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  • Producing Grad Inks TV Series Deal From NYFA Guest Speaker

    Heidi Segal Recent Producing graduate from the New York Film Academy’s 1-Year Producing Conservatory, Heidi Segal, is a shining example of how it’s never too late to change your career and pursue an endeavor that is much more fulfilling. The former government contractor of 25 years rediscovered her creativity and hit the ground running while learning the craft of producing. She’s been busy working on several projects since graduating from the program, and was able to catch us up with her new career in a recent interview.

    What made you decide to transition from government contractor to producing for film and TV?

    After escaping an abusive marriage in early 2015, I relocated from Annapolis to Baltimore, MD to be closer to my client base. That summer I discovered “House of Cards” season 4 was shooting in the city and was curious about what it’s like being on set. So I signed up to be an extra and ended up working on the show 9 days over the next couple of months, to include being Robin Wright’s stand-in for a day. Since my industry had become so standardized, there was no longer anything creative about it, so I started crewing for friends on their first films or web series and taking acting classes. Quickly realizing that I preferred being behind the camera instead of in front of it, and enjoying the creative process of filmmaking, I decided to take a couple months off work and attend the 8-week Filmmaking program at NYFA with the intention of returning to Baltimore and my career. However, halfway through the filmmaking course, I realized producing films and TV series was exactly what I should have been doing years ago. Between my natural creativity and 25+ years of directly-relevant business experience, I immediately signed up for NYFA’s 1-Year Producing Conservatory, quit my consulting business, moved to NYC, started Mixed Sygnls Productions, LLC, and went back to school. I’m glad I did.

    Would you say the producing school at NYFA was useful in terms of what you’re currently working on?

    Absolutely. There is no way I could have executed this career transition as completely and efficiently as I have. Without the formal training and networking opportunities provided by the program, it would take me years to figure out I’m doing. I would not have been able to quit my career and focus solely on creating films and TV series.

    Can you tell me a little bit about your short film, “Matthew’s Monsters”? 

    The logline is: Happy-go-lucky by day, a young boy is haunted by the sounds of monsters stomping around his room when the lights go out…until he discovers the source of the monsters’ footsteps.

    I adapted “Matthew’s Monsters” from a story in the book “Icarus of Brooklyn” by Matthew Alper. I wrote the screenplay, cast the two characters (a 4 year-old boy and his mother), directed, and edited the film. I also optioned “Icarus of Brooklyn” for my thesis project and am now developing it into a feature film.

    “Matthew’s Monsters” will be screening at the Cannes Short Film Corner and is being considered for 35 other film festivals worldwide.

    matthews monsters

    “Matthew’s Monsters”

    Can you talk a little bit about your series, “Rough Cut”? Where did the idea come from and what is the status of the project?

    We had a reality TV sizzle reel assignment in the Producing Conservatory 2nd quarter. Each student had to come up with their own concept and pitch to the Producing Department Chair, Neal Weisman. I came up with an entertainment industry-related competition/reality series. I apparently went overboard on my assignment and produced a full pitch package. Neil and Richard D’Angelo suggested I take the project out of the school and find an experienced reality TV Showrunner to attach as a Co-Producer and start marketing the series. I pitched the project to Eric Leemon after he came in for a guest lecture. He loved it, we inked a deal, and he handed it off to his agent at William Morris Endeavor (WME) to shop around for a buyer.

    You’ve recently been working with ID/Discovery. Can you tell me what your position is at the network?

    We had an internship requirement in the Producing Conservatory 4th quarter. Eric Leemon facilitated getting me onboard with HudSun Media here in NYC to work on the development team on the Discovery ID Channel crime reality show Bad Blood season 2. I worked as a researcher to identify murder cases that met the show’s concept for episode consideration. After graduating from NYFA, HudSun Media hired me on an as-needed basis to continue episode research support and to help the production team prepare to shoot and produce episode 5. All 6 episodes are in post production – so my work there is complete.

    What do you hope to achieve at Cannes, especially with your involvement in the Cannes Film Business Program?

    The networking opportunity at Cannes is my primary focus. I’m hoping to find financing and distribution deals for my upcoming feature films and possibly for “Rough Cut” and the other TV series I am creating.

    What else are you currently working on?

    Under my company, Mixed Sygnls Productions, LLC, I have optioned four feature films. I am currently developing and preparing to produce two of the smaller budget features — “My Name is Velouria,” a $2M action thriller that I plan to shoot in upstate NY this fall, and “Icarus of Brooklyn,” a $3M coming-of-age drama set in Brooklyn in the late 70s, early 80s that I plan to shoot in NYC next spring.

    The other two features will be in the $15-25M range with production planned for late 2018 into 2019. I am also producing a teaser for Michael C. Bryan’s book “Creepy Kid” that will be published later this year. We plan to co-produce a feature film and TV series based on the book. In addition to “Rough Cut,” I am also creating a comedy reality TV series called “Kinda Sketchy” and two narrative TV series. I am creating “Bad Wolff”as a limited series about domestic abuse and domestic violence with the plan to launch a follow-on drama series called “Closure.”

    April 20, 2017 • Producing, Student and Alumni Spotlights • Views: 527

  • NYFA Welcomes Diversity Chair Dr. Nancy Kwang Johnson

    The Los Angeles campus of the New York Film Academy (NYFA) has a new Chair of Diversity, Equality, and Inclusion, Dr. Nancy Kwang Johnson. Nancy is responsible for formulating NYFA’s Diversity, Equity, and Inclusion policy and its Diversity Strategic Plan, creating multicultural programming, and spearheading strategic partnerships for faculty, students, and staff.

    nancy kwang

    Nancy brings two decades of experience as an educator, higher education administrator, and consultant to the role of Chair of Diversity, Equity, and Inclusion. Most notably, Nancy was invited to the first Korean American Briefing at the White House (2012). She received the “President’s Excellence in Diversity” award at Western Illinois University. Nancy attended Vassar, and has an MPA, MA, and PhD (in Government) from Cornell.

    As a multiracial female (her mother is Korean, her father is African-American, and her paternal great grandmother is full-blooded Cherokee), Nancy is no stranger to diversity, equity, and inclusion. As a polyglot, Nancy speaks Korean and English (her mother tongues), basic Albanian and Wolof, and has taught International Relations in French.

    With expertise in Race, Ethnicity, and Diaspora Studies, Nancy has lived in South Korea, France, Senegal, Canada, Albania, and Serbia. In North America, Nancy has taught at the New School, Texas Tech, Temple, Colgate, Washington University, Yale, Western Illinois University, Georgetown, University of Windsor, and the University of Ottawa.

    The Dean of the College organized a series of “meet and greets” in Barham and Riverside so that NYFA students could become acquainted with NYFA’s incoming Chief Diversity Officer. At Barham, Nancy engaged in a listening tour comprised of thirty-five students and provided a silhouette of her strategic vision for diversity, equity and inclusion. The students expressed their enthusiasm for the inclusive and diaspora-informed nature of upcoming events such as “A Conversation with NBC’s Diversity Initiatives Team,” and news of the partnership Nancy recently forged with East West Players Theatre.

    nyfa diversity

    At Riverside, NYFA students Amjad Tkroni and Hanan Higgi (active in clubs and organizations) were eager to recruit their fellow students. When asked how they felt about Nancy the girls broke into giggles, “She’s so cute. She’s able to say exactly what her vision for the future is in one sentence. Plus she has so many great events coming up.” The girls were particularly excited for the Second Line Festival (May 5th) – an International Dance Festival showcasing hip hop, West African, Indian, and Russian choreography of the NYFA Dance Troupe.

    For her part, Nancy had this to say about meeting her new students:

    “I was so humbled by the fact that the Dean of the College wanted to have a ‘meet and greet’ in my honor. On this end, I was truly inspired by my town hall-like dialogue with the students, and definitely learned a lot about their innate desire to have truly diverse, equitable and inclusive events across campus. In this regard, I am forever indebted to President Michael Young and NYFA leadership for accepting my pitch to re-brand the Department to Diversity, Equity and Inclusion. Our new brand, I believe, reflects the world we live in today. We are NYFA.”

    The New York Film Academy is proud to count Dr. Johnson amongst their ranks and looks forward to the NYFA Diversity, Equity and Inclusion policy, the NYFA Diversity Strategic Plan, multicultural programming and Strategic Diversity Initiatives to be formulated and implemented to create a sense of belongingness and community for NYFA faculty, students, and staff. Be sure not to miss out on these amazing opportunities coming soon.

    LIST OF UPCOMING EVENTS

    April 10th (7:30-9:00 p.m.) — NYFA Burbank’s 1st Open Mic Night.

    Our hostess for the evening will be Aida Rodriguez (recently featured in Robert De Niro’s latest film, “The Comedian”). Aida was also a finalist in NBC’s Last Comic Standing, and will be appearing as the first Latina in Shaq’s All Star Comedy Jam.

    April 24th       Inaugural Diversity, Equity and Inclusion Speaker Series (TBA)

    May 2nd         “A Conversation with NBC’s Diversity Initiatives Team”

    May 5th          Second Line Festival: An International Celebration of Diversity

    April 19, 2017 • Community Highlights • Views: 1138

  • Acting for Film Alumnus Torsten Colijn Nominated for Best Ensemble Cast

    torstenThe 2017 FirstGlance Film Festival Los Angeles has announced its official nominations for the 17th edition, which will take place April 20-23.

    Torsten Colijn, an Acting for Film alumnus from the New York Film Academy Los Angeles, has been nominated as part of the ‘Best Ensemble Cast (short)’ for his role in his first US film production “Leben – Life,” a coming of age story about passion for life, exploration, and self acceptance.

    “I truly did not see this one coming,” said Colijn. “This is really awesome, and such a big compliment to the whole international cast. Claudia Claase, Anastasiya Kuptsevych, Musa Lutfi Trevathan, we all did our best to make this story come to life. With great co-directing by Chessa Mehlman and Ian Sumner.”

    The film addresses the struggles that LGBT youth face while showing strength, beauty, and happiness as two women find each other during their travels through Europe. Colijn plays a waiter, whom one of the women comes across on her journey.

    For Torsten it’s his first USA nomination, although he’s acted in over 60 European film, TV and theatre projects.

    “My training at NYFA taught me about the business of film in America, which is totally different than the Dutch film scene,” said Colijn.

    Earlier this year Torsten attended the Canada Independent Film Festival, in Montreal, on behalf of the producer of the Belgian drama film “Rose,” in which Torsten stars as the emphatic doctor, Zachee, who is determined to save the life of a young girl named Rose. With 12 awards worldwide and 43 nominations so far, “Rose” had its Canadian premiere in Montreal as the film had the honor of kicking of the film festival.

    Colijn is represented by Eric Stevens from Rainbow High Entertainment.

    April 18, 2017 • Acting, Student and Alumni Spotlights • Views: 1585

  • NYFA Producing Dept. Hosts Evening with Producer Carla Singer

    Last week, the Producing Department at the New York Film Academy hosted an evening with producer Carla Singer. The event was moderated by NYFA NY Chair of Producing Neal Weisman.

    carla singer

    Singer is president and executive producer of Carla Singer Productions, an independent production company that has produced over 30 television movies as well as documentaries and reality series. Her credits include “Freshman Father,” a Hallmark Channel movie, and Disney Channel films “T*witches,” and “T*witches Too.” For TNT, the company executive produced “The Portrait” starring Gregory Peck and Lauren Bacall, as well as “Forgotten Prisoners: The Amnesty Files.” At TBS Ms. Singer produced a documentary “The Black West,” which was nominated for a Cable Ace award. She also produced “A Refusenik’s Diary” for PBS, for which she received an Emmy.

    Her extensive credits include the made-for-television movies “A Marriage of Convenience” starring Jane Seymour, “Indefensible: The Truth About Edward Brannigan” starring Brian Dennehy, “Taken Away,” “Angel Flight Down” and “Cold Heart of a Killer.”

    Singer became vice president of drama programming for CBS Television at a time when hardly any women were accepted into upper management at the networks. As a female pioneer for the network, and the industry in general, Singer helped create the extremely successful drama series, “Murder She Wrote,” as well as “Scarecrow and Mrs. King” and “The Equalizer.”

    carla singer with neal weisman

    Producer Carla Singer with NYFA Producing Chair Neal Weisman

    However, Singer’s career certainly wasn’t handed to her. Beginning her career in Israeli TV, Singer recalled working as an assistant director, but was credited and paid for the role of a PA due to the fact that she was a woman. Her career would continue to be an uphill climb due to her gender, but Singer kept one foot in front of the other and pressed on to tremendous success. While she feels there is still gender inequality in film and TV, Singer does acknowledge the progress since her beginnings.

    “You have to be very persistent,” said Singer. “You have to be risk tolerant. You have to take that risk — even if it’s scary.” Singer recalled two times in her life where she took a pay cut in order to work in a position that could propel her career into the direction she was confident would lead her on the right path.

    Singer advised students to appreciate and take advantage of the creative talent around them. After all, the people you’re working with now are going to be your network, and are going to climb the proverbial latter with you.

    While many of us get caught up in the creative aspect of filmmaking, Singer did advise producing students that, “It’s a business, and you need to make money. Even though that’s a bit crass. You should keep that in your head.” 

    “Carla Singer proved to be an inspiration to the cross section of NYFA Producers, Screenwriters, and Actors who attended the event,” said Weisman. “Emphasizing the need to take career risks and seek mentors, her wisdom gained from decades of television experience was both informative and motivating.”

    April 17, 2017 • Guest Speakers, Producing • Views: 920

  • Filmmaking Alumnus John Jencks Returns to NYFA to Screen “The Hippopotamus”

    Earlier this month, New York Film Academy Filmmaking alumnus John Jencks returned to NYFA Los Angeles to screen his feature film, “The Hippopotamus,” starring NYFA Board Member Matthew Modine.

    Having grown up in the UK, Jencks recalls his time as a student, hitting up three movies a day at the local theater. His fascination with films took a step further when he worked on a commercial shoot in Portgual with his friends. “I enjoyed the camaraderie of it all,” he said. Ultimately, Jencks relished the multitude of challenges and coming up with different solutions.

    john jencksIt was at that point that Jencks wanted to create his own projects under the tutelage of industry professionals in Los Angeles, where his father happened to live and teach at a local university.

    “I chose NYFA because they give you a camera and let you go on with it,” he said. “It’s an environment where I can make a lot of mistakes and then work them out with industry professionals.”

    While at NYFA, Jencks quickly found his clique who he bonded with and shot a series of short films that helped build his reel and filmmaking experience. After graduating from NYFA, he got a job at the production company, Muse. “I was the first person at work and the last person to leave, but as long as I kept a smile on my face, they’d keep giving me more and more responsibility,” said Jencks about his time with Muse.

    From there he took a job as a 3rd AD on a feature film that was filming in Utah. The film, “Blind Dating,” which starred Chris Pine, introduced Jencks to a fairly large budget production.

    He then went on to produce “Lying” which premiered at the Director’s Fortnight in Cannes, though things didn’t go quite as he’d hoped. “I was booed by the crowd. I believe the film may have been too pretentious, even for the French,” he quipped. Nevertheless, Jencks pressed on in his career, starting his own production company, Electric Shadow Company.

    Jencks has now been working in the film industry for over 10 years as a producer, writer and director. His short film, “Go Away, Please!” (2009) won the Shooting People prize at London Short Film Festival. His debut feature, “The Fold,” starred Catherine McCormack and got its cinematic release in 2013.

    Interestingly enough, back in 2002, while staying at producer Roger Corman’s home, Jencks noticed Stephen Fry’s novel, “The Hippopotamus,” resting alongside his guest bed. “I laughed and laughed,” said Jencks. “I responded very well to the protagonist and antagonist. I thought this story would do well if we were able to take the essence of it and provide a traditional narrative structure.”

    Years later he acquired the rights to the novel and directed the film under his production company.

    When it comes to directing his actors, Jencks talks about using the script as the blueprint to abide by, and how he interprets it is a really interesting journey. His job is to ensure each and every talented actor is on the same page. “You have to tie everything together. That’s the job of the director,” he adds.

    Aside from his directing credits, Jencks has executive producer credits on “Swallows and Amazons” (Andrew Scott, Rafe Spall and Kelly Macdonald); “The Trust” (Nic Cage and Elijah Wood), “Terminal” (Margot Robbie, Simon Pegg, Mike Myers) and “The Crow” remake.

    As for his role as executive producer, Jencks says he trusts his directors and tries not to get involved with the creative.

    john jencks

    NYFA Dean of the College Sonny Calderon with John Jencks

    Outside of the entertainment business, Jencks is a family man and a keen advocate of human rights. He’s closely involved with Reprieve and Just for Kids Law.

    He is the proud custodian of the internationally renowned “Garden of Cosmic Speculation” designed and created by his father, architect and landform artist Charles Jencks and late mother Maggie Keswick Jencksat, at their family home near Dumfries. His parents are also the founders of Maggie’s Cancer Caring Centres, which now have 17 units at major NHS cancer hospitals throughout the UK and overseas.

    For those with an affinity for wine, Jencks is also passionate about natural wine and is a part owner of Aubert and Mascoli Ltd, which supplies organic and biodynamic wine to some of the UK’s best restaurants and various discerning private clients.

    April 14, 2017 • Filmmaking, Student and Alumni Spotlights • Views: 1664

  • NYFA Alumnus Jaspal Binning’s “Ovum” Available on Digital and VOD

    Beginning today, you’ll be able to watch New York Film Academy Musical Theatre alumnus, Jaspal Binning‘s newest independent feature, “Ovum,” on Digital (iTunes), DVD and Video-on-Demand (VOD). Binning both stars and is executive producer in this dark, comedic, yet uniquely poignant story about the mysterious world of egg donation, which is loosely based on the true-life experience of writer/star Sonja O’Hara.

    Ovum

    In addition to Binning and O’Hara, the film stars Hassan Johnson (“The Wire”), Katie Morrison (“Donnie”), Jaspal Binning (“Brown Nation”) and Rutanya Alda (“The Deer Hunter”). It is directed by Matt Ott, with Dan McBride as editor and director of photography. The film is produced by Vincent Petrosini, Anna Lauren Farrell and Sonja O’Hara. Jeff Forbes, Jack Turner, Kris Frank, and Elyssa Lyn Rabinowitz.

    “The idea for Ovum came to me when I was flipping through the pages of Backstage,” said writer and star, Sonja O’Hara. “Next to casting notices for student films and Off-Off-Broadway plays, I noticed a picture of a group of beautiful, glowing young women and an ad that read: Do something meaningful. Help a woman in need. $8,000 dollars. I remember thinking, ‘here they are marketing a dangerous and experimental vanity procedure to fledgling actresses who are more often than not desperate and financially impaired young women.’ Ultimately I discovered that the in vitro fertilization process can be potentially more affordable than the sometimes exorbitant adoption fees in New York State. The whole issue wasn’t black and white and I felt compelled to explore the questionable moral gray area of financial compensation in exchange for human life. Could an audience relate to a self-serving female character who sells her eggs?”

    This is not the first collaboration with Binning and O’Hara. The two won Best Director prize at the New York Television Festival and Best Pilot of the Festival at ITV Fest for “Doomsday.”

    Since graduating from the Musical Theatre program, Binning has also appeared in Aaron Sorkin’s HBO series “The Newsroom,” and he plays the lead in the Netflix’s original series, “Brown Nation.”

     

    April 11, 2017 • Musical Theatre, Student and Alumni Spotlights • Views: 1494

  • NYFA Photography Instructor Chris Knight Listed on Profoto’s “Legends of Light”

    Born in Wiesbaden, Germany, New York Film Academy Photography Instructor Chris Knight’s work has appeared in Vogue, People, MSNBC, ABC, Ocean Drive, GQ and others. Knight says photography started as a hobby for him until it became compulsive.

    “It was something that appealed to me in a lot of different ways — technically and creatively,” he says. “Once I had a few years under my belt, part-time, I figured ‘why not?’ and dove head first. I didn’t quite know what I was getting into, but somehow managed to come out okay on the other side. I consider myself very lucky that I am able to work in a field that is my passion and fulfills me creatively.”

    Chris Knight

    Chris Knight

    Knight is the recent author of the book, “The Dramatic Portrait.” The book is a photography education book that talks about the techniques and creative use of lighting, styling, retouching, and developing your own personal creativity.

    “It was something of a bucket list item for me,” said Knight. “I had always wanted to write a book and about a year ago had the opportunity to do so. It has been a labor of love for about a year, and I’m thrilled to finally be able to release it.”

    Knight also recently completed his work with RGG EDU (rggedu.com), which is a video tutorial / documentary that covers the process of him creating and photographing three different shoots. “It’s a companion piece to the book, and the images I made for it are some of my favorite I’ve ever done,” said Knight.

    Chris Knight

    photo by Chris Knight

    Given his work, book, and teaching, Knight has been named one of Profoto’s “Legends of Light,” which honors photographers’ outstanding skills and contributions to the professional American photographic community. “Just being placed on a list with people I’ve had tremendous respect and admiration for over the years is incredibly humbling,” said Knight.

    “Don’t underestimate the power of time, patience, and hard work,” Knight advises his students and aspiring photographers. “It is easy to fall into the trap of wanting everything to happen quickly, but sometimes the process is a significantly longer one. Use that time as a way to continue developing your personal voice. Once your stumble on what is uniquely you, more opportunities will present themselves and you’ll be happier with the ones that do. Go above and beyond (without being asked) and have a positive attitude about it. Being a working creative is hard. Those that are strong self-motivators are always the most successful. When you’re your own boss, you don’t have someone telling you what to do, so learn to take the initiative for yourself.”

    For more of Knight’s work, visit chrisknightphoto.com or on Instagram at @chrisknightphoto. “The Dramatic Portrait” is available for pre-order on Amazon in paperback or ebook, and the tutorial with RGG EDU will come out this summer.

    April 11, 2017 • Faculty Highlights, Photography • Views: 1264

  • Award-Winning Actor Matthew Modine Holds Master Class for Acting for Film Students at NYFA NYC

    With news of a Peabody Award nomination for the Netflix hit series, “Stranger Things,” it couldn’t have been a better time to have New York Film Academy’s long-time friend and board member, Matthew Modine, come in to hold an intimate master class for New York’s Acting for Film students.

    matthew modine

    Modine made his feature film debut in John Sayles’ “Baby it’s You” (1983), soon becoming one of Hollywood’s hottest young actors with his contributions to three Vietnam War-era films. The first was Robert Altman’s “Streamers” (1983), in which he played a soldier preparing for decampment to battle, followed by a starring turn as the mentally unstable titular character of Alan Parker’s “Birdy” (1984). In perhaps the most recognizable role of his career, he narrated the horrors of war as the independent-minded Private Joker in Stanley Kubrick’s “Full Metal Jacket.”

    “Being invited to work with Stanley Kubrick certainly altered my life,” said Modine. I can’t relate him to any other director because I was there for two years. That just doesn’t happen anymore. The experience with Stanley wasn’t just a friendship. It was a mentorship, a job. It became something that was much more profound. It changed the way I think about art.”

    “He was such an analytical person,” Modine continued. “He was a chess player. There’s different ways of playing the game but the goal is to win. He was a great manipulator. His creative process was the thing that I don’t know if anyone knows the answer to.”

    Most recently, Modine won the SAG Outstanding Performance by an Ensemble in a Drama Series award for the role of Dr. Martin Brenner in the Netflix original series “Stranger Things,” and appears in the “Sicario” sequel “Soldado,” the thriller “47 Meters Down,” and the British comedy of manners “The Hippopotamus,” directed by NYFA alumnus John Jencks.

    The award-winning actor began the evening by introducing each and every student in attendance at the theater. After calling out close to 70 students, Modine stressed the importance of understanding who a person is and where they come from. After all, we all come from different backgrounds and experiences and that’s what makes up for who we are. Recalling the classic Harper Lee book, “To Kill a Mockingbird,” Modine said, “You never really understand a person until you get into their skin and move around in it.

    Throughout the evening, Modine broke down powerful scenes from his films, including “Full Metal Jacket,” “Birdy,” “And the Band Played On,” “Married to the Mob,” and more. He was extremely personable and loose with the students, providing moments of laughter and sincerity. 

    Admittedly a very liberal person, Modine says — no matter where you stand politically or spiritually —that actors should understand and appreciate the enormity of the fact that, “What we do is very important. We tell stories that change people’s lives.” 

    April 6, 2017 • Acting, Guest Speakers • Views: 1810

  • NYFA Photography Holds Exclusive Workshop For IVY Members

    Last week, the New York Film Academy Photography Department invited members of IVY to ‘learn how to capture the perfect photo’ in an exclusive IVY Photography Workshop. The evening began with complimentary cocktails and followed with an engaging discussion with NYFA Chair of Photography for the NYC Campus, David Mager.

    ivy photography at nyfa

    Mager focused on how photographers use light to capture the desired image. Following the discussion, IVY members dove into an immersive photography workshop at two different lighting platforms with NYFA’s expert instructors on ‘how to master the key techniques of photographic lighting.’

    nyfa photography ivy

    “It’s not often as young professionals that we get to re-explore the hobbies we have put aside for our busy work and social schedules,” said Phil Chan, IVY Arts and Culture Director. “Our workshop at the New York Film Academy was a great way to learn more about photography in a short amount of time from a great team of faculty members, and inspired us to take the lessons we learned and incorporate art-making into our every day lives.”

    “We had a great first event with IVY, participants were engaged, learned a lot, and had a great time,” added David Mager.

    If you’d like to check out the gallery of photos from the event, please CLICK HERE.

    April 5, 2017 • Community Highlights, Photography • Views: 1426

  • NYFA Alumna Wins Best Supporting Actress Award and More

    tasteDanielle Kronenberg is a British actress who currently lives in Los Angeles. She started her training at a very young age at a prestigious full time children’s drama school in London and made her West End debut at nine — the same year she won an award at the London Film Festival. She then went on to star in a number of commercials for the UK and the US.

    Since living in the US, and graduating from the Acting for Film program at the New York Film Academy, Kronenberg has starred in many independent films and a children’s web-series, which she produced. She’s also co-created and produced two of her own films, one of which, “Canvas,” won two awards for producing and the other, “Taste,” won three producing awards and two best supporting actress awards thus far.

    “I think going to NYFA was one of the best years of my training,” said Kronenberg. “I got to study with some great teachers, and I’ve stayed in touch with them too. Also, being part of the NYFA networking circle is pretty incredible. I can now call upon friends and say ‘Hey, I have an idea, let’s shoot something,’ and I know I’ll have a whole team to shoot with. A truly priceless experience.”

    “Taste,” which awarded her a Best Supporting Actress Award, is about a bulimic model who moves to NY to pursue her modeling career, but the secret that she’s harboring comes to the surface and cannot be contained once she meets Evan, a manipulative, successful fashion photographer who has a habit of controlling her muses.

    The writer of the film, Jay Palmieri Jr., who’s also a NYFA graduate, approached Kronenberg after starring in his film. “He said he wanted to collaborate on an LGBT film together as we’re both in that world,” recalls Kronenberg. “So we came up with a story and decided to produce it together. Jay wrote the role of ‘Evan’ for me, as he said he wanted to see me play a very dark emotional character. I’m so glad he did as it was my most challenging role. I’m not like Evan at all, so to play her was a lot of fun. I think the most challenging part was to really get into the head of Evan, and to start thinking like her. She’s totally dark and twisted. I found myself staying in character for most of the shoot, which was also fun.”

    kronenberg

    Kronenberg plays Evan, a fashion photographer in NY who has very manipulative ways. “Evan is the type of woman who doesn’t take no for an answer,” says Kronenberg. “She’s highly successful and has many models falling at her feet in the hopes of getting a big shoot.”

    “Taste” is currently in 15 festivals and counting. It’s streaming on digitalboxoffice.tv — where you can rate the film as well (5 popcorns all the way).

    Kronenberg is now working on two LGBT films and a romantic drama, each of which she will be producing and starring.

    April 4, 2017 • Acting, Student and Alumni Spotlights • Views: 1637