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  • Greenlight Women and New York Film Academy Host Special Screening of A Classy Broad With Anne Goursaud and Marcia Nasatir

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    This April, the New York Film Academy (NYFA) Los Angeles was proud to host Greenlight Women for a special screening of the documentary A Classy Broad, followed by a Q&A with the film’s director, prolific editor Anne Goursaud, and it’s subject, Marcia Nasatir — the first woman to be vice president of production in a major Hollywood studio.

    From left to right: Marion Rosenberg, Anne Goursaud, Marcia Nasatir, Lawrence Kasdan, and Meg Kasdan.

    Anne Goursaud is known for her work as an editor on films including Francis Ford Coppola’s Bram Stoker’s Dracula and The Outsiders. Her 2016 documentary A Classy Broad chronicles Marcia Nasatir’s career from her beginnings as a literary agent in New York City to making history as the first woman to become vice president of production at United Artists, as well as her continuing career as an independent producer. Nasatir is known for driving such films as The Big Chill and Hamburger Hill.  

    Moderated by manager/producer Marion Rosenberg, the Q&A event was introduced by actress Piper Laurie and Greenlight Women President Ivy Kagan Bierman. Marion Rosenberg opened the event by asking how Anne Goursaud and Marcia Nasatir met.

    Anne Goursaud reminisced about going to a yard sale hosted by Marcia Nasatir, and striking up a friendship. Marcia then passed Anne’s name along to Fred Roos — leading to Goursaud becoming Francis Ford Coppola’s editor.

    Ivy Kagan Bierman, Lucy Webb, and Kim Ogletree.

    “She immediately took me in, like she does everybody,” Goursaud recounted fondly.

    The conversation turned to films, and Rosenberg asked, “Do you think it’s possible to make a good film from a bad or moderately well-written script?”

    Marcia responded positively, saying that for her, “It’s not always about all the words, it’s about characters you care about … you go to the movies, or you begin to hear a story that sort of interests you, and you wanna find out what’s gonna happen.”

    Marion Rosenberg, Marcia Nasatir, Piper Laurie, and Anne Goursaud.

    Hanan Higgi, a recent documentary filmmaking alumna, asked,  “Do you have any tips for how to get mentors?”

    Goursaud advised, “You never know where you’re going to meet people. You go to festivals … keep the relationships, keep telling people what you’re doing … have coffee with them … people in the industry are actually very nice.”

    To illustrate Goursauds advice, special industry guests were in attendance for the evening, including writer/director Lawrence Kasdan, known for Empire Strikes Back, The Big Chill and recently, Solo: A Star Wars Story, and his wife, Meg Goldman Kasdan. Nancy Schreiber, the fourth woman ever voted into membership of the prestigious American Society of Cinematographers, and recipient of the 2017 ASC President’s Award, was also present.

    The New York Film Academy would like to thank Marcia Nasatir, Anne Goursaud, Marion Rosenberg, Piper Laurie, Ivy Kagan Bierman, and Greenlight Women for joining us to host this wonderful event.

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  • Julie Pacino Producing Mary Pickford Biopic

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    Mary Pickford is finally getting the Hollywood treatment from the Hollywood she helped to create. Pickford, the curly-haired ingénue considered cinema’s first “America’s Sweetheart” was a huge star in the silent era and early days of Hollywood.

    Pickford wasn’t just one of the first starlets of the silver screen—she was also a powerful force behind the camera. During her career, she co-founded two significant institutions. The first, with Charlie Chaplin, D.W. Griffith and her husband Douglas Fairbanks, was United Artists, a studio controlled by actors and filmmakers in an attempt to wrest power from the major studios. UA continues as a major producer to this day as part of MGM.

    Pickford’s other contribution was even greater—she was one of the original 36 co-founders of the Academy of Motion Pictures Arts and Sciences, the organizations of cinema’s professionals in all fields and provider of the annual Oscars. Pickford won two Academy Awards herself, a Best Actress Oscar for 1929’s Coquette and an honorary lifetime achievement Oscar in 1976.

    It’s no surprise then that her fascinating life is being made into a film, adapted from Eileen Whitfield’s biography Pickford: The Woman Who Made Hollywood. The movie is being scripted by Josh Fagin and directed by Jennifer DeLia. DeLia is producing the film with Julie Pacino, a New York Film Academy graduate who co-founded Poverty Row Entertainment with DeLia. The two also collaborated on Billy Bates, the haunting look at a tortured artist. Pacino, the daughter of Al Pacino, is the perfect choice to tell the story of a Hollywood legend.

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    March 12, 2015 • Entertainment News, Filmmaking, Student & Alumni Spotlights • Views: 9289