New York Film Academy Hour on Popcorn Talk recently featured New York Film Academy Los Angeles Chair of Acting for Film Lynda Goodfriend, who shared her experience working on the iconic American Television Show “Happy Days,” as well as making the shift from actress to talent manager, and what inspired her to teach.
One of the best stories Goodfriend shared was how she helped Robin Williams get his start in the industry. Williams and Goodfriend were in an improv class together. “He was either great or he was terrible,” Goodfriend said of watching an early and unpolished Williams leave it all on the stage. His talent was apparent but he never stayed on script, a large faux pas in television, where the writer is king.
Goodfriend saw an opportunity to help the struggling actor when “Happy Days” was having trouble casting a new frazzled alien character, Mork. “We were shooting the scene on Friday. It was Wednesday and we still hadn’t cast the role.” She told the producers about Williams and his wild and hysterical performances.
“He came in for the audition. He didn’t stay on book but what he brought to the performance was even better than what was on the page. He was booked immediately.” The role led to a spin-off series that launched Williams into superstardom, and the rest is history.
To watch the NYFA Hour tune into Popcorn Talk on YouTube every Thursday at 4:00 PM PT. You can catch up on previous episodes with amazing guests like film critic Peter Rainer, who discussed the legacy of Marlon Brando.
Goodfriend spoke honestly and openly about her early beginnings in the performing arts, her early years as a dancer on Broadway, and her success on the iconic American television sit-com “Happy Days,” as well as various film appearances through the years that followed as a teacher and manager.
During this invaluable session, Goodfriend was able to share her enthusiasm for the craft of acting, and express the hard work and perseverance that is required to be successful in the field.
“Work harder than everybody else,” she said. “Don’t burn bridges, and never, ever quit.
She also broke down some more technical and specific advice, such as:
You have to do as much work as you can in your home country; then bring that experience with you. This shows that someone has given you a chance and you have experience to show for it.
Never pick your own headshot. Never let your mother pick your headshot. Having a good headshot is part of acting.
Without a good headshot, agents won’t look at your resume. Once they do look at your resume, though, they will need a demo reel to show the casting director.
It is important to have a demo reel to showcase your work. It should be about 2 minutes. If they can’t see your talent in 30 seconds, they will not watch anything else.
The industry has changed drastically. You need to make your own material — create webisodes and put them on YouTube — get yourself out there.
Goodfriend later took the time to share her experiences as a lecturer and Chair of Acting at the Los Angeles campus, providing valuable insight into the types of degree and long-term programs for students to further study in the U.S., and elaborated on the application process.
One of the many enticing aspects of attending one of the New York Film Academy’s programs is the ability to learn hands-on from professionals who have and continue to have such a strong grasp of the professional entertainment business. The best teacher is someone with real life experience in his or her field. Our Los Angeles Acting for Film Chair, Lynda Goodfriend, oversees the acting for film school with a tremendously versatile and impressive background, having performed and acted in both New York City and Los Angeles.
After college, Goodfriend started her career as a professional dancer and singer on Broadway, Off Broadway and, as she puts it, “Way-off Broadway.”
“It was everything I’d dreamt of! One of the highlights was to work with a young performer just starting his career as well, John Travolta” recalls Goodfriend. “When I started to take my acting more seriously, I began studying with the master teachers Lee Strasberg and Sandy Meisner, which made me believe that my ultimate goal as a performer was to be a ‘dramatic actress.'”
After being in a couple of very small roles in Martin Scorsese’s Taxi Driver with Robert De Niro and The Front with Woody Allen, Lynda drove to Los Angeles with ambition and her SAG card. To her surprise, Goodfriend booked a variety of sitcom roles, rather than the dramas she was accustomed to.
“I started classes at Harvey Lembeck’s comedy workshop and would come home crying after every class—it was so hard! But now I love comedy and appreciate the actors who do it well. Among my classmates was a young comedian who could not get work as an actor because he could not stick to the script, but he was brilliant at improv. A role came up on the series I was doing (Happy Days) and they could not cast the character, so I mentioned this guy from my class. He came in to audition, got the role, and the producers liked him so much they created a series of his own—it was called Mork and Mindy, and the actor, Robin Williams, became a huge star.”
Lynda Goodfriend as Lori Beth Cunningham with Ron Howard as Richie Cunningham on ‘Happy Days’
Lynda is most well known for her role as Lori Beth Cunningham in the hit TV series Happy Days. Along the way she did two other sitcom series, many guest star roles, and several roles in feature films working with such actors as Tom Hanks, Bette Midler, and Julia Roberts. One of her fondest moments, as she recalls, was working with Ray Bolger, the ‘Scarecrow’ from the Wizard of Oz, on an episode of Fantasy Island.
Taking a break from television, Goodfriend started her own acting school, The Actors Workout in NoHo (North Hollywood, the Theatre District), and developed two schools and a Theatre. She was also the head of a management company, Young Artists Management for many years, working with clients from top talent agencies such as CAA, ICM and William Morris.
She came back to teaching in 2006 at New York Film Academy, teaching Acting for Film and Scripted TV classes. In 2011, Lynda became—and still serves as—Chair of the Acting Department. “I feel like working in this position pulls together all that I’ve learned from my acting career, teaching and managing careers. And fortunately, since my daughter is a talent agent at one of the top agencies in LA, it’s easy to still keep up with the current trends in the industry, so I can help guide our students.”
“My goal for the Acting Department at NYFA is to continue to find more techniques and approaches to help actors learn their craft, as well as to expand our students’ opportunities to be involved in the industry after graduation. I love our program and have the honor to work with so many gifted instructors. Since becoming Chair, I have had the opportunity to add the Student Directed Plays, the Studio Classes (advanced “extra” courses in Meisner, Method and Chekov), Alumni Scene Study classes, as well as our extensive list of Drop In Classes—Auditioning, Stage Combat, Improv, Yoga, Meditation, Dance, Accent Reduction, Singing and Ballroom Dance—to support their training.”
“This program is an amazing gift for students who want to learn everything as an actor. When you graduate from this program you can hit the ground running! I believe that everything you do in life teaches you something about acting, so in my personal life I’ve always tried to do things that challenged me—I’ve raced airplanes, climbed mountains in the Himalayas, and am a competition rider along with my Swedish Warmblood horse, named ‘Othello.’ No matter what you do or pursue it’s all about the same thing—focus, hard work and commitment.”
The most important words of advice Goodfriend can give any actor that is pursuing a career are:
Work harder than everybody else
Don’t burn bridges
Do something every day to become a better actor: read scripts, plays or anything you can get your hands on, go to the theatre, watch great films, go to class