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  • New York Film Academy (NYFA) Congratulates Producer Dana Lustig on the Release of Feature Film “Look Away”

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    The New York Film Academy (NYFA) encourages everyone to check out the new psychological thriller Look Away, which releases this October 12, 2018 on VOD and in theaters nationwide. In a Hollywood culture currently dominated by epic franchise films and sequels, Look Away is an independent film crafted by passionate filmmakers and actors looking to tell an exciting, new story without the luxury of a $200 million budget. The film was directed by Assaf Bernstein — known for the hit Netflix series Fauda — and produced by prolific filmmaker and celebrated New York Film Academy (NYFA) lecturer Dana Lustig.

    Look Away is a thriller-horror about an alienated teenager who switches places with her evil mirror image. It stars Oscar-winning actress Mira Sorvino (Mighty Aphrodite), Jason Isaacs (Harry Potter, Star Trek: Discovery, The Death of Stalin), and India Eisley (The Secret Life of the American Teenager). Eisley is starring next in the television miniseries I Am the Night with Chris Pine (Star Trek, Wonder Woman), produced and directed by Patty Jenkins (Monster, Wonder Woman).

    Lustig was born in Israel and has directed five feature films and produced over twenty independent features, working with many high-profile actors, actresses, and filmmakers. Embodying the modern female filmmaker archetype that is finally getting the recognition it deserves in Hollywood, Lustig balances her career in the industry with her occasional lectures at New York Film Academy and other institutions, as well as with being a full-time mother.

    “Filmmaking is a 24-hours-a-day job, it never stops,” Lustig tells NYFA, continuing, “You might find your next story at the dinner table or dreaming at night. It is a lifestyle.”

    As for the types of narratives she pursues, Lustig says that she looks for stories that are “diverse, creative, and moving. Even if it’s a period film, it needs to be current and relevant to today.”Dana Lustig

    The true survival story Jungle, starring Harry Potter lead Daniel Radcliffe, was produced by Lustig and released earlier this year. The film shot both in Colombia and Australia’s Gold Coast, where NYFA has another location with access to the Village Roadshow backlot.

    Lustig directed the dark love story A Thousand Kisses Deep starring Dougary Scott (Mission: Impossible 2) and Jodie Whittaker (Attack the Block, Broadchurch). Whittaker herself has been making headlines this week as she debuted as the Thirteenth Doctor — and first female Doctor — in the long-running smash British series Doctor Who. A Thousand Kisses Deep was nominated for a British Independent Film Award.

    In addition to A Thousand Kisses Deep, Lustig also directed the comedy Wild Cherry starring Rob Schneider, Kill Me Later starring Selma Blair, Confessions of a Sociopathic Social Climber starring Jennifer Love Hewitt, and Wedding Bell Blues starring John Corbett. Additionally, Lustig was a partner at Berman Lustig Productions for ten years, along with producer Ram Bergman (Looper, Star Wars: The Last Jedi.) BLP produced the hit Rian Johnson indie Brick as well as Dancing at the Blue Iguana, directed by Oscar nominee Michael Radford.

    Dana LustigLustig tells NYFA that she feels the urge to always keep moving and looking forward to the next project, saying “We can never really be satisfied as storytellers.” She is currently executive producing Spider in the Web with Ben Kingsley and Monica Bellucci and has just wrapped filming the second season of Israeli hit series Very Important Man. She is scheduled next to direct the remake of the Israeli film The Man in the Wall.

    And still Lustig finds time in between projects to speak with film school students at NYFA. One piece of advice she gives to aspiring filmmakers that comes from her roles both as a director and as a producer is to “Find the next great story to tell — one that is financially viable in the current market, both commercially and artistically.”

    The New York Film Academy congratulates producer, filmmaker, and lecturer Dana Lustig on her long list of successes and looks forward to the many still to come! Look Away releases nationwide this October 12.

    Dana Lustig Look Away

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    October 11, 2018 • Faculty Highlights, Filmmaking • Views: 516

  • Recap: New York Film Academy (NYFA) at IFP Week 2018

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    This year, New York Film Academy (NYFA) was honored to help IFP Week celebrate its 40th anniversary. A leader in the independent media community, Independent Filmmaker Project (IFP) champions the future of storytelling by connecting artists with essential resources at all stages of development and distribution. NYFA was a co-sponsor for the second consecutive year. The week-long event took place at IFP’s state-of-the-art Made in NY Media Center in DUMBO, Brooklyn. A leading voice in the independent film industry, IFP also runs Filmmaker Magazine and the prestigious annual Gotham Awards.

    Andrea Swift moderated an essential #MeToo panel on Saturday. The all-women panel took on difficult but necessary questions about the present and future of the industry in the wake of the #MeToo movement. The panelists discussed what needs to be done both on screen and through media activism. Filmmaker and panelist Shruti Rya Ganguly perceptively said, “The #MeToo movement is not necessarily something new, but a different way of having that conversation.”

    The #MeToo Panel at IFP Week (photo provided by IFP)

    The panel discussed the power of strong journalism and the exact role of social media. They also emphasized the importance of women of color in the aftermath of the #MeToo reckoning. Adding to that, Anne Carey, President of Production at Archer Gray said, “I would hope that the takeaway from this conversation is create a space of safety so people who feel threatened have a place to talk, push to tell the best stories with the best people telling them.”

    NYFA Producing Instructor Krysanne Katsoolis moderated the Looking Abroad panel. This panel discussed the how-to’s and why-not’s of utilizing international co-productions and tax incentives. Katsoolis has significant multi-platform experience in content creation, financing, and distribution. She has produced over 60 films and series, and has worked with Academy and Emmy Award-winning directors. Recently Katsoolis built a media venture (Liquid Media Group) with actor Joshua Jackson, which is now public on NASDAQ.

    NYFA Documentary Chair Andrea Swift (photo provided by IFP)

    In addition to panels and screenings, IFP Week presented Spotlight On Documentaries, a mix of 72 documentary features, non-fiction series, and audio stories ranging from an early financing stage to those nearing completion. NYFA Screenwriting Chair Randy Dottin’s work-in-progress film The Chicago Franchise was selected for a prestigious slot in the Spotlight. The unfinished film was produced

    Veranika Nikanava, NYFA Screenwriting Chair Randy Dottin, and Revital Iyov at IFP Week

    by Randall Dottin and Angela Tucker, and executive produced by Cynthia Kobel. After the city of Chicago tore down its high rise public housing towers in 2011, the murder rate continued to climb. The documentary explores the complicated relationship between gun violence, poverty, and residential segregation — and how they’re all interconnected.

    The New York Film Academy would like to thank IFP and the Made in NY Media Center for inclusion, yet again, in such a fantastic and thought-provoking week. We look forward to IFP Week 2019!

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  • “Unbroken” Sequel Screened For New York Film Academy (NYFA) Veterans

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    On August 13, 2018, the New York Film Academy’s Department of Veteran Services, was honored to host an advanced screening of the next chapter in the Louis Zamperini story, Unbroken: Path to Redemption. The film is the sequel to the 2014 film, Unbroken, directed by Academy Award Winner®, Angelina Jolie, and hits theaters later this year. Following the screening, producers Matthew Baer and Luke Zamperini, son of Louis Zamperini, treated the audience to a Q&A moderated by Navy veteran and New York Film Academy (NYFA) MFA Acting Alumnus, Ron Ringo.

    The event was part of the NYFA DVS series of events that includes guest speakers, film screenings, master classes, workshops, and employment trainings — all which promote industry engagement for NYFA’s veteran-students and the wider veteran communities in Los Angeles, New York City, and Miami (South Beach).

    Unbroken Q&A

    Photo Caption: (left to right) Ron Ringo, Matthew Baer, and Luke Zamperini discuss their experience in creating Unbroken: Path to Redemption.

    Baer and Zamperini shared their experiences creating the film, as well as stories about Louis Zamperini himself. With having only 20 days to shoot the entire film, Baer addressed the challenges that he faced along with sharing a lot of valuable information for aspiring filmmakers. Zamperini shared stories of his father and explained how powerful it is seeing his father’s inspirational story depicted on the big screen for everyone to experience. Being on set and seeing his family members being portrayed by actors was incredibly surreal to him. 

    BFA Producing student and US Navy veteran Jonathan Garza commented, “Louis Zamperini’s inspirational and powerful story should be seen by everyone. He is a true American Hero.” He added, “I also enjoyed hearing from Matthew and his insight from years of producing. He mentioned that he still runs into the same problems producing studio films that he did when he was in film school, but on a larger scale.”

    Luke Zamperini is the President and CEO of the Louis Zamperini Youth Ministries Foundation.  Matthew Baer’s other producing credits include The Hurricane starring Denzel Washington, City by the Sea with Robert De Niro and James Franco, and the first chapter in the Louis Zamperini story, Unbroken — among many other successful films. 

    The New York Film Academy thanks Matthew Baer and Luke Zamperini for their generosity and willingness to share their stories and to help students pursuing careers in the film industry.

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    August 21, 2018 • Guest Speakers, Producing • Views: 622

  • Q&A With New York Film Academy Alum and The Equalizer 2 Actor Kazy Tauginas

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    Kazy Tauginas is an artist who wears many hats. He’s an actor, having appeared in television shows such as Sneaky Pete, Blindspot, Person of Interest, Turn, Blue Bloods, and Law & Order: SVU, and blockbuster films including John Wick and The Equalizer 2. He’s also a producer and writer, having worked on an award-winning and very personal short film, Standing Eight.

    Tauginas grew up outside of Chicago, and was a restauranteur and Golden Gloves boxer. In 2009, he decided to follow his lifelong passion in writing and acting, and attended the 1-Year Acting for Film Conservatory at the New York Film Academy’s New York City campus. He has been performing steadily since graduating, which isn’t just a testament to his talents. Taguinas is also extremely committed to his art, putting everything he has into every role. “No matter what the project,” he says, “I want to always be the best me I can be.”

    Tauginas can currently be seen in theaters with Denzel Washington in the follow-up to The Equalizer, directed by Antoine Fuqua. He recently spoke with the New York Film Academy about his time on set, his award-winning film Standing Eight, and the continuing experiences that make him the storyteller he is today:

    Kazy Tauginas

    Photo Credit: http://kazytauginas.com

    New York Film Academy (NYFA): First off, can you tell us a bit about yourself and what brought you to New York Film Academy?

    Kazy Tauginas (KT): I grew up just outside of Chicago. Attended the University of Delaware for undergrad. After college, I ended up running a 24-hour diner for 4+ years. When my lease was up, and of no fault of my own, I was forced to walk away from the restaurant business. This event brought me to a fork in the road career-wise. I decided to follow my heart and go after my true dream, which was acting and writing. That life-changing decision led me to NYFA, where I graduated from the Acting for Film Conservatory program in August 2009.

    NYFA: Why acting? What inspires you most about this craft, and what stories are you most passionate about telling?

    KT: I’ve always had an affinity for film since I was a child. I can probably trace back most of my notable childhood events to the films that coincided with them that particular year.  I was also an only child, so I had to keep myself entertained. I would create epic adventures for my G.I. Joes. I would run around the backyard pretending I was Indiana Jones. It wasn’t until later in life that I realized I actually enjoyed performing.

    Standing Eight

    Photo Credit: http://kazytauginas.com

    What appeals most to me about acting is the ability to step into the shoes of others. Being able to experience different human emotions and walk away (mostly unscathed). I love creating characters. I love being able to surprise people. When I was younger, I always enjoyed a good action movie. But I feel now, as I’ve matured, I prefer films with strong performances — the genre doesn’t matter. If the performances in the films are rooted in truth, I’m entertained. At the end of the day, I just want to be truthful on screen and take people on an emotional ride.

    NYFA: You’ve recently produced a short film called Standing Eight. Can you talk about this project, and what it took for you to make this film?

    KT: Standing Eight is an award-winning dramatic short film about a professional boxer who is forced to retire and contend with his life outside of the ring after being diagnosed with systemic lupus. It’s a story about a man who is trying to face the fact that he’s been beaten by a disease. The conflict only escalates when his former would-be opponent begins trolling him.

    This project was a labor of love. Through and through. My inspiration came from my mother, who has been fighting Systemic Lupus Nephritis since before I was born. Lupus affects millions of people around the globe, yet so few people even know what the disease actually does to the body. (It’s an autoimmune disease wherein the body’s own immune system attacks healthy organs and tissues.) Louis Peduto, Brian Kazmarck, and I made a hard commitment to work with each other in a Producer, Director, Writer/Actor capacity. I wrote the first draft of the film at the end of 2014. From that point, we went through multiple drafts of the screenplay, two successful Kickstarter campaigns (one for actual production, one for post-production). Principal, post, festival submissions, and finally an incredibly successful indie festival run. The film was an Official Selection at 28 festivals worldwide. We were nominated for 22 various awards. In the end, we took home 11 different festival awards and 4 Honorable Mentions. I think the film is accomplishing what I originally set out to do, which was raise lupus awareness.  Just recently I was contacted by the Lupus Foundation of America, and we’re going to be working together to promote the release of Standing Eight on Amazon.

     

    NYFA: That’s incredible, congratulations. You’re currently co-starring in the Denzel Washington film The Equalizer 2. What was the casting process like for that?

    KT: My manager put together a push. Betty Mae Casting agreed to give me an opportunity, which I was and am eternally grateful for. We sent over a self-tape that same night. A week later I was on a plane to Boston. No callback. Straight off tape. I was told they did visit my website. (So, actors: have a website with all your materials readily available. You never know who’s looking.)

    NYFA: Any fun stories or lessons learned while on set for The Equalizer 2?

    KT: To be honest, the entire shoot was a blast. I was in Boston for almost three months. Shooting the climax was physically challenging, but WORTH EVERY SECOND. I worked incredibly hard with the stunt team to make sure I looked the part. I put in hours of training with the rifle. Huge shoutout to Jeff Dashnaw and Mick Gould. Jeff was the stunt coordinator and put together an incredible team. I’m sure Mick got sick of all my questions at some point, but I’m a perfectionist. I was hellbent on not being the weakest link.

    My favorite moment was definitely when I ad-libbed a bunch of lines and Antoine Fuqua absolutely loved it. He jumped out of the van, grabbed my shirt, and said “That’s what I’m talking about!!!” Having a director of that caliber — especially one who I’ve been a fan of for so many years — to give such positive feedback was overwhelming. It was one of those moments in life that just reaffirms that I’m on the right path.

    Kazy Tauginas and Denzel Washington

    Photo Credit: http://kazytauginas.com

    NYFA: How were your experiences different between Standing Eight and The Equalizer 2?

    KT: On Equalizer, my only function was to act. So it was relatively simple. Everything was laid out for me and all I had to do was bring my A-game. When you’re an actor, I tend to think of myself as one color on the canvas. When you’re a filmmaker, you’re a painter. On Equalizer I was paint. On Standing Eight, I was more of a painter. Standing Eight was a challenge because I had to wear so many different hats. Luckily, by the time we went to principal photography we had ironed out most of the producing and writing kinks, and I was able to concentrate on my performance. So my experience on Standing Eight was more complex. But to be honest, they were both incredibly rewarding, just on different levels.

    NYFA: Was there anything your experiences on Standing Eight and The Equalizer 2 had in common?

    KT: Absolutely. My commitment. Whenever I put my name on anything, I put my heart and soul into it. As an actor, Equalizer was the opportunity of a lifetime and I treated it as such. I felt exactly the same on Standing Eight. I wanted my painting to be perfect. No matter what the project, I want to always be the best me I can be.

    Kazy Tauginas

    Photo Credit: Sony

    NYFA: What did you learn at NYFA that you applied directly to your work on either Standing Eight or The Equalizer 2?

    KT: What didn’t I use? Everything you learn in acting school becomes applicable at different points in your career.

    NYFA: You’re currently working on the film Invisible Love, produced by NYFA Chair of Broadcast Journalism and Emmy Award-winning Bill Einreinhofer. What was the casting process for Invisible Love?

    KT: [Former NYFA Chair of Acting for Film] Peter Allen Stone and I are connected on social media and he’s been following my journey since I left school. My understanding is that Bill mentioned something to him about the project he was producing and needing talent. Peter threw my name out there. It just worked out splendidly. I auditioned for them. Apparently, I did well, so the offer came in. I love the character they want me to play. I’m really looking forward to working on it.

    NYFA: What’s next for you? Any upcoming projects you can tell us about?

    KT: I’m currently working on a huge film for a streaming service with an incredibly talented cast. Unfortunately, that’s all I’m allowed to say. Invisible Love is supposed to go into production in the winter. As far as producing, I’m working on putting together a feature film with very similar elements as Standing Eight. It’s my dream to put lupus into mainstream dialogue so we can actually make finding a cure a reality.

    Kazy Tauginas

    Photo Credit: http://kazytauginas.com

    NYFA: Do you have any favorite NYFA moments from your time studying with us?

    KT: I have very fond memories of my experiences at NYFA. So I took full advantage of the program while I was there. I think I ended up doing about 50 student films by the time I graduated. I went to every Q&A — got to meet Melissa Leo and Christopher Plummer. I made lifelong friends with some of my classmates and teachers. I really did have wonderful teachers. Lea Brandenburg engrained in my brain that when you’re on camera, you keep it simple. I remember by breakthrough in learning how to cry in Peter Allen Stone’s voice and movement class. Dressing in drag as my activity in Meisner class. I did that because James Price said that “manly men” like me would never do something like drag. Challenge accepted, sir. Bela Grushka was always so encouraging of my work. 

    Our thesis film, which was directed by Victor Verhaeghe, was something my entire class was so proud of. We worked incredibly hard and made phone calls during our lunch break and sent out postcards to every single agent and manager in NYC to invite them to our screening. I really learned so much from that program. I feel like by the time I graduated, I was a different person.

    NYFA: What advice would you give to students just starting out at NYFA?

    KT: Take advantage of everything NYFA has to offer. Go to workshops. Screenings. Talks with industry people. Meet filmmaking students. Meet writing students. Go to class prepared. Study. Shoot. Act. Apply everything you learn while you’re still in school. Find the other people who are as hungry as you are. Let your inhibitions go. LEARN. Be humble. You have to be a sponge to learn. Focus on the task at hand. Become the best you that you can be. 

    In 2009, I fully committed to being a creative. If I can do it, you can do it.

     

    The New York Film Academy thanks Kazy Tauginas for his generous time and thoughtful responses, and congratulates him on his current success. We look forward to seeing what the future brings for Kazy!

    If you are interested in learning Acting for Film at the New York Film Academy, you can find more information on our programs here.

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    July 31, 2018 • Acting, Student & Alumni Spotlights • Views: 1550

  • Documentarian Amy Rice Presents “By The People” to New York Film Academy Students

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    This July, the New York Film Academy (NYFA) Producing and Documentary Filmmaking departments presented a screening of By the People: The Election of Barack Obama followed by a Q&A with director Amy Rice. The discussion was moderated by Producing Chair Neal Weisman and Documentary Chair Andrea Swift.

    Producing Chair Neal Weisman, Director Amy Rice, and Documentary Chair Andrea Swift

    Producing Chair Neal Weisman, Director Amy Rice, and Documentary Chair Andrea Swift.

    The nearly two-hour film documents the years leading up to the election of Barack Obama. Rice gives viewers an inside look into Obama’s evolution from little-known Illinois Senator to symbol of change for a generation.

    Calling it one of her favorite documentaries, Rice was greatly influenced by Chris Hegedus and D.A. Pennebaker’s The War Room, about Bill Clinton’s campaign for president in 1992. By the People premiered in August of 2009 on HBO, and last week’s screening gave younger students a look at how the 2008 election differed from recent elections.

    Rice began her career as a cinematographer, working with her eventual co-director on By the People, Alicia Sams. The documentarian talked about the appeal of this type filmmaking, saying, “There was something very organic about documentary. Just pick up your camera and go shoot and follow the story as it’s unfolding in front of you.” 

    "By the People" director Amy Rice

    By the People director Amy Rice.

    After her other brother told her about Obama before he was well-known, Rice watched his speeches and read his book, Dreams from My Father. “I was just naturally obsessed with his story,” she says.

    Her and her team used a trip to Africa during a congressional delegation trip as a testing ground. From there, the film follows the lead-up to the 2008 election and Obama’s transition from presidential long shot to favorite. Rice discussed the difficulties that began to arise as the presidential candidate’s popularity increased. For instance, at one point the film crew was unable to use a boom mic due to secret service safety concerns. Rice pointed out another instance deep into the campaign where security tried to stop her from filming: “I looked so horrified that he was trying to stop me from getting my final shot.” 

    The filmmaker also dropped some words of wisdom on the students throughout the course of the discussion. One thing she stressed was to “always say ‘yes’ to all film opportunities.”

    The New York Film Academy would like to thank Amy Rice for her time and the illuminating discussion with the Producing and Documentary Filmmaking departments.

    Watch the trailer below and/or purchase the film here.

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  • Q&A with Filmmaker Ned Dougherty

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    It’s often said that family members should never work together. This certainly is not the case for Ned and Michael Dougherty, a father and son filmmaking duo who’ve been successfully working on films together for the past few years. They have just recently finished a feature film titled Love & Everything in Between. “I can’t stress this enough,” Michael shared, “it’s all because of my parents that this is even on screen. That’s the truth.”

    The New York Film Academy invited Ned and Michael Dougherty to do a special Q&A with students following a screening of their film, where they shared with the audience how the movie came to be, from the writing process to the marketing of the film. The film has already earned several awards and nominations from the festival circuit, including wins for Dramatic Original Feature and Best Feature Film – Romance from WorldFest Houston.

    One student asked what it was like to screen the movie in the Hamptons, where the movie is set. “It was a great turn out,” Michael answered.

    His father Ned added, “That was our quiet, low-key premiere at the Southampton United Artists Theatre last July, to a standing room of more than 300 friends.” Another student, Roberto, approached the microphone, and Ned immediately recognized him — they both attended a producing workshop together a couple years back, and Roberto had helped to create the thesis for Love And Everything in Between.

    Michael & Ned Dougherty

    Michael & Ned Dougherty

    Robert shared, “We were classmates… as a matter of fact, we actually shot a short film, a thesis for this movie… it was actually the dinner scene…. it was so fun.” Roberto continued, “I don’t really have a question, I just want to say congratulations because I know… I was kind of a witness to how much work you put into this project. And I think that it’s a big motivation for me, because I can see closely how dreams actually become true.” According to Ned,  that statement made his night.

    Prior to the screening, New York Film Academy (NYFA) had an opportunity to ask Ned Dougherty a number of questions pertaining to Love and Everything in Between (LEIB), concerning the struggles he and his son faced, his experience as a producer, and any insight he could give to aspiring filmmakers:

     

    NYFA: How did you get involved with this film?

    Ned Dougherty: Following [his] high school graduation, my son Michael Dougherty studied acting for two years at Stella Adler in New York City and then came to Los Angeles in late 2012 to pursue an acting career. After several years of “pounding the pavements” in L.A., Michael decided to promote his career by creating his own projects through his own production company, Hampton Filmworks.” Michael’s first project is Love & Everything in Between, written primarily in 2015.

    Here is the key: Michael’s mother Ginnie and I both fully supported Michael’s decision to pursue his dream, including our financial support. We are both co-producers with Michael and I have been actively involved as a full-time creative filmmaker and business-end producer. Initially, we hired a line producer in January 2016 who prepared a $250k budget. In February 2016, I completed the NYFA Los Angeles Producing Program. The principal cinematography was completed over six weeks in Fall 2016 with pick-up scenes filmed in May 2017.

    NYFA: Why are you passionate about this film’s success?

    ND: When Michael initially wrote the screenplay in 2015 without ever attending a screenwriting course, I read it and said: “Son, you have written The Graduate for the Millennial Generation.” Michael had never heard of or seen The Graduate (1967) at that time. Both films feature a recent college graduate trying to find himself, complimented by a beautiful music score, but the similarities end there. Michael was passionate about writing Love & Everything in Between and his passion for the story, as well as the location settings, is evident in his storytelling.

    Michael grew up in the Hamptons and I taught him to swim and surf at the same beach which is the opening scene location. Michael created a “Romeo & Juliet” in the Hamptons story and his knowledge of the Hamptons provided him with the beautiful Hampton scenery as well as the inspiration for a compelling Romance/Drama which morphs into a Romance/Thriller.

    NYFA: What has been the hardest part of completing this film?

    ND: We are currently marketing the film, attending film festivals, seeking distribution opportunities, etc., to successfully monetize the project. Finding a successful route to making the film financially viable seems to be the greatest hurdle for first-time filmmakers.

    Michael & Ned Dougherty

    Michael & Ned Dougherty


    NYFA: When did you first know you were in love with cinema?

    ND: In my youth, I read classic American novels (by Ernest Hemingway, F. Scott Fitzgerald, John O’Hara, and James Michener) and developed an appreciation for great storytelling that morphed into my interest in great films. Among my favorites: Casablanca, It’s A Wonderful Life, To Kill A Mockingbird, Dr. Strangelove, Rocky, One Flew Over the Cuckoo’s Nest, The Deer Hunter, Apocalypse Now, Forrest Gump, and ironically The Graduate.

    NYFA: Why are you passionate about producing?

    ND: I prefer to introduce myself these days as a “filmmaker,” rather than as a “producer.” I am more passionate about the creative side (filmmaking) as opposed to the business side (producing). Michael has allowed me to creatively participate in his project, and I have really cherished that opportunity to work alongside my son from creation to distribution. I have been primarily a businessman for most of my life, so I had that experience to offer Michael, but both Michael and I have had to learn the business by trial and error.

    NYFA: What advice do you have for young producers?

    ND: As trite as it sounds, follow your dream! If you are not “passionate” about your project, take a pass! Optimally, strive to balance your energies between your dual responsibilities as a creative filmmaker and as a business-oriented producer. While Michael was pursuing his acting career, I encouraged him to take college business courses to develop a business sense and an understanding of basic business principles.

    NYFA: Why should people see Love & Everything in Between?

    First of all: Location! Location! Location! The Hamptons has a global appeal to moviegoers and LEIB is a cinematic treat for the eyes with spectacular drone shots and scenery of the Hamptons and Montauk that — and I say this with all humility — has never been achieved before in previous Hamptons’ films. At our World Premiere, the Culver City Film Festival in Los Angeles, California, the judges agreed; we garnered the “Best Cinematography” award (Thank you Red Dragon!)

    While your eyes are being dazzled by the scenery, story, and character development, the romance/drama unfolds unexpectedly into a romance/thriller that never stops moving while accompanied by an outstanding musical score that appeals to all generations.

    Secondly, LEIB is a socially relevant story. In writing LEIB, Michael never intended to create a controversial film, but so it is — much to our surprise. The controversial aspect of the film, which deals with sexual assault, became obvious in test screenings that we held at several Hampton libraries. At these events, college students wanted to know if they could bring LEIB to their campuses as a teaching or learning tool for students. As a result, we have developed a program to provide public service screenings for colleges and universities, particularly during “April: Sexual Assault Awareness Month,” utilizing TUGG.com and TUGG.edu.

    There is one word that continuously surfaces from viewers: “Amazing!” A sure sign that LEIB made a significant effect on viewers was the consistent feedback from many viewers that the story and the music stayed with them days later. I often heard “I can’t get the music (or the story) out of my head!”

    As a matter of fact, LEIB was selected and screened at the Socially Relevant Film Festival NYC in March 2018. In February 2018, LEIB received The Grand Prize – Best Feature Film at the Silicon Beach Miami Film Festival and has already been nominated as a finalist for a REMI Award as Best Feature Film at Houston Worldfest in April 2018.

    NYFA: What projects are you working on next?

    ND: We have a number of projects and several episodic series in various stages of development to be filmed primarily in the Hamptons and Los Angeles. Michael’s personal next feature film preference is The Butterfly & the Butcher, a colorful character crime drama to be filmed primarily in the Los Angeles Artist and Warehouse Districts. Followed by a paranormal love story to be shot on location on Shelter Island, New York. The Marakesh Story is my personal true story of my experiences as a nightclub owner (played by Michael) in the Hamptons and Palm Beach during the champagne/cocaine-fueled disco era of the 1970s-80s,  with additional shooting locations in New York City, Washington D.C., the Cayman Islands, Central America, and other locations.  TV episodic series include South Beach Spirit and an untitled Hamptons project Michael is developing. However, film financing and future producer/partner relationships may determine the scheduling of our next projects.

    NYFA: Is there anything else you would like to add?

    I could not have effectively assisted my son as a producer without the NYFA Producing Program and have great respect for the professionalism of the administration, staff, and faculty at NYFA L.A. I view this opportunity to screen LEIB at NYFA as a way of “giving back” by sharing more details of what it is like to be a first-time filmmaker. I am developing a “Dos & Dont’s” list for the Q&A Session on June 7, 2018, following the NYFA L.A. screening of LEIB.

     

    The New York Film Academy would like to thank Ned and Michael Dougherty for graciously attending this Q&A and sharing their story with our students. They are a true example of teamwork and great minds coming together to collaborate on a project for which they hold a great deal of passion. We look forward to continuing to follow their journey and watching the rise of their success that undoubtedly awaits them in the future! 

    If you are interested in attending a NYFA program, you can find more information here

    Michael & Ned Dougherty

    Michael & Ned Dougherty

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    July 11, 2018 • Filmmaking, Guest Speakers, Producing • Views: 790

  • New York Film Academy Hosts Producing Pitchfest For MFA and BFA Students

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    The recent graduates of New York Film Academy’s MFA and BFA Producing programs got to share their final projects with high-powered industry professionals at this year’s Producing Pitchfest.

    A herculean effort went into completing these producing projects. NYFA is known for having classes that are fast-paced and hands-on. Students enter as aspiring creatives and leave with the ability to walk onto a set and make a film. From the producing side, students create a show bible, design a budget, and learn multiple ways to pitch their script to executives, studios, and potential investors.    

    The “story pitch” is as much a part of Hollywood movie making as is the script itself. At the Producing Pitchfest, students were given the opportunity to pitch their projects to professional producers, directors, writers and executives. Getting an opportunity to pitch a projects to professionals is incredibly important. Not only did students get the chance to get constructive feedback from the guests, they also had the chance to land a deal!

    Student Reginald E. Luck credited NYFA with his ability to look and sound professional in the presence of such incredible talent. “NYFA taught and prepared me by grilling me during thesis committee meetings. They really made me focus on why I was telling this story,” he began. “When my instructors said, ‘Relax, you got this,’ I found they were right. I had made pitching harder in my mind than it turned out to be in reality.”

    Luck said his favorite part of the event was meeting and interacting with the writers and producers who attended the festival. “It really made me feel important to have them all listen intently to my story,” Luck confessed. “I was given some tremendous pointers by each person I pitched too.”

    At the end of the event, many of the participating judges let our instructors know how impressed they were with the students and their work. The event was a huge success all the way around. Students walked away with encouragement, new ideas, and a lot of real-world contacts.

    The New York Film Academy would like to thank the following panelists for taking the time to hear our student’s pitches: writer and director Blake Harris, writer and director Doug Cooney, writer and director Brian Herskowitz, actor and producer John Morrissey, producer Patrick Peach, writer and producer David Rosenberg, writer and producer Arnold Rudnick, attorney and producer Marlon Schulman and filmmaker and festival director Kimberly Browning.

    Congratulations to all of our graduates. We look forward to all of the great stories you’ll tell.  

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    April 27, 2018 • Academic Programs, Community Highlights, Producing • Views: 512

  • Congratulations to the Winter Class of 2018 at New York Film Academy Los Angeles

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    New York Film Academy would like to congratulate another class of graduating students.

    The end of a program is always a bittersweet time, as our students and instructors develop a strong bond over the many intense hours spent learning, practicing, and crafting projects, but before the winter class of 2018 walked across the graduation stage to accept their diplomas, the New York Film Academy celebrated all the graduates’ work with a series of final pres

    entations. The day before graduation, all students were given an opportunity to show off their work for family, friends, and entertainment professionals. Filmmaking, Documentary, Acting for Film and Cinematography students held their final screenings at the Riverside Theater and on the Warner Brothers Studios backlot. Photography students had their work displayed in galleries throughout Los Angeles. Game Design students held a game night where anyone in the school could play their games. Writing and Producing students had evenings where they could pitch their projects to industry professionals.

    The winter 2018 graduation ceremony was held at the Harmony Gold Theatre in Hollywood. The graduating class of 2018 was so large the ceremony had to be broken into two parts. Both ceremonies were standing room only. Families and friends came from all over the world.

    In his graduation speech, NYFA Instructor Mike Civille asked the students to think of their education as a gift. He said, “You come from places near and far. You have treated each other and your instructors to your fascinating stories. In this process, you have joined the great filmmakers who have also spoken to audiences about what was important to them. You have learned a new universal language. It’s young, only 100 years old. It crosses both political and cultural borders. This was the gift of the Lumiere brothers and it has traveled all the way to you. Use it wisely to tell your story.”

    The New York Film Academy would like to congratulate all of the incredible students who have completed their training here. We look forward to watching your films, playing your games, seeing your photographs, and celebrating your creative endeavors for years to come. Congratulations.

    1-Year Acting for Film

    Frederick Scott Basnight II

    Marlo Butler

    Emmanuel Pierre Cartier

    Undarga Enkhbaatar

    Isaac Wesley Fairley

    Gillian Griffin

    Terrel Mollison

    2-Year Acting for Film

    Daniel Berry

    Rodrigo Borges

    Peter Gomes

    Raymond Karago

    Tiara Donyae Murray

    Kurtis Potter

    Taraiyasi Hans Prymwaqa

    Matthew Robertson

    BFA Acting for Film

    Jazmin Hamilton

    Luis  Cordoba

    Zhiyun Zhou

    MFA Acting for Film

    Rajarshi Banerjee

    Taylor Byers

    Rebecca Cannizzaro

    Rei Alona Kennex Crossman

    Sumaia De Oliveira Radwan

    Jason Dolciani

    Anna Francisca Salles Marques Da Silva

    Craijece Lewis

    Lara Manatta Tenorio

    Jaylyn Neal

    An Thien Phan

    Leandro Luis Pineda Torres

    Aathira Rajeev

    Amber Resha Satcher

    Ke Shuai

    Eric Slaughter

    Lun Tan

    Julien Webb

    2-Year Producing

    Reginald E. Luck

    Nicole Zapata Quiles

    MFA Producing

    Johnnie Christopher Brown

    Kimbra Essex

    Xuan Liu

    Bahaguli Rehemutula

    Yosuke Sugimoto

    Bakhytzhan Urakhayev

    Liying Zhu

    BFA Screenwriting

    Zeyad Al Mutawa

    Katie Clem

    Seth Morton

    Louise Nyberg

    Patrick Kellam Lyons Stinich

    MFA Screenwriting

    Maria Androushko

    Katrina Brown

    Luis Alfredo Gonzalez

    Luke Jarret

    Harmony Kasper

    Joseph Knable

    Carmen Nelson

    Shane Redding

    Raul Ravindrakumar Sharma

    Melarissa Benedicta Sjarief

    Abigail Spencer

    Adam Tetelbaum

    Elon Washington

    MFA Photography

    Brittney Cathcart

    Monika Sedziute

    Yunzhi Wang

    MFA Documentary Filmmaking

    Hanan Higgi

    Amjad Tkroni

    Zhengyi Zhong

    MFA Game Design

    Nouf Bagazi

    Grace Ogwo

    Grettir Olafsson

    Santosh Peri

    Hetian Wang

    AFA Filmmaking

    Awana Morris

    BFA Filmmaking

    Ahmed Adil

    Hamda Al Midfa

    Ahmed Alghamdi

    Lionel Allen

    Saleh Mohammed Almalki

    Abdulaziz Almughrbi

    Faris Salah Beitar

    Danila Butovskiy

    Yujing Gao

    Yaser Hammad

    Wesley Garin Hobbs

    Lingxiao Jin

    Michael Moran

    Muhammad Raheem Sultan

    Victor Valerio

    Paulina Zamorano Castillo

    Marc Vital Guerin

    Jialei Li

    Yaonan Liu

    Topaz Peretz

    Yiding Xia

    Federico Sanna

    MA Film & Media Production

    Praveen Albert

    Oliver Berger

    Mansi Nitin Desai

    Qiqi Duan

    Hongzhi Guo

    Maryna Kovalevska

    Katlego Makhudu

    Natsumi Shibata

    Brionna Sutton

    Alessandro Turco

    Donatela Vacca

    Nihal Vasudevan

    Chuning Wang

    Ala Waznah

    Bingqi Xue

    Shipeng Yu

    MFA Filmmaking

    Khalid Ahmed Alsghair Ismail

    Roque Banos

    Siyuan Chen

    Chaaritha Dheerasinghe

    Travis Donald

    Weilun Feng

    Guoqing Fu

    Jialin Fu

    Yuanmei Ge

    Tingting Hua

    Shuntian Jiang

    Hongdon Lee

    Yixiang Li

    Hai Yao Liang

    Na Liu

    Yiwen Liu

    Jianan Ma

    Sholpan Murabuldayeva

    Anita Name Dos Santos

    Guangtao Pi

    Hugo Machado Salvaterra

    George Savidis

    Zicheng Tian

    Jiewen Wang

    Qiushi Xi

    Yuanyuan Xu

    Yuan Yue

    Han Zeng

    Shiyun Zeng

    Haoruo Zhang

    Hao Zhang

    Yuqing Zhang

    Jingwei Zhou

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  • Tony Winner Jeff Marx Visits New York Film Academy

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    Jeff Marx

    Avenue Q’s Jeff Marx

    Tony Award-winning composer and lyricist Jeff Marx visited the New York Film Academy at our New York City Theatre in late February, much to the delight of our Musical Theatre students.

    Marx is best known for Avenue Q, the innovative musical starring both human and puppet characters that instantly earned critical acclaim and won over audiences across the country. It went on to win three Tony Awards, including Best Musical. It is currently running Off-Broadway and has toured the country and been produced in both the West End and Las Vegas.

    Before writing Avenue Q, Marx passed the New York State Bar exam, planning to be a lawyer. He met partner Robert Lopez shortly after at the BMI Lehman Engel Musical Theater Workshop, writing a spec Muppet film as a pre-cursor to their collaboration on Avenue Q. Since winning his Tony, Marx has gone on to write for the musical episode of NBC’s Scrubs, as well as songs for Bear in the Big Blue House and The Book of Pooh. He also co-wrote the theme song for Logo TV’s Rick & Steve: The Happiest Gay Couple in All the World.

    Speaking with the students of NYFA’s Professional Conservatory of Musical Theatre, Marx highlighted his indirect path to Broadway stardom, mentioning that he didn’t even start writing until he was 28 years old. “The greatest thing that I can wish for you,” Marx told the audience of aspiring Broadway stars, “is hunger.” He also shared anecdotes about the making of Avenue Q.

    Jeff Marx visits NYFA

    Highlights from the @newyorkfilmacademy Instagram story featuring Jeff Marx’s visit to NYFA #PCMT

    In addition to inspiring students with his story, he also brought a special and well-received guest — puppet and star of Avenue Q, Nicky. Avenue Q’s cast of puppet characters included both rod puppets and live-hands, the latter of which are often operated simultaneously by two puppeteers. Nicky is a live-hands puppet, and students were delighted to see him in action on stage with Marx.

    Nicky wasn’t all Marx brought with him on his visit to NYFA. In addition to Nicky, he brought along his Tony Award, Broadway’s highest honor. Musical Theatre students were thrilled when Marx allowed them to hold it and pass it around — an inspiring moment for those learning at NYFA and hoping to win one of their own in the not-too-distant future.

    By the time the students had to say goodbye to Marx and Nicky, they had learned and laughed, and were extremely grateful for the generous time, energy, and inspiring words Marx brought with him to the New York Film Academy.

    Interested in joining the magical and puppet-filled world of musical theatre? Check out the programs of New York Film Academy’s Professional Conservatory of Musical Theatre.

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    March 2, 2018 • Guest Speakers, Musical Theatre • Views: 2536

  • New York Film Academy Alum & Associate Director of Recruitment Screens Powerful Documentary “I Heart Jenny”

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    "I Heart Jenny"

    “I Heart Jenny” at the New York Film Academy’s New York City Theatre

    “I Heart Jenny,” a heart-wrenching and beautiful documentary by producer and director Blake Babbitt, had a special screening this December at the New York Film Academy’s recently opened New York City Theatre. The film follows Babbitt’s close friend Jenny Rie Vanderlinden as she struggled with and eventually succumbed to a rare form of ovarian cancer. More importantly, the documentary focuses on the powerful positive spirit Jenny embodied, inspiring her friends, family, and eventually total strangers with her optimism and zestful love of life.

    In a piece written about Jenny, the Huffington Post wrote, “Jenny doesn’t seem terrified of this thing that is so far beyond us, this thing that none of us can now see… Instead, she’s investing her unconquerable energy in living the spectacular life she’s always lived—skiing, canyoneering, rafting, traveling and raising four amazing children—with a bit more urgency.”

    “I Heart Jenny” started documenting Jenny’s journey over a year after her diagnosis, and followed her right up until her untimely end, a death she refused to allow to shadow her life. Babbitt was inspired to make the documentary after seeing the “I Heart Jenny” stickers their mutual friends began posting frequently as badges of support.

    "I Heart Jenny"

    “I Heart Jenny”

    The initial idea of the documentary came to Babbitt during a pitch session that was part of his curriculum while attending the New York Film Academy’s Evening Producing workshop. From there, he started a years long journey, utilizing the skills, resources, and colleagues he met while at NYFA. “I had never made a film before,” said Babbitt, “but I was able to use the resources at NYFA to get my feet underneath me. At NYFA I was surrounded by people who really knew what they were doing. I felt supported by NYFA the entire way.”

    Shooting the film took two years, and was in post-production for another three—a long, laborious process that is not uncommon for documentaries, especially works of passion and as personal as “I Heart Jenny.” During this time, Babbitt not only applied the skills he learned at NYFA, but also used the connections made there to help his film see the light of day. In addition to being a distinguished alumnus, Babbitt is also currently the school’s Associate Director of Recruitment. With this notable position, he is able to guide incoming students as they look to grow as artists and filmmakers in their own right.

    Blake Babbitt

    Producer & Director Blake Babbitt

    As a result of the relationships formed at the New York Film Academy, Babbitt was able to recruit a strong, talented crew for “I Heart Jenny”—many alumni and staff from the school—including:

    Kathleen Harris – DP/Producer
    Brad Gallant – Lead Editor/Producer
    Zena Wood – Associate Producer
    Mike Diaz – Editor/Story Producer
    Chris Hayes – Editor
    Mike Walls – Camera Operator
    Shani Patel – Sound recordist/2nd Camera Operator
    Lexi Phillips – Colorist

    It was only fitting then that “I Heart Jenny” had its initial preview at the New York Film Academy. Babbitt continued, “It was an honor to be able to host my first screening in our stunning new screening room.”

    Andrea Swift, New York Film Academy’s Chair of Documentary Filmmaking, was in attendance, and was very impressed with Babbitt’s debut film. “It takes extraordinary passion, commitment, and talent to make a film like this.” She added, “This film can do real good in the world.”

    The specific cancer that took Jenny’s life was related to the BRCA gene, a sequence of DNA that has become more and more noted in recent years for its ominous relationship to many types of cancer. While making “I Heart Jenny,” Babbitt linked up with Jonathan and Mindy Gray, founders of the Basser Center for BRCA at the Abramson Cancer Center at Penn Medicine. The Basser Center is the first of its kind to focus specifically on BRCA-related cancers, and Babbitt has tied his film to their worthy cause, helping to raise donations for further research (click here if you’d like to support the Basser Center as well.)

    While it’s been a long, winding road for Babbitt and “I Heart Jenny,” their journey is far from over. Babbitt’s goal is to get the documentary into the Telluride Film Festival, based in Colorado where Babbitt is from and where he first met Jenny. According to Babbitt, “If it gets in, she wants me to bring a cardboard cutout of her—LOL!”

    In addition to submitting the film to as many festivals as possible, Babbitt is also hoping to get distribution, hoping the more people who see the film, the more they will take home its poignant message and look to support the fight against BRCA-related cancers. Babbitt continued, “We’ve had so many supporters along the way, and anytime I felt dejected or lost in the process, I would just think about our supporters and Jenny. I knew I couldn’t let her or them down.”

    Supporters of the film can follow updates on Facebook as well as on Twitter. You can also follow Babbitt’s filmmaking exploits on Instagram.

    The New York Film Academy is proud of Blake Babbitt and “I Heart Jenny,” and wishes him the best of luck as he continues the legacy of Jenny Rie Vanderlinden and her powerful story.

    I Heart Jenny Promo- Extended Version from Blake Babbitt on Vimeo.

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