In terms of sheer numbers, Bollywood (a portmanteau of Hollywood and Bombay) is as big if not bigger as Hollywood. Based in the city of Mumbai (formerly Bombay), Bollywood isn’t just the largest industry in Indian cinema, it’s the largest film industry in the world, in terms of film production as of 2017.
This fascinating culture of dance, drama, and traditional values have given us iconic scenes of colorful weddings, dance parties in the middle of streets, and sweeping love stories. Bollywood has come to influence Hollywood and other film industries in multiple genres, but none more than musicals.
Baz Luhrmann’s Moulin Rouge was directly inspired by Bollywood musicals. If you watch it again you will see a mix of cultures and dance, incorporating Bollywood styles and even including the song “Chamma Chamma” from Bollywood film China Gate (1998). The success of Moulin Rouge ushered in a new wave of Hollywood movie musicals, including Chicago, The Producers, Rent, Dreamgirls, Hairspray, Sweeney Todd: The Demon Barber of Fleet Street, Across the Universe, Disney’s Enchanted, and Mamma Mia.
Here are some other tropes of Bollywood that have become more prominent in the recent musicals made by Hollywood:
Catchy music in the form of song-and-dance epic numbers
“Razzle Dazzle” in Chicago.“Dancing Queen” in Mamma Mia. “That’s How You Know’ in Enchanted. The mise-en-scene is shot with a wide-angle lens like in musical numbers found in many Bollywood sequences, where the camera shoots as if on the stage and more directly brings the audience into the choreography itself. It has become a hallmark fo the new wave of Hollywood musicals.
Epic fight scenes
Bollywood films aren’t afraid to take themselves too seriously. Often shot with a comedic sensibility, fight scenes between heroes, villains, and anti-heroes alike can take on exaggerated proportions. Hollywood translated this element with expanded nuances and artistry to their fight scenes. Kill Bill is a perfect example of a hero fighting dozens of bad guys at the same time, by herself, driven by a single objective of revenge. And, of course, seasoned with bits of humor. Directed by film buff Quentin Tarantino, the scene takes direct inspiration from the Hindi film Abhay (2001).
Love triangles have been around pretty much since the dawn of storytelling, but Bollywood has made it a part of its DNA and revels in the over-the-top emotive tropes of love, passion, jealousy, and betrayal. Perhaps in response to this, love triangles had a resurgence in the romantic comedies of the 1990s and early 2000s.
For many Bollywood films, everything is done 110%, from the stunts to the drama. Melodrama is as common in Bollywood films as it is in American soap operas and Mexican telenovelas. With Peak TV and an influx of new content from Netflix, Hulu, and other new media providers, every genre under the sun is available. Melodrama is included with this, especially for younger audiences on networks like Freeform and The CW,
Just as melodrama plays up the emotions of a film, many Bollywood films aren’t afraid to play up their story, allowing themselves to indulge in broad plot devices like divine intervention and over-the-top, convenient coincidences. While these films ask for an even greater suspension of disbelief than most Hollywood films, Bollywood has shown that audiences are willing to indulge in the illusion in order to escape and be entertained. Hollywood films, from increasingly outrageous Marvel movies to the more directly-inspired Slumdog Millionaire, where each question in the title gameshow leads to even more over-the-top coincidence, have started to learn this as well.
If you’re interesting in filmmaking and want to learn some pointers from the largest film industry in the world, this weekend might be a great time to select the Bollywood category on your Netflix!
How many films can you name that won the Academy Award for Best Picture? Probably quite a few, if you think hard enough, but could you name most of them? Or even half of them?
Among the ninety films that won the Best Picture Oscar, many have been forgotten by modern movie audiences, even if being the toast of Hollywood for one glorious night, or even several years after before fading from cultural memory. Here’s just a few:
Sunrise: A Song of Two Humans (1927)
Directed by F.W. Murnau, this movie won Best Unique and Artistic Picture at the first ever Academy Awards in 1929 (Wings won for Outstanding Picture; both categories were replaced by the modern Best Picture category.) It also helped Janet Gaynor, who later played the lead in A Star is Born (1937), win the first ever Best Actress Oscar. If you’re curious to see cinema history, the film is available to watch on YouTube in its entirety.
Starring Academy Award-nominees Richard Dix and Irene Dunne, this pre-code western was RKO studios most expensive project up to that date. In addition to Best Picture, the film took home two more Oscars: Best Adapted Screenplay (for Howard Estabrook who later adapted David Copperfield in 1935) and Best Art Direction (for Max Rée who later worked on John Ford’s Stagecoach.)
Adapted from a Broadway play by by William A. Drake, this lavish romantic drama was Hollywood’s biggest film of the year and one of the first production to bring together an ensemble of several A-list actors — in this case, Greta Garbo, Wallace Beery, Lionel Barrymore, and Joan Crawford! It was remade twice in the first two decades after its release, and screenwriting juggernaut William Goldman tried unsuccessfully to adapt it in the 1970s. To date, it is the only film to have won the Academy Award for Best Picture without being nominated in any other category.
In addition to Best Picture, Cavalcadewon Best Director for Frank Lloyd and Best Art Direction for William S. Darling at the Academy Awards. Diana Wynyard was nominated for Best Actress but lost out to up-and-coming star Katherine Hepburn. The epic drama depicted the life and times of English citizens in the first quarter of the 20th century as the world transitioned into a more modern society. In 2002, Cavalcade was preserved by the Academy Film Archive.
The Life of Emile Zola (1937)
The second biopic to win Best Picture was The Life of Emile Zola, the 19th-century French novelist who penned J’Accuse in response to the imprisonment of Captain Alfred Dreyfus. The film received ten Academy Award nominations, winning Best Picture, Best Screenplay, and Best Supporting Actor for Joseph Schildkraut, who portrayed Dreyfus. The lead role of Zola was played by Paul Muni, who had already won the Oscar for playing Louis Pasteur a year prior.
The Lost Weekend(1945)
The Lost Weekend is probably not the first film that comes to mind when people think of Hollywood legend Billy Wilder. Nonetheless, the film was nominated for seven Oscars and won four: Best Picture, Best Actor, and Best Director and Best Screenplay for Wilder, who shared the latter with co-writer Charles Brackett. These were the first two Academy Awards Wilder won, but not his last. The film noir also shared the Grand Prix at the first Cannes Film Festival.
With box office hit and the critically well-received 2018 romantic comedy Crazy Rich Asians, Hollywood has come a long way since Asian and Asian American stereotype characters like Long Duk Dong in 1984’s Sixteen Candles, or, even worse, dated, racist portrayals like that of Mickey Rooney as Mr. Yunioshi in 1961’s Breakfast at Tiffany’s.
Prior to Crazy Rich Asians, it had been 25 years since the world saw a predominantly Asian cast in a big-budget Hollywood — with 1993’s The Joy Luck Club — that isn’t about martial arts, nerds, or a period piece with subtitles. Rather, Crazy Rich Asians is a moving, funny, beautifully shot romantic comedy showcasing a modern Asian diaspora who speak English as their primary language.
According to the most recent report by the United Nations, Asians represent close to 60% of the world’s population, while a separate report conducted by USC Annenberg in 2017 revealed that out of 1,100 popular films, 70.7% of the characters were Caucasian and only 6.3% were of Asian descent.
With this significant imbalance, movie audiences have had very limited exposure on the big screen to the diversity they most likely see in everyday life, as well as alienating Asian viewers and doing nothing for preconceived, problematic notions of Asians as the funny sidekick, the kung-fu master, the chopstick-yielding exchange student, and every other broad stereotype that has played out in film.
Beyond the predictable and limited examples of Asians depicted in mainstream film, Hollywood also ostracized Asian actors through its tendency to whitewash films by casting Caucasian actors in Asian roles — something that Kevin Kwan, author of Crazy Rich Asians, the novel that was adapted into the 2018 film — was no stranger to.
When talking to The Guardian about the buzz circling around his book and being approached for movie deals, Kwan mentioned a particular, prominent producer who told him he’d be interested if they changed the protagonist, Rachel Chu (played by Fresh off the Boat’s Constance Wu) into a white character. “I think it was a request born out of sheer ignorance about the project, and it was a very … kneejerk reaction that was indicative of how Hollywood saw its industry, how they felt movies needed to be made, and how they felt a movie with all Asians would just never work,” he said.
Sticking to his guns, Kwan eventually teamed with Chinese American director Jon M. Chu, who shared his belief in the importance and necessity of Asian representation in the film adaptation. Chu was originally offered a healthy sum of money from Netflix (exceeding that of Warner Brothers’ which went on to produce the film) but turned it down. Justifying the decision to do so, he told NBC Nightly News, “we knew the importance of the project was to get it on the big screen — there’s a sign there that says ‘we are worth that energy, we are worth your time’ — for a big Hollywood studio to send that message, we knew was an important message to send the world.”
For many, that message was heard. Beyond the actors in Crazy Rich Asians being diverse in more ways than one, they also portray a deep humanity of the characters through their individual hopes, dreams, relationship problems, and longing for love and acceptance, creating a more fleshed out and truer representation of Asians in the real world.
Continuing to break box office records with a global total of $236 million, Crazy Rich Asians is now the highest-grossing romantic comedy in the last decade. The message Chu refers to has been received with open arms; and with that, comes open doors, open minds, and hopefully, many more diverse and stereotype-free films from the entertainment industry.
The Academy of Motion Picture Arts and Sciences have announced the nominees for the 91st annual Academy Awards, to be given out during ABC’s televised ceremony on Sunday, February 24. The Oscars will cap off a months-long awards season featuring industry veterans, newcomers, and as always, endless debates about who deserves to go home with the golden statue.
Lee has been a figure in American cinema since his 1986 feature debut, She’s Gotta Have It, which was adapted into a television series in 2017. Many of his films have examined race relations, urban life, political issues of the 20th and 21st centuries, and the role media plays in modern society. In 1983, Lee won the Student Academy Award, and has since been nominated for an Oscar five times, though this is the first time he’s been recognized for his Directing. BlacKkKlansman is up for Best Picture and stars John David Washington and Adam Driver as 1970s NYPD detectives exposing the Ku Klux Klan.
Cold War, Pawel Pawlikowski
Pawel Pawlikowski is a Polish filmmaker who has helmed several award-winning documentaries and feature films, including Ida, which won the Best Foreign Language Film Oscar in 2015. At the 2018 Cannes Film Festival, Pawlikowski won the Best Director prize his latest film, Cold War. In addition to Best Directing, Cold War is up for two other Oscars — Best Cinematography, and Best Foreign Language Film. Cold War is a period film loosely based on Pawlikowski’s parents, who fell in love and played music in Europe during the height of the Cold War between the Soviet Union and the West.
The Favourite, Yorgos Lanthimos
Greek filmmaker Yorgos Lanthimos has been making a name for himself since his 2009 film, Dogtooth, which was nominated for the Best Foreign Language Film Academy Award. His film The Lobster, starring Colin Farrell, was nominated for the Best Original Screenplay Oscar. His period dramedy The Favourite has generated a lot of buzz since its release, with ten Oscar nominations in total, including Best Picture and three Acting nods for its main cast of Rachel Weisz, Emma Stone, and Olivia Colman. Colman in particular has become a favorite for her leading role as Queen Anne.
Roma, Alfonso Cuarón
Alfonso Cuarón is no stranger to the Academy Awards, having ten nominations total and two wins to date, including Best Film Editing and Best Directing for his 2014 space epic, Gravity. His oeuvre has been varied throughout the years, including Great Expectations, Y Tu Mamá También, Harry Potter and the Prisoner of Azkaban, and Children of Men. Roma, a favorite in this year’s Oscars with 10 nominations, is a semi-autobiographical story set in the early 1970s and shot in stark black-and-white.
Vice, Adam McKay
Adam McKay has had an unconventional path to prestige filmmaking. The Philadelphia comedian failed his audition to be on Saturday Night Live but earned a spot on its writing staff and eventually became the show’s head writer. He had an instant chemistry with cast member Will Ferrell, and eventually wrote and directed several films starring the actor, including Anchorman: The Legend of Ron Burgundy, Talladega Nights: The Ballad of Ricky Bobby, and Step Brothers. His career moved to the next level with 2015’s The Big Short, which earned him the Academy Award for Best Adapted Screenplay as well as a nomination for Best Directing. His newest film, Vice, starring Christian Bale as former Vice President Dick Cheney, has eight Oscar nominations, including three nods for McKay.
Netflix continued to dominate the television industry in 2018, coming out on top with 112 nominees at last year’s Emmy Awards, and boasted more than 60 original films released this year (and counting). From comedies to dramas — and its fair share of documentaries — a tidal wave of strong, original content coming from the streaming platform continues to make it more and more difficult for us to leave the couch.
So, for those of you with no reservations about continuously filling in those perfected couch grooves, here is a list of the great original films Netflix released in 2018:
In an unexpected pivot from their usual comedic roles, James Franco and Abby Jacobson play a heroin addict and his loving-yet-enabling sister in this heartfelt drama. Barely feature-length at 71 minutes, 6 Balloons follows the siblings over the course of one night after Katie (Jacobson) finds out her brother Seth (Franco) has relapsed.
Written and directed by Marja-Lewis Ryan, the film is bleak in its deliverance of the grappling truths surrounding addiction, and poignant in its examination of unconditional love between family.
To All the Boys I’ve Loved Before
As surprising as it may be for a teen rom-com to win over film critics across the board, To All the Boys I’ve Loved Before did just that.
A big win for diverse leads in films, To All the Boys follows Lara Jean Covey, a half-Korean, half-Caucasian high-schooler in suburban America, as she navigates through the complicated events following the leaking of her secret love letters to five of her crushes. The role is winningly played by New York Film Academy (NYFA) Acting for Film alum Lana Condor, and offers an honest, endearing, and downright sweet take on the dating rituals of adolescence. In a lot of ways, it’s reminiscent of the ‘80s classics of John Hughes, but for the digital age.
Roxanne Roxanne is a biopic, co-produced by Pharrell Williams and directed by Michael Larnell, that explores the legendary beginnings of Roxanne Shanté’s career as rap’s first female star at just 14 years old. Coming out of the infamous Queensbridge Projects in Queens, New York, the talented battle-rapper shot to fame after igniting the Roxanne Wars — hip-hop’s first recorded beef — after recording a clapback with legendary hip-hop producer Marley Marl to U.T.F.O.’s hit single Roxanne, Roxanne.
Despite being out of the limelight for many years, the story of the pioneer who paved the way for names like Nicki Minaj, Lil’ Kim, and Cardi B – to name just a few – was worthy of some current recognition; Netflix did just that – and did it in style.
They’ll Love Me When I’m Dead
This documentary feature by Oscar-winner and 20 Feet from Stardom director Morgan Neville centers around the last 15 years of filmmaking legend Orson Welles’ life, when he was an artist in exile. The film focuses largely on the long and laborious production of his magnum opus, The Other Side of The Wind, which was finally released posthumously this year.
Using more than 100 hours of raw material, this imaginative 122-minute cut is essential viewing for not just Orson Welles fans but any aspiring documentary filmmaker or film enthusiast. The Other Side Of The Wind was semi-autobiographical, and this intoxicating film compliments it perfectly while detailing the life and times of its subject.
The Kindergarten Teacher
Written and directed by Sarah Colangelo, The Kindergarten Teacher is an English remake of the 2014 Israeli film of the same name, a riveting psychological thriller about a disenchanted teacher living in Staten Island who becomes intrigued by a precocious 5-year-old boy in her class after reading his poetry.
Maggie Gyllenhaal shines in the role of Lisa, the self-deluded teacher and budding poet who, in some way, uses Jimmy, the artistic prodigy played by Parker Sevac, to live out her own dreams of becoming an extraordinary poet. The film explores the great lengths in which one will go to nurture the artistic pursuits of a child beyond what is deemed socially or ethically acceptable, as Gyllenhaal unravels and the child’s well-being comes into question.
Masterfully projecting the complexities of life as a struggling woman desperate to be heard, this film is bound to leave you affected. As Rolling Stone puts it, “for the filmmaker and her star, this movie is their poem.”
National Hispanic Heritage Month lasts from September 15 through October 15 and celebrates the contributions of Hispanic and Latinx Americans to the heritage and culture of North America and beyond, whether it be through films, music, books, art, or more.
Originally lasting a week and signed into law by President Lyndon B. Johnson, it was later expanded into a full month in 1988 and signed off by President Ronald Reagan. Events related to National Hispanic Heritage Month include the El Barrio Latin Jazz festival in the Bronx and events hosted by the Smithsonian in Washington D.C.
One of the most visible contributions of Latinx and Hispanic Americans are the films made for and about Hispanic culture. There are countless films that cover a wide array of genres, themes, and topics. It would be impossible to name all of them or rank even the best of them, but here is a list of just ten Latinx movies that need to be watched:
Amores perros is a 2000 drama thriller featuring an early breakout role for Gael García Bernal and was the first feature film directed by Alejandro González Iñárritu. Iñárritu is now one of cinema’s most unique, talented voices — the first person since 1950 to win back-to-back Oscars for Best Director (for his films Birdman and The Revenant) and only the third director ever to do so.
Pelo malo is a 2013 drama from Venezuela about a boy named Junior who is constantly trying to straighten his curly, unruly hair. Written and directed by Mariana Rondón, the film was critically praised for its exploration of adolescence, mother-child tensions, gender identity, sexuality, and other themes in the context of Venezuelan culture. Its release in 2013, shortly after the death of Hugo Chavez, also pivots the film in an important, transitional moment for the nation.
Sin País is a documentary short that tells the story of Sam and Elida, who are deported from the United States and try to reunite with their son. Released in 2010, it is more relevant than ever in today’s contemporary political climate — although it is more an emotional story about humanity than a political disquisition on immigration.
Directed by Julie Taymor, Frida stars Salma Hayek and Alfred Molina and tells the true story of Mexican surrealist painter Frida Kahlo. Kahlo was a fascinating figure in the art world, all the more notable for being a woman in a time where culture was very much dominated by men. The same could be said to be true for Hollywood, which made the film — also produced by Hayek, who picked up an Oscar nom for her acting in the movie — all the more important for both female and Latinx voices.
El secreto de sus ojos
The 2009 crime drama El secreto de sus ojos is a co-production between Argentina and Spain and won the Academy Award for Best Foreign Language Film. The epic nonlinear story tells of two officials investigating a rape and murder case over the span of 25 years. El secreto de sus ojos has been voted one of the top 100 greatest motion pictures since 2000 by a BBC poll of international film critics.
While nearly every one of Alejandro González Iñárritu’s films could be included on this list, Biutiful is especially notable for the lead performance by star Javier Bardem. Bardem received high praise for his acting in the film, and his Oscar nod for Best Actor was the first nomination ever given to a performance that was entirely in Spanish.
Selena is a 1997 biopic telling the tragic story of the eponymous Tejano music superstar who was murdered in the prime of her career. Eventually becoming the 13th highest-grossing musical biopic of all time, Selena might be most notable for launching the career of Jennifer Lopez, whose acting and musical fame skyrocketed and hasn’t abated since.
Y Tu Mamá También
Y Tu Mamá También is a 2001 Mexican coming-of-age drama about two teenagers who take a road trip with a 20-something woman. Critically hailed at the time of its release, the film is also notable for helping launch the careers of its stars Gael García Bernal and Diego Luna, as well as writer-director Alfonso Cuarón. Cuarón instantly became one of Mexico’s most prominent directors, following the film up with series-highlight Harry Potter and the Prisoner of Azkaban and later directing Children of Men and sci-fi epic Gravity.
City of God
City of God is a 2002 Brazilian crime drama directed by Fernando Meirelles andKátia Lund and adapted from the 1997 novel written byPaulo Lins. The film depicts the growth of suburban crime in a Rio de Janeiro suburb over the course of several decades, and was an instant critical hit, eventually earning four Academy Award nominations. It was later followed by the spiritual sequel City of Men.
El laberinto del Fauno
El laberinto del Fauno may be the purest expression of Mexican writer-director Guillermo del Toro’s dark, whimsical aesthetic. The film, which found huge mainstream success in the United States as Pan’s Labyrinth, combines historical drama with fantasy in telling the story of a young girl living in Spain five years after its Civil War. The film was nominated for and won countless awards after its release, including winning three Oscars, and certified del Toro as one of Hollywood’s strongest, most successful voices.
Interested in making a film of your own one day? Find more information on the programs offered by the New York Film Academy here.
Although it’s usually the big-budget films raking in the cash and getting all the commercial attention, film’s greatest strength as a source of entertainment for its variety. When the market is saturated with enough A-list actors and adrenaline-fueled blockbuster rides, many look to independent films for fresh faces, stories with creative risks, and more. The following movies recently striking a chord are just the latest icing on the cake that is the current indie film industry:
Won’t You Be My Neighbor?
You know you’re dealing with a good documentary when it not only sits at the top 15 highest grossing non-fiction films of all time but also beat four Disneynature documentaries despite a smaller theatrical run. Using a tone both elegant and tender, director Morgan Neville helps capture minister Fred Rogers’ magical ascent in television while embodying what children’s programming should be about.
As Ari Aster’s first feature, this supernatural horror film does more than give viewers a scare. Toni Collette’s character creates a memorable look at the grieving process as she struggles to cope with several deaths in the family. Critically acclaimed and standing as American independent entertainment company A24’s highest-grossing film worldwide, Hereditary sets a high bar for horror films looking to provide tension and terror through means other than your average shock tactics.
Jordan Peele put on the director’s hat for the first time with this indie horror film that earned its spot among the ten most profitable movies of 2017. Viewers praised the film’s excellent mix of humor and its creative visual style. Perhaps most importantly, Get Out does what horror films do best: provide an entertaining story that touches on real world issues — in this case, racism.
The Florida Project
Sean Baker’s drama film tells the story of a restless mother and her young daughter as they do whatever it takes to avoid homelessness. Strong performances and a powerful, sensitive look at poverty in today’s America earned this movie a number of notable nominations, including a spot on the National Board of Review’s and American Film Institute’s Top 10 Films of the Year lists. (One of The Florida Project’s producers is Darren Dean, a NYFA producing school instructor.)
A Quiet Place
Grossing $332 million worldwide after being made with a budget of around $20 million, this sci-fi horror film has been the talk among scary flick fans in 2018. Writer/director John Krasinski’s reliance on visual storytelling paid off as his use of silence and excellent sound design, along with strong performances help drive its eerie atmosphere. Notable figures such as Stephen King and Nick Allen specifically praised the expressive silence that allowed viewers to feel terror not through words but mostly from the expressions of the characters alone.
Craig Gillespie’s biographical film recounts the story of Tonya Harding, the American Olympic figure skater connected with the brutal attack on rival skater Nancy Kerrigan one day before the Ladies Singles competition the 1994 U.S. Figure Skating Championships. The film earned numerous nominations, including a win for Best Supporting Actress at this year’s Academy Awards, and was praised for its great execution of humor and tragedy thanks to its strong, emotional performances.
Directed by Dee Rees, this American period drama follows two World War II veterans — one black, one white — as they battle against racism and PTSD in their post-war life. Widely praised for its strong cast, Mudbound earned many nominations, including four at the 90th Academy Awards, and led to Rachel Morrison becoming the first woman ever nominated for a Best Cinematography Oscar.
The Big Sick
One of the top grossing indie films of 2017, The Big Sick is a romantic comedy based on the actual romantic beginnings of writers and interethnic couple Emily V. Gordon and Kumail Nanjiani. Audiences and critics both enjoyed the film’s original spin on a true love story that succeeded despite illness, cultural differences, and more. Director Michael Showalter’s film turned a $5 million budget into a $56 million box office worldwide, while also earning several dozen awards and nominations.
With television adequately keeping up with the vastly different business model that became necessary with the advent of the internet and digital culture and consumption, it’s no surprise it’s now able to attain huge production budgets, incredibly rich and complex narratives, and Hollywood’s biggest actors – things that were previously only seen in films. Consequently, as an awards ceremony exclusively focused on television, the Emmys are now bigger than ever. Let’s look at some of the trends emerging from this year’s list of nominees:
This is by far the most dominant trend among the nominees this year. Diversity and inclusion of previously marginalized communities are not only being represented at an all-time high among recognized programs but they’re at front and center, with many of the protagonists being LGBTQI+, people of color, and/or women. Not only do the central characters identify as such, but much of the narratives and plotlines largely center around the perspectives and experiences of those within the communities.
With no surprises, Game of Thrones tops the list for most nominations at 22 nods in total, followed by Saturday Night Live and Westworld with 21 nods each, and The Handmaid’s Tale at 20. With exception to Saturday Night Live, given it’s a sketch-comedy show, the top three alone feature characters (and actors) with fluid sexual preferences and have strong, female leads playing roles that challenge the status-quo – both within their plotlines and subsequently in real life. In fact, most of the programs with ten or more nominations, like The Marvelous Mrs. Maisel (14), The Crown (13), Godless (12), and GLOW (10), offer female-centric narratives that focus on the female experience within dominant patriarchal gender norms.
Many have also made significant parallels between The Handmaid’s Tale and our current political climate, connecting it to broader discussions around women’s rights as well as the #MeToo movement. RuPaul’s Drag Race, a reality-competition show featuring drag queens also continues its reign (it’s had 23 nominations since the show began), with 10 nods this year.
Moreover, five of the seven nominees for Outstanding Comedy Series – The Marvelous Mrs. Maisel and GLOW, mentioned previously for ten or more overall nominations — are either based on the lives of people of color and/or women: Black-ish, Atlanta, and Unbreakable Kimmy Schmidt (the remaining two being Silicon Valley and Curb Your Enthusiasm). Additionally, Sandra Oh’s nomination for Outstanding Lead Actress in a Drama Series for her role in Killing Eve makes her the first woman of Asian descent to receive the lead actress nod in that category.
Diversity in the Emmys has reached to even lesser known demographics. Peter Dinklage, who was born with dwarfism, has twice won the Emmy for Outstanding Supporting Actor in a Drama Series for playing Tyrion in 2011 and 2015, is nominated again this year, officially making him the most nominated person in that category ever. Following his acceptance speech in 2015 where he mentioned the name ‘Martin Henderson’, a 4-foot-2 actor in England who suffered partial paralysis after being physically thrown by an unknown assailant, Dinklage addressed the prejudice those with dwarfism face but pointed out that part of the media portrayal lay in the hands of the actors. “You can say no,” he said. “You can not be the object of ridicule.”
Dystopias, Apocalypses, & Time Periods
Another recurring theme among the programs nominated this year is this end-of-the-world, humans versus [insert varying non-human character] dystopian storyline. Perhaps telling of our current-day political and/or ideological milieu? In terms of time travel, however, most of this year’s frontrunners are set back in time, or in the future, or both. In fact, all seven programs in the Outstanding Drama Series category this year are either entirely set in or have elements of the past in them. In the case of The Handmaid’s Tale, there’s no linear timeline or clear epoch but it plays with the idea of a dystopian world set in the present day but with traditional lifestyles and values more commonly seen between the 1800s-1900s.
Westworld similarly switches between past and present, although the word ‘present’ is more for audience reference — the story is actually set in the future (some devout fans predict maybe around year 2050-2060?), whilst the fictional theme park, Westworld, is based on many Western films like El Dorado and The Searchers, which were predominantly set following the Civil War at the end of the 19th Century. Game of Thrones, Stranger Things, The Americans, This Is Us, and The Crown are also in said category. GLOW, which is in the Outstanding Comedy Series category, is set in the 1980s, along with Stranger Things and The Americans.
With all these period and otherworldly television series, it’s safe to say this year’s VFX, costume, hair and makeup, and production design teams had their work cut out for them!
This year, Netflix has come out on top with 112 nominees in total, followed by HBO, with 108. Third in line is commercial broadcast television network NBC, but with 78 total nominees, it’s significantly behind the two networks ahead of it. HBO is a cable network, but what differentiates them from the other traditional channels is the innovative way they’ve reinvented themselves to adapt to the digital market by introducing the popular streaming option, HBO NOW, which doesn’t require an already existing cable subscription.
This is a testament to the changing shape of television viewing. No longer limited by locale or device, audiences have more of a ubiquitous television experience and networks have had no choice but to respond. Consequently, more and more shows are being picked up, giving screenwriters and filmmakers a larger reach and more opportunities to take chances and make niche content.
You might be following Puppy Twitter, Weird Twitter, or Cupcake Twitter, but are you following Silent Movie Twitter?
If not, you might be missing one of its best accounts, @silentmoviegifs. Created in January 2016 by Don McHoull (@dmchoull), @silentmoviegifs is literally what it says it is: GIFs (Graphics Interchange Format) of visually compelling or hilarious moments from the earliest days of film. These GIFs include everything from stop-motion animation, to the earliest camera tricks of Hollywood’s first cinematographers, to epic stunts by Buster Keaton and sleights-of-hand by Charlie Chaplin.
McHoull first got the idea of making these GIFs available to the wider internet after seeing a trending GIF on Reddit from The Bellboy, featuring Buster Keaton cleaning a nonexistent window. McHoull, a film buff, was excited to see a century-old comedy still attracting millions of views, but was dismayed at the poor image quality of the GIF.
Since he possessed a Blu-ray set of high-quality Buster Keaton short films, and Photoshop, McHoull took it upon himself to provide the internet with better-looking GIFs from the Silent Era. After all, the two types of media are a match made in heaven: “Silent movies translate really easily into GIFs,” McHoull told NYFA, “because the jokes and the ideas being expressed are all being done a purely visual way.” He made sure to add, “Not to discount the role of music in the silent cinema experience.”
McHoull quickly found an online audience eager to see highlights from the Silent Era they may have otherwise never thought to seek out. As of June 2018, @silentmoviegifs has nearly 60,000 followers, including Guillermo del Toro, Rian Johnson, Natasha Lyonne, Taika Waititi, Edgar Wright, Patton Oswalt, Seth Rogen, and Neil Patrick Harris.
He continues to source his GIFs from Blu-rays and DVDs, proving that the preservation and restoration of older film is essential to remembering the art form in its very beginnings. He uses YouTube and other lower-res sources if he must, but adds that Toronto’s video stores are a “secret weapon” of his.
“In particular one, Bay Street Video, has a very good selection of silent films for rent,” McHoull revealed. “Video stores and silent films are both things that a lot of people would regard as obsolete, but for me at least they still offer something that their supposed replacements don’t.”
Not all of his GIFs are straight clips from silent films. McHoull will also take the time to painstakingly create supercuts of particular actors or genres. One of his latest projects includes a supercut of elaborate train stunts from the Silent Era, before CGI and other special effects could really be used to simulate such sequences. When asked if he had a favorite GIF, McHoull told us it was difficult to say, but named one of his most time-consuming supercuts — an evolution of Charlie Chaplin’s Tramp character.
Starting with McHoull’s Evolution of the Tramp then, here is just a small sample of some of our favorite GIFs from @silentmoviegifs:
These are just a few gems from @silentmoviegifs. NYFA encourages everyone to check out the account for the rest. McHoull is the first to tell you he isn’t in this for fame and fortune, and recommends other Twitter accounts to silent movie buffs as well, including @MoviesSilently and @silentlondon.
He’d also tell you not to limit yourself to Twitter, recommending YouTube as a great source for silent movies, as well as Imgur and Reddit (including his own subreddit), telling NYFA that when it comes to GIFs, they have several technical advantages over Twitter.
Watching the earliest movies put to film is a great way to study and learn the art of cinema, and any serious film student should consume as many silent films as they can, however they can. And the next time you’re in Toronto, maybe rent a few from Bay Street Video.
It’s in our nature as humans to appreciate things that stand out from the rest. Whether it’s a sports victory or a notable scientific accomplishment, we love appreciating exception talent and hard work — and the film industry is no different. While there are quite a number of amazing awards shows that every fan of film should check out, below you’ll find a breakdown of perhaps the most-anticipated and important annual film award shows:
The Academy Awards
If there’s one film ceremony that’s more celebrated and anticipated than the rest, it’s the Oscars. Even the trophy itself — a gold-plated bronze figure atop a black metal base — is recognized across the world as arguably the most prestigious award in the industry.
The first Academy Award ceremony was held at the Hollywood Roosevelt Hotel in 1929, and since then has been overseen by the Academy of Motion Picture Arts and Sciences. As one of the original celebrations to entertain people worldwide, the Academy Awards helped give the talented, hardworking people in the industry the attention they deserve.
It also paved the way for other top ceremonies such as Grammy Awards, Tony Awards, and Emmy Awards. You can watch awards in all 24 categories annually, when the ceremony is nationally broadcast. The ceremony is usually held during the early months of every year.
This annual awards show, considered the British version of the Academy Awards, honors the best international and British contributions to film.
The event saw its beginnings in 1947 with The British Film Academy, but then the organization merged with The Guild of Television Producers and Directors in 1958, before becoming the The British Academy of Film and Television Arts (BAFTA) in 1976.
Supported by more than 6,500 active members located across the globe, The BAFTA Awards are celebrated for rewarding the best in the industry while also providing special recognition to British films in the form of awards that only UK films are eligible to win. This annual award show has been held in February for the last two decades.
Golden Globe Awards
The Golden Globe Awards are one of the most important film award shows for a number special reasons. Not only are both film and television productions recognized, but it also honors projects from foreign countries as well as from the United States.
The 1st Golden Globe awards were held in 1943 after several writers united to form the Hollywood Foreign Press Association, a non-profit group designed to promote and conduct the ceremony.
Golden Globe winners, which are chosen by the Hollywood Foreign Press Association’s 93 members, receive their awards during an event viewed by more than 160 countries. The Golden Globes can be seen annually and are responsible for helping to fund important scholarships and programs beneficial to future stars, including the Young Artist Awards presented by the Young Artist Foundation.
Cannes Film Festival Palm D’or Award
Held annually in France, the Cannes Film Festival is renowned for giving new films of all genres, including documentaries, a chance to be seen by important industry professionals for the first time. From the early 1930s to today, Cannes has continued making an impact on Europe and the international film industry by serving as a place for filmmakers to show off their work and talent to an invite-only crowd.
The highest prize — the Palm D’or — is a prestigious award given to the best film of the year. A 24-carat gold palm encased in blue Morocco leather is given to the winner, which is chosen by juries appointed by the Festival’s board of directors. The jury and its president, selected from a body of respectable international artists, meet annually at the historic Villa Domergue to choose the winner.
Filmfare Awards (Clares)
If there’s one international film industry that’s impossible to ignore for its continued growth and relevance, it’s India’s. Comprised of several film markets including Bollywood, the Hindi-language film industry, India has become one of the largest film producers on the planet with ticket sales by number oftentimes surpass Hollywood. The Filmfare Awards were founded in 1954 to honor the talent and brilliance of the Hindi language film industry.
Those awarded the “Lady in Black,” the iconic award statuette of a woman performing an upward dancing motion, are chosen by both the public and a committee of professionals. The Filmfare Awards are presented each year by The Times Group and are considered the Hindi film industry’s equivalent to the Oscars. As of 2016, a total of 31 awards are given during the show.
What are your favorite annual film, television, and media awards? Let us know in the comments below! Learn more about Filmmaking at the New York Film Academy.
Most tourists visiting New York City typically ignore the southernmost borough, Staten Island. In fact, many New Yorkers who’ve lived in the city their whole lives have never been, either. However, the boat that takes 24 million people per year from Manhattan to Staten Island and back again — the Staten Island Ferry — is one of the city’s most famous, most visited landmarks.
Traveling between the Big Apple’s two island counties by boat is a tradition that goes all the way back to the 1700s, when Cornelius Vanderbilt made his first profit sailing fellow Staten Islanders to downtown Manhattan. The iconic orange fleet of ships have been in service nearly as long, and are as much a fixture of New York Harbor as the Statue of Liberty. Look out the windows from New York Film Academy’s Battery Park campus in downtown New York City, and chances are you’ll see a ferry or two making their way to port, just yards away from the school.
It’s no surprise then that the Staten Island Ferry has appeared in many New York-based films. Sometimes, the ferries provide the setting for a key scene, sometimes they make brief cameos as part of the city’s backdrop, sometimes they’re the focus of the movie.
In the fourth film of Blumhouse’s Purge franchise coming out this summer, Staten Island takes center stage as the testing grounds for The First Purge. Don’t be surprised if the borough’s namesake ferry makes an appearance or two before Purge Night reaches dawn. In the meantime, here are five other films that predominantly feature the Staten Island Ferry:
(Warning: may contain spoilers!)
The second act centerpiece of Peter Parker’s very own entry in the MCU was so epic and action-packed that it became the focus of much of the film’s marketing and film trailers. Far from his friendly neighborhood in Queens, and far from the skyscrapers he could web-sling to for escape, Spider-Man found himself in the middle of New York Harbor battling Michael Keaton’s villain, the Vulture.
After the ferry is completely split in two, Spider-Man must work quickly to hold the entire, massive ship together with his own webs and Spidey-strength. At the end of the day, the ship is saved and its passengers kept dry, but only after some help from Marvel’s other iconic New Yorker, Tony Stark.
Working Girl was a box-office smash in the 1980s, back when Hollywood wasn’t completely dominated by superhero and sci-fi franchises. The romantic comedy, directed by legendary Mike Nichols, starred Melanie Griffith, Sigourney Weaver, and Harrison Ford.
Griffith’s sympathetic lead, Tess McGill, is a secretary from Staten Island who, like a lot of Staten Islanders, commutes every morning to Wall Street for work. The film’s iconic opening sequence featured Griffith, who was nominated for an Academy Award for Best Actress, taking the Ferry along with an army of morning commuters. The scene featured Carly Simon’s Let the River Run, which ultimately went on to win the Oscar for Best Song and solidified the Staten Island Ferry’s place in Hollywood history.
Who’s That Knocking At My Door?
The title may not ring any bells, but 1967’s Who’s That Knocking At My Door?, originally titled I Call First, is legendary for being the first feature film by director Martin Scorsese. Starring a very young, fresh-faced Harvey Keitel, the film deals with Catholic guilt as well as love and heartbreak for Italian Americans in downtown Manhattan, themes that would be even more fleshed out six years later in Mean Streets.
The film centers around the relationship between Keitel’s character, J.R., and his unnamed love interest, played by Zina Bethune. The audience’s engagement with these two characters relies on a key opening scene in the film — a lengthy, sometimes awkward conversation where the two leads meet while commuting on the Staten Island Ferry. In its own twisted way, it may even be one of Hollywood’s first meet cutes.
Notably, Scorsese’s first feature was filmed over several years, originally as part of his student film. Prolific Hollywood director Martin Brest also shot his student film, Hot Dogs for Gauguin, on the Staten Island Ferry, starring then-unknown actors Danny DeVito and Rhea Perlman — solidifying the Ferry as a go-to location for New York film students.
While the Staten Island Ferry is a huge attraction for tourists visiting New York City, its greatest use is transporting commuters back and forth across the harbor. Many Staten Islanders work in Manhattan, whether as Wall Street brokers, with the NYPD, or in any number of white- and blue-collar jobs. These commuters often take the ferry every morning at the same time, and start to recognize one another and even form friendships.
In 2003 the documentary short Ferry Tales was released, featuring the stories of some of the women who got to know each other in the powder room of the ferry while getting ready for work in the city. These women came from all sorts of diverse backgrounds but, for twenty-five minutes each morning, bonded over their shared commute and shared stories both with one other and with the documentary crew, including subjects as heavy as divorce, domestic violence, and the struggles of single motherhood.
Early in the 2001 filming of the documentary, the terrorist attacks on 9/11 occurred, giving everyone on the ferry — and the film crew — an unobstructed front row view of one of the most horrific attacks to ever occur on American soil. Along with appearing in and winning several film festivals, Ferry Tales went on to be nominated for the Academy Award for Documentary Short Subject in 2003.
The Dark Knight
Technically, the Staten Island Ferry doesn’t appear in Christopher Nolan’s second Batman film. Instead, the third act climax revolves around the Gotham Island Ferry — two, in fact. However, you wouldn’t need an eagle eye or be from Staten Island to recognize the iconic orange ships — with the exception of the first word painted on the side, these boats are Staten Island Ferries both inside and out.
Whereas most of Gotham City in The Dark Knight was filmed in and based on Chicago, the island boroughs and harbor were more clearly modeled on New York — a trend that was even more fleshed out in the third film, The Dark Knight Rises. The final, master plan of Heath Ledger’s Joker involved strapping bombs to two escaping ferries — one loaded with innocent evacuees, the other with convicted felons. The Joker gave each group the opportunity to save themselves by blowing up the other boat. Christian Bale’s Batman held faith that neither side would give in so easily, and was ultimately proven right, much to the Joker’s disappointment. It’s a safe bet to assume the real life commuters of the Staten Island Ferry would make the same choice.
Interested in studying film or acting just yards away from the Staten Island Ferry? Check out the programs New York Film Academy has to offer HERE.
There are occasionally filmmakers who break all barriers, whose work stands the test of time and continues to captivate audiences and critics even decades later. If you’re looking for a master class in original, timeless filmmaking, check out these filmmakers whose originality stands the test of time and offers experiences that are still relevant, riveting, and righteously entertaining.
It’s impossible to have a list of enduring filmmakers without including Hitchcock. His silent film roots allowed him to innovate in the area of visual storytelling by mastering mise-en-scène, captivating use of music, and wise editing.
Hitchcock is perhaps best known for his innovative camera movement, and his knack for persuading audiences to feel as if they are a part of the story through the clever manipulation of perspective through close-ups, long takes, and more.
Click here to read more about why we think Hitchcock’s work will be enjoyed for years to come.
Timeless Hitchcock films to watch asap:
Rear Window (1954)
North by Northwest (1959)
Posthumously named “Asian of the Century” in in 1990 by AsianWeek, Kurosawa’s work did more than just put the Japanese film industry on the international map. His superb screenwriting abilities, dynamic style, and innovative techniques went on to influence all of Western cinema, including The Magnificent Seven, a reimagining of Kurosawa’s masterpiece Seven Samurai. From Americans like Steven Spielberg and George Lucas to fellow Asian filmmakers like Hayao Miyazaki and John Woo, countless notable filmmakers have expressed their admiration for Kurosawa’s cinematographic achievements.
Seven Samurai (1954)
If there’s one reason Spielberg will be esteemed for ages to come, it’s for his versatility. From intense war stories and terrifying thrillers to adventure movies fun for the whole family, this man has probably done it all — and done it marvellously. While most directors find their niche and stay put, Spielberg’s storytelling prowess has been proven across an amazing range of genres while somehow still expressing his signature style. It’s hard to find anyone who doesn’t love at least one film from this iconic director who, at the ripe age of 71 in of 2018, is still behind the camera.
Raiders of the Lost Ark (1981)
E.T. the Extra-Terrestrial (1982)
Schindler’s List (1993)
Saving Private Ryan (1998)
This African-American filmmaker began impressing critics and viewers alike with his first feature film “She’s Gotta Have It,” a comedy drama shot in two weeks with a budget of $175,000. When it grossed over $7 million in America, people knew Lee was something special. He has since then delivered several classics that have earned him numerous accolades over the years. Many of his projects are renowned for examining important issues such as race relations, urban poverty, and discrimination even among black communities.
Do the Right Thing (1989)
Malcolm X (1992)
The Original Kings of Comedy (2000)
25th Hour (2002)
Inside Man (2006)
The late, great Kubrick made an impact on the film industry in a way few other directors have. His constant striving for perfection and mastery of the technical side of filmmaking allowed him to craft cinematic experiences that transcended genre and changed everything that followed. Along with working closely and intensely with his writers and performers, Kubrick was also known for requiring as many takes as it took in order to find what he called “the magic.”
Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb (1964)
2001: A Space Odyssey (1968)
A Clockwork Orange (1971)
The Shining (1980)
Full Metal Jacket (1987)
Francis Ford Coppola
This American filmmaker is responsible for one of the most overwhelmingly praised trilogy of films ever to hit the big screen: The Godfather alone won nearly a dozen Oscars and is #2 in American Film Institute’s list of best American films. The trilogy’s influence inspired the creation of other notable gangster films such as Goodfellas and TV shows like The Sopranos.
The Godfather (1972)
American Graffiti (1973)
The Godfather: Part II (1974)
Apocalypse Now (1979)
Bram Stoker’s Dracula (1992)
The daughter of Francis Ford Coppola, Sofia has emerged as one of the most talented female directors of all time. She was the first American woman to win Venice Film Festival’s top prize and receive a Best Director nomination at the 2003 Academy Awards, while also serving as the second woman to win best director at Cannes Film Festival. Her Oscar-winning Lost in Translation a great starting point for film fans to witness Coppola’s impressive ability to balance humor and drama.
The Virgin Suicides (1999)
Lost in Translation (2003)
Marie Antoinette (2006)
The Bling Ring (2013)
The Beguiled (2017)
What’s there to say about Welles that hasn’t been said before? The legendary director changed the game with Citizen Kane, a film ranked by many as the best of all time. The 1941 drama went on to influence even the most prominent directors with its nonlinear storytelling, powerful use of themes and motifs, and phenomenal cinematography. Welles would go on to direct several more films, many of which are also worthy of viewing almost a century later.
Citizen Kane (1941)
The Magnificent Ambersons (1942)
The Lady from Shanghai (1947)
Touch Of Evil (1958)
Chimes at Midnight (1965)
Up-and-Coming Timeless Filmmakers
Still arguably near the beginning of his illustrious career, Nolan came into prominence at the turn of the millenium with Following, a neo-noir crime thriller he funded personally. Since then, the English filmmaker has made a name for himself by producing hit after hit, making him one of the highest-grossing directors of all time. His use of nonlinear storytelling and enticing themes surrounding human morality and identity have allowed him to create films that will likely be watched in film classes for a long time.
Hardwicke got her start in the business as a production designer, where she was able to study the techniques of skilled directors like Cameron Crowe. She first proved her own directing talents with 2003’s Thirteen, which won six awards and nearly a dozen nominations. Highly successful films like Twilight and The Nativity Story have only helped cement Hardwicke’s legacy as one of the best female directors of all time.
Lords of Dogtown (2005)
The Nativity Story (2006)
Red Riding Hood (2011)
Leading the new generation of great African American filmmakers is DuVernay, who in less than two decades has already made a name for herself behind the camera. This includes being the first black woman to win the Sundance Film Festival’s directing award. She is also the first African-American woman to be nominated for a Golden Golden Globe award and Academy Award for Best Picture. With so many accomplishments at the ripe age of 45, we’re confident that DuVernay’s best work is yet to come.
Saturday Night Life (2006)
I Will Follow (2010)
Middle of Nowhere (2012)
What other directors would you add to this list? Let us know in the comments below, and learn more about Filmmaking at the New York Film Academy.
Podcasts have been popular for quite some time, and statistics show that the popularity of podcasts isn’t slowing down any time soon. According to Nielsen in 2017, 15 percent of Americans listened to podcasts weekly — up from 13 percent in 2016!
Most podcasts are free, and there are several apps that you can use to subscribe and access your faves across all platforms — whether you are using a tablet, laptop, or mobile device.
There are so many topics available through podcasts. The list is endless, and it can be hard to find the right one for you. If you love films, screenwriting, or entertainment and Hollywood in general, we have compiled a list of five of the very best podcasts to listen to this year. We did all the hard work, so it’s time to kick back, relax, and listen to some podcasts.
Did you know that the New York Film Academy has its own podcast series?
NYFA’s The Backlot will inspire you by providing the artistic vision and technical knowledge that you need to have to be successful in filmmaking.
The weekly podcast features a different guest who will share knowledge, provide valuable advice, and discuss varying perspectives that relate to the world of filmmaking.
If you are looking for a podcast series that offers honest movie reviews, listen to Mark Kermode and Simon Mayo’s British podcast, Scandalously.
The series airs Friday afternoons on Radio 5Live — if you are busy at work and can’t listen to it live, you can listen to it later. Kermode and Mayo discuss each week’s new releases and provide quality movie commentary.
Are you an avid fan of horror movies? If you love the genre, Andrea Subissati and Alexandra West’s podcast series, The Faculty of Horror, is just for you. Subissati and West analyze the creepy classics, what makes horror films tick, and what society has to say about horror films.
Have you ever watched a movie and wondered how it ever got greenlit?
The podcast discusses cult classics like Nicolas Cage’s The Wicker Man, and the components that take a movie bad or make it great. Paul Scheer, June Diane Raphael, and Jason Mantzoukas bring you the results of some of the most famous movie bombs in this podcast series.
Inclusion and diversity have been trending in Hollywood, yet we are — or should I say we remain? — in an inclusion crisis.
Statistics about racial inclusion in film have remained stagnant since 2007, meaning that despite more light being shed on the issue through headlines, social media, and discussion, little real or consistent progress has been made over the past decade. Black Panther aside, we are still seeing a larger story that it is not an easy time to be an American actor or filmmaker of color. Frankly, there’s never really been a good time.
To put this in perspective, The Hollywood Diversity 2018 reportstates that only 1.4 out of every 10 leading actors are people of color. And USC Annenberg’s 2017 report on diversity the top 900 films shows the sad difference between diversity in the real world compared to the current state of representation in Hollywood:
29.2% of all characters were from minority racial/ethnic groups, compared to 38.7% of the actual U.S. population coming from minority racial/ethnic groups.
Despite the low number of minority characters in the top 900 films, 49% of the movie-going public who went to see these films come from minority racial/ethnic groups.
Clearly, these numbers are just not adding up.
And it’s not better behind-the-scenes: Annenberg found that there were only 30 Asian directors in all 900 films — and only two of those directors were women.
From problematic classics such as The Good Earth and Breakfast at Tiffany’s,where white actors played Asian characters, to recent major films that have made the problematic choices of casting white stars to play minority characters, actors and filmmakers of color are often shocked and confused by the choice to whitewash minority characters. Strangely, as the population of Asian Americans in the United States has increased, our representation on TV and in film has decreased — the only racial group this was reported as happening to.
Yet study after study shows that, actually, diversely cast films and shows make far more money than homogenous shows. Yes! It’s true! Audiences are demanding diversity.
In an article in The New York Times, one journalist put it quite succinctly, saying, “Economics has nothing to do with racist casting policies. Films in which the leads have been whitewashed have all failed mightily at the box office. Inserting white leads had no demonstrable effect on [increasing] the numbers. So why is that still conventional thinking in Hollywood? For years, audiences have essentially boycotted these films, yet studios keep making them.”
Change is coming, though, and it’s coming from independent filmmakers who work outside of the Hollywood system to create original, diverse, and authentic films — and that’s why I work with the Film Lab. That’s why the Film Lab is here. We create and produce our own content. We encourage our members to create and produce their own content. Content that is bold. Content that is innovative. Content that is — wait for it — diverse. Through the 72 Hour Shootout, an annual global filmmaking competition that gets winning filmmakers network mentorships, exposure and more, and with our incredible sponsors, we provide our filmmakers with platforms on which to exhibit and disseminate that content to a wide range of audiences –not just one homogenous ethnic group, but all audiences.
As U.S. women’s national soccer player Alex Morgan (who, coincidentally, was part of a wage discrimination lawsuit demanding equal pay for equal work) has said, “It’s all about learning to create your own success.” Alex Morgan is one of five players who brought a wage discrimination complaint against the U.S. Soccer Federation, as reported by Health Magazine (June 2016).
By making diverse films, we empower ourselves and, by extension, all of us. And by “us,” I don’t just mean Asian Americans. I mean Latinos. I mean African Americans. I mean Native Americans. I mean LGBT. I mean women. I mean men. I mean all of us. #ActionUnites
You know the saying, “If you can’t beat them, join them” right? Well, the economics show we can beat the inclusion crisis. The changing face of the entertainment media landscape shows we can beat the inclusion crisis. And the rise of diverse America shows we will beat the inclusion crisis.
We will make our own content and we will support other diverse content. And we will not support content from Hollywood in which Asian American and other diverse faces, characters, voices, and stories are excluded.
As rising filmmakers and storytellers, I encourage you to work hard to tell your story, raise your voice and show your face. So, go on. To the filmmakers out there with the tenacity, the passion, the power, and the talent: carpe diem!
Jennifer Betit Yen is the President of the Film Lab, a 501c3 dedicated to the promotion and support of gender and ethnic diversity in mainstream media. She is also an actor (Search Party, Royal Pains, Film Lab Presents, The Beacon Street Girls), writer (The Opposite of a Fairy Tale) and producer (La La Land, My Not So subConscious, The Opposite of a Fairy Tale, Mirror Mirror). She has received mentions by The New York Times and Backstage Magazine, among others, for her work as an actor. Her film The Opposite of a Fairy Tale, a fictional take on elder abuse, sold out at MOCA and was an official selection of the 39th Annual Asian American International Film Festival, the Palm Springs Desert Film Society, the SAG-AFTRA Foundation NY Shorts Showcase, at the NYC Conference on Elder Abuse, at WOMANKIND, screened at HBO, and was licensed by the City of New York. A graduate of Cornell University, and Boston University School of Law, Jen authors the blog Ethical is Beautiful. Be Beautiful (www.EthicalIsBeautifulBeBeautiful.com) and enjoys boxing, fine vegan dining with her adorable husband and running with her also adorable rescue mutt.
 Check out the “Fairy Princess Diaries” blog for more on this topic.
The Tribeca Film Festival kicks off this week to once again put the spotlight on the latest independent films and their makers. Featuring over a thousand screenings, numerous panel discussions, and more, it’s easy to see why millions of people attend this acclaimed film festival each year.
The beauty of having a film festival spanning 12 days is that no matter what kinds of movies you like, there’s bound to be something for everyone.
This year there will be more than 50 narratives and 45 documentaries spread across every genre imaginable. Of course, there are always a few films that people definitely don’t plan on missing. Fans of documentaries will want to check out Ryuichi Sakamoto: Coda,It’s a Hard Truth Ain’t It, The Rachel Divide, and Songwriter. Great story films people are talking about are Braid, The Seagull, and centerpiece film Zoe.
Tribeca Film Festival 2018 will make history by having more films directed by women than ever before.
Almost half of the 96 films set to screen at Tribeca this year were directed by women — certainly a cause for celebration, given that women are still vastly underrepresented in the film industry as a whole. According to the famous Celluloid Ceiling study, only 1 percent of 2017’s most successful films employed 10 or more women behind the scenes.
Some of the most anticipated female-directed films that will be at Tribeca include Liz Garbus’ New York Times documentary The Fourth Estate, Eva Vives’ comedy drama All About Nina, and Untogether, the directorial debut of Emma Forrest.
A Look at Upcoming Games
It wasn’t long ago that most people considered games as a form of children’s entertainment. Today, the digital medium is seen as arguably the most powerful form of storytelling. Thanks to the power of interactivity, games allow the audience to not only become a part of the narrative but also influence the outcome of a story and its characters.
Tribeca Games will once again celebrate the artistic and technical achievements of games at this year’s show. Things to look forward to include a special preview of the upcoming Shadow of the Tomb Raider, a talk from God of War‘s creative director Cory Barlog, and a variety of demos and esports tournaments for attendees.
This year, attendees won’t want to miss the Scarface reunion, after its 35th anniversary screening. Other notable talks will include Sarah Jessica Parker, John Legend, and the duo of Robert De Niro and Bradley Cooper.
Legendary Film Anniversaries Honored
It makes sense that an independent film festival like Tribeca would do its part to honor the anniversaries of timeless classics. After all, it’s movies like these that help inspire the next generation of filmmakers to push their creative limits and see that their stories one day make it to the big screen.
To celebrate the 35th anniversary of Scarface, a screening of the legendary gangster epic will be followed by a reunion panel including Al Pacino, Michelle Pfeiffer, and director Brian De Palma.
Oscar-winning masterpiece Schindler’s List will also be screened to commemorate its 25th anniversary. A Q&A including Liam Neeson, Ben Kingsley, and Embeth Davidtz will follow.
What are you most excited to see at this year’s Tribeca Film Festival? Let us know in the comments below! And learn more about filmmaking at the New York Film Academy.
Whether you’re very superstitious and believe in the curse of Friday the 13th or are simply looking for some great films, these movies will help you make it through the “unluckiest day of the year” in high style and with quality entertainment. From horror to comedy to inspired (and inspiring) high drama, we have it all on this list. Happy Friday the 13th!
In the original 1976 Disney classic, a young Jodi Foster is an athletic teen who finds herself in the horrifying situation of inexplicably switching bodies with her more traditional mother on Friday the 13th. The 2003 remake starred Lindsay Lohan and Jamie Lee Curtis with some new twists, including an enchanted fortune cookie and a rock concert.
Apocalypse Now poster via IMDB
Based on Joseph Conrad’s Heart of Darkness, this 1979 Vietnam war fable may have nothing to do with Friday the 13th, but hear us out: the Francis Ford Coppola classic survived one of the most notoriously cursed productions in history. From the monsoons to Martin Sheen’s heart attack to the director’s stroke, it’s a miracle this cinematic masterpiece made it out of the jungle.
Speaking of cursed movies, check out Warner Herzog’s 1982 film about a madman who transfers a river boat over land, all to fulfill his dream of building an opera house in the jungle. To make the film, Herzog literally dragged a boat through the jungle, over mountains, in mud — driving his crew to desperation and inspiring Roger Ebert to observe, “It’s clear that everyone associated with the film was marked, or scarred, by the experience … Herzog denounces the jungle as ‘vile and base,’ and says, ‘It’s a land which God, if he exists, has created in anger.’”
If you’re less interested in curses and more interested in laughing, you’ll enjoy this 1995 screwball comedy. Ice Cube and Chris Tucker’s relaxing Friday takes a turn for the absurd when they get themselves into trouble with a local dealer and have to come up with $200 by 10 p.m. The 2000 sequel Next Friday is also worth a binge, when Ice Cube goes to extreme lengths to help his uncle get some money to keep his house in Rancho Cucamonga.
Friday Night Lights
Okay, this isn’t exactly about Friday the 13th either, but it’s about another sacred Friday tradition: high school football. This binge-worthy NBC series ran from 2004-2011 and follows the Dillon High School Panthers football team throughout their trials and tribulations as they fight every week for victory on the night that ever matters the most to the small-town community: Friday.
… And, of course, there’s Friday the 13th itself!
Since the original Friday the 13th film came out in 1980, the all-American slasher series centered around the hockey-mask-wearing spectre of Jason has become one of the largest and most successful horror franchises in history. We’re sure we haven’t heard the last from Camp Crystal Lake.
What are your favorite Friday films? Let us know in the comments below. And learn more about Filmmaking at New York Film Academy.
Most people know the likes of Zack Snyder, Ava DuVernay, Christopher Nolan, — high-profile filmmakers at the helm of the big budget movies getting all the attention. While these talented folks are busy making films destined to be top grossers, there are up-and-coming indie filmmakers elsewhere using their own skills and imagination to create compelling stories. Below you’ll find only a handful of the many great independent filmmakers currently honing their own style while making films worthy of your time.
This New York City native had already proven his comedic prowess via the popular sketch series Key & Peele, which he co-created and starred in. But in 2017, Peele took a stab at the director’s seat and found success with his debut horror film Get Out, which received critical acclaim and earned numerous nominations, not to mention an Academy Award for Best Original Screenplay. Peele is currently producing another horror project, an HBO series titled Lovecraft Country.
Vigalondo has been in the filmmaking business since 2003 after releasing his Oscar-nominated short film 7:35 in the Morning. The Spanish filmmaker has since worked on a number of films that managed to impress, including 2007 sci-fi thriller Timecrimes and Colossal, a 2016 homage to the Godzilla franchise praised for its genre mash-up and a great performance by Anne Hathaway. Whatever Vigalondo is cooking up next, fans of strange, genre-defying sci-fi films should definitely check it out.
Emily V. Gordon & Kumail Nanjiani
Gordon and Nanjiani served as writers and co-producers for The Big Sick, one of the highest grossing indie flicks of 2017. The romantic comedy film turned a budget of $5 million into $56 million, while also earning universal praise for its entertaining mix of humor and heartbreak. It was also nominated for Best Original Screenplay at the 90th Academy Awards.
Diandrea “Dee” Rees
Rees has been making a name for herself for the last decade with a number of acclaimed projects. Last year she became a must-watch director with Mudbound, a period drama that received nominations everywhere from the Golden Globe Awards to the 90th Academy Awards. Rees also became the first female nominee for the American Society of Cinematographer’s Outstanding Achievement award.
This Danish film director and screenwriter has been using her amazing talents for almost three decades. Her most recent film, a British war comedy-drama based on the 2009 novel by Lissa Evans, is among her best. Their Finest currently holds a Rotten Tomatoes approval rating of 89 percent and was widely praised for its great plot twist and strong chemistry between actors.
This Oscar-nominated actor and writer is mostly known for his role as Deputy Chief David Hale in FX television series Sons of Anarchy. In 2017 he made his directorial debut with Wind River, a neo-Western murder mystery that grossed $40 million from a budget of $11 million. The smart writing, compelling characters, and a story based on actual accounts of sexual assault helped propel Sheridan forward as one of the most promising filmmakers out there.
Who are your favorite up-and-coming indie filmmakers? Share your list with us in the comments below! And learn how to make your own film at New York Film Academy.
The greatest award show of the year is just around the corner! With the list of Oscar nominees already garnering predictions and buzz, fans will be crossing their fingers until March 4 in hopes of seeing their top picks take home a shiny golden statuette. We’ve joined in on the fun by coming up with our own predictions on who will win this coming Academy Awards 2018.
Best Picture: The Shape of Water
This is one of those years where competition is so stiff that most of the nominated films can win and few would be surprised. But among the excellent choices, Guillermo del Toro’s sci-fi fantasy is likely to take away the main prize. It has nominations in more than a dozen different categories, was deemed a critical success, and is viewed by many as a major artistic achievement. It also doesn’t hurt that it’s one of the the most diverse of the best pictures nominees in a time when diversity and gender equality in the industry are major focus points.
Best Director: Christopher Nolan
If there’s one category that has two clear potential winners, it’s Best Director. Greta Gerwig’s nomination serves as the first time in eight years (almost a decade!) that a female has been nominated in the category, and marks the first time that a female director has been nominated for her directing debut –– but Christopher Nolan is also likely emerge victorious. “Dunkirk,” one of the highest grossing films of 2017, is a testament to his directorial prowess. Nolan was able to make his historical war movie — a genre we’ve all seen before — feel raw and intense without the need for excess explosions and effects.
Best Actor: Gary Oldman
Here’s a category where we’d put money down on our choice and not break a sweat. Having won Best Actor at the Golden Globes and then again at the SAG Awards a few weeks later, it’s a safe bet to predict that Gary Oldman will win this award at the Oscars. His transformation into the great Winston Churchill in Darkest Hour, which required wearing a fat suit and makeup that took hours to apply, is considered one of his most impressive performances to date. This win would serve as Gary Oldman’s first Academy Award.
Best Actress: Frances McDormand
Best Actress is as competitive as ever at the 2018 Academy Awards. There were many impressive performances throughout the year that all deserve recognition, but only one leading lady is going into the Oscars with momentum. Frances McDormand has already netted Golden Globe and SAG Awards for Best Actress for her performance in Three Billboards Outside Ebbing, Missouri, making her the reasonable winner of this race. It would be a well-deserved recognition for a remarkable performance from a truly great actress.
Best Supporting Actor: Sam Rockwell
Both Willem Dafoe (The Florida Project, produced by NYFA Instructor Darren Dean), and Richard Jenkins (The Shape of Water), are certainly among the favorites to take home this award.
At the top of the list, however, is Sam Rockwell for his large performance in Three Billboards Outside of Ebbing, Missouri. This role has earned Rockwell widespread acclaim, not to mention a two SAG awards, a Golden Globe, and a BAFTA Award nomination. His impressive acting abilities are on full display in the 2017 crime drama alongside other incredible talents like Frances McDormand and Woody Harrelson, who also received praise for their performances.
Best Supporting Actress: Allison Janney
This is another extremely tight category where we can easily see the award go to more than one talented actress.
While Best Supporting Actress nominee Mary J. Blige has made Oscar history this year as the first person ever to be nominated for an original song and acting in the same year, it seems likely that the decision for this category will come down to either Laurie Metcalf for her role in Lady Bird and Allison Janney for hers in I, Tonya, with the latter being our prediction.
Janney has already won a handful of awards for her memorable portrayal of this imperious mother — a performance that created more talk than the rest of the cast.
In a year where there aren’t many strong contenders in the animated feature category, it would be the surprise of the night not to see Disney Pixar take home the gold.
Best Adapted Screenplay: Mudbound
Dee Rees’ American period drama, based on Hillary Jordan’s novel and fueled by a fantastic screenplay, is a top contender for this category. While Rees’ exclusion from the Best Director category for Mudbound is already seen as the season’s most controversial snub, with the film receiving both Best Cinematography and Best Supporting Acting nominations, the multi-hyphenate filmmaker has absolutely broken barriers and made Oscar history as the first woman of color nominated in this category.
Best Original Screenplay: Lady Bird
This poignant coming-of-age tale has earned an impressive amount of awards and nominations in various categories, making it a likely winner in this one.
Best Cinematography: Blade Runner 2049
The gold statuette for this category could easily go to either Dunkirk or Mudbound — the latter making history by helping Rachel Morrison become the first woman ever nominated. At the end of the day, we’re predicting that the amazing cinematographic work that went into Villeneuve’s impactful sci-fi film Blade Runner 2049 will set it apart as the winner.
Best Costume Design: The Shape of Water
With a category as unpredictable as this one, we have to go with The Shape of Water, which was snubbed in the makeup and visual effects categories.
Dunkirk is a perfect example of Nolan’s ability to captivate audiences by showing the anxiety and horror of war across intertwined characters and events.
Best Makeup & Hairstyling: Darkest Hour
Like we mentioned before, the fact that Gary Oldman was able to deliver his stunning performance in a fat suit and after hours of makeup is enough to convince us.
Best Original Score: Phantom Thread
In arguably the toughest category to select a prediction, we’re placing our bets on Jonny Greenwood’s work for Phantom Thread. His moving musical score, which has already earned numerous nominations and awards elsewhere, did an admirable job of further heightening the acclaimed screenplay and direction of the film.
Best Production Design: The Shape of Water
Another close fight where any nominee can hear their name called up. At the end of the day, it’s The Shape of Water that impressed the most with a real-life twist to its fairy-tale world.
Best Original Song: Remember Me from Coco
Plenty of excellent choices but only room for one winner — and our prediction is Coco’s memorable lullaby. A close runner up is “Mighty River” from Mudbound, a nomination that made history by making Mary J. Blige the first woman of color nominated in both this category and Best Supporting Actress.
Best Visual Effects: War for the Planet of the Apes
We feel this year is when these visually groundbreaking films finally earn an award for their cutting-edge performance-capture work.
Best Foreign Language Film: In the Fade
Though not a lock, Critics’ Choice Award and Golden Globe wins might be enough to set this German film apart as winner.
Best Documentary Feature: Faces Places
Agnès Varda’s documentary about traveling portrait painters is expected to pull ahead and win the gold. Varda, a French woman who has been a filmmaker for more than 60 years, made Oscar history this year when she became the oldest-ever nominee, at the age of 89.
Best Animated Short: Lou
Pixar Animation Studios tackles schoolyard bullying in this inspiring animated short by the iconic Emeryville studio.
Best Live Action Short: The Eleven O’Clock
Our bold prediction is that Derin Seale’s humorous live action short will upset other clear winners on Oscars night.
Best Documentary Short: Heroin(e)
For this close category we can’t help but side with Heroin(e), a doc that follows Huntington, West Virginia’s fire chief, a local judge, and an impassioned volunteer — all women — as they battle to save lives from opioid addiction in a town where the overdose rate is 10 times the national average. Our very own Kristen Nutile, a NYFA Documentary Filmmaking teacher, served as editor on the film.
From reboots of classic television series to new spins on known movies, franchises, remakes, and old stories keep resurfacing in Hollywood for better or for worse. So what’s the secret to revamping familiar stories?
Even the tiniest details can make a big difference when it comes to imagining something new.
2. Make it Modern
Having old characters react to or live in the modern world is a fun way to recreate an old tale. A story’s lessons are what tend to speak the loudest to an audience, so show how versatile the lessons and themes can be by setting a remake in contemporary times.
One great example a timeless story finding applications in many retellings is the various adaptations of Jane Austen’s novel Pride and Prejudice, first published in 1813. The Bridget Jones’s Diary series, The Lizzie Bennet Diaries, Bride and Prejudice, and Pride and Prejudice and Zombies are just a few examples of adaptations with a modern time period or cultural update.
No matter what story you want to retell, having classic themes and characters interact in the modern world or with modern ideas can be a smash hit.
3. Challenge Harmful Stereotypes
A lot of old stories have problematic themes that might have been acceptable at the time, but aren’t now. If you’re building on or reimagining a dated story and run into racism, sexism, and other forms of discrimination in the story, consider how you can challenge or transform these elements. Leave out the harmful stereotypes, or update the story to draw awareness to a social justice issue.
For example, leave the days of having a charming prince rescue a helpless maiden and have her rescue him. Allow for more opportunities for diversity characters to thrive in your story for something fresh and much-needed in the world of entertainment.
4. Don’t Copy What Others are Doing
Don’t feel the need to conform to the way other people approach adaptations. Sure, there are expectations that people may have about how a familiar story should be approached, but doing the same exact thing as other retellings gets very boring.
If you have a new idea or something unconventional to bring to your genre of focus, then take a chance on it! You never know if it will work until you test it out for real!
5. Have a Clear Focus
Ultimately, you need to ask yourself why you want to remake an old story. Too many people try to revive an old tale without taking the time to realize why they want to remake it. Are you doing it because you have a genuinely thought-out take to the story, or are you just feeling pressured to do what other creators are doing? Share the idea with trusted colleagues who can help you shape your adaptation into something special and truly innovative.
There’s two types of people that watch the Super Bowl—those who want to watch football, and those who want to watch the commercials. Either way, that’s a lot of people—the NFL’s championship game is typically highest-rated event of the year, and 19 of the top 20 most watched TV broadcasts of all time are all Super Bowls (the M*A*S*H finale being the only exception at #9.)
It’s hard to stand out from the crowd of countless ads that have aired in the previous 51 games, though dozens have managed to become iconic—including the dancing Pepsi bears, the Budweiser frogs, and the screaming squirrel.
But only a few commercials have actually changed the game when it comes to advertising or filmmaking, introducing new concepts and employing out-of-the-box techniques. By doing something unique and influencing future spots for years to come, these game-changing ads are lessons in themselves.
Here’s five such Super Bowl ads, and what you can learn from them:
1. Apple’s “1984”
“1984” is possibly the most famous commercial of all time, Super Bowl or not. Released the same year as both the Summer Olympics and the 1984 cinematic adaptation of George Orwell’s dystopian novel “1984,” it was a relevant short film that audiences easily identified with, and introduced Apple’s Macintosh desktop PC, which would shortly go on to revolutionize the home computer lifestyle.
The commercial, while signifying major change, was also a short film — a dark, moody, science fiction epic directed by the perfect person for the job, Ridley Scott. Scott was fresh off his own dark, moody, science fiction epics “Alien” and “Blade Runner.”
To this day, the “1984” commercial is a testament to spectacle — influencing countless advertisements that went very, very big to make themselves heard.
2. GoDaddy’s Teaser Ads
GoDaddy, the company that web hosts and sells and registers domains, doesn’t typically offer highbrow advertisements; indeed, they’ve gotten a lot of flack for tasteless, sexist commercials on more than one occasion. Several of these have been rejected for the Super Bowl, so GoDaddy’s marketers came up with an innovative solution — using their 30 seconds of Super Bowl time to advertise their full-length, real commercials online.
By playing teasers of their actual ads, GoDaddy made a name for itself purely on buzz, while also incorporating social media into advertising well before most of the industry had caught on to the Internet’s potential in such regards. While their actual content was nothing worthy of emulating, this unique innovation has led to an entire industry of “commercials for the commercials.”
3. Coca-Cola’s “Mean Joe Greene”
One of the earliest iconic Super Bowl ads came in 1979, though it had already premiered a few months earlier before making a splash during the big game. This Coca-Cola ad featured NFL star “Mean” Joe Greene chugging a bottle of Coke in the halls of a football stadium before tossing his towel to a 9-year old fan.
The heartwarming moment was a perfect storm of Americana, celebrity, and — of course — football. By using a celebrity most of the television audience already idolized and combining it with a cute kid and some good ol’ fashioned sentimentality, the advertisement formed the basis for countless imitators, including other Coke ads.
If a commercial can give you a warm, fuzzy feeling, the “Mean Joe Greene” ad argues, then maybe so can the product it’s advertising?
“Mean” Joe Greene
4. Nike’s “Hare Jordan”
Michael Jordan was as famous for his TV commercials as he was for his basketball skills, but the “Hare Jordan” spots that advertised his Nike-brand Air Jordan sneakers took marketing to a whole other level. By appearing on screen with an animated Bugs Bunny in modern-day “Looney Tunes”-style shorts, Jordan changed yet another game.
Cutting edge special effects and combining live action with animation was typically only seen in the movies (and in the latter case, only very rarely.) By putting money and unique visuals into their advertisements, Nike proved the investment could be worth it. The ad first hit the Super Bowl in 1992, when computer-generated effects were just hitting the mainstream but were still a rarer, more expensive option than traditional hand-drawn animation.
The ad ended up being a harbinger of the special effects-heavy commercials that would follow in the next two decades as CGI became cheaper and easier to implement. A Super Bowl doesn’t go by these days without several CGI-assisted commercials, but Nike’s hand-drawn/live action combo “Hare Jordan” can be considered the grandfather of them all (and the predecessor to Jordan and Bugs Bunny’s feature-length collaboration, “Space Jam.”)
Michael Jordan & Bugs Bunny
5. Doritos’s “Crash the Super Bowl”
For 10 years, the Doritos approach to their Super Bowl ads was to hold a “Crash the Super Bowl” contest, where anyone could film and submit their own Doritos commercials. The winner of the contest would have their amateur project aired for TV’s biggest audience.
The ads were highly successful. By opening up their commercial pitches to millions of amateur filmmakers, Doritos also had way more choices to choose from than any advertising firm could offer. And audiences could connect to the DIY-style low-budget ads — it was a democratic solution that showed that anyone could potentially be seen or heard.
Aspiring filmmakers, advertisers, and just funny people who liked Doritos instantly had a shot at the big time. In the age of YouTube and Instagram stories, Doritos’s “Crash the Super Bowl” campaign couldn’t be a more relevant, decentralized way of telling stories — even if those stories were selling Nacho-flavored tortilla chips.
Doritos “Crash the Super Bowl”
Interested in learning the skills to make your own Super Bowl commercial one day? Check out NYFA’s filmmaking program here.