New York Film Academy Visiting Toronto

toronto_night_skyline

The New York Film Academy will be visiting its neighbor to the north! That’s right, Canada, our admissions team will be in Toronto, holding auditions, portfolio reviews, and information sessions. If you’re interested in studying at the New York Film Academy and are in the area, you do not want to miss this. See details below.

September 28th – Auditions & Portfolio Reviews

Time: Please RSVP for a time slot

Location: Toronto

 

September 29th – Open House/ Information Session

Time: 1PM – 3PM

Location: Toronto

 

Acting for Film or Musical Theatre Audition

  • Auditions are for partial scholarship and placement for our Musical Theatre or Acting for Film programs
  • *New York Film Academy does not offer full scholarships
  • *Scholarships are only available for long-term programs

Portfolio Reviews

  • Portfolio reviews are for partial scholarship to our Filmmaking, Cinematography, Photography, Screenwriting, Producing, Documentary, 3D animation, Game Design, and Broadcast Journalism programs.
  • Creative portfolios consist of two pieces of creative work pertaining to your desired field of study.
  • *New York Film Academy does not offer full scholarships
  • *Scholarships are only available for long-term programs

 

Student Photography Exhibition Begins at Ed Freeman Gallery

2013_Jan1YR_opening-003

Last Friday night, students from the January 2013 One Year Photography program celebrated their graduation with a final exhibition at the Ed Freeman Gallery in Los Angeles’ Chinatown. Students, Joseph Bornilla, Nicole Campbell, Luc-Richard Elie, Liam Hayes and Aanchal Kalra, were joined by family and friends as they showcased their work in one of LA’s most dynamic gallery areas.

The exhibition is open through September 15. Gallery hours are Wednesday to Sunday, 1pm – 6pm. There will also be a closing reception on Saturday, September 14, 7pm – 10pm, with other galleries open on Chung King Road. The students will once again be in attendance and available to discuss their work.

The address is Ed Freeman Gallery, 945 Chung King Road, LA, 90012.

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NYFA Grad Becomes First Female Native to Direct in Amazon

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Women have made leaps and bounds as filmmakers in recent years. In 2010, Katheryn Bigelow became the first female to win Best Director at the Academy Awards for her acclaimed film, Hurt Locker. Recently, New York Film Academy graduate, Darcyana Moreno Izel became the first female born in the Amazon to direct a film in the Amazon. Izel was born in Manaus, the capital of the Amazon state of Brazil. Her monumental achievement gained recognition and financial support from the Brazilian government. The film, Dark Amazon, will be premiering at the Los Angeles Brazilian Film Festival on Tuesday, September 10th at 9:00pm.

Shot in the some of the deepest parts of the Amazon, the story surrounds a research team searching for natural cures for cancer, who wind up encountering the legendary Anhangá. The supernatural creature, Anhangá is the name locals gave the spirits that roamed the earth after death, tormenting the living. The creature could take any form, but the most well known was of a deer with eyes of fire and a cross on its forehead. Darcyana gathers actual first hand documentary style interviews with some of the locals who claim to have seen the creature, giving the film a real authentic feel. She and her crew even had unexplained phenomena occur during the shoot. “The whistle that you will hear in the movie is not a sound effect but an actual whistle that we all kept hearing during the shoot, which is part of the legend of Anhangá,” says Darcyana. “The legend says that when the creature is around, you can hear this eerie whistle.”

Darcyana hopes her filmmaker career will allow her the opportunity to show another side of Brazil to the world. In general, the Brazilian people have tremendous hope. “I’ve seen families in complete poverty that were so grateful for being together while having so little, because they always believe tomorrow things will be better.” It is that same hope that has given Darcyana the ability to see out her life-long dream of becoming a director – despite all odds.

If you live in Brazil and share the same passion as Darcyana, The New York Film Academy wants to see you in Brazil from September 16th – October 1st! NYFA will be conducting auditions, open houses, and workshops. Please contact Jonathan Juarbe at [email protected] for more details.

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How Long Should a Short Film Be?

My September One-Year Filmmaking students are screening their thesis films this week and, once again, this issue of length has come up. Although we recommend that students keep their films to 10-15 minutes, many of my students have made films that are 20-25 minutes.

The problem is that film festivals are inundated with hundreds, sometimes thousands of film submissions all competing for a place in, what is in all likelihood, a 2-hour program of shorts. Because festivals often have a cut off of 30-minutes for short films, few of these films get accepted. Film festivals want to help and support as many filmmakers as they possibly can, and accepting a 25-minute film into the festival means the five 5-minute filmmakers are going to be excluded.

So, my advice to my students (and makers of short films, in general) is to keep the film as short as possible. Naturally, you have to do justice to your stories. You can’t squeeze a 30-minute story into a 10-minute package without ruining it. But there’s no question in my mind that with every minute you add to the length of your film, the odds of getting your film accepted decreases.

Case in point: When my son Bret was 14, he took our summer program for high school students. In that program, he made 3 very short films. The first was 90 seconds, the second 2.5 minutes, and his last film 3 minutes. Although they were very well done for a first-time filmmaker, they were not brilliant. And yet he was able to get each of them into over 10 film festivals.

Believe it or not, even a 90 second film will open doors for you. One of my son’s films, managed to get into the LA International, at which point, he was contacted by writers, composers and even agents. In fact, the agent who represents Renee Zellweger contacted him to see if he was interested in hiring Rene for his next film!  Now, clearly the agent did not know that he was dealing with a 14-year old. I imagine he (and the other agents) just download the names of the filmmakers from the festival website and start sending out email inquiries.

So, although I understand that as you grow as a filmmaker it’s natural that you desire to make longer and longer films to demonstrate your ability to handle professional shoots, it is in your best interest to keep the running time short. Remember, festivals include your titles in the running time, so don’t put 5 minutes of credits at the end of the film. Many students are under the mistaken impression that the more names they can run past the screen at the end of their film, the more impressed the audience will be. The problem is that the audience has just seen your film and they’re only going to be as impressed as your film makes them. So keep your titles moving quickly. Just make sure they slow down when it gets to your name. After all, you’re the one you should be promoting.

Food for thought.

-Claude Kerven, NYFA NYC Chair of Filmmaking

‘Sun Flower’ a Festival Favorite

[Director's Photo 2] Sun Flower - Taeho Kang

New York Film Academy student, Taeho Kang’s short film, Sun Flower, has gained recognition at a number of film festivals this past year. Which festivals you ask? Here are a few where Kang has screened or will be screening at soon:

  • 2013 (4th) Cincinnati Film Festival (Cincinnati, Ohio, USA)
  • 2013 (13th) Nevada City Film Festival (Nevada City, California, USA)
  • 2013 (37th) Montreal World Film Festival (Montreal, Quebec, Canada)
  • 2013 (9th) Action On Film International Film Festival (Monrovia, California, USA)
  • 2013 (6th) Interrobang Film Festival – Des Moines Arts Festival (Des Moines, Iowa, USA)
  • 2013 (6th) Treasure Coast International Film Festival (Port St Lucie, Florida, USA)

Sun Flower - Taeho Kang credits

The sixteen minute short revolves around, Young-Hwa Kim, a single lady in her late twenties who arrives at a sanatorium five months pregnant. She does’t have any relationships with people, even with family or friends, and she does’t want to meet any new people. Also, due to motor aphasia, she has lost her speech. To sum it up, she loses her sense of reality and faith in herself. Therefore, she lives with addictive habits, and is careless and ignorant of her pregnancy before she experiences the baby move in her belly. “Sun Flower is a kind of ‘poetic narrative film,'” says Kang. “Most of the symbolism in the story is based on The Bible.”

Kang is an MFA student, currently studying filmmaking at the New York Film Academy, Los Angeles. He says, “The hands-on experience at New York Film Academy helped me communicate with our crew to create a specific visual concept.” His next project is called Made in Trovia, which he hopes to film soon.

A Standing Ovation for Jonah Hill at NYFA

Jonah Hill with Tova Laiter
Jonah Hill with Tova Laiter

Jonah Hill has come a long way from his brief comedic appearance in the The 40 Year Old Virgin, to his Oscar nomination in Moneyball. His comedic presence and timing puts him at the top of his class, and yet his transition into more dramatic roles has been something to marvel. This week, the New York Film Academy was thrilled when Mr. Hill came in to speak with students and alumni. As a testament to his comedic timing, Jonah started the evening shouting,”I’m here! I’m here already!” as Eric Conner, the Dean of Students, introduced the actor who had already been sitting in the back of the room.

Jonah was in high spirits throughout the night, quickly acknowledging his true passion in life – making movies. He feels it’s what he’s been put on this Earth to do, and he encouraged the crowd to aggressively pursue filmmaking if they feel the same. “This business is so weird,” said Jonah. “If this isn’t the only thing you want to do in life, then leave the room and don’t do it. But if this is the only thing you want to do in life and can’t imagine doing anything else, then don’t worry about how much time it’s taking. It will happen in whatever incarnation it’s supposed to happen. But you have to just ‘make stuff’ constantly and don’t worry about ‘making it.'”

At a young age, Jonah wanted to direct, but says he was really bad in giving directions to actors. So, he took acting classes to find out how an actor would want to be given direction. As a result, he fell in love with acting as well. He studied Meisner in school, but admits he now uses a variety of techniques that vary from film to film. He also likes to improv, as long as it’s about the character and not to be funny. Jonah recalled his improved scenes with Martin Scorsese in The Wolf of Wall Street. “It’s so cool that new stuff can happen, that no one knew about ever, and that makes the reactions real – because they’re hearing it for the first time.”

In regards to the challenges he faces as an actor, Jonah said, “I think the most challenging part of being an actor comes from the days where something really bad is happening in your personal life. Let’s say some death or breakup or friendship thing – some personal thing that’s going on outside of work – and you have to show up that day and act and give your performance like none of that is happening.”

His journey through Hollywood grew as he managed to maintain friendly working relations with so many talented artists, namely Judd Apatow, Jason Segel, and Seth Rogen. “You find the people who you’re creatively in tune with.”

Like most people, Jonah recognized how some would have assumed he, being the comedy guy, would be an odd casting choice as the second dramatic lead next to Brad Pitt in Moneyball. Typically, once you’ve successfully done one thing in Hollywood, most people will push you to do the same thing over and over. But, for Jonah, it’s important to make all kinds of movie. “I think I’m a product of two things: The Simpsons and Goodfellas.” The Simpsons encouraged his taste in comedy and Goodfellas, the other side of things.

While admitting he was nervous talking about himself, Jonah was very appreciative of being able to speak in front of our students and his positive rapport was undeniable after closing on a standing ovation. He’s currently writing a movie that he plans on directing next year. His new movie, The Wolf of Wall Street, will be out in theaters on November 15.

standing ovation

podcast

 

September One Year Filmmakers Preparing to Screen Thesis

Pater Familias poster
Rasmas Roenberg’s thesis film “Pater Familias”

This is an exciting time of year at the New York Film Academy. All of my September 1-Year filmmakers are preparing to screen their thesis films next week. 6 screenings in 4 days! It should be action packed and exhausting, but well worth the time to watch them all. You never know if one of the hard-working directors will surface with an outstanding project that will launch his or her career. Perhaps among them is the future Chris Nolan, Ang Lee or Kathryn Bigelow?

If you’ve never been to one of our thesis screenings, it can be quite moving to see the intense bond that has formed among the students and how proud they are of themselves for having come so far in such a short period of time. It’s often amusing to remind them of their first film projects and watch them blush with embarrassment, as they recall how naïve they were when the first arrived and how much more confident and experienced they feel now – ready to take their place in the professional world of filmmaking.

Baby Steps - Pic for Brochure
Tomer Sinai’s thesis film “Baby Steps”

No sooner do we say a fond farewell to those filmmakers than the new class of 1-Year students arrives, wide-eyed, fearful, and hungry for knowledge. How interesting it is to look out at the sea of fresh faces, wondering which among them will be next year’s standouts. There’s nothing like spending an entire year, nurturing and guiding these talented young minds, helping them evolve as visual storytellers. It’s a thrill awaiting the day, 1-year from now, when it will be their turn to screen their thesis films and stand upon the stage to accept their certificates in front of the adulation of a standing-room-only theater.

Here we go!

– Claude Kerven, NYFA NYC Filmmaking Chair

NYFA Photo Students to Exhibit at Ed Freeman Chinatown Gallery

photo school

Students in the One Year Photography Certificate program at the Los Angeles Campus of the New York Film Academy will show their work at the prestigious Ed Freeman Gallery, 945 Chung King Road, Los Angeles.

The opening night reception is Friday, August 30, 2013 from 7:00 – 9:00 PM.

The exhibition continues through September 15, 2013. Gallery hours are Wednesday-Sunday, 1:00 to 6:00 PM.

Closing night reception, Saturday, September 14, 7:00 – 10:00PM.

For further information, contact Bobbi Fabian, Chair of Photography at [email protected] or 818-333-3558.

The exhibition, which features the work of five outstanding young photographers, (listed below) is free and open to the public.

The five featured photographers who explore divergent paths of the photographic image are:

Born in the Philippines, Joseph Bornilla creates narratives that anthropomorphize everyday kitchen objects and food.

www.josephbornilla.com

Nicole Campbell, from Nashville, TN, obscures the landscape through plastic, steeping the scenery in a candy-colored spectrum. She reflects her inner feelings, lending her work “a serenity and clarity that is often unattainable in the city.” http://nicolecampbellcuriouseyes.tumblr.com/

In Luc-Richard Elie’s project, Half Man/Half Amazing, we are asked to examine our own duality. The Brooklyn, NY, photographer’s subjects undergo a physical transformation for the camera, using their bodies as a canvas for self-expression. http://lucrichardphotography.tumblr.com/ 

Los Angeles native Liam Hayes questions the dearth of the male nude in the photo-historical canon of art. His images elevate the male body, asking us to find beauty in diversity.  “I want people to be intrigued. To follow those lines that make up ‘Man’ … Appreciate our differences.”

http://bitoa.tumblr.com/

Aanchal Kalra’s project, Cocoon, represents the moments in life that seem unphotographable. Born in India, she seeks out people in situations of self-reflection or abandon, giving us an opportunity to bear witness to the most private of worlds.  http://aanchalkalra.tumblr.com/

These students and their work reflect the international power of visual storytelling, taught at the New York Film Academy. The Los Angeles campus of the New York Film Academy offers several Photography programs – MFA, BFA, One and Two Year Certificate and 8 week workshops.  For more information, please visit www.nyfa.edu or contact Bobbi Fabian, Chair of Photography at [email protected] or 818-333-3558.

We look forward to seeing you on August 30!

Advice From a Hollywood Talent Manager

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Talent Manager Susan Zachary was our guest last night, arriving to a packed crowd of students in the Welles screening room at New York Film Academy Los Angeles. The moderator was Producer Tova Laiter, who just so happened to bring Susan to NYFA.

Susan started out working at a number of different jobs, including public relations, advertising for film, and working within the studios. From there, she produced several films. Then, about 11 years ago, she founded her own management company, where she definitely seems to have found her niche.

As a manager, Susan deals with the clients, talent, producers and goes through the breakdowns, which is a key element in the Hollywood casting process. “The management business is secure and predictable, compared to the life of an independent film producer.” said Susan. “It’s all about selling! Whether it’s a network or studio – when pushing talent – you’re always essentially in sales.

So what makes a great manager? “An honest, communicative and persistent one. We always hear NO – a lot of reasons why an actor does not potentially work – so it all comes back to selling.

In regards to what exactly managers look for in a client, Susan said, “We are very selective. You should ideally have a body of work, a reel, a resume, and be SAG eligible.” When asked by a student if there were any exceptions to this, as far as taking on new talent, she told the students that managers go to “The Leagues” (acting school showcases) every year, and on rare occasion 1-2 people will get signed.

She was realistic about the hardships of getting picked up by a manager without lots of experience, but also stressed how perseverance is key and encouraged the students to love, practice, and hone the craft of acting. Most importantly, find ways to make yourself stand out.

zacharysHere are some great tips she provided for our students:

  • Join casting director workshops
  • Make a reel
  • If you don’t have content for a reel, create it!
  • Do the ‘work’ – take acting classes!
  • Don’t sit around and wait
  • Treat acting like a job
  • Get recommended by someone
  • Show ingenuity
  • Make yourself marketable for the manager and be creative about it

Susan also stressed the importance of making and maintaining good relationships in the business. In the literary world, it’s important to be cooperative (take notes and directions when asked to change scripts) and the same goes for actors as well. While actors can get away with more undesirable behavior if they have pure talent, it is rare these days because of the state of the economy. Her final words of advice, “Auditioning is a job! You must treat it like one.