Academic Programs

  • NYFA Chinese Student Club Invites Filmmaking Alumna Jing Wen for Screening and Q&A

    jing wen screening

    New York Film Academy Chinese Student Club invited one of our MFA Filmmaking graduates, Jing Wen, a Chinese filmmaker who studied at the New York Film Academy Los Angeles to screen her short film A, B, C or D? followed by a Q&A last week.

    “I like to observe people’s facial expression, voice, and body language in order to understand them,” says Jing. “That’s one the most important skills a director needs to learn and practice because film ideas are inspired by observations from life and they are a reflection of reality.” As a writer and director with a record of success, Jing Wen is never satisfied with her own films and always believes that there is something she could do better.

    jing wen film

    Inspired by the story structure of Run Lola Run, Rushmore and the 2006 Chinese comedy Crazy Stone, Jing wrote the short film A, B, C or D? as her thesis project. Her final shooting script came out after workshops during her thesis committee meetings and was rewritten seven or eight times during her study at the Academy. “The production only took about two days and in fact we shot for one and a half days.” Jing described, “it saved us a lot on budget, but the biggest challenge we face, like many young filmmakers doing student films, is that we lost one of the main cast a few days before the principle of photography started.” It helped that three quarters of the crew working on her short film were friends who she met on classmates’ sets and were doing her a favor. She suggested that our current students at New York Film Academy begin coming up with ideas no later than March if they want to start shooting between May and July. “It’ll give you enough time to absorb others’ opinions and achieve a more mature storytelling,” she said.

    Jing not only shared her production experience but also gave important lessons she learned along the way. “It is extremely difficult for an Asian director to climb up the ladder and direct a major hit feature in Hollywood. Your experience and networking are equally important whether you want to stay in Hollywood or go back to China,” she says. In addition to filmmaking, Jing has a strong background working in the Television Industry in China. She started interning at major Chinese TV station at a young age and participated in productions of hit variety shows and games shows when she was only 19 years old. Her advice to those seeking a career in the industry was to build a relationship with people. “The most important lesson I learned is that you can’t work alone as an individual but need a team that supports one another no matter what you do or where you are,” Jing explained. “Teamwork in this particular industry together with the network you built is a weapon that will get you far.”

    Wen Jing

    Jing Wen has been selected to direct a forthcoming feature comedy The Disappeared Fish later this year. The film is scheduled to release theatrically after premiering at 2016 film festivals in China. Jing is currently working with Chinese financiers on a second feature written by her. She’s working in development with a production company and is considering a TV platform release. Our Chinese students at the New York Film Academy Los Angeles campus had a blast listening to Jing Wen’s unique experience and we sincerely thank Jing Wen for taking the time to openly share her insight with us. We also look forward to seeing the Chinese Student Club host more events in the future to benefit NYFA students.

    – Wanyin Bo

    April 22, 2015 • Filmmaking, Guest Speakers, Student and Alumni Spotlights • Views: 711

  • New York Film Academy at WonderCon 2015


    For the second year in a row, Adam Finer (Chair of Industry Outreach and Professional Development) and Nunzio DeFilippis (Screenwriting Department Chair) presented a panel on Franchise Development and Transmedia titled “Story Worlds: The Alchemy of Franchise Creation” at WonderCon in Anahiem, California. Joining them on stage this year for a witty, insightful exchange was Christina Weir (one of the co-creators of the Screenwriting Department’s Transmedia Track). The audience was engaged as the trio imparted wisdom about the world of stories and covered the elements that make up a successful franchise. Current New York Film Academy students and alumni joined the fast-paced and informative session, but the majority of the excited questions and panel interactions came from attendees interested in, or already trying, to create their own story worlds and franchises. The panel closed out Friday Night and attendees stayed till the very end to ask questions of Adam, Nunzio, and Christina, to discuss franchises and how to create or pitch their own ideas.


    Adam, Nunzio, and Christina bantered their way through a variety of famous franchise examples, focusing on where they started and where they’ve gone: Batman started as a comic and has expanded to television shows, movies, and games; My Little Pony was originally a toy and grew into three different television series and movies; Harry Potter started as a novel series and has, thanks to fan contribution, grown into website and theme park interactive experiences. These are only a few of the examples, but Adam, Nunzio, and Christina went on to show that as long as you have an interesting world and dynamic characters to populate it, story worlds – franchises – can come from anywhere.

    In addition to the panel, New York Film Academy had a strong presence in the WonderCon Exhibition Hall with a booth that featured student work and was manned by Faculty, Staff and Student Volunteers. The booth was NYFA’s first at any comic convention, and our diligent staff and student volunteers were on hand all weekend to answer questions and talk with attendees interested in the wide array of educational paths available at the New York Film Academy.

    Written by Jennifer Sterner and Adam Finer

    April 16, 2015 • Community Highlights, Screenwriting • Views: 484

  • MFA Filmmaking Grad Developing Female-Empowering ‘Daughters of Abdul-Rahman’

    daughters of abdul-rahman

    One of our MFA Filmmaking graduates, Zaid Abu Hamdan, a Jordanian filmmaker who studied at the New York Film Academy Los Angeles, is generating buzz with his newest project Daughter’s of Abdul-Rahman. The film, which raised more than $23,000 on indiegogo, is a dramatic comedy about four estranged and very different sisters.

    Following the mysterious disappearance of their father, the eldest sister, Zainab, must now reunite with her three sisters at the family home to find their patriarch. Only by coming together will they be able to locate their missing father, and, in the process, overcome their differences and realize who they truly want to be. A drama with a unique, Jordanian sense of humor that is full of light heartwarming moments, Daughters of Abdul-Rahman is natural and organic. Yet, the screenplay tackles serious issues and taboos in a poetic, dark, but still comedic style.

    The four female leads of Daughters of Abdul-Rahman loosely represent the wide spectrum of women in Amman while their old traditional father represents the patriarchal structure in Jordan. Given the endless list of differences between them and their divergent social lives, the four sisters do not choose to embark on a journey together to find their missing father, but they must. The sisters’ journey creates a whirlwind of fear, tears, new discoveries, and laughter. Through difficult times, the daughters find their inner voices, not only as individuals, but also as a union of women—sisters.

    “I am a strong believer in the voice of women, the strength of women, the freedom of women, and the much-needed intellectual liberty of women and men in the region,” states Abu Hamdan. “If I wish for something, it would be that this film contributes to a larger movement for women’s liberation in my own country, or even in the Middle East. And when that happens, I will be there, with my mother.”

    Abu Hamdan has proven to be a very prolific and successful filmmaker since leaving the Academy. The Jordanian filmmaker has directed a number of short films including Bahiya and Mahmoud, which won the Best of Festival Award at the 2011 Palm Springs International Film Festival and Shortfest, and was shortlisted for an Academy Award in 2012.

    You can view his award-winning film below.

    If you’re interested in donating to Daughter’s of Abdul-Rahman, click here.

    April 15, 2015 • Filmmaking, Student and Alumni Spotlights • Views: 776

  • MFA Filmmakers Collaborate to Develop Klaus for PS4 and PS VITA


    In addition to film and television, games have become one of the most prominent platforms for artists and writers to tell their story. We’ve seen films adapted into games and games adapted into films. Either way, the multi-billion dollar gaming business continues to grow and allow filmmakers another avenue to reach their audience.

    We recently heard from MFA Filmmaking students, Victor Velasco, Aleksandar Cuk and Kshitij Bal, who are currently all studying at New York Film Academy Los Angeles. The team is in the process of developing a 2D puzzle based platformer for Playstation 4 and PSvita. The game, Klaus, which was the brainchild of game designer and creative director Victor Velasco, aims to provide an experience that is narratively innovative and extremely self aware. Klaus is an office worker who wakes in his basement with no recollection of who or where he is. Almost reminds us of the classic Chris Nolan film Memento.


    His only clue is the word Klaus tattooed on his arm — forcing him to find his way out of the mechanical and constructivist world that he finds himself imprisoned in. It his search for these answers of where and who that lead him to the larger question, Why.

    During the course of the journey, Klaus encounters a second playable character – K1, a friendly brute who has been damaged by his prolonged imprisonment. Together the two embark on an existentially definitive journey that explores the idea of the 4th wall and a self awareness of the player playing the game. Will Klaus discover his truth? Will he find a way out? These are questions that are at the core of the narrative that the game presents.

    In terms of gameplay, Klaus is an organic and reflexive 2D platformer, with 2 playable characters, Boss fights and interactive environments. The focus of the gameplay will be on tight controls, environmental puzzles, exploration and a complex yet accessible interaction of the player with not only the characters, but also movement and rotation of objects, jump pads, platforms etc. The game is best designed for the PS4 and uses the touch pad as an integral part of the gameplay.

    “It is an extremely exciting game that allows us to bring our passions and our talents together to collaborate to create a cohesive, creative yet marketable product,” says Bal. “This is a project that is extremely close to our heart.”

    Klaus was awarded the 2012 Square Enix Excellence Prize and was recently showcased at the PS Dev Summit 2014 where it received a lot of welcome attention for its unique approach and narrative techniques. It is also the first game to be developed out of Venezuela for the PS4 and PSVita platforms and has received positive media reception from Media outlets within the country. However, it is targeted to audiences worldwide, as it has a universal feel and story.

    Bal and Klaus have already been featured on the PlayStation blog, as well as HardcoreGamer, GeekBinge, and other gaming publications.

    Klaus is set for release on the Sony Playstation 4 and Playstation Vita platforms that is releasing in August – September 2015. For more information, visit

    April 14, 2015 • Filmmaking, Game Design, Student and Alumni Spotlights • Views: 692

  • Take a Virtual Tour of New York Film Academy Battery Park

    Coming up on it’s second year this July 2015, the New York Film Academy at Battery Park has proven to be an invaluable addition to our students and staff. The campus, located in lower Manhattan at 17 Battery Park South, occupies 72,000 square feet on two full floors and offers breathtaking views of Battery Park and The Statue of Liberty.

    Each classroom is uniquely designed from scratch to meet the specific needs of the hands-on programs, including state-of-the-art production studios and sound stages. Classes are held in Filmmaking, Acting, Musical Theatre, Screenwriting, Producing, Photography, Cinematography, Documentary Filmmaking, Broadcast Journalism, 3D Animation, Graphic Design and Game Design. This summer, we will kick off our renowned summer camp programs for kids and teens, which has been successfully operating since 1996.

    For those of you who are curious about the New York Film Academy and would like to take an introductory tour before visiting us in person, have a look below at our Google Virtual Tour below!

    April 13, 2015 • Academic Programs, Community Highlights • Views: 4125

  • NYFA Instructor William Dickerson Breaks Down Microbudget Filmmaking in “DETOUR: Hollywood”

    william dickersonIt’s a great time to be a filmmaker. With old models of film financing and distribution breaking down and increasingly cost-efficient and easy-to-use film production equipment available, filmmaking has become democratized. A handful of studio heads no longer stand between you and success in the entertainment industry. Now more than ever, the power to shape your career as a director is in your hands. This is the realization that film director and New York Film Academy instructor William Dickerson had a few years ago when a few of his scripts were seeing interest from studio development execs, but nobody was seriously considering him to direct any of them because he had never made a feature length movie. Dickerson and his writing partner decided to write a screenplay that could be made with a “microbudget” for William to direct outside the studio system. The film William directed was Detour, which centers around a man trapped inside of a car during a mudslide. The Hollywood Reporter declared Detour a “tautly efficient thriller that fully succeeds.” Dickerson established himself without waiting for anyone’s blessing and his directing career was underway.
    william dickerson

    NYFA Instructor William Dickerson

    To share the knowledge he gained from his experience of making Detour, William wrote the book DETOUR: Hollywood, How to Direct a Microbudget Film (or any film, for that matter). The book explains how to sidestep, or detour around, the Hollywood system and make a microbudget film by giving a detailed account of how Dickerson literally made Detour, thus DETOUR: Hollywood. This has to be the most clever film education book title in a long while. The book also contains some of the most meaningful and practical instruction on film directing ever provided in a text. For instance, Dickerson breaks down the concepts of Subtext and Point of View, the two most important yet neglected ingredients in filmmaking, in such a complete and digestible way that even directors already well-versed in story will have much to learn from it.

    Within DETOUR: Hollywood, William Dickerson analyzes all the hurtles he faced over the many years he spent trying to direct his first feature and the trial and error process that led him to what eventually DID work for him and will for you too. The obvious benefit to the reader is saving you time, money, and from unnecessary headache so that you can start your directing career sooner rather than later. Since making Detour, William Dickerson has experienced increasing success in film directing. Most recently William directed Don’t Look Back, a feature-length thriller that aired on Lifetime Movie Network and exhibits a level of craft in directing that is rarely achieved.

    William Dickerson’s book DETOUR: Hollywood, How to Direct a Microbudget Film (or any film, for that matter) comes out April 14th and can be ordered through Amazon at:

    April 8, 2015 • Community Highlights, Filmmaking • Views: 2242

  • Screenwriting Student Hosting History Channel’s ‘Forged in Fire’

    As a school that prides itself on being a Top Military Friendly School, the New York Film Academy often highlights its veteran and former military students who have shown achievement and success both inside and outside the classroom. One of our current BFA Screenwriting students, Wil Willis, has already succeeded in finding his way into the business, as he is now hosting the History Channel’s Forged in Fire. The competition reality show—in the vein of Ink Masters or Face/ Off—pits master blacksmiths against one another in head-to-head competition to forge from scratch a weapon that could win them a $10,000 prize.

    wil willis

    Willis had been hosting a show for Discovery Channel’s American Heroes Channel, and the producers decided to test him for Forged in Fire. Willis tested well and the job was his.

    Before pursuing a career in entertainment, Willis served in the Army as a Ranger, and in the Air Force as a Pararescueman. After fifteen years in the military, Willis found himself working on the set of a Broken Lizard production. From there, he began taking acting classes on the down-low, so his military buddies wouldn’t find out. His decision to step out of the box paid off.

    “After acting in a couple films, someone asked me to be a TV show host,” recalled Willis. “I figured why not?” Life is all about adventure and having some cool stories to tell the nurses at the Veterans home.”

    From an early age, Willis had a fondness for storytelling and movies — especially 80s B-Movies like The BeastmasterGiven his passion and his goal of obtaining a college degree, Willis decided to pursue his BFA in Screenwriting at the New York Film Academy in Los Angeles.


    In the process of learning how to properly structure his countless ideas, Willis recently finished a personal project titled Comatose Dad, about a veteran struggling to get his act together in the real world. In the script, the main character kidnaps his comatose father from the hospital and takes him on a road trip.

    With his foot already in the door, Willis has extremely strong ambitions. “It would be an honor to graduate with the other guys in my class. As far as achievements go…I want it all,” says Willis. “No one comes into this business wanting to ‘just get by.’ I think you’ve got to want it all to get anywhere. And when you start making progress, you’ve got to want more and push yourself and know that you can do better and that you’ll only be as good as the last project you worked on.”

    April 6, 2015 • Screenwriting, Student and Alumni Spotlights • Views: 1355

  • BFA Filmmaker Introduces Khachaturian to Dali in ‘Sabre Dance’


    Greg Louganis as Salvador Dali

    One of our BFA Filmmaking students from the New York Film Academy Los Angeles, Ilya Rozhkov, is already making his rounds at the festivals and experiencing critical acclaim with his film Sabre Dance, which imagines a meeting between two historic artists, Salvador Dali and Aram Khachaturian. The story starts with Khachaturian giving a performance to the people of Spain. After the show, the world-famous composer is showered with praise and given the opportunity to meet Salvador Dali. From this meeting, Aram learns that artists can be completely different in their attitude toward life, art and etiquette.

    Rozhkov’s film premiered at the San Louis Obispo Film Festival, and has already won a Best Performance Award at the Sierra Canyon Film Festival. Next up for Rozhkov on the festival tour are the Sacramento Film Festival, the USA Film Festival (Academy Award Qualifying Festival), Madrid Film Festival (European Premiere), Cannes Film Festival (Short Film Corner), and the Other Venice Film Festival.

    We had the opportunity to ask Mr. Rozhkov a few questions about his film and his experience thus far at the New York Film Academy.

    NYFA: Congrats on the success you’ve had so far with your film Sabre Dance! Can you tell us where the idea for your film originated?

    Sabre Dance is based on a great story that I’ve known for a long time, but I felt a real connection to it after I read Mikhail Veller’s novelette Sabre Dance, which describes the same events. After reading the novelette, I connected to the story on a personal level.

    sabre dance

    BFA Filmmaker Ilya Rozhkov working with his actors

    Could you describe some of the challenges of working with the actors in your film?

    I think one of the biggest responsibilities of a film director is to provide the best guidance for actors to portray the characters of the story. In the case of Sabre Dance, some of these characters are also real historic figures, which gives a responsibility of historical accuracy.

    Working with Armen Babasoloukian (who portrayed Aram Khachaturian) was an incredible journey, which required a lot of preparation. Since Aram is not only a composer, but also a conductor, we worked with a conducting coach so Armen could really conduct in front of the camera. He did a fantastic job preparing, and when it came to shooting the orchestra scene, Armen was actually conducting the orchestra. I felt incredibly happy when one of the orchestra players, who actually worked with the real-life Aram Khachaturian, approached Armen and told him that he was looking and conducting just like the real Aram. I’m extremely glad that he received the Best Performance Award at Sierra Film Festival— he absolutely deserved it.

    Working with Greg Louganis (who portrayed Salvador Dali) was a very enjoyable experience. I had no idea about his Olympic successes until we started preparing with him for the part. When we cast him, I just saw an incredibly talented actor. And on set Greg proved to be extremely professional, talented, creative and dedicated. His portrayal of Salvador Dali is incredibly authentic and one of my very favorite Dali portrayals.

    Working with all the cast members of Sabre Dance was a huge pleasure.

    Backtracking a bit — you grew up in Russia. What made you decide to enroll in the BFA Filmmaking Program at the New York Film Academy Los Angeles?

    For as long as I can remember, I wanted to direct films. Following advice from a director I know, I first decided to take diplomacy education in Russia to get a broader view on the world, and have an in-depth study of History of Religions, Philosophy, History of Literature, Ancient Cultures, Anthropology, Psychology, Sociology, and more. This knowledge I obtained helps me every day while making films and studying at NYFA.

    In the summer of 2012, I took an 8-week Filmmaking course. The workshop made me realize that I was ready to start the journey I was preparing for all my life. All the general education classes in my university in Russia were over, and it was time to focus on filmmaking. So as soon as the 8-week course was over, I transferred to NYFA’s BFA Filmmaking Program. I’m incredibly happy that I took that choice and went to NYFA.

    sabre dance set

    Has your training and education at NYFA thus far been helpful in terms of producing your film Sabre Dance?
    NYFA education was an essential part of Sabre Dance’s creation.

    In terms of producing, Sabre Dance was a challenge. It’s a period piece taking place in Spain, involving a palace, theatre, and a whole symphonic orchestra. All of these things are a challenge to obtain when creating an independent film with a limited budget. Both New York Film Academy administration and instructors who were supervising the creation of the film—Saga Elmotaseb and Will Dickerson— were always incredibly supportive and helpful, always giving the right advice on all of the complicated aspects of the film.

    Moreover, I met most of my collaborators at New York Film Academy. We worked together with my cinematographer Egor Povolotskiy on all the films since Mise-en-Scene, the first film we get to shoot in the very beginning of the program. It was an enjoyment collaborating with producers Radhika Womack and Janek Ambros, who are both 2011 NYFA graduates.

    I’d love to highlight that the most helpful side of NYFA is the hands-on experience. There is some knowledge you can only learn on set. NYFA provides a lot of practice to master that knowledge, along with the theory to support that practice.

    So you’re screening at festivals around the world. What is the overall goal with Sabre Dance?

    First and foremost, to tell audiences a story about these legendary artists—explore the theme of artistic ego and the difference in their attitude toward art. Also, reaching the audiences through the festival circuit.

    Ilya Rozhkov

    What do you hope to achieve overall as a filmmaker?
    Through feature-length films, I want to tell important and interesting stories to audiences worldwide.

    Are you working on anything else at the moment or just focusing on Sabre Dance for now?
    Currently, I’m in development on an action-adventure feature film, and also writing a family drama. And of course, I’m preparing for my thesis film at NYFA.

    Have a look at the trailer for Sabre Dance below!

    Sabre Dance Trailer from Ilya Rozhkov on Vimeo.

    April 6, 2015 • Filmmaking, Student and Alumni Spotlights • Views: 4722

  • Producer Stephanie Allain Screens “Hustle & Flow” for 10 Year Anniversary at NYFA

    It’s been 10 years since the seminal film Hustle & Flow hit theaters (earning the Audience Award at Sundance, Oscar for Best Original Song and Best Acting Nomination for Terrance Howard) but the movie is just as impactful now as it was then. Just ask the students who attended the screening of Hustle & Flow in the New York Film Academy Los Angeles Theater this week, followed by a Q&A with producer and champion of the cultural relic Stephanie Allian.

    As Senior Vice President at Columbia Pictures, Stephanie helped launch the careers of filmmakers Robert Rodriguez and John Singleton. She shepherded Singleton’s Boyz N The Hood, which garnered two Academy Award nominations. Following her tenure at Columbia, she was named President at Jim Henson Pictures.


    Stephanie Allain


    Stephanie formed Homegrown Pictures and produced Craig Brewer’s Hustle & Flow, which earned the Audience Award at Sundance, Oscar for Best Original Song and Best Actor nomination for Terrence Howard. Since then, she’s produced the directorial debut film of Sanaa Hamri and of Tina Gordon Chism. Stephanie worked again with Craig Brewer, producing his film Black Snake Moan. She’s produced Tim Story’s Hurricane Season and most recently Gina Prince-Bythewood’s Beyond the Lights, and Justin Simien’s directorial debut, Dear White People. In addition to her prolific producing endeavors, Stephanie is Director of the Los Angeles Film Festival, Producer of the Spirit Awards, where she sits on the board of Women In Film and Film Independent as a member of the Academy of Motion Pictures Arts and Sciences and of the Producer’s Guild of America. Producer Tova Laiter and NYFA producing instructor Lydia Cedrone moderated the discussion.

    NYFA students were hanging onto Stephanie’s every valuable word as she described her rise through the Hollywood ranks, and important lessons she learned along the way. Soon after college she became a script reader when she discovered she could make up to $50 for every screenplay she wrote coverage for. Stephanie described the ability to write good coverage as essential in starting a producing career. This skill is what got Stephanie recognized by studio execs and working in their offices. And it’s the skill that gave her continued success in pinpointing quality material as a studio exec herself. She recommended that students read every script they can get their hands on and write coverage for it, if not only for practice. Her advice to those seeking to hone their screenwriting skills was to read 1,000 scripts and write coverage for them. This, she told students, would help them most in mastering their craft. Stephanie can now spot a bad script from page one. She’ll know if a screenplay is something that she’ll want to get behind because the feeling it gives her is very much like falling in love.

    allain and laiter

    Stephanie described how she shepherded the very unconventional Boyz N’ The Hood script through the studio system. John Singleton, the young genius who wrote the script and would later direct it, was a script reader at the time hired by Allain. John convinced Stephanie to read his script and she was floored. She said to herself, “This is what I’m here to do.” One-by-one she convinced her studio colleagues to read the script as well. This took a few weeks, but when she finally made known her burning desire to champion the film, it was already ingrained into everyone’s consciousnesses. To Stephanie’s surprise her boss green-lit the film and she was promoted to VP, since only VP’s could supervise production and it was clear to everyone only she could supervise this film. Stephanie revealed that one of the determining factors in her success within the studio system was that she was never afraid to give her exact opinion on things. It is these types of people, Allain said, that rise to the top.


    Stephanie Allain

    Allain described the exciting experiences of discovering directorial sensations such as Robert Rodriquez” (Desperado) and Craig Brewer (Hustle & Flow). By the time Stephanie made Hustle & Flow, however, she had become independent with her company Homegrown Pictures. A true believer in one’s power to create their own reality, Stephanie has adapted to the changing times to continue to make the kinds of movies she wants to make and also champion them via the Los Angeles Film festival that she is heading and intending it to become the most diverse festival yet.

    We sincerely thank Stephanie Allain for visiting the school and look forward to her next groundbreaking project.

    April 3, 2015 • Guest Speakers, Producing, Student and Alumni Spotlights • Views: 1017

  • Leonard Nimoy’s Son Adam (NYFA Faculty Member) making Spock Documentary

    Adam and Leonard Nimoy

    A young Adam Nimoy with his iconic father, Leonard Nimoy (AKA Spock).

    In memory of Leonard Nimoy, his son Adam Nimoy, will be dedicating his next production For the Love of Spock to his father. Adam, who is an acting and directing faculty member of New York Film Academy in LA, will continue the work on the documentary he started with his father (who sadly passed early this year). Although it will not be considered a “Spockumentary”, it will be commemorating the 50th anniversary of Star Trek (first aired September 8, 1966).

    According to Variety, William Shatner, who played Enterprise captain James T. Kirk, had agreed to appear in the doc.

    The new Star Trek’s Spock, Zachart Quinto, is expected to narrate the film.

    Although they are not opposed to crowfunding through sites such as Kickstarter, they plan to use conventional financing, which will be needed for licensing from Paramount and CBS. Whichever way they decide to go, we are pretty sure that a film dedicated to Leonard Nimoy will have no trouble raising funds.

    April 2, 2015 • Documentary Filmmaking, Entertainment News • Views: 594