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New York Film Academy Filmmaking

Hands-on Intensive 3-Week Filmmaking Workshop

OVERVIEW

This Three-Week Workshop provides students with a thorough introduction to the foundations of film craft. Many students find the three-week length fits conveniently into their yearly schedules. The workshop is a full-time program. Students must be prepared to make a serious commitment to its completion.

FORMAT

Classes and hands-on workshops are held throughout the week and some weekends are reserved for additional classes or shooting. Evenings are spent on writing, location scouting, casting, and editing. The third week is devoted to shooting and editing the final film, culminating in the final screening. As in all New York Film Academy workshops, each student writes, directs, shoots and edits a series of short film projects of his or her own using Canon 5D Mark II digital cameras, Lowel lighting packages, and digital editing software. Classes in directing, writing, editing, cinematography, and production cover the creative and technical demands of telling a story with moving images. Each week all the students' films are screened and critiqued in class with the instructor.


Course Descriptions

The following classes are designed to be of immediate and practical use in an integrated curriculum. Each week students are able to immediately apply the lessons learned in their classes to the films they are producing.

Director’s Craft
Writing
Editing
Hands-on Camera/Lighting
Production Workshop

Director’s Craft

Director’s Craft introduces students to the language and craft of filmmaking. Topics covered include storyboarding, composition, camera movement, continuity, montage, pacing, and rhythm.
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Writing

This course is designed to help students develop their scripts for their final films. Students will be instructed in story structure, dramatic arc, creating characters, text and subtext, refining stories, and scriptwriting style.
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Editing

Editing is an art unto itself. Regardless of the editing system a filmmaker uses, it is the editor’s ability to work with the shots and tell a story that makes all the difference. Workshop students will learn how to use the digital editing system, Avid Media Composer. Each student edits his or her own films and can supplement classes with individual consultations at the editing station. Students are taught the fundamental concepts of film editing, both practical and aesthetic.
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Hands-on Camera/Lighting

A hands-on class and instructor-led workshop in which students are introduced to the fundamentals of HD image making. The craft of composing images with the Canon 5D HD cameras will be taught “from the ground up” and will presuppose no prior knowledge of filmmaking. The proper use of basic lighting instruments and their contribution to the image will be explored in class exercises and demonstrations. The students will also learn fundamental lighting techniques.
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Production Workshop

The Production Workshop is designed to demystify the craft of filmmaking. It is a hands-on class in which students stage and shoot exercises under the supervision of the instructor. The technical aspects of filmmaking are seen as tools to realize the story. The guiding idea is that once students can articulate the objective of a given scene, the necessary craft and techniques will follow. Through the in-class exercises, the rules and tools of mise-en-scène and continuity are defined and practiced.
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Film Projects

Mise-en-scène
Continuity
Music & Image

Mise-en-scène

In their first film, students are introduced to mise-en-scène, or directing a shot to visually tell a story. Once they create a dramatic moment, they concentrate on the dynamics of the shot that will best express it. This project teaches students how the relationship of the subject and the camera creates drama. Each student designs and shoots a scene, which has a beginning, middle, and end. Students learn to pay close attention to the choice of lenses, distances, and angles. Since the story must be told in no more than three shots, each shot must be staged to express as much as possible about the characters and their actions. Students should rehearse the shot for blocking of actors and camera until the scene works without needing to stop; only then should they roll film.
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Continuity

Continuity is one of the fundamental principles of modern filmmaking. By making a "continuity film," students learn the way cuts can advance the story while sustaining the reality of the scene. They learn the difference between "film time" and "real time."

Students are challenged to make a film that maintains continuity in story, time, and space. The action in these films unfolds utilizing a variety of shots (10-15) in a continuous sequence (no perceptible jumps in time or action). Students must produce a clear, visual scene while maintaining the truthfulness of the moment. It is essential that the audience believes in the reality of the scene. Students write, direct, shoot, edit, and screen a film of up to three minutes.

Students must thoroughly organize and pre-produce their projects by completing the following elements: Script, Location Scout, Breakdown, Floor Plan, Storyboard, and Schedule of Shots.
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Music & Image

The third project introduces students to the relationship between sound and film, as well as to narrative tools like montage and jump cuts. In this project, students are encouraged to explore a more personal form of visual storytelling.

Students choose a short continuous selection of music. In the editing room they cut their images to work in concert with, or in counterpoint to, the music. Students should experiment with rhythm and pacing. Each student writes, directs, and shoots his or her project on film, edits digitally, and screens a completed Music Film.

In addition to storyboards, students may use a still camera to plan their films. This assists them in their choice of locations, distances, angles, and lighting.
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Dates & Tuition

Fees

Tuition: $2,840 (USD) +
Equipment Fee: $390 (USD)


Students will also incur additional expenses on their own productions. This varies depending on how much film they shoot and scale of the projects.

Location & Available Dates

For Harvard University:
Jun 25, 2017 - Jul 15, 2017
Jul 16, 2017 - Aug 5, 2017

For Paris France:
Jul 9, 2017 - Jul 29, 2017
Jul 30, 2017 - Aug 19, 2017

For Florence Italy:
May 21, 2017 - Jun 17, 2017

For Walt Disney World Resort:
Jun 11, 2017 - Jul 1, 2017
Jul 9, 2017 - Jul 29, 2017



Please note: Dates and Tuition are subject to change
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