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  • NYFA Student’s Film “Dr. Elevator” Selected to 32 Film Festivals

    Born and raised in Bhopal, India, Kartikye Gupta always longed to entertain and inspire people’s lives. “I think, before going and making a film, film education is very essential, so when I finished my high school, New York Film Academy was always on the top of my list,” says Gupta, who is a BFA Filmmaking student at NYFA Los Angeles. “It’s the most hands-on film school, the student gets to write, direct and edit a short film every week, which made me get better and better. More importantly, the school provides an opportunity to interact from different professionals from all over the world and to learn more about different cultures and filmmaking styles from around world.”

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    Gupta has a firm belief that a film should be a medium of entertainment, where one creates an environment for the audience to forget all their problems and fully enjoy.

    His most recent film, “Dr. Elevator,” was officially selected in 32 film festivals for Best Short Film and screened in major cities including San Francisco, Los Angeles, New York, Miami, New Orleans, Wellington, Punjab, Queensland, Phoenix, Idyllwild and Copenhagen. The short film takes place in a trapped elevator, where a woman goes into labor, forcing an Indian mathematician with Asperger’s to rise to the occasion and deliver the baby.

    “When Cody Smart, NYFA MFA Screenwriting alumnus, narrated the story, I instantly loved the characters,” said Gupta. “It has a very simple, funny conflict with very interesting characters meeting at the same time. I trusted my actors, gave them a lot of freedom, but still told them what I needed; and they did a great job.”

    dr. elevator

    “I am honored to be a student at the New York Film Academy Los Angeles,” he says. “My lifelong dream of becoming a filmmaker is moving forward, thanks to a generous college like yours. Being a film student at New York Film Academy was a great advantage for me to produce, shoot and edit this film. I used to get notes, feedbacks from my screenwriting and directing instructors on the script, and the film when it was completed, which helped me to make it better and better.”

    Gupta hopes to get “Dr. Elevator” on Amazon in order to reach a larger audience. He’s currently editing another short film, which he directed last year, and intends on submitting it to top tier film festivals.

    February 13, 2017 • Filmmaking, Student and Alumni Spotlights • Views: 3772

  • NYFA Australia Gold Coast Grads Star in “Young Man’s Dream” Music Video

    Madeline Howlett and Georgia Allison, recent graduates of the Acting for Film program at the New York Film Academy Gold Coast campus, scored themselves lead features as mermaidesque muses in the newly released “Young Man’s Dream” music video for Australian rock group Byron Short and the Sunset Junkies.

    Of her New York Film Academy student experience, Madeline says, “NYFA being on the backlot of the Village Roadshow Studios has a professional agenda from the very beginning. Our lecturers were also very respected and gave us professional advice on how to present yourself in a professional manner when big things are happening around you.”

    Crediting her lecturers for ensuring she learnt in a supportive and inspiring environment, Madeline believes “having teachers who were also brutally honest has made me respect them even more and has helped me learn tremendously as an actress; their support and encouragement has had a huge benefit for me out in the industry.”

    Currently working on a collaborative project with another NYFA graduate, Madeline’s major goal for 2017 is to gain agency representation, stating, “I have never been more excited for my future. This year is my year to grow immensely.”

    February 10, 2017 • Acting, Entertainment Australia, Student and Alumni Spotlights • Views: 569

  • NYFA Student’s “Soul” Screening at Berlin International Film Festival

    pedro peiraThe Berlin International Film Festival is underway, and we’re thrilled to see New York Film Academy Los Angeles Fulbright student Pedro Peira is Executive Producer of the documentary film “Soul,” which will be screening at the festival this Sunday, Feb. 12 and Monday, Feb. 13.

    The Spanish documentary, from filmmakers José Antonio Blanco and Ángel Parra, focuses on Eneko Atxa, a three Michelin star chef who runs a restaurant complex near Bilbao in the Basque region. His exploration of the “soul” of cooking has him traveling to famous colleagues in Catalonia and Japan. Throughout the documentary, some of the most relevant personalities of international gastronomy such as Michael Ellis, manager of the Michelin guide, or Joël Robuchon, the chef with the most Michelin stars in the world, take us into the secrets and the vicissitudes of a profession based on effort, which is continually being reinvented and requires huge sacrifices.

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    “What I’ve mainly learned from NYFA is to be able to tell stories,” said Peira. “Of course I’ve learned about image and sound, which are also important, but being able to include some kind of drama in a story stands out above the rest. As a matter of fact, during the final editing process of ‘Soul’ I would call the director while he was editing the film and, after watching the cuts together, he applied what I was discovering at NYFA. I think is has helped the film.”

    “SOUL” Trailer from Festimania Pictures on Vimeo.

    “Even though I’ve just finished my first semester at NYFA, I’ve felt an evolution in my work,” added Peira. “When I arrived, my approach to documentary was an informational one. After screening my final project of the semester, I felt that I had started to be able to generate emotions. When people laugh or cry when watching your films, you know you have been doing something right.”

    For tickets and more information on “Soul” and its screening at the Berlin Film Festival, CLICK HERE.

    February 10, 2017 • Documentary Filmmaking, Student and Alumni Spotlights • Views: 2394

  • Former NYFA Student Peyman Umay Earns Fashion Group International Rising Star Award

    The world of fashion gathered at Cipriani 42nd Steet for the Fashion Group International’s Rising Star awards, which included the Oscar-winning actress Whoopi Goldberg, who delivered the keynote address and some comic relief for the up-and-coming talent.

    The Rising Star awards focuses on celebrating emerging forces in fashion, beauty and related industries for their creativity and vision. This year’s Menswear prize was awarded to former New York Film Academy student Peyman Umay.

    peyman umay

    After designing for high-end brands in Europe and the U.S., Umay founded Peyman Umay brand in 2011 offering luxury men’s made-to-measure clothing, by appointment only. Within two years, through his passion, hard-work and colorful agenda; Peyman created a loyal clientele by combining his fashion design background with unique services that no other brand does. Realizing the need and not being able to resist the consistent demand, He launched women’s made-to-measure line in 2013 and finally men’s ready-to-wear collection in 2015, opening the first Peyman Umay retail store in Aspen, Colorado. Having recently penned his first book, the New York based designer shares his secrets in “Dressing Well” that will be published soon.

    “I’m truly honored to win this award from an organization that has such an impact in the fashion industry,” said Umay. “This is such an amazing acknowledgement, a significant milestone for me because getting here wasn’t easy at all. I had nothing but pocketful of dreams when I first moved to the U.S. People called me ‘dreamer’ but I was the one who never slept. There were some people though who were present during all of my struggles, who witnessed everything I went through, which is why they know more than most as to how much this award means to me. I’m so grateful and I will never take this award granted.”

    Umay’s bespoke line has stirred quite the celebrity buzz, due to his impeccable eye for detail. His clientele includes actors Mickey Rourke, Jeremy Piven, singer John Legend, Dave Diehl of the New York Giants, CBS evening news anchorman Scott Pelley, celebrity chef Todd English, Ryan Serhant from “Million Dollar Listings,” Sonja Morgan from “The Real Housewives of NY” and a host of other affluent people of the U.S. Peyman Umay has been featured in TV shows such as “Design Star,” “The Real Housewives of NY”, “Million Dollar Listings” and “The Celebrity Apprentice.”

    Upon graduation from Acting for Film at NYFA, he has been in four movies, two short (“Capital Inferno” and “The Cabin”) and two feature movies (“Fairy Tale of New York” and “Ask Uykusu” [Turkish]) all of which are in post production at the moment. His first feature movie is being released on March 17th, the second one on May 19th of 2017.

    February 8, 2017 • Documentary Filmmaking, Student and Alumni Spotlights • Views: 1351

  • Broadcast Journalism Feb 2017 Highlights

    More than a billion people celebrated the Lunar New Year last week. And New York Film Academy Broadcast Journalism alumna Grace Shao brought that story to millions of viewers around the world on the China Global Television Network. (The network was formerly CCTV News, and was re-branded for the new year… solar new year, that is.)
    grace shao
    Back here in the United States, Starla Sampaco has started working at TVW – Washington Public Affairs Network. (That is Washington State, not Washington, DC.) Her first story was about proposed legislation that will greatly increase penalties for distracted driving.

    And while NYFA Broadcast Journalism alumnus Bryanna Reynolds is based in Melbourne, the Seven Network sports production assistant is going to be spending some time in New York. She just covered the Australian Open, and next up will be the Australian Football League season. Bryanna was kind enough to write: “It’s all thanks to what I learned at the Academy. I cannot thank you enough.”

    Bryanna Reynolds

    Last week saw the start of the Spring Semester. Which meant the first camera instruction session for our incoming class of one-year students. This group (starting on the left) came to NYFA from Turkey, New Jersey, Nigeria, Spain, Croatia and Delaware. They are working with a Canon C300, the primary camera we use in the Broadcast Journalism program.

    February 8, 2017 • Broadcast Journalism, Student and Alumni Spotlights • Views: 1351

  • NYFA Welcomes a Group of Enthusiastic Italian Students

    An exceptional group of Italian students recently graduated from the 4-Week Producing Program at New York Film Academy’s New York City campus. The students, all from the Lazio Region of Italy—most whom reside in Rome—attended NYFA as a result of being awarded special fellowships from the Roma Lazio Film Commission’s Torno Subito (“Be Right Back”) program. The Torno Subito program was created to fund projects submitted by Italian university students or graduates, aged 18 to 35 years, with the interest in taking advanced training courses, and upon completion, return home to use their newfound skills in the workplace. Also involved in this educational initiative is AssForSeo, an Italian employment guidance organization.

    nyfa italian students

    In addition to the students enrolled in the Producing Department at NYFA New York’s campus were dozens of students in the Filmmaking, Documentary Filmmaking, Animation, Broadcast Journalism, Screenwriting, Digital Editing, and Acting for Film programs. Both the New York and Los Angeles campuses of NYFA hosted this wonderful group of talented young Italians.

    NYFA Producing Chair Neal Weisman declared, “It was a pleasure having this group in our 4-Week Intensive producing workshop. They were very engaged, enthusiastic, and curious – of course they were, they’re Italian!”

    nyfa italian students

    After graduating from the NYFA program, the students are headed back to Rome where they will work at various industry internships. Most positions are with prominent Italian film production companies, where they will assist in the creation of a wide variety of film projects. The NYFA LA Campus Director, Dan Mackler, was effusive in his praise for the visiting students and stated, “Integrating seamlessly with our large international student community—currently representing nearly 80 countries—the Torno Subito students brought wonderful energy to our school. We expect great film industry success stories to come from these special NYFA alums.”

    NYFA is proud to participate in this program and looks forward to future collaboration with a variety of international partners.

    February 7, 2017 • Community Highlights, Producing • Views: 1747

  • Producing Couple Finds Love and Distribution From NYFA Thesis Film

    With students coming from all areas of the world, it’s inevitable that a student will partner up with somebody from an entirely different culture than their own. It’s even possible that the working relationship could extend in personal areas of life beyond the set. At least this was the case with two former students, Rudi and Radhika Womack, who met at the New York Film Academy Los Angeles, collaborated on Rudi’s thesis project, and are now married!

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    Rudi came to NYFA from the hills of Cheyenne, Wyoming while Radhika came all the way from New Delhi, India.

    Rudi’s thesis, “Call of the Wolf,” was produced by Radhika, and now, as a much deserving added bonus, the couple’s film was picked up for worldwide rights by Gravitas Ventures.

    Gravitas has set a Feb. 7 VOD/DVD release date for their film, which is about two kidnapped and trapped strangers who must survive the brutal onslaught of winter and are forced to play a deadly game of survival to outsmart their kidnapper — a sniper calling himself “Wolf.”

    “‘Call of The Wolf’ really stood out to us among a sea of submissions,” said Dan Fisher, director of acquisitions for Gravitas. “We really appreciated the quality of the filmmaking and the gradual reveal of the story, and we are excited to release across our multiple platform partners.”

    We spoke to the newly married couple and filmmaking partners before their upcoming release tomorrow.

    Congratulations on having your thesis film picked up by Gravitas! Can you tell us how this film first came about?

    Rudi: I have always wanted to tell a story of survival; of a character who is ripped from their element and forced into a hostile environment. As I developed the story I knew there wouldn’t be a chance of it getting picked up unless the film had some more “traditional” elements. Over seven drafts Call of the Wolf took shape; evolving from a story of pure survival in the wilderness, into a cat-and-mouse game with a man hunting the protagonist.

    How would each of you pitch this film in your own words?

    Rudi: There’s plot and story. The plot is simple: Madman kidnaps two strangers and forces them into the wilderness for a deadly game of survival. But the story, the meat and bones of the film, is all about Lester. He’s a rich kid who has never had responsibility, risk, or any real challenge. Over the course of the film he slowly evolves into a much stronger, self-reliant person.

    Radhika: The film is about survival. It is about overcoming difficulties, rising to the occasion to learning to fight for what is important to you.

    How did you get your thesis film into the hands of Gravitas, your distributor? Were you surprised when they picked up your film for distribution?

    Rudi: We avoided the festival circuit and went straight to distributors with the film. I guess it turned some heads because we had 3 positive responses in the span of a week. Gravitas Ventures was our best choice because of the care and consideration they had towards the integrity of the story. Gravitas Ventures has taken great care of us and I’m very lucky to be working with them.

    Radhika: We were surprised and thrilled when Gravitas Ventures picked up Call of the Wolf for distribution. They have a great line up of films and Call of the Wolf fits right in. We are looking forward to the great things we can do together with them.

    What were some of the challenges of shooting a film on location in the mountains of Wyoming? How did you overcome them?

    Rudi: Wyoming is my home, so I know how unpredictable it can be, especially on the mountain. The weather was really tough for sure. It dropped far below 0 many, many times. But the hardest part for me was the limitations of budget. There were so many things I wanted to do that simply were not possible with the constraints we had. Even simple things like dolly shots were mostly unachievable for us. It also makes it really hard to set up a shot in the snow, because you can’t leave any tracks. You end up walking a long way so the shot is clear. I knew the limitations of budget and equipment were going to hurt us, so very early on I started designing the look of the film around static wide shots. I think the mountain, trees, and snow offered a multitude of opportunities for beautifully framed wide shots. So that’s what we did; we trekked into the trees, set up the camera, and let it roll for a bit. This also helped with the slower pace of the film I was trying to achieve.

    Radhika: The biggest challenge we experienced was the weather. It was very cold and at that temperature and elevation, everyone’s efficiency level goes down. We had planned for it to the best of our ability by scheduling easier scenes at the beginning of the shoot, slower and shorter days than we would normally have if we shot in sunny Los Angeles. Kudos to the cast and crew to have powered through the month and for bringing their A-game on even in such difficult conditions!

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    Would you say your experience at NYFA was useful in terms of being able to create this film?

    Radhika: Yes. This was Rudi’s thesis film for his MFA in Filmmaking program. We had support and guidance from the teachers at every step of production. There were times we felt they were being too harsh or difficult but in the end it was always for our benefit.

    Where will we be able to see your film?

    Radhika: Just about anywhere that you would see most movies! It will be released on DVD and Blue Ray, and will be available on most major VOD platforms. We’re also hoping to secure a limited release in theaters across Colorado and Wyoming.

    Are you currently working on another project that you’d like to tell us about?

    Radhika: Rudi and I are currently in principal photography on our next untitled feature film. Additionally I am working on a documentary with an Academy Award nominated director as well as Line Producing a soon-to-be announced Virtual Reality series

    Rudi: We’re currently in production on our next feature film, which is still untitled. It follows the story of a young man who robs a pawnshop to help support his girlfriend. The robbery goes wrong and he barricades himself in a truck stop bathroom, which triggers an intense standoff with the police. Radhika and I also recently made a short film called “Chippy” about a dog who bites a little girl, and the repercussions it has on a single mother and her family. It’s just finishing up its festival run.

    February 6, 2017 • Filmmaking, Producing, Student and Alumni Spotlights • Views: 2222

  • NYFA Students Attend “Doctor Strange” Screening at Disney Animation

    Last week, New York Film Academy Los Angeles students were offered 50 seats to see Marvel’s “Doctor Strange” at Disney’s theater in their animation lot. After the screening there was a Q&A with the film’s sound team: Juan Peralta, Doc Kane, Jesse Torres and Daniel Laurie. The fifty available spots filled quickly, with students eager to experience this unique opportunity

    As student’s pulled into the lot the first thing they saw was the original Burbank animation building, built by Disney in 1935. Emerging from the garage they could see the seven dwarves looking down on them from their pillars. Security escorted them through the lot, past the water tower and the neon Disney castle sign to the theater.

    Above the entrance, a “Star Wars” banner covered an eighth of the building. Once checked in popcorn and bottled water was handed to each patron before they selected seats.

    There was a slight anticipation in the air. After all, this is the theater where animators screen future classics. This is literally where the magic happens. A smattering of applause as the projector winds up and the curtain is pulled back.

    After the film, chairs are brought out and the guest speakers begin to take questions from the audience. New York Film Academy Animation student Ala Abdelbar said, “I really wanted to see a movie on the Disney Lot,” and after the Q&A, she felt she learned a great deal about the sound design that goes into the film.

    Other students remarked at what a great opportunity the Q and A was to hear from an entire sound design team instead of just a single voice. This event was also a great networking experience since film students and professionals from all over Los Angeles were in attendance.

    The New York Film Academy would like to thank Disney for this opportunity.

    To learn more about “Doctor Strange” click here.

    February 3, 2017 • 3D Animation, Community Highlights • Views: 366

  • NYFA Alumnus David Epstein Lands Role in the Animated Feature Film “The Son of Bigfoot”

    son of bigfootDavid Epstein came to the New York Film Academy from Vancouver to pursue his passion for acting in the heart of the film industry, Los Angeles. “Growing up, I was always very active on the stage, and after my undergraduate in theatre I felt ready to get auditioning for film and TV in Vancouver. After a year and a half, I didn’t book a thing! I figured it was because I had no idea what I was doing when it came to acting for a camera, so I started looking into programs,” said Epstein. “New York Film Academy seemed like the most hands-on school I could find. I thought, ‘I could wait it out and audition in Vancouver for another two years with nothing to show for, or enroll at NYFA. Not only would I get to complete a Master’s Degree, but I would also gain the hands-on film experience day in, and day out.’”

    And right after graduation he landed a role in the animated feature “The Son of Bigfoot” directed by Jeremy Degruson and Ben Stassen.

    Congrats on getting the part. How did your role in “The Son of Bigfoot” come about?

    Epstein: I was actually camping in Yosemite Valley for the weekend with no wifi or cell phone service. We were about to go on a hike for the day when we stopped off in a lodge. I guess we hit a cell phone spot and my phone just started blowing up. Text messages and phone calls galore from my mom, brother, and agent all trying to get a hold of me. When I called them and, they told me that I booked this part in an animated feature – a project that I had zero recollection of ever auditioning for. Weeks earlier, I had just gotten my reel from school and was showing it off to a friend of mine. Fast forward a couple of months and her dad is directing this project called “Son of Bigfoot.” I don’t know the details, but apparently one of the other actors had to drop out and they needed to fill the roll very quickly. He listened to my reel and decided to give me a shot. It was one of those “right place, right time moments.”

    Please tell us about your experience working on this project. What did your learn as an actor?

    Epstein: While I had spent many hours working in the NYFA booth, this was my first time acting in a proper animated film, so I really didn’t know what to expect. I remember flipping furiously through my voice over textbook leading up to the shoot, giving myself a quick refresher before going into the studio… ironically the writer was actually playing one of the leads in the film. The first thing I thought when I got there was: “Where’s that smell of bacon coming from?” Of course, I followed it and saw walls just covered in classic cartoon cells and a huge trophy case filled with Emmys. It was very surreal. I got the chance to meet some of the other cast members and we were all called in one by one into our recording sessions. None of the animation was done at the time of the recording, so we didn’t have to worry about matching the characters’ lip flaps, which was nice, but that said, there wasn’t a whole lot to work off of, either. It was a really steep learning curve trying to figure out how to create the world without any other actor to work off of and no real picture of what the scene would look like. That said, it was a pretty freeing experience too, in that there wasn’t really a wrong answer. Only limit was imagination.

    One of my biggest surprises about the experience was how quickly everything moved. It was like a machine gun session in there. I was given my script, asked to give a few reads of each line and we would move on. Occasionally, there was a redirection, but I was in and out of the studio within an hour. It was crazy!

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    Were there any challenges working on this project?

    Epstein: The biggest challenge working on the project was not being able to really prepare. I wasn’t given my script until the day, so I was really going in blind. There was a small character description that was sent to me in advance, but everything was really explained to me on the day. Also, there was no animation at the time, so to this day I still have no idea what my character even looks like. The director just said “alright give me the voice you were thinking of doing,” and I blurted out the first thing that came to mind. I guess it worked because we just kind of went with it. I would have loved the opportunity to play a bit more and really find my character, but everything moved so fast. Just trusted my gut and hoped for the best.

    What projects are you currently working on?

    Epstein: Next week I start shooting for my role in the show “The Girlfriend’s Guide to Divorce.” I am also excited to collaborate with my friend/coach Carol Stanzione, Elliot Herman and NYFA alumnus Kevin Chua in an upcoming animated series called “Lei Gong: Chronicles of the Sword.”

    Until then, I have been fortunate enough to get a gig hosting a game show for Hyundai at Auto Shows around the states. It has been such a great experience getting to travel around the country and work a job that is creative in nature.

    david epstein

    Who do you believe will get the most out of the NYFA program? 

    Epstein: I think anyone with a true passion and the desire to learn will get the most out of the program. There are so many great opportunities and teachers, that if you care to work, you can learn so much! That said, you’re only going to get what you put into the program. It’s one thing to be in class and to do your assigned work, but it’s the work you do outside of the curriculum that is really special. NYFA’s consult program lets you meet with any of your teachers outside of class time. It’s a private coaching session with industry professionals. I don’t know many other places that offer that.

    What, if any, do you think are the biggest obstacles for new actors in Hollywood?

    Epstein: I think the toughest thing about Hollywood is being seen. You could be doing great work, but it’s getting the right people to see your work that is the real challenge. Coming to LA you hear it over and over again, “there’s so much competition!” At first, I took that to mean that I would be sitting in an audition room with 50 David Epsteins that look just like me. The truth is, the competition is really getting into the door. A good part can get 3000+ submissions. When a casting director has three hours to see 90 actors, why are they going to pick your headshot over anyone else’s? You hear it all the time: This business is all about networking. It’s figuring out the creative ways that you can get on these casting directors’ radars and then about winning them over so they bring you back again and again.

    If anyone has come to LA to become rich as an actor, they could have a rude awakening. It is a super competitive job and while the payday can be sweet, work can definitely be sparse (especially at the beginning). I have often found myself comparing my lifestyle to my doctor and lawyer friends. It can be very disheartening to hear about the condos they are buying or the cars they drive, but it has begged me to check in with my passions. While my car and apartment are far from fancy, I wouldn’t want to do anything else in the world.

    February 3, 2017 • Acting, Student and Alumni Spotlights • Views: 3327

  • “Fences” Actor Russell Hornsby Holds Workshop with Acting Students at NYFA

    Denzel Washington’s “Fences,” in which he stars and directs, was recently nominated for four Academy Awards. Based on the August Wilson play, “Fences,” tells the story of Troy Maxson, a mid-century Pittsburgh sanitation worker who once dreamed of a baseball career, but was too old when the major leagues began admitting black players. Actor Russell Hornsby, who plays the role of Lyons in both the play and the film, spoke to Acting for Film students at the New York Film Academy.

    russell hornsby

    As Hornsby put it, he essentially began his career while doing his “tour of duty in New York,” which, like most up and coming actors, began as a struggle and eventually led to being cast in leading roles in the Off Broadway productions of “To Kill a Mockingbird” (as Atticus Finch), “Joe Louis Blues,” and “Six Degrees of Separation” (as Paul).

    “I value the notion of working,” Hornsby said of his early career. “I was broke because I made a conscious decision to work.” 

    In the late 1990s, he decided to move to Los Angeles to break into film and television. He has appeared in several different television productions including appearing in recurring roles in “Haunted” as Detective Marcus Bradshaw and “Gideon’s Crossing” as Chief Resident Dr. Aaron Boise. His other television credits include “Grey’s Anatomy,” “Law & Order,” and “In Justice” among others. He also played running back Leon Taylor in ESPN’s drama series “Playmakers.” On the big screen, he has appeared in such films as “After the Sunset,” “Big Fat Liar,” “Get Rich or Die Tryin’,” “Keep the Faith,” “Baby,” “Meet the Parents,” and “Stuck” among others. In 2000, Hornsby appeared in the Off-Broadway production of “Jitney” for which he won a Drama Desk Award and an Obie Award.

    Hornsby credits the late playwright August Wilson as a major influencer and mentor in his career, beginning after he saw his 1992 play, “Two Trains Running.” From that point, Hornsby would perform in several Wilson plays, including the most recent, “Fences.”

    “Wilson forced actors to bring their authentic self,” he said. “You bring your pain [to the role].”

    Wilson continued his thought, advising our acting students “to be malleable and figure out what tools you need.”

    Throughout the discussion, Hornsby was able to captivate the students while providing invaluable advice.

    “Embrace the rejection,” he said. “This is a subjective business. You’re going to get discouraged. You’re going to cry. You’re going to complain to your friends. Then move on.” 

    “You can’t lie in life and then tell the truth on stage,” added moderator and NYFA Instructor Randall Dottin, who said he first heard that advice from Hornsby.

    russell hornsby

    Hornsby recalled the one and only direction Denzel Washington gave him on set of the film. Washington left him with the words, “Take care of your brother.” It was at that point that Hornsby realized he needed to take care of his scene partner and cast, and not to just focus on himself.”

    Following his talk, Hornsby worked one-on-one with acting students to work on their own individual monologues. His sincerity and commitment to the process was incredibly valuable and greatly appreciated.

    Hornsby is currently starring in the NBC fantasy drama, “Grimm,” and will be in the upcoming Netflix series “Seven Seconds.”

    February 2, 2017 • Acting, Guest Speakers • Views: 1321