Digital Editing
Category

  • NYFA at IFP Week: Faculty Panel, Student and Alumni Discounts, and More

    The New York Film Academy is proud to be a sponsor of upcoming top industry gathering IFP Week, in Brooklyn from Sept. 17-21. This year, NYFA faculty will be represented on an IFP panel — stay tuned for more details as they come!
    “If you can go, go!” said NYFA Documentary Filmmaking Program Chair Andrea Swift.
    NYFA Documentary Chair Andrea Swift and Producing Chair Neal Weisman explain that IFP Week is a critical industry gathering — whether you’re a producer, documentary filmmaker, screenwriter, director, or are involved in the industry in any way. It is as important for launching and maintaining careers as Sundance, and people fly in from all over the world to attend. Simply put, IFP Week is one of the most important events in the U.S. film industry.
    NYFA is proud to help sponsor it and is very pleased to share that IFP has extended a 20% discount to our alumni with special code: NYFA20.

    “IFP’s signature event, IFP Week, has expanded again this year to include numerous public screenings, talks, meet ups, and exhibitions centered on cutting-edge independent content for the big screen, small screen and Internet,” says IFP Deputy Director & Head of Programming Amy Dotson. “From our Filmmaker Magazine Talks, IFP Screen Forward Conference, Direct Access program, VR exhibitions from The Guardian, and more, our guests will have access to some of the most interesting, innovative and outspoken storytellers and leaders working today.”

    NYFA Chair of the Producing Department Neal Weisman will represent as moderator of the “Direct Access” panel: “Finding the Sales.” Neal Weisman is an award-winning film and television producer with over 20 years of international experience. Producing credits include “The Politician’s Wife” (BAFTA and International Emmy Awards for Best Drama Serial, Peabody Award), “Seeing Red” (Christopher Award), and “My Kingdom,” which starred Richard Harris in his last leading role. “Let’s Talk About Sex,” a documentary about adolescent sex in America, broadcast on TLC, digital and DVD release through New Video. Vice President, Edward Pressman Film Corporation: Oliver Stone’s “Wall Street” and “Talk Radio,” Barbet Schroeder’s “Reversal of Fortune,” Taviani Brothers’ “Good Morning Babylon,” Fred Schepisi’s “Plenty,” David Byrne’s “True Stories,” David Hare’s “Paris By Night,” Alex Cox’s “Walker,” Charles Burnett’s “To Sleep With Anger,” and Kathryn Bigelow’s “Blue Steel.”

    NYFA VR Instructor Caitlin Burns will appear on the IFP Panel “(Virtual) Reality Check: Bringing Filmmakers into the 21st Century.” As a transmedia producer for over 15 years, Ms. Burns has developed storyworlds and sustainable multiplatform strategies for franchises ranging from global blockbuster feature films, award-winning television shows, AAA console games and Virtual Reality. She also works with international brands, and organizations to use new media technologies to reach audiences and create impact. She currently serves as Vice Chair of the Producers Guild of America’s New Media Council and Lead Instructor for 360° Filmmaking and VR Gaming at the New York Film Academy.

    IFP Week in Brooklyn, NYC Sept. 17-21, Programming to include (via official website):

    Filmmaker Magazine Talks @ BRIC

    This year’s IFP Week will kick off on Sunday, September 17th with Filmmaker Magazine Talks @ BRIC. In honor of the 100th issue of the iconic publication, programming will celebrate the creative talents and industry who have filled Filmmaker Magazine’s pages for a quarter of a century. The event will feature Editor-in-Chief Scott Macaulay in talks with 2017 Academy Award-winners Barry Jenkins & Adele Romanski (“Moonlight”), Emmy-nominated director Dee Rees (“Mudbound”), The Safdie Brothers (“Good Time”), Sean Baker (“The Florida Project”) as well as past and 2017 Filmmaker Magazine “25 New Faces of Independent Film.”

    IFP Screen Forward Conference @ Made in NY Media Center by IFP

    Featuring intimate conversations with some of the most interesting, innovative and outspoken storytellers and leaders today, the program runs Monday, September 18 through Wednesday, September 20 at the Made in NY Media Center by IFP in Dumbo, Brooklyn. Speakers include Cenk Uygur (“The Young Turks”), Julie Klausner (“Difficult People”), Mark Douglas (“The Key of Awesome!”), Anjali Sud (Vimeo CEO), Jenna Wortham (“Still Processing”) and many more!

    IFP Direct Access & Meet The Decision Makers @ Made in NY Media Center by IFP

    IFP also offers aspiring artists and entrepreneurs – as well as working professionals in the media & tech industry – direct access to top industry leaders through its Meet the Decision Makers and Direct Access tracks.

    Meet The Decision Makers

    Get face-time with some of the most exciting organizations in indie entertainment today in small group meetings with company representatives from Amazon Studios, A&E, Bleecker Street, Cinetic, First Look Media, Field of Vision, HBO, IFC, Killer Films, POV, Oscilloscope, Sony Pictures Classics, Submarine, Vimeo, and more.

    IFP Direct Access

    NEW TO IFP WEEK 2017.  Join top industry leaders for sage advice and time-saving information on how to launch your narrative feature, doc, serialized content, in intimate, small workshops with accomplished industry leaders whose expertise ranges from finding financing to digital distribution.

    NYFA students and alumni are invited to attend the prestigious independent filmmaking event. As part of our partnership, IFP is offering 20% discount to students and alumni. To purchase your ticket(s), go to the website and use the Partner Code.

     

  • NYFA Power Couple Haik Gazarian & Valentina Rendón Share Their Success Story

    At the New York Film Academy, it is not uncommon to see actors and directors who have already made great strides in their career seek a focused short-term learning experience in order to brush up on a rusty skill or even learn an aspect of the movie-making business in which they have never participated.

    Already successful in their native Colombia,  NYFA graduates Valentina Rendón and Haik Gazarian have attended the New York Film Academy a combined 10 times and are self-described evangelists for the school. In Colombia, Rendón has worked as a pop star, soap-opera actress, and scriptwriter, and Gazarian has managed actors and written and directed features. The couple returns to NYFA before almost every project.

    Gazarian grew up in Venezuela shooting on an 8 mm camera. He worked for a television station where he saw how newsreels were made. He was fascinated. While there, Gazarian began meeting actors. As those connections grew he built a career out of those relationships. For the next 15 years he managed actors, but his dream to make feature films never faded.

    As his connections multiplied, Gazarian began to figure out how to make that desire a reality. He began writing and sought out fundraising opportunities. Gazarian is practical in everything he does. Despite his years in the entertainment industry and the incredible talent he was surrounded by, Gazarian wanted to go back to school.

    He wanted to make sure that the work he produced would be of a professional quality and he wanted to do it himself. In 1996 he found the New York Film Academy and enrolled in the eight-week filmmaking course. By the time he had completed the course he had the first draft of his script, “Venezzia.”

    He would spend the next eight years re-writing, workshopping and developing the script. During that time Gazarian kept an open mind about his work and was willing to hear suggestions on how to better it.

    One day while on set while visiting a client, Gazarian was taking photos as his client rehearsed a scene. Through a camera lens, he spotted Valentina Rendón. This would be an encouter that changed his life.

    Columbian actress Rendón is perhaps best known for winning “Bailando por un Sueño.” Her work includes appearances in television shows like “Copas Amargas,” “Tabú,” and “Allá Te Espero.” She was also one-fourth of the pop group Luna Verde in the mid-’90s. Now, Rendón has started to center her attention behind the camera. She came to NYFA to study editing.

    Rendón began her career in industrial design, when she was awarded a music scholarship at the age of 18. “Since I was a little kid, I was driven by the creative process,” Rendón said. She would write songs and poems, practice ballet, play guitar and paint. When the opportunity arose to go to the Acting School of the National Theater of Colombia via a scholarship, she found the perfect way to combine all of her talents and jumped at the challenge.

    As she settled into acting, she found herself curious about the work happening on the other side of the camera. “I was always asking the DPs about how the camera worked,” Rendón said. When she first started dating Gazarian she would give him notes on the script for “Venezzia.” Gazarian brought Rendón in for re-writes, and she wound up writing the final draft of the script.

    In addition to the filmmaking, directing, and screenwriting courses they have already taken, the couple is now taking on the NYFA’s 4-Week Digital Editing Workshop. They are working on their next feature and, while they will not be editing the project themselves, they thought it important to know the language and styles of editing before they began post-production.

    There are two reasons the couple keeps coming back to attend NYFA programs in between projects: it is a a process they compare to training for sports. “We’re about to start pre-production,” Gazarian said. “It’s like a fine-tune-up before going into battle. You want to keep pushing yourself. It gives you a version of the orchestra you’re conducting. You should know the limitations of each position.”

    “Learning new skills will give you more information. This is what NYFA’s short programs are made for. You get to practice what you’re learning,” Rendón said. Gazarian added, “All of the information you learn here is meant to be applicable.”

    The other thing that keeps them coming back is NYFA’s global community. “Hanging out with people outside of your purview helps you pick up on little things,” Gazarian said. Rendón said that in one of her classes there wasn’t a single student from the same country. She even learned the Bollywood style of filmmaking from a classmate.

    The couple was tight-lipped about their upcoming project, but said that there was already a major studio interested in producing it.

    The New York Film Academy would like to thank Valentina Rendón and Haik Gazarian for taking the time to share their experience.

  • NYFA Los Angeles Holds Social Media Networking Night

    _DSC7452Chair of Industry Outreach and Professional Development Barbara Weintraub held a Social Media Networking Night at NYFA Los Angeles in late July. Over 220 students from the New York Film Academy’s Los Angeles campus attended the event held in the Riverside Building.

    The lobby was filled with film companies like Film Independent and New Filmmakers LA. They were there to share opportunities for students, membership experiences, and career paths.

    A color-coded system helped students get in touch with other students. Small dots on name tags indicated whether the attending was an actor, filmmaker, photographer, or game designer.  

    “There are so many students that I hadn’t met,” said acting student An Phan. “I’m at the Barham building most of the time while the photography and filmmaking students are at Riverside. I never get to interact with them. I saw a lot of portfolios and I was blown away by how talented everyone was. It was great interaction. I had a lot of fun.”

    The New York Film Academy would like to wish all the students applying for professional memberships and those students teaming up to work on a project success on their next venture.

  • NYFA Instructor Heather Mathews Visits Popcorn Talk’s NYFA Hour

    NYFA_Thumbnail_2017_07_06On Thursday, July 6, New York Film Academy Instructor and Documentarian Heather Mathews sat in the hot seat on Popcorn Talk’s NYFA Hour. She spoke about her latest project, “Forbidden: Undocumented and Queer in Rural America.” The film has been making waves since screening at Outfest last July. Since then, LOGO picked up the film for a special screening.

    Director Tiffany Rhynard had been filming for two years already. Rhynard met the film’s subject, Moises Serrano, by chance when collaborating with a friend, and instantly felt a connection.

    Serrano’s harrowing story as an undocumented immigrant was one that needed to be shared with the rest of the world. The fact that Serrano was also queer and DOMA was still in effect helped bring an eye to the intersectionality many undocumented people have to face daily.

    When Mathews heard about Serrano, she instantly knew she wanted to be a part of telling his story and signed on to edit the project. Her first task was to try and figure out the best format to tell the story, but the decision to do a feature or a television show wasn’t clear immediately.”We didn’t know what it would be until I was deep into watching footage,” Mathews explained, “About two months, when I realized it would make a feature.” 

    “We picture-locked just in time for Outfest,” Mathews began. “Right before Tiffany arrived I had lunch with David Michael Barrett, a really good queer filmmaker. We were trying to remain positive and stay out of the [political] fray, but he sat me down and had a real heart-to-heart with me.”

    Mathews pitched an idea to Rhynard and the powerful intro to the film, of a recent anti-immigration, rally was born.

    To watch the NYFA Hour tune into Popcorn Talk on YouTube every Thursday at 4 p.m. PST. You can catch up on previous episodes with amazing guests like film critic Peter Rainer, who discussed the legacy of Marlon Brando. Catch “Forbidden: Undocumented and Queer in Rural America” on LOGO, August 3, 9 p.m. EST/PST.  

     

  • June Graduation for NYFA Teens and Kids Summer Camps

    On Friday, June 27, the first New York Film Academy teen and kids summer camp programs came to an end. As students waited for their graduation ceremony to start, they took selfies while their parents banded together.

    6B2A0075

    As the lights dimmed, the acting students presented their one to two minute monologues. Their head shots were projected before the video began. Filmed against a white background “audition style,” each actor chose a unique piece to perform.

    Then, the student’s short films were screened. Their backdrop was the Universal backlot, the same place “Hairspray” was filmed. Students were given a challenge to make a movie without dialogue. They wrote, directed, filmed, and edited their own productions from start to finish.

    6B2A0036

    Their instructors and councilors were in attendance and issued certificates of completion. In their farewells they offered words of encouragement. Camera Instructor Bart Mastronardi offered the wise words of Helen Keller: “Life is either an incredible journey or it’s nothing at all.”

    “In five days you’ve done an amazing job. This is one of the best one-week programs. You’re all so ambitious. Parents and grandparents keep pushing these kids. They really appreciate it. Even if they don’t always show it,” said NYFA Instructor Martin Thompson.

    6B2A0057

    After they collected their certificates each student was given a copy of their work to use for reels or to share with friends and family. The graduates and their families finished the night with cupcakes and dancing by the pool.

    Head of programs Ale Salinas described the programs objectively in her farewell, stating, “Some of you may have learned that this isn’t what you want to do at all, that’s valid, too. But I’m being honest when I say we’re going to miss you.”  6B2A0062

    The New York Film Academy would like to congratulate all of the students in finishing their first film. We look forward to the seeing second film real soon.

  • NYFA Welcomes Hire Heroes USA

    On June 24, The New York Film Academy College of Visual and Performing Arts (NYFA) Veteran Services Department was fortunate to collaborate with Hire Heroes USA (HHUSA) to host a daylong exclusive employment workshop for NYFA’s veteran students. The NYFA military students also benefited from one-on-one time with the Transition Specialists from HHUSA.

    Hire Heroes and New York Film Academy

    Hire Heroes visits the New York Film Academy

     

    6B2A0174

    Hire Heroes USA is a nonprofit that provides free, expert career coaching and job sourcing to hundreds of transitioning U.S. military members.

     

    Hire Heroes USA is a nonprofit that provides free, expert career coaching and job sourcing to hundreds of transitioning U.S. military members, assisting veterans and spouses with finding employment.

    The first half of the eight-hour workshop was a practicum related to resume theory, networking techniques, and how to affectively prepare for an interview. Representatives from Hire Heroes USA, Jamie Rimphanli and Walter Serrano, coached veteran students on how to properly format their resumes and discussed, in-depth, the importance of networking and how to prepare for a job interview.

    For the second half of the workshop, industry professionals from Disney Studios, Warner Brothers, Paramount, Legendary Entertainment, and Plan A Locations joined the workshop for a moderated Q&A panel discussion. Panelists discussed how they began their careers in the entertainment industry and how they’ve navigated their careers for success.

    Highlights from the day included an exercise that had all of the participants do a speed networking session. Also, HHUSA brought a photographer who took professional head shots for the veteran students’ LinkedIn pages.

    “We felt that this training and these types of vet student-centric activities are increasingly important because they help prepare our students to meet with HR/Talent Acquisition teams from the major studios,” explained NYFA Director of Veterans Services Department John Powers.  

    Retired Army veteran and MFA cinematography student Bryan Hudson stated, “The Hire Heroes USA workshop was a fantastic forum to introduce veterans with industry insiders and provide the opportunity to learn from them. The event was beneficial to everyone involved about learning the ‘do’s and don’ts’ of the interview process and how to break into the entertainment industry. One thing that I learned from the workshop is to establish relationships that will be beneficial to both parties. Thank you to the NYFA Veterans Department for putting on this marvelous event, and I hope that this will be the first of many events with Hire Heroes USA.”

    The NYFA Veteran Services Department is extremely grateful to Hire Heroes USA for partnering with us to bring this wonderful opportunity to NYFA veteran students.

  • Filmmaking Grad Lands Editor Position at ‘Content’ in LA

    The latest music video, “Champion,” from famous Trinidadian cricketer and singer Dwayne “DJ” Bravo made quite an impression around the world. After blowing up on YouTube with over 12 millions views in a month, it successfully premiered on ESPN. The music video was edited by NYFA Grad Bogdan Yansen, who became involved with the project as a part of the CONTENT team.

    Yansen admits that he wasn’t initially sure what he wanted to do in the film industry when he first came to Hollywood. So he decided to start by attending the One-Year Filmmaking Program at New York Film Academy where he was able to get experience in all of the key positions involved with filmmaking. During the educational process he realized that his main interest was in cinematography and digital editing.

    “To succeed in the industry you have to find the right position for yourself,” said Yansen. “Once you can determine what your real passion is, things will fall into place. NYFA helped me to find out what I’m good at. Prior to NYFA, I received a Master’s in Architecture and never knew that it could be so useful in terms of cinematography. I can analyze the space and apply it for the visual aspects of the shot.”

    yansen

    Bogdan Yansen on set of “Dudes”

    It seems that Bogdan Yansen is on the right track in his career. Right after graduating from New York Film Academy he was offered an editor position at the Los Angeles based production company Content, which provides its clients  with all aspects of video, photo, audio and SM content, including photoshoots, films production, commercials, music videos, and more.

    Last year, Yansen made several projects as a DP, including the music video “Roller Skater” for Swedish DJ Chris Tall, travel guide TV project “Citizen of the World,” and the character-driven short comedy “Amish.”

    NYFA wishes Bogdan Yansen all the best and is looking forward to hearing about his future professional accomplishments!

    April 26, 2016 • Digital Editing, Filmmaking, Student and Alumni Spotlights • Views: 3353

  • NYFA Photography Welcomes Digital Artist Pascal Dangin

    The New York Film Academy Photography Department’s most recent guest speaker was Pascal Dangin, the world’s pre-eminent post-production digital artist for photography and creative director for advertising.

    Dangin is the founder and CEO of Box Studios, where he leads a team of 40 photo post-production experts doing work for major magazines, photographers, and ad agencies. He is the most widely quoted and sought after post-production/digital artist, frequently interviewed in the press regarding the implications of digital image manipulation.

    pascal dangin

    His reputation as a “photo whisperer” has expanded his involvement to encompass every aspect of production on major photography and video shoots. He founded Kids Creative and serves as a Creative Director to top international luxury brands including Balenciaga, Alexander Wang and Prada among others. He advises top tier photographers and artists as a curator and creative director. Pascal commissions world-renowned photographers from the old guard and also collaborates with emerging talent.

    Dangin got his start in the art world through his work with hair. His attention to detail while on set was noticed by photographers and directors alike, propelling him into the world of digital photography and advertising.

    pascal dangin

    Like film and television, Dangin stresses the importance of storytelling in his photography and advertising work. If there’s no story behind the images, he admits he’s easily bored.

    As for what makes artists successful in his business, Dangin says, “Fear of failure is the biggest stumbling block. There is no such thing as failure. As Nike says, just do it.”

    Our photography students learned a great deal from Mr. Dangin, who has had a hand in the production of many of the most iconic images of the past twenty years.

    December 18, 2015 • Digital Editing, Guest Speakers, Photography • Views: 3694

  • NYFA Grad Shoots Award-Winning Feature on $12k Budget

    dutch killsAfter graduating from New York Film Academy in 2001, Liam Le Guillou returned home and began working at a major broadcasting station in the UK, ITV. While there he trained as camera and editor technician, building on his training from NYFA. Having reached some success at the station, producing his first 30-minute program after only 3 years, Le Guillou decided to set up his own company; Spike Productions. At Spike he produced a number of documentaries as well as some award-wining corporate and commercial content. But his love of narrative filmmaking was still burning and in 2011 he returned to New York to work on his first feature film, Dutch Kills, as Director of Photography/Producer and Editor.

    Dutch Kills was filmed on a nearly impossible $12,000 budget, with mostly a four person crew (two of which were the lead actors). Despite the small crew and budget, the film won Best Thriller Feature at the Manhattan Film Festival in 2014. Also, Dutch Kills is being distributed by Screen Media Films, and is available now on iTunes!

    Recently, we had a chance to ask the filmmaker and former NYFA student about Dutch Kills and his career since graduating.

    How did you get involved with Dutch Kills?

    I got involved with Dutch Kills when I met the Director, Joseph Mazzella, at a networking party in NYC. He told me he was starting the project but was still in need of a cinematographer. After I met with Joe and the two writers (who were also both the lead actors, Tama Filing and R.L. Mann), I realized they had a pretty decent script but they also needed some more help in getting the project off the ground. So I came onboard as DP, but also as a producer — particularly to help with the technical aspects of putting a film together. And when we found that the previously assigned editor was unable to commit enough time to project, I also came on as editor of the film.

    In your own words, what is this film about?

    Dutch Kills is about two close friends who get back together after some time in jail and are forced into doing “one last job” by a crooked cop. But for me it’s really a story about the nature of trust and friendship and how that can change over time.

    Was your NYFA education useful in terms of being able to produce / DP / edit a film like this?

    So I completed an 8-week intensive filmmaking course in 2001 at NYFA in New York. It was an amazing experience for a young Brit, who had never been to New York before. What I loved about the course was it was very practical. We took out 16mm cameras and shot our first shorts the very first weekend of the course. Those skills, and the experience, landed me a job in the technical crew as a trainee position for one of the major TV stations in the UK, ITV, where I continued my camera and editing training for the next few years.

    Liam Le Guillou with Director Joseph Mazzella

    Liam Le Guillou with Director Joseph Mazzella

    What advice would you give to other filmmakers working on such a tight budget?

    Dutch Kills was almost an impossible task of completing a film on just $25,000 (we finished shooting on just $12K). It’s obviously a really difficult job and there are loads of tips and tricks we used to make it happen, and I should probably write a book on it! But a few of the key things were to have a core team, (we had four of us) who were passionate about the film and also equal owners of the project. We each had unique and complimentary skills, which were crucial in pulling together all of the cast, crew, locations and equipment to make it happen. In fact, production went incredibly smoothly but we did underestimate the amount of work and effort post-production would take. I think if you have little to no money, you have to have someone in the team who is a good editor and has the time to take on the project. In our case, I took on the the edit with most of the other team members in the edit with me—this saved a huge cost. But the negative side to that is you don’t have fresh eyes on it, so we ran 4 or 5 test screenings with friends and family which gave us a new insight to the film, and actually lead us to shooting three new scenes, including a new end scene—almost 12 months after principle photography!

    Are you currently working on another project?

    Since we completed Dutch Kills, I’ve DP’ed a second feature film, Painless, which is currently in post and I’ve been working on a number of documentary and short form projects, including a really fun travel/fashion piece called Style Out There, for Refinery29. The series has had over 2 million views, which is really exciting. Have a look at the piece below!

    December 14, 2015 • Cinematography, Digital Editing, Filmmaking, Student and Alumni Spotlights • Views: 3948

  • Instructor Zack Stoff Works as Research Consultant to Benicio Del Toro

    del toro

    Perhaps one of the most notorious drug lords of our time, Pablo Escobar has been an appealing character often explored in film and television over the years. In writer/director Andrea Di Stefano’s recent film, Escobar: Paradise Lost, the filmmaker sets up a young couple who fall in love in Colombia and, after discovering the young woman’s uncle is Pablo Escobar, are faced with a dramatic, life-altering turn.

    One of our Editing Instructors in Los Angeles, Zack Stoff, was a research consultant to Oscar-winning actor Benicio Del Toro, who happened to play Escobar. “I became involved in research for Benicio through my editing background,” said New York Film Academy Instructor, Zack Stoff. “It gave me the ability to scan through and edit material from many different sources.”

    Also starring in the film is lead actor Josh Hutcherson, who Stoff worked with as Assistant Editor on Benicio’s directorial short film Seven Days in Havana. “This was their [Del Toro and Hutcherson] first time acting together and they have a great chemistry,” said Stoff. “Benicio’s portrayal of Escobar is really captivating.”

    Stoff offered some great advice to students looking to break into the industry as a research consultant or anything else for that matter. “Be ready to walk through whatever door opens for them. This business is run by need and opportunity. One person’s need is another person’s opportunity. Hold onto your skills and ambitions and know they will eventually pay off, but be patient and just do good work. Good things will happen if you prove yourself to be dependable.”

    Escobar: Paradise Lost is now playing in theaters.

    July 6, 2015 • Community Highlights, Digital Editing • Views: 3176