The newest member of the ‘ton? NYFA AFA in Acting for Film alum Masali Baduza! The actress, originally from South Africa, appeared in season three, part two of the show on Netflix. The reveal is a surprise for another big reason, as it’s a departure from the show’s source material.
(Warning, spoilers ahead!)
Masali Baduza in Bridgerton. Image via Digital Spy.
Masali plays the love interest of Francesca Bridgerton, Michaela Stirling, John (Francesca’s about to be husband’s) cousin. In the books by Julia Quinn, John’s cousin was Michael Stirling. Fans know that after John’s untimely death, Francesca Bridgerton ends up with Michael, hinting at Michaela’s (and Baduza’s) importance in the show.
“When I read her book, I, as a queer woman, really related to her book,” said showrunner Jess Brownell in an interview with Deadline. “Maybe in a way Julia Quinn didn’t intend, but a lot of Francesca’s book is about feeling different from her family and from the world around her and not really knowing why. In the book, I think it’s mostly just about being introverted. But I think for a lot of queer people, not every queer person, but a lot of queer people, that sense of feeling different from the time you’re young, is part of our stories. So it felt like a natural one to gender bend.”
NYFA Alum Masali Baduza’s New Role Brings LGBTQ+ Representation to the ‘ton
Baduza’s role in Bridgerton brings vital representation to the massively popular Netflix series just in time for Pride Month. It’s no surprise that the series, which is known for casting actors of color in prominent leading roles, would choose to showcase an LGBTQ+ relationship. In an interview with People magazine, Baduza’s Bridgerton co-star Simone Ashley, who plays newly married Kate Bridgerton, gave Baduza the following advice:
“I think to be just deeply proud about what you’re representing, and [know] that many people are going to be so seen by the story that you’re going to be telling,” said Ashley. “And that we’re all here with open arms and so excited.”
Masali Baduza Dazzeles in Noughts + Crosses and The Woman King
After graduating from NYFA Los Angeles in 2016, Baduza went on to appear in films such as Bhai’s Cafe, The Fighter, and two episodes of the TV series Trackers. She’s best known for her role in the popular BBC drama series Noughts + Crosses and also starred in a remake of the 1982 slasher film Slumber Party Massacre, the short film Let’s Do This Again Sometime (2021), as well as the 2021 TV adaptation of Around the World in 80 Days, starring David Tennant.
Masali Baduza as Michaela Stirling.
In 2022, she co-starred alongside Oscar-, Emmy-, and two-time Tony Award-winning actress Viola Davis in The Woman King as Fumbe. The film is based on true events and tells the story of an all-female warrior unit in the 17th and 19th centuries that defended the West African kingdom of Dahomey.
Masali Baduza is one of many NYFA alums using their skills and experience to pursue their passion for performance. At NYFA, students learn through hands-on experience and projects, developing and honing their natural talent to build a foundation of vital performance and audition techniques. Ready to learn more about our acting programs? Get more information today!
NYFA alum and TikTok star Francesca Scorsese. Image via W Magazine.
Tribeca also hosts an annual Shorts Program, which this year, includes a series of AI shorts, animated shorts selected by EGOT winner Whoopi Goldberg, and shorts in themes such as “Course Correction,” “Get Comfortable,” “It’s Complicated,” “Life Cycles,” “Music Videos,” and even a segment for New York people watching.
NYFA alum Mariko Ide at Tribeca. Image via Mariko Ide.
NYFA Alums Premiere at the 2024 Tribeca Festival
At this year’s festival, NYFA alums Mariko Ide and Aaron Latta-Morrisette will premiere work, including Dust to Dust, which Ide edited, as well as Slave Play. A Movie. Not a Play, which featured Latta-Morrisette. In the Summers, produced by NYFA Producing alum Janek Ambros, will also screen at Tribeca.
“A landmark event both for the city of New York and the international film industry, Tribeca is a place where filmmakers around the world dream of screening their films. A big congratulations to Janek and Mariko for achieving that dream and to the team behind “Dust to Dust” for receiving the 2024 Human/Nature Award,” says Crickett Rumley, Senior Director of NYFA’s Film Festival Department.
Here are more about their accomplishments and new films.
Mariko Ide, Dust to Dust
Mariko Ide, a NYFA Documentary alum, served as editor of Dust to Dust. The film, directed by Kosai Sekine, Dust to Dust is Tribeca’s recipient of the 2024 Human/Nature Award. The award is given to films focused on environmental storytelling and the natural world.
Dust to Dust. Image via Tribeca.
The film, which is in Japanese but subtitled in English, follows Japanese haute couture designer Yuima Nakazato as he travels to Kenya to find inspiration for the future of Parisian fashion. Previously, Mariko worked at Yahoo! Japan and edited the short Temple Family, as well as the 2023 documentary The Making of a Japanese.
“We are so honored to accept this award and excited to share this film with the people in New York!” said Mariko regarding the film.
Janek Ambros, In The Summers
Janek Ambros, NYFA Producing alum, has produced and directed award-winning and nominated films including American Montage (2013), Unwarranted Influence (2014), Imminent Threat (2015), May 15th in Paris (2017), and Mondo Hollywoodland (2019).
In The Summers. Image via Variety.
He wrote and directed Ukrainians in Exile, produced by two-time Oscar winner and NYFA Guest Speaker Janusz Kaminski and actor Liev Schreiber, which screened at Cannes 2024 American Pavilion’s Emerging Filmmaker Showcase. In addition to screening at Tribeca, In The Summers debuted at Sundance, winning the U.S. Dramatic Grand Jury Prize.
Aaron Latta-Morrisette, Slave Play. A Movie. Not a Play.
Tribeca will host the world premiere of Slave Play. Not A Movie. A Play., based on the play of the same name written by playwright and director Jeremy O. Harris. Harris, who also directed the film, examines the relationships between three different interracial couples through “intimate workshop footage and candid interviews.”
Playwright and Director Jeremy O. Harris. Image via Broadway World.
In addition to NYFA alum Aaron Latta-Morrisette, the film also stars Amauta Firmino, Annie McNamara, Irene Sophia Lucio, and Jonathan Higgenbotham. Latta-Morrisette’s credits also include his film The Night Clubbers (2021), which won “Best Comedy Short” at the Oregon Short Film Festival, as well as “Best Writer” at the Alternative Film Festival. Latta-Morissette also starred in The Alpines (2021).
Make Your Passion Project at NYFA
In NYFA’s filmmaking, media, and performing arts programs, students build essential skills in visual and narrative storytelling while connecting and collaborating with faculty and peers. Our degree, conservatory, and workshops are designed to equip students with the framework to create their own original scripts, films, and performances, making it possible for them to pursue their passion in the entertainment industry. Ready to learn more on how you can attend NYFA? Request more information today!
NYFA Los Angeles Opens Expansive New Photography Studio
“Our new photography studio offers an endless world of possibility and inspiration,” says Naomi. “An expansive white cyc fills the main space, with 22-foot high ceilings, offering a playground for a myriad of visual explorations. Students work with textures, colorful seamless, gels, Pro Photo and Godox lighting gear, cookies, modifiers, and a room full of props and fabrics with which to enrich their sets.”
Working in the new studio at NYFA Los Angeles
“There is also a front studio with a roll-up door offering daylight options for still life and portraiture, two make-up rooms, an equipment and prop room, and a classroom, all fostering collaboration and growth.”
To celebrate the opening, NYFA Los Angeles hosted a red ribbon-cutting mixer for faculty and students.
“NYFA Photography Students have endless opportunities to bring their ideas into being and we can’t wait to show off the amazing work they are creating.”
– Naomi White, NYFA Los Angeles Chair of Photography
Celebrating the new photography studio with NYFA Los Angeles faculty and students.
NYFA Los Angeles has graduated a number of innovative photographers and visual artists in our photography programs, including Photographer and Producer Paquita Hughes (Grey’s Anatomy, Marvel’s Runaways, and Hulu’s Little Fires Everywhere), Photographer Monika Sed (The New York Times, AD magazine, L’officiel, LA Confidential, Upscale), and Photographer Alejandro Ibarra (The Advocate, PDN, Cannes Film Festival, HOLA!, Huffington Post, BuzzFeed, Yahoo, Metro.co.UK). With our new space, we can’t wait to see what our Photography students create next!
Shooting at the new photography studio in Los Angeles.
Master the Art of Photography at NYFA Los Angeles
At NYFA’s Photography School, aspiring photographers build practical and creative skills in the visual art of photography. Through step-by-step instruction and hands-on projects, students hone their own unique style, build their network, and learn how to tell innovative visual stories, all under the guidance of our faculty of professional photographers. Ready to learn more about our Photography programs at NYFA Los Angeles or another one of our campuses? Request more information today!
It’s Spring, and NYFA Cinematography alum Ilaria Serantoni has graciously made time in her very busy schedule to talk to NYFA. We’re at the Coppola Cafe in Manhattan, and early in our conversation, a woman next to us leans over and asks Ilaria, “May I ask what you’re talking about? It sounds fascinating.”
It turns out that like Ilaria, the woman works in the entertainment industry. The two exchange contact information and Ilaria enthusiastically describes her passion for working in New York City. Since graduating last year from NYFA New York with her MFA, Serantoni, who is originally from Italy, has only expanded her network. She’s worked on several projects as a DP and produced a SAG-AFTRA short film.
In addition to our coffee shop conversation, Ilaria visited NYFA New York to discuss her experience at NYFA, creative process as a Cinematographer, and what she’s been watching.
NYFA: Tell us about your road to NYFA – how did you decide to come to school in the US?
IS: I have always been fascinated by America. After winning a scholarship in filmmaking, I decided to stay and study cinematography. It was a wonderful and exciting journey, incredibly educational.
NYFA: Can you share any memorable moments or experiences at NYFA that influenced your approach to cinematography?
IS: In addition to having a vast amount of technical material on which to practice—cameras, lights, stands—another great source of inspiration is my professor, Piero Basso, who is also the head of the cinematography department and director of photography. He is a great artist capable of inspiring anyone and is a source of inspiration and knowledge. Meeting him was one of the best acquaintances I made in the States.
In addition to working as a DP, Ilaria Serantoni appeared in several projects as an actress, such as the Amazon Prime seriesNella scatola near. Image via APA.
NYFA: What is your advice to aspiring visual storytellers interested in Cinematography?
IS: Watch both modern and non-modern movies and television series. It is important to have an in-depth knowledge of the film industry.
Read books to enrich your mind and imagination. As a cinematographer, you will always have to deal with scripts. You need the ability to visualize what you read and have the technical experience to make it real on set.
Many cinematographers have worked as gaffers. Working with lights is very important. Light is like water, essential to life. The same applies on set; without light, there is no aesthetics, and the image lacks life. Learning to control light, to diffuse it and direct it, is what makes a director of photography equal to a painter.
On this note, my study in painting and sculpture at the University of Fine Arts in Rome was fundamental for me. It should not be forgotten that all modern cinematography, photography, and visual art are evolutions of classical art from the past. The study of light in paintings, and the use of scenic space, which led to the creation of principles such as the golden ratio, forms the basis of modern cinematography. Based on these principles, you can then experiment.
“This is an industry where you work, and you work a lot of hours.” – Ilaria Serantoni
NYFA: What did you learn at NYFA about Cinematography?
IS: When I arrived at NYFA, my only knowledge was about classical and contemporary art. After studying modern technologies in art at the University of Birmingham – UK – I approached the film industry. NYFA gave me the missing skills to combine all the artistic techniques learned during my studies, which, for me, is fundamental in order to create the visual for every project I work on.
NYFA: What skills did you learn working on real-world projects?
IS: There are things that cannot be learned in school nor taught. Working on a set means collaborating with other professionals in a professional environment. You have to be resourceful, learn through observation, listen to those around you, and become accustomed to working under stress for twelve hours a day. The world of cinema and television series is intense, requiring passion and competence to thrive. Working on set helps you understand if this is truly the path you want to pursue, and if so, it offers valuable rewards: knowledge, connections, and professionalism.
NYFA: How do you approach lighting a scene?
IS: There are many ways to approach lighting, and therefore the emotional, visual, and psychological rendering of the scene. It’s a personal process that varies from artist to artist, but I’ll try to describe mine.
The first time I read the script the images flow before my eyes like in a movie, and from there, I have my first inspiration regarding the lighting and the general mood of the scene.
I work on the lookbook, create sketches, or find reference images to show to the director – in case the project is not mine – with lights and shots.
I work on the script, noting which shots and angles are needed for each scene and character, describing the focal length to use, and the camera movement – still, push in/out.
After the location tech, I start working on the overhead of the scene; a project of the space seen from above in which I arrange lights, flags, and diffusion. This helps me to be prepared for the shooting day, but it’s just a sketch as everything can change on set.
Having a reference plan is important for your mental clarity and makes you less nervous, even if you end up improvising everything.
Ilaria with NYFA’s Kyah Blackat NYFA New York.
NYFA: How do you collaborate with the film crew to achieve the desired visual mood and aesthetic?
IS: It is important to have a clear idea of what you want and good technical competence in knowing how to achieve it. After which, you must communicate the instructions to the crew in a clear, simple, and concise manner.
All departments collaborate in the creation of the image and aesthetics of the project. Working as a cinematographer or director does not mean working only with the camera, lights, and actors, but with color palette, costume designing, production designing—everything that influences the viewer’s subconscious to understand the character without too many explanations.
NYFA: What are your favorite parts about working as a DP?
IS: My academic background lies in fine arts, where I immersed myself in painting and sculpture. Transitioning into cinematography has been akin to embracing a novel canvas—a canvas illuminated not by pigment, but by light itself. Crafting shapes, geometries, and shadows solely through the manipulation of light feels akin to wielding a brush on a blank canvas. This process, to me, is both poetic and wondrous, serving as an enduring wellspring of inspiration.
NYFA: What are your favorite parts about working in the film industry in New York City?
IS: Beyond its breathtaking scenery, New York is a city teeming with opportunities. It serves as a haven for individuals with remarkable tales—those whose ancestors were immigrants, forging their own traditions. The narratives span from natives of New York to those who embarked on perilous journeys, leaving their families behind to call this city home. New York’s essence transcends its skyline; it’s the vibrant tapestry of its inhabitants that renders it truly distinctive.
NYFA: Can you comment on the importance of diversity and inclusion in the filmmaking industry?
IS: I cannot emphasize enough the significance of embracing every individual in any professional domain, irrespective of gender, color, religious orientation, and beyond. Undeniably, there are instances when working as a woman on a set presents challenges. It can be draining, and regrettably, some individuals may not regard your contributions seriously. Inclusion is paramount to bridging these gaps, eventually. Each gender brings distinct qualities to the table, all of which enrich the portrayal of a scene.
NYFA: Tell us about your latest film!
IS: I produced a SAG-AFTRA short film that delves into the theme of motherhood following a relationship breakup. Based on real events involving two significant women in my life, this self-produced project truly embodies independent filmmaking. I think the visuals are beautiful, with well-crafted lighting and performances. However, editing proved to be a time-consuming aspect. It’s remarkable how editing can reshape a story. While addressing continuity errors during the process, I seized the opportunity to rethink the project’s direction, resulting in a more compelling narrative. I’m eager for it to be showcased at upcoming festivals.
“It’s good to know the themes inside of your movies…. if you’re making a movie about women, go to FilmFreeway and see the festivals specific about women…that can help you develop a strategy to get your film out there.” – Ilaria Serantoni
NYFA: What can you tell us about your experience preparing your short film for festival submissions?
IS: It’s a process that demands time. I believe the most pivotal aspect lies in the final outcome of the product—being content and having crafted something deemed worthy of viewing. Once that’s accomplished, the focus shifts to identifying suitable festivals for participation. It’s crucial to grasp the categories your film falls under and then seek out festivals that align with those themes.
NYFA: How has the film and editing process changed in the last five years?
IS: Instagram, TikTok, fast news and TV series are influencing the minds of viewers. The information is processed faster, and for this reason, it is right that the editing of the film, or the visual, goes hand in hand with evolution. Of course, it doesn’t mean that every film has to be frenetic and fast. The slow arthouse film still exists, and thank goodness for that. But if we are talking about more mainstream products, the editing is definitely faster, with cuts in the middle of an action that sometimes we don’t even notice but which draws the eye to the screen.
“At the end of the day, Cinematography is [about the] subconscious message.” – Ilaria Serantoni
NYFA: What are some of your favorite films and television shows (in terms of the best Cinematography?)
IS: In my list of TV series that have inspired me from a cinematic point of view, I would definitely include Euphoria, Mr. Robot, The Handmaid’s Tale, and Succession.
When discussing films, notable cinematographers and their works come to mind: The Neon Demon (Natasha Braier), Hero (Christopher Doyle), and The Last Emperor (Vittorio Storaro).
NYFA: What are some examples of films and television shows released in 2023/2024 that best show the future of Cinematography?
IS: Certainly, when it comes to movies, I would definitely mention All Quiet on the Western Front, Poor Things, Killers of the Flower Moon, Oppenheimer, and Saltburn.
Regarding TV shows, I’m genuinely pleased with the overall quality of cinematography in the majority of recent releases. Shows like The Boys, Breaking Bad, Sex Education, and many others stand out not only for their cinematography but also for their storytelling—which is beautifully reflected in the lighting. I believe the future of cinematography lies in TV shows that tackle real societal problems of the modern age.
Cinematographers like Ilaria set the mood of a film or television show. In the degree and certificate programs at our Cinematography School, aspiring visual storytellers learn how to use moving images, sound, and lighting to tell a captivating story through real-world production experience. Ready to learn more about studying at NYFA? Explore our Cinematography programs today!
Stay posted on Ilaria’s work on her official website. This interview was held over the course of two conversations and edited for clarity. Header image via blackewhite.com.
This year, NYFA alums Fernando Broce, Janek Ambros, Tabitha McDonald, and Meshal Al Jaser join the fold, demonstrating their skills and expertise in film, acting, producing, and more. Berite Labelle, NYFA acting alum, is also in attendance after being selected to represent the French fashion house Balmain’s new hair campaign. Alex Kahuam, who had his film Failure! debut at Cannes last year, is also celebrating a win. His film, shot in a single 87-minute take, was acquired by Red Water Entertainment.
“Each May, the eyes of film industry professionals and cinephiles alike turn to Cannes to discover the latest and greatest in global cinema, and it’s incredibly exciting to see our talented alumni presenting work in this setting,” adds Crickett Rumley, Senior Director of the New York Film Academy’s Film Festival Department.
Here’s more about our NYFA alums at Cannes this year!
Fernando Broce, NYFA Filmmaking Alum
Fernando Broce, an NYFA BFA Filmmaking alum, is an extremely talented filmmaker, content creator, writer, and director (look him up on TikTok) who has worked with brands like McDonald’s, Old Spice, Head & Shoulders, Gillette, Oral B, Takis, and more. Originally from Panama, Fernando’s short film Ojue screened and won Best Student Short Film in the American Pavilion’s Emerging Filmmaker Showcase.
The esteemed showcase has 36 films in four showcases, including Student Short Films & Documentaries, Emerging Filmmaker Short Films & Documentaries, Emerging Filmmaker LGBTQ+ films, and an Alumni Showcase. Broce currently resides in Los Angeles.
Janek Ambros, NYFA Producing Alum
NYFA Producing alum Janek Ambros is no stranger to film festivals. He has directed and produced festival award-winning and nominated films including American Montage (2013), Unwarranted Influence (2014), Imminent Threat (2015), May 15th in Paris (2017), and Mondo Hollywoodland (2019). Ambros also produced the 2024 film In The Summers, which debuted at Sundance this year.His film Ukrainians in Exile, produced by two-time Oscar winner and NYFA Guest Speaker Janusz Kaminski and actor Liev Schreiber, will also be screened at the American Pavilion’s Emerging Filmmaker Showcase. Ambros wrote and directed the short film.
“Being selected to screen at the American Pavilion provides an impressive opportunity for Fernando and Janek to not only share their work with an international audience but also to connect with the major creatives and festival organizers who will be participating in the Pavilion’s panels and conversations,” says Crickett.
Tabitha McDonald, NYFA Producing Alum
Sunlight, a film produced by NYFA Producing alum Tabitha McDonald and the teams at Anyway Content, Metro International Entertainment, and INSPIRADO, will be screening at the Cannes Great 8 showcase. The film is part of a series brought to Cannes by the British Film Institute to help new and emerging filmmakers connect with international buyers. Tabitha is also known for producing the horror film The Night Courier (2021), as well as the short films By Sunrise (2020) and Strangers by a Fire (2018).
“We are exceptionally proud of Tabitha for collaborating with other emerging international film talent in the making of SUNLIGHT,” says Weisman. “The Great 8 showcase is an exciting step forward towards securing distribution. As the Marché (Cannes Market) brings buyers and sellers together from all over the world, the Great 8 showcase offers support and enthusiasm for films that might otherwise get lost in the crowd. This initiative shines a spotlight on producers and their projects that can forge a solid trajectory to success. Everyone at NYFA Producing wishes Tabitha all the best as SUNLIGHT makes its way towards audiences around the world.”
Berite Labelle, NYFA Acting Alum
Berite Labelle is attending Cannes after being chosen to representBalmain’s hair campaign. Completing her first short film, Time is Eternal, Labelle is currently shooting her first feature film in Romania while continuing to pursue her modeling and acting career. She’s also working on entrepreneurial pursuits with her business partner out of Los Angeles.
Meshal Al Jaser, NYFA Screenwriting Alum
NYFA alum Meshal Al Jaser directed the film NAGA, starring NYFA Screenwriting BFA student Adwa Bader, which is nominated for an award at the Critics Awards for Arab Film. The winners will be announced at a ceremony at the Arab Cinema Centre stand in Cannes on May 18. Al Jaser also directed the short Arabian Alien (2020), which was considered for an Oscar nomination in 2021. It was nominated for Best Short Film at the 2020 Sundance Film Festival. Meshal also won the 2021 GQ Middle East Man of the Year Award for Filmmaker of the Year.
Alex Kahuam, NYFA BFA Filmmaking Alum
NYFA BFA Filmmaking alum Alex Kahuam, an award-winning director, writer, and producer screened his 2023 film Failure! at the inaugural Fantastic Pavilion Galas at Cannes. Starring Ted Raimi (Xena: Warrior Princess, SeaQuest 2032, Evil Dead II), Failure! was acquired at 2024 Cannes by Red Water Entertainment for distribution in North America. According to Variety, the film is the “first time a Mexican filmmaker has made a feature film without cuts in the U.S.”
Kahuam has also screened his films at FrightFest, Tallinn Black Nights Film Festival, BIFFF, SITGES International Film Festival, FICG-Guadalajara International Film Festival, and Morbido.
Bring Your Story to Life at NYFA
Across our campuses in New York, Los Angeles, Miami, Florence, and Australia, NYFA offers a hands-on, immersive experience where students can connect and collaborate while working on their own original films. Ready to learn more about film, media, and performing arts at NYFA? Request more information today!
At the invitation of Ambassador Huang Ping, Consul General of China’s Consulate General in New York, representatives from the New York Film Academy, including Jean Sherlock, Principal of the NYFA Board of Directors, NYFA President Michael Young, Dr. Joy Zhu, Executive Vice President of the China Region, and Broadcast Journalism Chair Emeritus Bill Einreinhofer, attended a distinguished dinner at the Ambassador’s residence.
In attendance at the dinner included Jean Sherlock, Principal of the NYFA Board of Directors, Michael Young, NYFA President, Dr. Joy Zhu, Executive Vice President of the China Region, and Bill Einreinhofer, the NYFA Broadcast Journalism Chair Emeritus.
Throughout the evening, discussions emphasized the importance of people-to-people exchanges in fostering mutual respect and collaboration. Ambassador Huang highlighted the critical role of cultural diplomacy in bridging gaps and enhancing bilateral relations. “Film is a powerful medium,” he remarked. “It transcends borders and brings people together through shared stories and experiences.” President Michael Young echoed this sentiment, noting the academy’s commitment to fostering a diverse and inclusive environment where students from all backgrounds can thrive and tell their stories.
This gathering highlights the importance of cultural exchanges in strengthening international relations and underscores the New York Film Academy’s commitment to fostering global understanding and collaboration through education.
Craig Kausen, grandson of the legendary animation filmmaker, Chuck Jones, spoke in a special guest speaker event for NYFA students and faculty. Kausen discussed the work and career of Chuck Jones, whose name is synonymous with characters from Looney Tunes, Tom and Jerry, and Merrie Melodies.
Who was Chuck Jones? An animation legend in pictures, sketches, drawings, and slides
Presenting to a packed room at the NYFA Los Angeles Riverside building theater, Craig Kausen unveiled the cinematic journey of his animation-pioneering grandfather. Kausen is the President and current Chairman of the Board of the Chuck Jones Center for Creativity. The Center prides itself as a place to unleash the creative spark in everyone, serving individuals from childhood to their golden years through a wide range of experiences based on Chuck Jones’ unique philosophies of education while incorporating his well-loved films, characters, writings, and art.
Kausen is a graduate of UCLA with a degree in computer engineering, after which he worked at Hughes Aircraft and taught computer engineering and computer science at the collegiate level. In 2003, he took the company’s helm as President and CEO. Since then, Kausen has lectured and taught for and about the art industry over the past two decades across the United States.
The guest speaker’s grandfather, Chuck Jones, was an American animator, director, and voiceover actor, with a career spanning six decades and is considered a pioneer in animation. Best known for his legendary contributions to the Golden Age of Animation at Warner Brothers Studios, Jones created beloved characters such as Bugs Bunny, Daffy Duck, and the Road Runner.
Jones’ distinctive style, which emphasized expressive characters, intricate timing, and clever storytelling, left an indelible mark on the world of animation. His portfolio includes iconic cartoons like Duck Amuck, What’s Opera, Doc? and How the Grinch Stole Christmas!
Throughout his career, Jones received numerous awards, including three Oscars, an honorary Oscar for Lifetime Achievement, and a Smithsonian 150th Anniversary Medal of Achievement, solidifying his status as one of the greatest animators in history.
Guest Speaker Craig Kausen (left) with NYFA Instructor, Film History, Liberal Arts & Sciences Department, Paul Laverack (right)
The Q&A portion of the NYFA event was moderated by NYFA’s very own Paul Laverack, Instructor of Film History within the Liberal Arts & Sciences Department. Laverack earned his MFA in Screenwriting and MA in Mass Communication from Cal State Northridge, following his BA in Theater from Elmira College in New York. Having toured the country as a performer in musical theater productions, and producing educational shows for children, Laverack worked as a Video Producer for the Families in Schools Foundation, creating over 125 episodes for his YouTube channel, Read Aloud with Mr. Paul.
What we can learn from the Chuck Jones collection
Chuck Jones grew up during the Roaring 20s, found work during the Great Depression, and lived through World War II, the Korean War, and Vietnam. Much of Jones’ work reflects more than half a century of pop culture, history, art, and political changes. Beginning his career as a cell washer, wiping the cells used for hand animation, the young animator met and kicked off his career alongside Tex Avery and Bob Clampett.
While working for Disney briefly during a shutdown of the Warner Brothers animation studios, Jones met Dr. Seuss, Mike Maltese, and other powerhouses in the burgeoning space of feature-length animations.
Chuck Jones worked briefly for Walt Disney Productions in the 1950s.
Chuck Jones’ professional meeting with Dr. Seuss resulted in his role as director and co-producer of the television special and adaptation of “How the Grinch Stole Christmas!” (1966). Learn about Creative TV & Movie Adaptations Featuring NYFA Faculty, Alums, and Rising Stars by reading our Film School blog article.
The television special and story, known to be a part of many a child’s Christmas experience, is better recognized by millennials in the live-action movie adaptation How the Grinch Stole Christmas (2000) directed by director and NYFA Guest Speaker Ron Howard.
For Jones’ hard work, intricate attention to detail, and masterful storytelling, he won three Academy Awards in his lifetime along with an Honorary Academy Award for his lifelong career in animation and mastery of storytelling. Guest speaker Kausen discussed the laborious process of creating a six-minute animation in his presentation to the school by showcasing examples of hand-drawn frames from various selected pictures. The process could take between 6 to 10 months, a feat almost unthinkable today.
Chuck Jones was an Animator for 519 episodes of the iconic PBS TV showThe Electric Company (Image Credit: Wikipedia)
In a lesson of patience, and to underline how much animation has evolved following the advancements in digital technology, Kausen presented the storyboarding, layouts, and lock-step processes that lead to the animation segment of story creation. According to the guest speaker, Jones would create around 500 layout drawings, which determined what a character was doing at the 24th of a second (the original film reels were played at 24 frames).
“Creativity without opposition is like playing polo without a horse.”
– Chuck Jones
Throughout the presentation, Kausen engaged the audience with delightful stories of Jones’ time as an animator at Warner Brothers. Recalled from moments his grandfather would share stories with the family, Kausen described Jones’ experiences working for difficult studio producers who had little to no animation experience.
In remarkable stories of perseverance and resilience, Jones and his colleagues would derive fun in playing practical jokes at the expense of their producers or by embracing their own antagonists by writing them into new characters. Kausen regaled the audience with stories of Jones’ attempts to circumvent the censorship boards, unleashing a deeper, more human, and related cast of characters that we learned to love in both movies and television.
In an anecdote about creative inspiration, Kausen recalled a story his grandfather shared about one of his producers’ feelings about the character Pepe Le Pew. Kausen said, “[this producer] didn’t think skunks were funny. Which drove Chuck to make For Sentimental Reasons, which won the Oscar.”
In his early years, Chuck Jones faced difficulty finding employment following the completion of art school. Kausen shared, “[Chuck came out of] art school in 1929 and there was 30% unemployment at the time. You’re in Hollywood with people who– it’s a fledgling industry, the film business, let alone the animation business–and [Chuck] tried to find a job doing something he loved. He had been a janitor and then stumbled into becoming a cell washer. The idea of working his way up and not knowing where he was going–Chuck admitted he was lazy. He was 19. He didn’t know what he was doing. But then, he was pulled into Warner Brothers as an in-between, or assistant animator.”
At a time when Disney reigned king studio of animation, and when studios were considered notoriously cheap, Kausen described the appalling way work was conducted in the Hollywood system. According to the guest speaker, animators were often expected to pay to work on apprenticeships, meaning they owed the studio money to gain training and work onsite. Once they graduated, animators could “work for free,” which meant they were no longer held under obligation to pay for the work they output.
Following his experiences collaborating with the United Auto Workers union and campaign work for President Franklin D. Roosevelt’s presidential election, Jones’ liberal and humanitarian passions became a recurring theme in his creative work.
Character or Story? A question on creativity and the industry
According to Kausen, Jones always prioritized the character in his world. If he understood a character, he understood how they would react in any given situation. Channeling his grandfather on creativity, Kausen shared his insights on how to be creative.
“There’s a unique, creative genius inside of every single person. If you figure out how to listen to it at all times, and it’s not always there, but if you get very quiet, you can hear that creative genius, and then you’ll have to listen to it.”
– Craig Kausen
Creatives now, in our modern age, ponder about the future of the industry, now that filmmaking and animation are well past their infant stages as was the case in Chuck Jones’ early days. For the legends, Chuck Jones, Fritz Freleng, and Walt Disney, “animation imbues everything we do,” said Kausen.
An animator, family man, and educator
When asked about his closeness and relationship with his grandfather, Kausen said that they had been close until Chuck’s passing when Craig was forty years old. For several years, Craig traveled with Jones to attend educational events, like the one conducted at NYFA, to record and observe, and learn from the animator in numerous Q&A-style interviews.
According to the event Q&A moderator and NYFA Instructor Paul Laverack, “More than once, I found myself leaning forward in my seat to hear more, and I was on stage with Kausen.”
The event was a huge success, and Laverack noted that “the ultimate signal of the event’s success came from the students in attendance. While they waited in line to see Chuck Jones’ production art up close, several expressed astonishment at how much fun they’d had and how much they’d gotten from the event. It isn’t just that Chuck Jones’ characters—Bugs Bunny, the Road Runner, and the Grinch—endure, which they do; it was that Chuck Jones’ artistic spirit had come alive in the room that night.”
Bring Your Characters to Life at NYFA
Students interested in animation can study at NYFA’s 3D Animation & VFX School at the Los Angeles and New York City campuses, and online. Animation is also a concentration option under NYFA’s BFA in Entertainment Media, which offers students the chance to explore a variety of creative disciplines that best align with their talents and interests before immersing themselves in the advanced study of a concentration.
This Spring, NYFA and Carnegie Hall once again partnered for Fall of the Weimar Republic: Dancing on the Precipice, programming that included three events held at New York Film Academy’s campus in Battery Park. The events follow a previous partnership between NYFA and Carnegie Hall, following the theme of Afrofuturism in Cinema: Infinity, Creativity, and Beyond.
Berlin in the Battery: Dancing on the Edge – A NYFA Musical Theater Department Presentation
From the daring innovations of expressionist dance to the lively cabaret culture, dance emerged as a vital art form in the 1920s and early 1930s. To celebrate the musical heritage of this era, current NYFA students, esteemed faculty, and recent alumni joined to put on a one-of-a-kind performance, ‘Berlin in the Battery: Dancing on the Edge.’ The showcase demonstrated the dynamic creativity of today’s emerging artists while encapsulating the spirit during the time of the Weimar Republic.
“NYFA was thrilled to participate in Carnegie Hall’s Fall of the Weimar Republic: Dancing on the Precipice. It also inspired our creative team led by NYFA’s Musical Theatre Department Chair, Kristy Cates, to bring together current students, alumni, faculty, and even administration to showcase their talents,” said David Klein, Senior Executive Vice President. “It was an unforgettable event that engaged the audience with thoughtfully curated scenes and musical numbers that illuminated the period, but, remarkably, also spoke to issues we’re facing today.”
“It was incredibly thrilling to be part of the Weimar Festival in collaboration with Carnegie Hall,” added Musical Theatre Chair Kristy Cates. “Our presentation of Berlin the Battery was a completely new and unique piece of theatre that was both educational and entertaining and brought together many faces and talents of our musical NYFA theatre family. The show highlighted what our program does best: share our unique voices and talents through compelling storytelling.”
BFA Musical Theatre student Mercy Godoy was the winner of the event.
“NYFA is a gift that keeps on giving,” said Mario Grenier, an NYFA Musical Theatre alum who participated in the event. “Since graduating, NYFA has provided several opportunities to perform. This was a special one since alumni got to perform alongside faculty, essentially making teachers to colleagues. A beautiful and teaching moment!”
On Stage at NYFA New York
This Spring, NYFA New York has also hosted on-campus events including the 2024 New Works Series Paper Valley by composer, lyricist, Broadway conductor, and orchestrator, Nicholas Connors. Connors is also a 2023 Dramatists Guild Fellow and a recent finalist for the Larson, Ebb, and Kleban Awards. The musical follows protagonist Kate Sullivan, a Nashville songwriter returning to her hometown in Wisconsin after a decade. Directed by Mary Cynthia McGowan of How To Dance in Ohio, as well as Music Direction by Joshua Zecher-Ross of Queen of Versailles, the show featured NYFA Musical Theatre students.
NYFA Acting for Film instructor Ben Mehl, who appeared in season three of the Netflix series You and The Good Wife, directed a student production of In The Basement, written by playwright Bailey Williams.
“I had the joy of directing the 7th-semester students in the hilarious and touching new play by Bailey Williams, In The Basement,” said Mehl. “This was a daring undertaking that involved an epic fight between a 12-year-old girl and The Claw (a demon from Hell), a visit from God, and someone giving birth to one million babies. From the first readthrough, it was a joy working on this play, but the best part was sharing it with our audiences as they laughed and cried through the story with us.”
Shine on Screen and Stage at NYFA
At NYFA, aspiring performers refine their acting, singing, and dancing abilities through immersive, hands-on training. Embracing our hallmark approach of learn-by-doing, students dive into the vibrant world of performance, strengthening their natural abilities and discovering their identity as a performers. Learn more about our hands-on degrees, conservatories, and workshops in Acting for Film and Musical Theatre today!
The shape and breath of Asian Americans resist the stereotype of the inscrutable foreigner or the quiet model minority. Asian Americans include refugee-born Cambodian Americans working in factories in Long Beach… Fifth-generation Japanese Americans whose grandfathers fought Nazis in Europe and racism at home…Samoan teachers, South Asian stand-up comics, Filipino American graphic designers, and much more.
Asian American, Native Hawaiian and Pacific Islander Heritage Month (AANHPI) descent are united by a struggle to assert themselves in the face of longstanding perceptions that they don’t belong. Cynthia Choi, co-founder of Stop Asian Hate, states:
“Our history is also filled with incredible stories of resilience, of persistence, of determination, to fight for our basic rights…This is a celebration of our history, of our culture, and all the different ways in which our community has really demonstrated that we’re not only here to stay, we are a part of this fabric — a part of this country.”
Celebrating Asian American, Native Hawaiian and Pacific Islander Heritage Month
In 1992, Congress passed a law to designate May as Asian American, Native Hawaiian and Pacific Islander Heritage Month (AANHPI) Heritage Month. The month was chosen for two reasons: to commemorate the immigration of the first known Japanese on May 7, 1843, and to honor the completion of the transcontinental railroad on May 10, 1869. The majority of workers who laid the tracks were Chinese immigrants. The month pays tribute to the generations of Asian American, Native Hawaiian and Pacific Islander Heritage Month who have enriched US history and are instrumental in its future success.
AANHPI Academy Award Winners and Nominees 2023
In 2023, the Academy Awards ceremoniously demonstrated Hollywood’s progression in terms of inclusion and recognition of Asian culture. The film industry took a significant leap forward, with Hollywood praising the success of Asian and Asian-American storytellers.
Michelle Yeoh is set to star in the upcoming Avatar sequels, as well as Wicked. Image via People.
Michelle Yeoh, for example, was the second woman of color to win Best Actress. Documentary filmmakers Kartiki Gonsalves and Guneet Monga were the first of Indian descent to win the best documentary short for The Elephant Whisperers.
Daniel Kwan shared with Daniel Scheinert (Best Picture, Best Director, and Original Screenplay Winner: Everything, Everywhere, All at Once)
Jonathan Wang(Best Picture Winner: Everything Everywhere All at Once)
Ke Huy Quan(Best Supporting Actor Winner: Everything Everywhere, All at Once)
Stephanie Hsu(Best Supporting Actress Nominee: Everything Everywhere All at Once)
Shirley Kurata(Best Costume Design Winner: Everything Everywhere All at Once)
Ian Chang(Best Original Score Nominee as the group Son Lux, with Ryan Lott: Everything Everywhere All at Once)
Mitsuki(Best Original Song Nominee shared with Ryan Loft and David Byrne: “This is a Life” for Everything Everywhere All at Once)
Kazuo Ishiguro, British of Japanese descent (Best Adapted Screenplay Nominee: Living)
Domee Shi, Canadian of Chinese descent (Best Animated Feature Nominee shared with Lindsey Collins: Turning Red
Riz Ahmed, British of Pakistani descent, and Aneil Karia, British (Best Live Action Short Film Winner: The Long Goodbye)
Michelle Yeoh(Best Actress Winner: Everything, Everywhere, All at Once)
Check out the 2023 Oscars Highlights and the full list of winners on the NYFA blog.
Did you know?!
The Academy Award-winning directors ‘The Daniels’ (Daniel Kwan & Daniel Scheinert) filmed their first collab while they were teaching assistants at NYFA’s Harvard Program. Little did they suspect back then their paths would lead them to stardom one day!, with the release of their hit film, Everything, Everywhere, All At Once, a tribute to Asian Americans. The historic win of Everything Everywhere All at Once at this year’s Oscars is part of a seismic shift in visibility for creatives of “non-traditional” backgrounds – not just for creators of Asian American, Native Hawaiian and Pacific Islander descent. Has Hollywood finally noticed? How do we, as creators, fit into this uptick?
AANHPI Heritage Month at NYFA
In celebration of Asian American North Hawaiian Pacific Islander Month, NYFA New York is sponsoring a mini-food festival. This event is open to all NYFA students, faculty, and staff, and is an opportunity to connect with NYFA community members because nothing tells a story quite like our favorite foods.
Celebrating AANHPI NYFA Alums
NYFA is proud to have a range of NYFA alums of AANHPI heritage, including Ruby Lin, Adinia Wirasti, Julie Tan, Vũ Hoàng My, and Adrian Voo. Julie Cheng, an NYFA Documentary Filmmaking alum, has won multiple festival awards at the American Documentary Film Festival, Austin Film Festival, DOC NYC, also executive produced the short film Extreme Pursuit (2013) featuring Keanu Reeves.
Guy Yang, an NYFA MFA graduate, has gone on to work in media in Washington, DC, while alum Mariko Ide is debuting a film, Dust to Dust, at the 2024 Tribeca Film Festival. Ide served as the film’s editor. Lana Condor, an NYFA alum known for hit films such as All The Boys I’ve Loved Before, has an array of successes, recently appearing in an episode of Abbott’s Elementary.
Quotes From Some of Our NYFA AANHPI Students
“No race should come in the way of creative expression. We are one. Art has the power to create human evolution.” -Simin Vaswani, Digital Editing Workshop ‘22
“Now This Is What We Call Global Success On a Global Platform.” -Yashasvi Singh, Acting for Film, Fall’22
“A cub’s cry today, is a lion’s roar tomorrow.” -Sanket S. Dikshit, One Year Photography – Fall’22
“It’s time to Rise and Shine for Indian Cinema.” -Shreya Phadke, One-year Photography – Fall’22
“Today is another chance to get better.” -Karma Tshadup, Photography Workshop
NYFA would like to thank all of our faculty, staff, and students for their participation in AANHPI Heritage Month!
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