Form & Function I, II, III | History of Cinematography I, II, III |
Fundamentals of Lighting | Introduction to Motion Picture Camera Technique |
35mm Cinematography |
Master's Camera Technique * Alexa Workshop * Crane & Jib Workshop * Underwater Workshop |
Advanced Lighting | |
Stage Lighting Workshop | |
Master's Lighting | |
Cinema Studies | Cinematography Practicum I, II, III, IV |
Thesis Development | Post-Production for Cinematographers I, II |
Advanced Grip Workshop | Directing for Cinematographers |
Production Design | Steadicam & Camera Assistant Seminar |
Thesis Production | Advanced Motion Picture Camera Technique |
Navigating the Industry | Documentary & Episodic Production |
Optics of Lenses & Cameras | Cinematography for Digital Effects |
![]() |
Anthony Richmond, ASC, BSC, Chair of Cinematography: An accomplished Cinematographer whose career spans well over six decades, Tony Richmond worked as Assistant Cameraman on such films as From Russia with Love, A Funny Thing Happened On The Way To The Forum, Truffaut’s Fahrenheit 451 and David Leans’s Dr. Zhivago. The award-winning Cinematographer has had numerous collaborations with Director Nicolas Roeg, lensing five of his films: Don’t Look Now - for which Richmond won the prestigious BAFTA award; The Man Who Fell To Earth; Bad Timing; Heart Of Darkness; and Full Body Massage for Showtime. Some of Richmond’s other credits include: The Sandlot; Candyman; Stardust for Michael Apted; Playing God; Dirty Dancing: Havana Nights; Rough Riders for John Milius; and That’s Life and Sunset for Blake Edwards. Richmond was also responsible for photography on the seminal British music scene of the late 60’s. He shot the Rolling Stones classic, One + One for Jean-Luc Godard, and then collaborated with Michael Lindsey Hogg on The Rolling Stones Rock And Roll Circus and the Beatles’ Let It Be. His other rock and roll credits include: The Who’s The Kids Are Alright, and the documentary Glastonbury Fayre. Richmond’s most recent credits include: Good Luck Chuck; The Comebacks; Legally Blond; Ravenous; Men Of Honor; The Sweetest Thing; Someone Like You; Just Friends; John Tucker Must Die; Autopsy; Sex and Lies in Sin City; The Rocker; Alvin the Squeakquel; Diary of a Wimpy Kid: Rodrick Rules; and Diary of a Wimpy Kid: The Long Haul. |
![]() |
Tommy Maddox-Upshaw: Having earned his MFA in cinematography from AFI, Maddox-Upshaw has served as a camera operator and electrician on such hits as Iron Man 2, Hustle & Flow and Straight Outta Compton and as a cinematographer on numerous feature films, short films, and television shows that include Walk This Way, Ro, Black November, Michael Jackson: Searching for Neverland, Kalushi: The Story of Solomon Mahlangu, and The Perfect Match. |
![]() |
Suki Medencevic, ASC: MFA in Cinematography, National Film School, Prague; BA, National Film School for Dramatic Arts, Belgrade. He has shot over 15 feature length films and television projects, and numerous commercials and documentaries. In 2010, Suki became a member of American Cinematographers Society. His credits include "American Horror Story: Hotel", "Stuck in the Middle", "The Pixar Story", "I Hope They Serve Beer in Hell", and the "Jonas" TV series. |
![]() |
Jacek Laskus, ASC, PSC: BA in Film/Video Production, Polish National Film School. Member of American Society of Cinematographers and the Polish Society of Cinematographers. Member of IATSE Local 600 Camera Guild. 30 years professional experience including two nominations for ASC Awards for Best Cinematography. His credits include: “The Devil’s Arithmetic”, “The Guardian”, “On the Lot”, “New Jack City”, “Parting Glances”, and “Twilight Zone: Rob Serling’s Lost Classics”. |
![]() |
![]() |
![]() |
![]() |
![]() |
![]() |
![]() |
![]() |
![]() |
![]() |