Filmmaking Alum Jameelah Rose Lineses Discusses The Khatak Film Society

Jameelah Rose Lineses, a New York Film Academy (NYFA)  1-Year Filmmaking alum spoke with us about her recent work founding the film organization Khatak Film Society

Khatak Film Society

Founded in 2020 and based in New York City, the Khatak Film Society aims to shine a spotlight on emerging filmmakers from eastern Asia. The Society showcases films from filmmakers located in other regions of the Himalayas and Tibet and recently finished Season 2 programming at the International Film Festival Manhattan (IFFM) in May 2021. Rose Lineses is also member of the jury for the IFFM 2021 in Manhattan. This will be her second time as a jury member in the October Autumn 2021 Edition.

https://www.youtube.com/watch?v=hnw0lhpePec&t=240s

Since completing her education at NYFA, Jameelah has won several awards for her various film projects, including Best Cinematography Award at the 8th Annual IFFM for her music video, Atareek in 2018. 

Jameelah is a Saudi Arabian-born director and a member of the New York Women in Film and Television Organization. Inspired by the Tibetan people she met on social media, she founded the Khatak Film Society as a platform to “discover and nurture Tibetan/Himalayan up-and-coming filmmakers.”

Jameelah Rose Lineses
Jameelah Rose Lineses (right)

Since 2020, the Society has screened two seasons worth of special programming for the IFFM. In their first season, the Society awarded ‘Best Music Video’ to Bhuchung and Karma Yeshi Namdak for their video, Tsedung. In the Spring of this year, the Khatak Film Society showcased Tibetan films as well as Ladakhi, Nepali, and Bhutanese films at their screenings. They awarded ‘Best Upcoming Filmmaker’ to Ngawang Dhargyal.

https://www.youtube.com/watch?v=VGOTWB-mXjE

The Khatak Film Society is currently gearing up for Season 3 of its programming for the IFFM, which will take place between October 14th and October 17th, 2021. The programming includes both in-person and virtual events including:

October 14, 2021
Opening Night and Awards Ceremony
Location: Kalayaan Hall, Philippine Center

October 16 & 17, 2021
Virtual Film Screenings with select live screenings
Location: Producers Club

New York Film Academy congratulates Jameelah for the success of the Khatak Film Society and their third programming. You can see some of the conversations, films, and more on the Khatak Film Society YouTube channel.

 

NEW YORK FILM ACADEMY (NYFA) WELCOMES NETFLIX’S ‘BLOOD BROTHERS’ DIRECTOR & EXECUTIVE PRODUCER MARCUS A. CLARKE TO THE Q&A-LIST SERIES

MARCUS A. CLARKE, Brooklyn-born director and producer, joined NYFA’s virtual Q&A-List Series with Tova Laiter in a live video interview. Clarke, director and executive producer of the acclaimed Netflix documentary, Blood Brothers: Malcolm X & Muhammad Ali, discussed his career in filmmaking and how he landed the role of storyteller for two iconic American men.

NYFA Q&A Series Welcomes Netflix's ‘Blood Brothers’ Producer Marcus A. Clarke

Tova Laiter (left) and Marcus A. Clarke (right) for NYFA’s Q&A-List Series

Clarke has over 20 years of industry experience working across commercial production, television, and film starting out as a film runner for Spike Lee’s Forty Acres. He made his way up the industry ladder from production assistant to production manager to producer to first A.D. to Director. Originally starting off in tabletop commercials for Santiago Inc, he worked his way to Producer credits for CNN Films and Mass Appeal’s feature-length documentary on hip-hop fashion Fresh Dressed (a Sundance Selection in 2015) before being called on to direct Blood Brothers.

Clarke’s Netflix documentary, Blood Brothers: Malcolm X & Muhammad Ali came about after famed showrunner Kenya Barris’ (Black-ish, Girl Trip) optioned the book Blood Brothers: The Fatal Friendship Between Muhammad Ali and Malcolm X, written by Randy Roberts and Johnny Smith and Marcus pitched his vision as a young black man to tell the extraordinary story of the friendship between civil rights activist Malcolm X and American boxer-turned activist, Muhammad Ali. They were looking for a director for a year and he got the job.

In just three years, Malcolm X and Muhammad Ali forged a brotherhood that would not only change both men, but also the world. The documentary offers a unique perspective from the living family members and friends of both subjects. In a series of incredible archival research, never-before-seen footage, and personal interviews, close anecdotes, and historical events unfolded during the documentary.

Clarke interviews Malcolm X’s own daughter, Ilyasah Shabazz, Muhammad Ali’s brother, Rahman, and daughters, Maryum and Hana to offer several viewpoints of the friendship from those closest to the family. The film illuminates their meeting, bonding, and eventual falling out over their discord within the leadership of the Nation of Islam. An important note Clarke makes regarding their relationship, is that Muhammad Ali was 17 years younger than Malcolm X, an age difference that lent a great deal to how influential the latter was to the former.

Laiter asks how Clarke was able to land such a compelling story for this important relationship. Clarke notes the book as an important foundation for the documentary. Also, what struck Clarke regarding existing material about these two men, was the absence of any real record of their friendship: “This relationship hasn’t been well-documented. It hasn’t been well-explored.”

When asked by Laiter why this relationship might lack historical record, Clarke responds, “I have to call out the obvious, which is that Malcolm X as a civil rights leader, has always been seen as far more intimidating than say, Martin Luther King Jr, and for that reason, I think history has dampened his impact, while in recent history, considering recent events such as BLM, he would have been on point, totally.”

Director and Producer, Marcus A. Clarke on a film set

As a Black director himself, Clarke often put himself in the shoes of his subjects to understand what was truly important in this moment of history. In examining the two figures’ upbringing, Clarke includes the importance of the historical figure Marcus Garvey and his impact on the upbringings of Malcolm X’s and his beliefs, a story that is not often told in existing documentaries.

When a student question had him reflect on his experiences in numerous crew roles throughout his career, Clarke emphasized: “I strongly recommend it as a particular path to getting to be a director because it really helped me to know what a single person does on the crew. Because I’ve done it. Trying to make a film is difficult enough, already—and If you have an understanding of: the timing of it, scheduling of it, what is your crew capable of doing, how much time does it take for your crew to do the things that you’re asking for, these are all things that are extremely helpful to know for production.”

Muhammad Ali (Left) and Malcolm X (Right), Image Source: Time Magazine

When asked how he felt about taking on the subject matter of the two of the most iconic Black American figures, he replied that he fully understood the responsibility that this type of project held. As part of his process, Clarke immersed himself in the material and tried to make decisions based on what he hadn’t seen in the existing material out there already. According to Clarke, these details were very important, powerful, and compelling to include.

New York Film Academy would like to thank Marcus A. Clarke for sharing his time and invaluable perspective as a director with NYFA students and alumni. The documentary Blood Brothers: Malcolm X & Muhammad Ali is available to stream now on Netflix.

Watch the full conversation below:

NYFA Student Israa Al-Kamali Produces 2nd Annual Independent Iraqi Film Festival

NYFA Filmmaking student Israa Al-Kamali is co-founder of the Independent Iraqi Film Festival (IIFF) which is now celebrating its second year with a series of screenings of Iraqi-based films. The second annual IIFF takes place from October 1st until October 7th, 2021. The festival will screen four feature-length films, followed by Q&A-style discussions with the filmmakers, and ten short films which will be showcased live and virtually. All showings are free of charge and will include English subtitles for non-Arabic speakers. 

The feature-length films to be screened include Tonight, Next Week directed by Khalid Alzhraou, Iraqi Women: Voices From Exile directed by Maysoon Pachachiwhich, Balanja directed by Ali Raheem, and Leaving Baghdad directed by Koutaiba al Janabi. 

The Iraqi Film Festival poster
The Iraqi Film Festival (IIFF) begins on October 1, 2021

The festival’s first circuit was held virtually in the Summer of 2020, showcasing 13 Iraqi short and feature-length films from emerging and established Iraqi filmmakers, and saw a turnout of over 5000 online viewers.

The IIFF is a not-for-profit organization dedicated to supporting films from and about Iraq through online screenings, real-life festivals, educational programs, images, sound projects, and various industry initiatives. The IIFF’s mission is to empower directors, actors, screenwriters, producers, designers, sound artists, and other creatives to tell the story of Iraq, the resilience of its people, and the breadth of its culture to a global audience.

Al-Kamali describes the origins of the festival, “The Independent Iraqi Film Festival was born out of my love for films and Iraq as well as the urgent need to create such a platform and space for Iraqi stories and storytellers. Our experiences are so complex whether back in Iraq or in the various Iraqi communities in the diaspora. Iraq is rich in culture, history, and diversity, and it is time for our stories to be highlighted and brought to global audiences. We created this first-of-its-kind festival to uplift filmmakers, inspire audiences, and engage the film industry in the country. Iraqi films are not given the spotlight they deserve and it is not because there aren’t any films by Iraqis.”

Israa Al-Kamali headshot
Iraqi Film Festival (IIFF) Founder & Filmmaker, Israa Al-Kamali

The founder also describes the challenges of maintaining the Iraqi voice without a global stage to present uniquely Iraqi stories, “Iraqis have watched their experiences and stories being told by others usually through films that are filled with racism and stereotypes; War and destruction is the only point of reference and it often ignores the nuances of the Iraqi experience whether in Iraq or outside the homeland. Our festival created a space for Iraqi creatives from all communities to come together to tell our stories. This festival is for Iraqis in Iraq and in the diaspora, for every resilient Iraqi who is fighting the everyday battle to preserve our history, culture, and experiences. It is for the creatives and storytellers. It is definitely for non-Iraqis too to come and watch our stories on screen, celebrate people’s resilience, learn more about our rich and complex experiences in the homeland and beyond.”

Al-Kamali is a student of NYFA’s MFA Filmmaking program, and writer/director of the short Open Sesame (2022), which follows the story of a woman dressed as a man and answers misogynistic riddles by predatory-animal-headed individuals to ensure her safe return home. 

The New York Film Academy congratulates Al-Kamali for her success and founding of the Iraqi Film Festival (IIFF). We also congratulate all those who worked on the films chosen as official selections for this year’s IIFF screening. You can follow news and events about the festival on Instagram or by visiting their website.

2021 MONTANA INTERNATIONAL FILM FESTIVAL SCREENS FILMS BY SIX NEW YORK FILM ACADEMY FILMMAKERS

**Update from the 2021 Festival Awards Jury team**
NYFA’s very own BFA Filmmaking student Laurence Carroll Brahm won ‘Best Student Film’ for his film ’24 Hours in Beijing’. In his acceptance speech, which you can catch here in the 2021 Award Winners – MINT Film Festival video, Brahm gives a nod to the school, “I’d like to give a shout out to the New York Film Academy for really guiding me on this process and for really guiding me in my journey as a filmmaker.”

2021 Montana International Film Festival Screens Films by Six New York Film Academy Filmmakers
The New York Film Academy (NYFA) is excited to congratulate six alumni and current students whose films are official selections of the fourth annual Montana International Film Festival (MINT) in Billings, Montana. Short films by Laurence Carroll Brahm, Ekaterina Burduzhan, Sebastian Feichtinger, Zach Goodwin, Franco Lima, and Nicholas Venuti will screen in the festival’s virtual program from September 16 through October 3.

Having worked with the filmmakers on their festival strategies and submissions, Crickett Rumley, Director of NYFA’s Film Festival Department, noted that the films represent a wide variety of styles and genres. “It’s an impressive assortment: two comedies, an action-comedy, a drama, a psychological horror, and an environmental documentary.” she reports. “MINT’s audience will certainly get a taste of the excellent work our students and alumni from the US and around the world are creating.”

Set in the alleyways of Beijing, China, Laurence Carroll Brahm’s action-packed comedy-drama 24 Hours in Beijing tracks two Nigerian middlemen caught between the Chinese and Russian Mobs who are given one day to find a lost cocaine shipment. Laurence was inspired to make the film by the cultural conflicts he experienced growing up in Beijing with a Chinese mother and an American father. “I always felt that I was a fish out of water no matter what environment I was in,” Brahm says. “The majority of my friend group in China consisted of Nigerians whose parents were diplomats. Rush Hour had been one of my favorite movies because I felt that it described my own cultural conflict through the medium of comedy, thus I was inspired to present a different side of Beijing in my own comedy-drama.”

Ekaterina “Kate” Burduzhan’s gritty drama It’s Your Fault was shot on location in Saint Petersburg, Russia, during the pandemic. It tells the story of Polina, a young woman out with a friend and looking to continue the evening’s fun. When she leaves the nightclub with some guys she just met, she soon finds herself in an unexpected and dangerous situation. “This story is based on my real story,” says Burduzhan. “I decided to explore the theme of how society often accuses women of being responsible for their own harassment and how women can also internalize that accusation to blame themselves as well.” Shot entirely with handheld cameras, the short is Burduzhan’s film debut after a career in fashion and music videos. MINT will be its world premiere.

The comedy Hold It! by Sebastian Feichtinger is about everybody’s nightmare: getting trapped in an elevator. In this case, it is three strangers from completely different cultures who get stuck, and things get really bad when one goes into labor and the other two must work together to deliver her baby. Feichtinger, an Austrian citizen who was born in Moscow and raised in Paris, wanted his film to bring different cultures together. “All three actors spoke different languages,” he says, “raising a challenge I had never encountered as a director before.” Regarding shooting in any elevator, he recalls, “Having three people in a small space, while one of them is supposed to portray a pregnant woman, was definitely quite an experience.” Montana will be the short’s world premiere.

Zach Goodwin’s Eyes takes a look at a group of people who join together in the meatpacking district of downtown Los Angeles to share their love with animals about to be slaughtered. It was inspired by Zach’s mother’s animal activism. “When she moved to Los Angeles with me, she started attending pig vigils and other activist-related events,” reports Goodwin. “I finally went to one of the vigils and was blown away by the passion and love exhibited by the other activists there. I assembled a crew of four, including myself, and over the course of nine weeks, we conducted roughly 30 interviews and documented the compassion of the animal activist community.” Musician Moby makes a brief appearance in the film, which had its world premiere at the San Antonio Film Festival.

A fan of indie psychological horrors, Brazilian filmmaker Franco Lima was inspired by films like The Witch and Hereditary in creating Madeleine, his eerie tale of a young woman who returns to her family’s old house in search of a precious item only to find herself haunted by strange forces looking to destroy her sanity. In 2020 the short was an official selection of the Los Angeles Live Score Film Festival, which pairs each film’s director with a professional composer. Lima explains,“The collaboration process, even if it was all through Zoom thanks to the pandemic, was incredibly eye-opening and exciting for me. There is a whole new creative language you tap into when discussing the music of your film. My composer was such a great collaborator, she understood exactly what I wanted, brought awesome ideas to the table, and did an all-around amazing job, one that elevated the entire film”.

For his comedy Buffalo Scientists, Nick Venuti looked no further than his own childhood friends for inspiration. “They always had big imaginations and typically don’t think things through, so that’s an entertaining movie on its own. From there, I just started thinking, how could I turn it up a notch?” he says. The resulting film follows an ex-teacher turned convenience store clerk who is robbed by masked men who turn out to be his former high school students. That’s when the really bizarre adventure begins. Venuti says his favorite part about making the film was working with the cast. “We spent a lot of time casting, and it paid off. My main goal was to find genuinely funny people who could take the script to the next level. One moment I remember clearly is when all of the characters meet, and we just let them go completely off script and improv whatever they wanted. The whole crew was cracking up behind the camera. We actually lost a couple of takes to crew members laughing.”

New York Film Academy congratulates the outstanding achievement of its students and alumni Laurence Carroll Brahm, Kate Burduzhan, Sebastian Feichtinger, Zach Goodwin, Franco Lima, and Nick Venuti. Festival passes can be purchased on MINT’s official website or individual tickets to each film can be purchased in the New York Film Academy Student Film section. The films will be available to watch online September 16 – October 3.

Please note: NYFA does not represent that these are typical or guaranteed career outcomes. The success of our graduates in any chosen professional pathway depends on multiple factors, and the achievements of NYFA alumni are the result of their hard work, perseverance, talent and circumstances.

NYFA Acting for Film Alum Anatolii Panchenko Stars in ‘Infiniti’ and ‘OnePlus Nord 2 5G: Origins’

Anatolii Panchenko
Photo of Anatolii Panchenko by LA-Based Photographer, David Zaugh

New York Film Academy (NYFA) Acting for Film alum Anatolii Panchenko (Анатолий Панченко) has been cast in a Canal+ mini-series, Infiniti, which began filming in March of this year. 

Directed by Thierry Poiraud (Black Spot, Don’t Grow Up, and Goal of the Dead) and written by Stéphane Pannetier (Research Unit, Les Ombres Rouges) and Julien Vanlerenberghe (Les Ombres Rouges, Famille d’accueil), the series follows a crew aboard the International Space Station after discovering the murdered corpse of a fellow astronaut on-board. 

Anatolii Panchenko
Photo of Anatolii Panchenko by Anna Vialova (NYFA Cinematography alum)

Now in search of the culprit, a French astronaut and Kazakh cop work together to solve the crime. Production companies Empreinte Digitale and Federation Entertainment Belgique are distributing the series on Canal+ and StudioCanal in 2022. 

The series was filmed in Ukraine, Kazakhstan, and France and shot in English, Russian, and French. The thriller will span six hour-long episodes. Panchenko will be working alongside an international cast including co-stars Céline Sallette (La Flamme, Vernon Subutex, and Marie Antoinette), Daniyar Alshinov (A Dark-Dark Man), Vlad Ivanov (The Transporter, Snowpiercer), Lex Shrapnel (Les Médicis: Masters of Florence, Harlots), Karina Arutyunyan (The Bureau), Ellora Torchia (The Cowboys, Midsommar), Laurent Capelluto (Moloch, Into The Night), Jarreth Merz (Six, Titans), and Samal Yeslyamova (Ayka, Three).

Anatolii Panchenko
Promotional artwork from ‘OnePlus Nord 2 5G: Origins’

Anatolii Panchenko also starred in a recent commercial called OnePlus Nord 2 5G: Origins (also known as OnePlus Nord 2 5G: Nord of the Rings), a project by Stink Films. Directed by Keith McCarthy (The Ganzfeld Procedure) and written by Josh Erickson, the commercial merges humor and a Lord of the Rings-inspired narration to tell the origin story of the Nord 2 5G smartphone. 

The crew uses advanced VFX, beautiful cinematography, and music to capture the different tempos for each “chapter” of the phone’s history. From fantasy to a Sci-Fi film to an action thriller, the team uses a combination of extras, makeup, and costumes to bring you out of each scene and into the next. 

Be sure to check out behind-the-scenes footage of the film crew working their magic to bring the commercial together. 

New York Film Academy congratulates acting alum Anatolii Panchenko on his role in Infiniti and looks forward to watching the series once it’s released next year. 

NYFA Alum Galo Semblantes Directs ‘The Legend of Tayos’

Production still from The Legend of Tayos (2021)
Production still from The Legend of Tayos (2021)

New York Film Academy MFA Filmmaking alum, Galo Semblantes directs a recent film, The Legend of Tayos (2021), which follows the story of Janos Moricz, a Hungarian explorer who finds a metal library inside the caves of the Ecuadorian Amazon. For this film, Semblantes worked with fellow NYFA alum, Janek Ambros who produced the film. Ambros is an MFA Producing alum with a recently released film, Mondo Hollywoodland, available on Amazon

Semblantes is not only a documentarian, but a director, writer, and producer as well. A graduate of the MFA Filmmaking program at New York Film Academy, Semblantes has worked on numerous feature films and short films. His screen credits include American Dreams (2019), Oblivion (2012), Project Heaven (2014), Napkins (2012), Tell Me a Memory (2012), Nighttime (2011), and more. The film Oblivion was an official selection for the Columbia Gorge Film Festival in 2011, and his film Project Heaven was an official selection for the Los Angeles Diversity Film Festival in 2014. 

Production still from The Legend of Tayos (2021)
Production still from The Legend of Tayos (2021)

The documentary film follows Janos Moricz, who pushes for government support to make new expeditions after claiming to have found valuable information within the caves of the Amazon that could change humanity. According to the director, “La Leyenda de Tayos is a film that talks about the value of idealism that leads us to explore unknown places to which we would not have gone otherwise.”

Production still from The Legend of Tayos (2021)
Production still from The Legend of Tayos (2021)

Officially released in September 2021, The Legend of Tayos is a production that spanned several years. Winner of the Documentary Development Fund in 2013, the film began gaining public attention, due to its enigmatic subject matter. The Cueva de los Tayos, located in southeastern Ecuador, attracted many explorers in expeditions, including Neil Armstrong in 1976

You can follow Galo Semblantes on Twitter, or stay up-to-date on the latest content by his production company, Non-Sequitur Films by visiting their website or following them on YouTube or Facebook.

NYFA Chair Bill Einreinhofer’s Episode of ‘Century Masters’ Screening at 2021 Beijing Documentary Week

Mei Lanfang, the subject of an episode of Century Masters, will have his legacy showcased in a screening at the 2021 Beijing Documentary Week. The program, Century Masters is a 15-part cultural history TV program that focuses on a different historical subject each airing. This particular episode was written and hosted by NYFA’s very own Chair of Broadcast Journalism, Bill Einreinhofer. 

The Beijing Documentary Week is a film festival that attracts leading documentary producers and production companies from across China. This year’s circuit was held between August 14th and August 21st, 2021. 

Einreinhofer’s Century Masters episode featuring the subject Mei Lanfang follows the story of his upbringing, influence, and global recognition as a great master of Chinese Peking Opera. Mei Lanfang’s untraditional adaptation to historic stories reinvented them for new audiences and modern times. Fun fact, it would take you a calendar year to watch every Chinese Peking Opera if you watched one per day. That’s how many productions the theatre group created over its 100-year history. You can watch the full episode of Century Masters featuring Mei Lanfang, written and hosted by Bill Einreinhofer here

Bill Einreinhofer with the camera team of Century Masters filming in ChinaMei Lanfang’s story begins as a young child, growing up in a tumultuous, war-torn China in the early 1900s. Born into a family of privilege and Opera talent, Mei Lanfang’s grandfather is one of the originators of Peking Opera theatre. His father and uncle, both top performers and musicians of the Opera, had high expectations for their son and nephew. Unfortunately for Mei Lanfang, his youth and happy personality were a deterrent for teachers of the art. 

Considered lazy and untalented, Mei Lanfang’s family extinguished their hopes the child could continue their family trade. After experiencing financial hardship, Mei Lanfang received help and support from a family friend. Very grateful even until his last day, he paid this generosity forward by treating his family’s Opera troupe with dignity and flexibility during economic hardships. 

Mei Lanfang became an apprentice to this family friend and his talent blossomed into the internationally recognized art we know him for today. 

Peking Opera, now a popular subject for study in many Chinese theatre schools, has four subjects for which its young student population, between the ages of 11 and 12, must master. These subjects include singing, monologues, acting, and martial arts. For young students, training for Peking Opera is a six-year-long endeavor. 

Bill Einreinhofer being filmed for the Mei Lanfang episode of Century Masters

Mei Lanfang is most famous for his adaptation of the popular Opera, Spring of the Jade Hall, the story of a prostitute falsely accused and charged with murder. His performance on Broadway in 1930s New York won him acclaim across the United States. Now recognized on an international stage as a great writer and performer, Mei Lanfang earned an Honorary Doctorate in literature from the University of Southern California. 

His success while in the United States was of great national pride for China and contributed to his long-lasting legacy. 

This episode of Century Masters aired in China during the Lunar New Year celebration (also known as the Chinese New Year), where the country witnessed its highest TV viewings. 

Bill Einreinhofer in the studio filming his episode of Century Masters

The episode also aired throughout the Middle East. With time, influential figures like Mei Lanfang will have their legacies broadcasted around the globe. Their influence and impact continue to live on, thanks to filmmakers and documentary journalists like Bill Einreinhofer. 

New York Film Academy congratulates Faculty Chair, Bill Einreinhofer for his well-deserved recognition. 

Filmmaking Instructor at NYFA Tackles Queerness in Shakespeare Adaptation ‘HAMLET/HORATIO’

Paul Warner, Director and Filmmaking Instructor with NYFA, released feature-length film, HAMLET/HORATIO, available on Amazon Prime, Tubi, Vudu, Google Play, iTunes, Apple TV, and YouTube. A collaborative effort with writer David Vando, the film is a contemporary adaptation of Shakespeare’s classic “Hamlet.” Since its release, HAMLET/HORATIO garnered ten awards across the independent film festival circuit. 

HAMLET/HORATIO centers around the grieving producer and main character, Hamlet (played by NYFA Alum Andrew Burdette), who is now head of a film production company following the death of his father. His right-hand man and director, Horatio (played by NYFA Alum Themo Melikidze) captures his close friend’s pain in an enduring promise to tell Hamlet’s story through the production of a film. 

While the work includes all major themes from the original play, Warner takes a unique approach in explaining the relationship between the close companions. An exploration of their relationship with undertones of gender-fluidity and sexuality, HAMLET/HORATIO captures the essence of the characters’ closeness as a series of dream-like scenes with soft-focused camera work and a series of fourth-wall breaks. 

Quoted in an article by Washington Blade which touches on the theme of sexuality in the adaptation, “There’s a tremendous amount of exploration of gender fluidity in his work,” says Warner, “There’s never a label on it, but it permeates Shakespeare. There are a lot of characters who fall in love with the soul of the person, rather than the gender.”

The film captures Hamlet’s search for fulfillment in front of a backdrop of fascism, with characters and visuals resembling a previous White House Administration. Whilst battling the corruption of his surroundings, Hamlet sacrifices his own life in the arms of his companion, Horatio, who then pledges to capture his story. 

According to a Signal Horizon Magazine review, “The two light up near each other literally and figuratively. Beautiful lighting and soft-focused camera work highlight the friend’s interactions.”

HAMLET/HORATIO won a Film Jury Award for Best Feature at the 2020 edition Film Festivals To Go (FFTG). The film will be available for viewing on all platforms next month. 

Amazon Prime Film Reviews: 

“This film has already won many awards in the film festival circuits and for obvious reasons! All of the acting performances are great and this is such a unique, modern take of a Shakespearian classic. Definitely one of the best Indie films I’ve seen. If you are a fan of classics with a twist or artistic and unique indie films, then this is definitely for you! I would love to see them make a version of A Midsummer’s Night Dream like this as well. Bravo!”

“I love this film! The best thing is you do not have to have a Shakespeare background to understand the story. The movie is beautiful to look at with an outstanding score. I can not believe how great the production value is for this type of indy film. Do yourself a favor and rent this film!”

New York Film Academy congratulates NYFA instructor Paul Warner as well as alumni Andrew Burdette and Themo Melikidze for the success of HAMLET/HORATIO, now available on Amazon Prime.

NYFA WELCOMES CRIME SHOW PRODUCER & WRITER WENDY WEST TO NYFA’S Q&A-LIST SERIES

Award-winning crime television writer and producer, Wendy West joins the ranks of a long list of guests in NYFA’s Q&A-List Series, curated and moderated by Tova Laiter. West was a writer and producer for popular Showtime drama, Dexter, and recipient of numerous nominations and awards including multiple Primetime Emmy Awards and Writers Guild of America (WGA) Awards. West has also written for shows like The Blacklist, Law & Order: SVU, and is currently working on CBS’s FBI: Most Wanted.

NYFA WELCOMES CRIME SHOW PRODUCER & WRITER WENDY WEST TO NYFA’S Q&A-LIST SERIES
A graduate of the University of South California, West was one of a few lucky students who found an agent at a University ‘Industry Night,’ during which students could network with field professionals.

Wendy West spoke with Tova Laiter in NYFA’s Q&A-List Series

During the virtual NYFA Q&A, West provides some of the most industry-relevant insights for students in the audience. When asked the difference between original scripts and spec scripts in TV, West explains, “A spec script is–If I wanted a job on season two of White Lotus, I would write an episode of White Lotus that I just made up on my own and it would be in the voice of those characters, and for that audience. This is incredibly valuable because when you get hired, you will have to serve the pleasure of your showrunner and your job is to get inside their head. An original script is–I’m going to write about a road trip I took across Alabama. Doesn’t exist. I made it up. All my own thing.”

According to West, staff writers, story editors, and executive story editors typically are some of the first jobs writers should expect when entering television. Once established, writers are given additional responsibility in addition to titles such as co-producer, producer, and executive producer. These titles denote a higher level of responsibility and stake in the production process.

As a producer herself, West offers insight into her daily work life when asked how she balances the responsibilities of production while a writer. She says, “I try to segment my day. I try to get up early and then write. You can choose to check your email or not. Let’s say you get up at five and write until eight, at eight o’clock, you can turn your phone on and start dealing with production issues. If you have a cast member who isn’t showing up, you have hours to figure out how to deal with that. When you’re figuring out how to do that, you don’t have time to write. I find that the production part of your brain doesn’t really allow you to write.”

West then discusses how the pandemic impacted her job with the subsequent transition to virtual. According to West, her day is almost all on Zoom, in conference calls with other writers, staff, and departments.

Wendy West was Executive Producer & Writer for the popular Showtime original, Dexter (Image source: RottenTomatoes.com)

For students in the audience, West reminds them about the power of creative control, “If you have creative control over your show, you can decide to kill off your character,” she explains, “but if you’re beholden to a network, you may have to keep your character fresh and do everything you can in your life to consume and get inspired with a collision of ideas.” West describes the various things writers could do to stay inspired, like attend yoga classes, astronomy sessions, or art exhibits to get inside depth with the subject matter.

According to West, while the essence of television has not changed over time, the platforms have changed dramatically. This is even more so after the drive toward streaming services during the pandemic. This means writers, now more than ever, need to be acclimated to the disruptive technologies in television.

West goes on to describe the differences between the subscriber model versus the free model, and how it impacts a show’s writing. Subscriber models, such as HBO Max and Netflix, do not require content to be sponsored. This allows flexibility and control in creative script writing. Free models, however, which comprises network television, are dependent upon sponsorships and advertising, which means writers must adhere to the timing necessary to showcase content.

Regardless of the model, West reminds students about the importance of writing for the characters, “You want to give number 10 on the call sheet as much character as number 1 on the call sheet.” West recommends giving your secondary character as much content as your primary characters. According to her, this ensures all your actors are invested in the story, and you can get the best performances you can from the entire cast.

Wendy West was Co-producer & Writer for the long-running NBC series, Law & Order: Special Victims Unit (Image source: Deadline.com)

West ends her Q&A with insight into pitching a show or idea, given the variety of technology platforms available and new acceptable formats for executives. She informs the audience, “Now it doesn’t matter if you have credits behind you or not. It matters if you have a great idea.”

To hear the full conversation with Wendy West, click here or watch the video below:

These guests are not faculty and do not teach at NYFA, but they have appeared to share their stories and experience with our students. As guest speakers are scheduled based on their availability, NYFA cannot guarantee whether a guest speaker will visit during a student’s attendance or who that guest speaker may be. This guest speaker forum is not part of any NYFA curriculum and attendance at guest speaker events is purely voluntary. Students should be aware that guest speaker events do not represent a job opportunity nor are they intended to provide industry connections.