In film and television, Maurice’s versatility shines through in credits such as Fighting to Be Me (BET+), The Equalizer (CBS), and Mind Your Business (BounceTV). His film and short work include Casanova, Invisible Scars (2021), We Still Matter. (2022), and #JustBlack (2019), as well as TV appearances in The Equalizer (2023), Insecure (2021), UNUM: The Series (2021), and Mind Your Business (2024). Additionally, he’s featured in music videos like Becky G & Karol G: Mamiii and Maluma & The Weeknd: Hawái (Remix).

More recently, she took part in high-profile televised events including Star Académie in 2021—where she appeared in multiple episodes as a Guest Artist—and featured in La belle tournée and Zénith. Her musical reach continues, with recent singles such as “Manège”, released in March 2025.

Since then, Khoury has continued to pioneer the musical theatre scene in Lebanon. In 2015, he served as stylistic powerhouse—artistic director, acting coach, and choreographer—for the regional TV talent show “Arab Casting”. He followed up with Another Night on Broadway with the original Arabic musical Majnoun Leila which he wrote, directed, starred in, and choreographed.

His creative journey continued with adaptations of renowned musicals: he co-wrote, directed, and co-starred in the Arabized version of Chicago, and in 2025, helmed both the stage direction and a role in Anything Goes Bel Arabi (“Killo Masmouh”), a lavish Lebanese adaptation featuring live orchestras, elaborate staging, and a celebrated cast including Carole Samaha.

Williams has also worked extensively with RWS Entertainment Group, participating in developmental workshops of Night Spot, His Song, and Million Dreams, where he collaborated with notable choreographers including Jesse Robb, Robin Levine, and Chip Abbott. On the Disney Wonder cruise ship, he brought to life the roles of Simba in The Golden Mickeys and Grand Pabbie in Frozen – A Musical Spectacular. In addition to his onstage work, he has contributed behind the scenes as a choreographer’s assistant and dance supervisor for the Off-Broadway revival of No Strings at Theatre Row, underlining his growing presence in both performance and creative capacities within the theatre industry.