey.

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    September 12, 2019 • Film School, Filmmaking, Student & Alumni Spotlights • Views: 289

  • New York Film Academy Australia Welcomes Academy Award Winner Ben Osmo to Gold Coast Campus

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    On Thursday, August 22, New York Film Academy Australia (NYFA-AU) hosted a master class with former NYFA-AU instructor and Academy Award winner Ben Osmo.

    Osmo, a sound recordist and mixer, is known for his work on films including Dead Calm (1989), Strictly Ballroom (1991), Alien: Covenant (2017), and Peter Rabbit (2018). His work on 2015’s Mad Max: Fury Road earned him the Oscar for Best Achievement in Sound Mixing at the 88th Academy Awards, which he shared with Chris Jenkins and Gregg Rudloff.

    Ben Osmo Gold Coast

    Speaking at length with NYFA-AU students at the Gold Coast campus in an intimate setting, Osmo shared the knowledge he gained over a career of almost 30 years in the sound industry and that includes an Oscar and 13 other award wins and nine nominations.

    Osmo began the master class by sharing his journey working on Mad Max: Fury Road, telling NYFA-AU students: “To be a good filmmaker, it’s good to know all the phases of filmmaking, and sound—it’s one of the important ones. You can’t get good sound unless you get cooperation from all the film crew, we are all in it together, and to succeed we need each other.”

    Students listened intently as Osmo talked about the importance of how sound can make or break a film, and how to be flexible with film crews. He also shared some personal experiences both technical and related to the profession. 

    “The master class with Ben Osmo was insightful, inspiring, and gave an incredible perspective into the importance of sound for our students,” says Patrick Ryan, NYFA-AU Deputy Chair of Filmmaking.

    New York Film Academy Australia thanks former NYFA-AU instructor and Academy Award winner Ben Osmo for taking the time to share his expertise and experiences with our NYFA-AU students!

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    September 4, 2019 • Film School, Filmmaking, Guest Speakers • Views: 362

  • New York Film Academy Hosts Screening and Discussion with Film Critic Peter Rainer

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    On Thursday, July 25th, the New York Film Academy hosted a screening and discussion with Film Critic, Peter Rainer on the film, The Conversation, by Francis Ford Coppola. Made in 1974 The Conversation, is about a surveillance wire tap expert, played by Gene Hackman in his finest performance, who believes he may be implicated in a murder plot. The film is especially relevant today because of the issues it raises about how technology invades our privacy, and for film students, it’s a great example of how sound design on a low budget (courtesy of the amazing Walter Murch) can be an essential storytelling ingredient. It’s also a great example of how a thriller/detective story can also serve as the vehicle for profound observations about the human condition.

    Peter Rainer has 30 years of professional experience as a film critic. Rainer is currently the film critic for the Christian Science Monitor and can be heard regularly on NPR’s Film Week on kpcc-fm. He was one of three finalists in 1998 for the Pulitzer Prize in Criticism and is a three-time winner of the Arts and Entertainment Journalism Award for best online film critic. He has also written and co-produced two A&E biographies, on Sidney Poitier and John Huston, as well as co-authoring the film Joyride (1977). He has served on the main juries for the Venice and Montreal film festivals.

     

    Rainer opened up the discussion by asking the students in attendance what feelings they had towards the movie. Responses included one student sharing the difference in the impact of sound quality when watching the film on a television screen at home versus in a theater. Another student inquired on Rainer’s opinion on how the ending of the film should be interpreted. Rainer shared, “Well it’s sort of a poetic metaphor, perfect ending for this movie in a way, that somebody whose job it is to infiltrate other people’s lives, is himself done in by the very tactics that he’s a master of.”

    The dialogue continued with Rainer asking a student if they felt as though the murder dream sequence in the film was necesary to the movie. After agreeing that it was not, Rainer added, “I’ve heard this mentioned, I’ve never been able to pin it down, that the film had certain editing issues, editing problems, and that that dream sequence was originally shot not to be a dream scene. Then they sort of cut it in and put the smoke around it and made it seem like it was a dream. I can’t entirely buy that explanation because of what he says to her and so forth. If it wasn’t a dream, if he tracked her down and was yelling at her, then the whole plot falls apart.”

    Rainer then continued on to discuss the alignment the film had with the political environment at the time of its initial release. “As I said when I started out, when this film came out, it was just before Richard Nixon resigned, after he bugged the democratic national committee, and that’s what started the whole Watergate Scandal,” Rainer stated, continuing, “They immediately drew a line between this film and what was going on in the country, but it turns out he had written this script a good ten years before all of that. But a lot of the tools in the film and a lot of the gizmos and mechanisms that he uses were very similar in many ways to what the actual watergate burners used, which is another reason why people thought he was making a great political statement when in fact it was just one of those things.”

    Rainer concluded with sharing insight on Coppola’s belief in auteurs being the only true artists in the filmmaking world, revealing, “Coppola has always had this notion that to be a true artist, you have to be an auteur and write the movie, a well as direct it.” Rainer contested this idea by saying, “I don’t think that there’s anything wrong with adapting other people’s scripts, or adapting other people’s novels. There are many great directors who can’t write screenplays, but know a good screenplay when they see it.”

    The New York Film Academy would like to thank Peter Rainer for sharing his knowledge and critic with students.

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    August 28, 2019 • Film School, Filmmaking, Guest Speakers • Views: 510

  • New York Film Academy (NYFA) Filmmaking Alum Aisultan Seitov Nominated For 2019 MTV VMA “Video of the Year”

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    New York Film Academy (NYFA) Filmmaking Alum and Partizan director Aisultan Seitov has been nominated for MTV’s VMA for Video of the Year Award for 21 Savage’s music video “a lot” featuring J. Cole. The tone and visuals of the video were influenced by The Godfather Part II and last year’s Oscar-nominated film Cold War. Seitov previously directed the music video for “Red Room,” the first single from Offset’s much-hyped solo album, which gained a lot of buzz for its striking visuals and powerful emotive tone.

    The following video contains explicit content.

    Born in Almaty, Kazakhstan, Seitov first came to New York Film Academy as a high school student in our Advanced Filmmaking Camp for Teens, a year later attending the 1-Year Filmmaking Conservatory at our New York campus before enrolling in the BFA program in Los Angeles. Along the way, Seitov gained a substantial social media following as an influencer with insight about music and international film. As Shoot Online explains, “This nomination further solidifies Seitov’s reputation as a leader among the new crowd of creators who integrate cutting-edge creativity and digital savvy with youthful authenticity.”

    Hosted by comedian and actor Sebastian Maniscalco, the 36th annual MTV VMAs will be held at the Prudential Center in Newark, New Jersey, the first VMA ceremony to be held in the Garden State. Often called the “Super Bowl for youth”, the VMA ceremony draws millions of youth each year, and awards the coveted “Moon Person” statues to winners chosen by viewers who voted on their favorite videos in each category on MTV.com

    The New York Film Academy congratulates Filmmaking alum Aisultan Seitov on his nomination for Video of the Year and looks forward to tuning in tonight for this year’s MTV VMAs at 8:00pm ET.

     

    Nominees for the 2019 MTV VMAs include:

     

    Video of the Year

    21 Savage ft. J. Cole – “a lot” – Epic Records
    Billie Eilish – “Bad Guy” – Darkroom/Interscope Records
    Ariana Grande – “thank u, next” – Republic Records
    Jonas Brothers – “Sucker” – Republic Records
    Lil Nas X ft. Billy Ray Cyrus – “Old Town Road (Remix)” – Columbia Records
    Taylor Swift – “You Need to Calm Down” – Republic Records – WINNER

     

    Artist of the Year

    Cardi B – Atlantic Records
    Billie Eilish – Darkroom/Interscope Records
    Ariana Grande – Republic Records – WINNER
    Halsey – Astralwerks/Capitol Records
    Jonas Brothers – Republic Records
    Shawn Mendes – Island Records

     

    Song of the Year

    Drake – “In My Feelings” – Young Money/Cash Money/Republic Records
    Ariana Grande – “thank u, next” – Republic Records
    Jonas Brothers – “Sucker” – Republic Records
    Lady Gaga & Bradley Cooper – “Shallow” – Interscope Records
    Lil Nas X ft. Billy Ray Cyrus – “Old Town Road (Remix)” – Columbia Records – WINNER
    Taylor Swift – “You Need to Calm Down” – Republic Records

     

    Best New Artist

    Ava Max – Atlantic Records
    Billie Eilish – Darkroom/Interscope Records – WINNER
    H.E.R. – MBK/RCA Records
    Lil Nas X – Columbia Records
    Lizzo – Atlantic Records
    Rosalia – Columbia Records

     

    Best Collaboration

    Lil Nas X ft. Billy Ray Cyrus – “Old Town Road (Remix)” – Columbia Records
    Lady Gaga & Bradley Cooper – “Shallow” – Interscope Records
    Shawn Mendes & Camila Cabello – “Señorita” – Island Records – WINNER
    Taylor Swift ft. Brendon Urie of Panic! At The Disco – “ME!” – Republic Records
    Ed Sheeran & Justin Bieber – “I Don’t Care” – Atlantic Records
    BTS ft. Halsey – “Boy With Luv” – Columbia Records

     

    Push Artist of the Year

    Bazzi – Atlantic Records
    CNCO – RCA Records
    Billie Eilish – Darkroom/Interscope Records – WINNER
    H.E.R. – MBK/RCA Records
    Lauv – LAUV/AWAL
    Lizzo – Atlantic Records

     

    Best Pop

    5 Seconds of Summer – “Easier” – Interscope Records
    Cardi B & Bruno Mars – “Please Me” – Atlantic Records
    Billie Eilish – “Bad Guy” – Darkroom/Interscope Records
    Ariana Grande – “”hank u, next” – Republic Records
    Jonas Brothers – “Sucker” – Republic Records – WINNER
    Khalid – “Talk” – Right Hand Music Group/RCA Records
    Taylor Swift – “You Need to Calm Down” – Republic Records

     

    Best Hip Hop
    2 Chainz ft. Ariana Grande – “Rule the World” – 2 Chainz Ps/Def Jam
    21 Savage ft. J. Cole – “a lot” – Epic Records
    Cardi B – “Money” – Atlantic Records – WINNER
    DJ Khaled ft. Nipsey Hussle & John Legend – “Higher” – We The Best/Epic Records
    Lil Nas X ft. Billy Ray Cyrus – “Old Town Road (Remix)” – Columbia Records
    Travis Scott ft. Drake – “SICKO MODE” – Epic Records/Grand Hustle/Cactus Jack

     

    Best R&B

    Anderson .Paak ft. Smokey Robinson – “Make It Better” – Aftermath Ent/12 Tone Music
    Childish Gambino – “Feels Like Summer” – RCA Records
    H.E.R. ft. Bryson Tiller – “Could’ve Been” – MBK/RCA Records
    Alicia Keys – “Raise A Man” – RCA Records
    Ella Mai – “Trip” – 10 Summers/Interscope Records
    Normani ft. 6lack – “Waves” – Keep Cool/RCA Records – WINNER

     

    Best K-Pop

    BTS ft. Halsey – “Boy With Luv” – Columbia Records – WINNER
    BLACKPINK – “Kill This Love” – YG Entertainment/Interscope Records
    Monsta X ft. French Montana – “Who Do You Love” – Epic Records
    TOMORROW X TOGETHER – “Cat & Dog” – Republic Records
    NCT 127 – “Regular” – SM Entertainment
    EXO – “Tempo” – SM Entertainment

     

    Best Latin

    Anuel AA, Karol G – “Secreto” – Universal Music Latino
    Bad Bunny ft. Drake – “MIA” – OVO Sound/Warner Bros. Records
    Benny Blanco, Tainy, Selena Gomez, J Balvin – “I Can’t Get Enough” – NEON16/Friends Keep Secrets/Interscope Records
    Daddy Yankee ft. Snow – “Con Calma” – Universal Music Latin Entertainment
    Maluma – “Mala Mía” – Sony Music US Latin
    Rosalia & J Balvin ft. El Guincho – “Con Altura” – Columbia Records – WINNER

     

    Best Art Direction

    BTS ft. Halsey – “Boy With Luv” – Columbia Records – Art Direction by JinSil Park, BoNa Kim (MU:E)
    Ariana Grande – “7 Rings” – Republic Records – Art Direction by John Richoux – WINNER
    Lil Nas X ft. Billy Ray Cyrus – “Old Town Road (Remix)” – Columbia Records – Art Direction by Itaru Dela Vegas
    Shawn Mendes & Camila Cabello – “Señorita” – Island Records – Art Direction by Tatiana Van Sauter
    Taylor Swift – “You Need to Calm Down” – Republic Records – Art Direction by Brittany Porter
    Kanye West and Lil’ Pump ft. Adele Givens – “I Love It” – Warner Records & Def Jam Music Group – Art Direction by Tino Schaedler

     

    Best Rock

    The 1975 – “Love It If We Made It” – Dirty Hit/Interscope Records
    Fall Out Boy – “Bishops Knife Trick” – Island Records
    Imagine Dragons – “Natural” – KIDinaKORNER/Interscope Records
    Lenny Kravitz – “Low” – BMG Rights Management (UK) Ltd.
    Panic! At The Disco – “High Hopes” – Elektra Music Group – WINNER
    twenty one pilots – “My Blood” – Elektra Music Group

     

    Best Dance

    The Chainsmokers ft. Bebe Rexha – “Call You Mine” – Disruptor/Columbia Records – WINNER
    Clean Bandit ft. Demi Lovato – “Solo” – Big Beat/Atlantic Records
    DJ Snake ft. Selena Gomez, Ozuna & Cardi B – “Taki Taki” – DJ Snake Music Productions Ltd/Geffen
    David Guetta, Bebe Rexha & J Balvin – “Say My Name” – Big Beat/Atlantic Records
    Marshmello & Bastille – “Happier” – Capitol Records
    Silk City & Dua Lipa – “Electricity” – Columbia Records

     

    Best Direction

    Billie Eilish – “Bad Guy” – Darkroom/Interscope Records – Directed by Dave Meyers
    FKA twigs – “Cellophane” – Young Turks – Directed by Andrew Thomas Huang
    Ariana Grande – “thank u, next” – Republic Records – Directed by Hannah Lux Davis
    Lil Nas X ft. Billy Ray Cyrus – “Old Town Road (Remix)” – Columbia Records – Directed by Calmatic – WINNER
    LSD ft. Labrinth, Sia, Diplo – “No New Friends” – Columbia Records – Directed by Dano Cerny
    Taylor Swift – “You Need to Calm Down” – Republic Records – Directed by Drew Kirsch & Taylor Swift

     

    Video for Good

    Halsey – “Nightmare” – Astralwerks/Capitol Records
    The Killers – “Land of the Free” – Island
    Jamie N Commons, Skylar Grey ft. Gallant – “Runaway Train” – Interscope Records
    John Legend – “Preach” – Columbia Records
    Lil Dicky – “Earth” – Dirty Burd, Inc./Commission/BMG
    Taylor Swift – “You Need to Calm Down” – Republic Records – WINNER

     

    Best Visual Effects

    Billie Eilish – “when the party’s over” – Darkroom/Interscope Records – Visual Effects by Ryan Ross, Andres Jaramillo
    FKA twigs – “Cellophane” – Young Turks – Visual Effects by Matt Chandler, Fabio Zaveti for Analog
    Ariana Grande – “God Is a Woman” – Republic Records – Visual Effects by Fabrice Lagayette, FKristina Prilukova & Rebecca Rice for Mathematic
    DJ Khaled ft. SZA – “Just Us” – We The Best/Epic Records – Visual Effects by Sergii Mashevskyi
    LSD ft. Labrinth, Sia, Diplo – “No New Friends” – Columbia Records – Visual Effects by Ethan Chancer
    Taylor Swift ft. Brendon Urie of Panic! At The Disco – “ME!” – Republic Records – Visual Effects by Loris Paillier & Lucas Salton for BUF VFX – WINNER

     

    Best Editing

    Anderson .Paak ft. Kendrick Lamar – “Tints” – Aftermath Ent/12 Tone Music – Editing by Elias Talbot
    Lil Nas X ft. Billy Ray Cyrus – “Old Town Road (Remix)” – Columbia Record – Editing by Calmatic
    Billie Eilish – “Bad Guy” – Darkroom/Interscope Records – Editing by Billie Eilish – WINNER
    Ariana Grande – “7 Rings” – Republic Records – Editing by Hannah Lux Davis & Taylor Walsh
    Solange – “Almeda” – Columbia Records – Editing by Solange Knowles, Vinnie Hobbs, Jonathon Proctor
    Taylor Swift – “You Need to Calm Down” – Republic Records – Editing by Jarrett Fijal

     

    Best Choreography

    FKA twigs – “Cellophane” – Young Turks – Choreography by Kelly Yvonne
    Rosalia & J Balvin ft. El Guincho – “Con Altura” – Columbia Records – Choreography by Charm La’Donna – WINNER
    LSD ft. Labrinth, Sia, Diplo – “No New Friends” – Columbia Records – Choreography by Ryan Heffington
    Shawn Mendes & Camila Cabello – “Señorita” – Island Records – Choreography by Calvit Hodge, Sara Biv
    Solange – “Almeda” – Columbia Records – Choreography by Maya Taylor, Solange Knowles
    BTS ft. Halsey – “Boy With Luv” – Columbia Records – Choreography by Rie Hata

     

    Best Cinematography

    Anderson .Paak ft. Kendrick Lamar – “Tints” – Aftermath Ent/12 Tone Music – Cinematography by Elias Talbot
    Billie Eilish – “hostage” – Darkroom/Interscope Records – Cinematography by Pau Castejon
    Ariana Grande – “thank u, next” – Republic Records – Cinematography by Christopher Probst
    Shawn Mendes & Camila Cabello – “Señorita” – Island Records – Cinematography by Scott Cunningham – WINNER
    Solange – “Almeda” – Columbia Records – Cinematography by Chayse Irvin, Ryan Marie Helfant, Justin Hamilton
    Taylor Swift ft. Brendon Urie of Panic! At The Disco – “ME!” – Republic Records – Cinematography by Starr Whitesides

     

    Best Group

    5 Seconds of Summer
    Backstreet Boys
    BLACKPINK
    BTS – WINNER 
    CNCO
    Jonas Brothers
    PRETTYMUCH
    Why Don’t We

     

    Best Power Anthem

    Ariana Grande – “7 Rings”
    DJ Khaled, ft. Cardi B & 21 Savage – “Wish Wish”
    Halsey – “Nightmare”
    Lizzo ft. Missy Elliott – “Tempo”
    Maren Morris – “GIRL”
    Miley Cyrus – “Mother’s Daughter”
    Taylor Swift – “You Need to Calm Down”
    Megan Thee Stallion ft. Nicki Minaj & Ty Dolla $ign – “Hot Girl Summer”

     

    Song of the Summer

    Ariana Grande & Social House – “boyfriend” – WINNER
    Billie Eilish – “bad guy”
    DaBaby – “Suge”
    Ed Sheeran & Justin Bieber – “I Don’t Care”
    Jonas Brothers – “Sucker”
    Khalid – “Talk”
    Lil Nas X ft. Billy Ray Cyrus – “Old Town Road (Remix)”
    Lil Tecca – “Ransom”
    Lizzo – “Truth Hurts”
    Miley Cyrus – “Mother’s Daughter”
    Post Malone ft. Young Thug – “Goodbyes”
    ROSALÍA & J Balvin ft. El Guincho – “Con Altura”
    Shawn Mendes & Camila Cabello – “Señorita”
    Taylor Swift – “You Need to Calm Down”
    The Chainsmokers & Bebe Rexha – “Call You Mine”
    Young Thug ft. J. Cole & Travis Scott – “The London”

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  • New York Film Academy Australia Filmmaking Alum Josh Hale Shoots Second Feature on Gold Coast

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    New York Film Academy Australia (NYFA Australia) alum Josh Hale just completed production of House of Inequity, his second feature film, on the Gold Coast, Australia.

    Australia’s Gold Coast is known for its beautiful natural scenery, so it might not be the first place you’d think of when choosing a location for a creepy horror film, but that outside-the-box thinking is part of what makes Hale such a talented filmmaker.

    Hale attended New York Film Academy Australia in 2014, taking the Advanced Diploma of Screen and Media in Filmmaking program at the Gold Coast campus, where students have the opportunity to shoot on the Village Roadshow Studios backlot. Before then, he was shooting skateboard videos, but felt inspired to do more with the medium. 

    “I tried to make my own film in 2009 and failed miserably,” Hale tells the Gold Coast Bulletin. “I was overly ambitious. I didn’t know anything except I wanted to make a film. I always loved writing so it was a natural progression.”

    Josh Hale

    After graduating, Hale wrote and directed his first feature, a comedy entitled Digital Athletes: The Road to Seat League, which won several awards at multiple festivals, including the NYC Indie Film Awards, Festigious International Film Festival, IndieFEST Film Awards, and Los Angeles Film Awards.

    “Josh utilized his hands-on training with NYFA Australia, at the Gold Coast, to go make a feature film right out of college,” NYFA Australia Director Tasha Cooper stated after the North American premiere of Digital Athletes. “He’s one of our success stories and we’re very proud of his recent achievements.

    His sophomore effort, House of Inequity, was shot in two distinct locations on the Gold Coast—Jacobs Well and Helensvale. The independent film is being financed by an American investor; Hale also received a film grant from the Australian Government. 

    Josh Hale House of Inequity

    House of Inequity, was written in 16 days, and shot over several months across both Gold Coast locations. Filming recently wrapped on the US-Gold Coast co-production, and House of Inequity is expected to premiere later this year. And Hale isn’t slowing down—he is currently producing two other films, including a documentary.

    New York Film Academy congratulates NYFA Australia Filmmaking alum Josh Hale on his latest work, House of Inequity, and looks forward to seeing the completed version later this year!

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    August 16, 2019 • Film School, Filmmaking, Student & Alumni Spotlights • Views: 1199