6-Week Holiday Acting for Film Workshop

6-Week Holiday Acting for Film Workshop

Hands-On Winter Film Acting Program at NYFA

The 6-Week Holiday Acting for Film Workshop is designed to help aspiring actors develop and hone essential acting skills and techniques. During the course, students will explore scene work, perform on-camera exercises, and participate in film shoots.

The film acting workshop runs over the course of six-weeks during the holiday period from December to January. This includes a two-week break.

Workshop DescriptionWorkshop Name: 6-Week Holiday Acting for Film Workshop

Each year, NYFA is proud to offer the holiday acting program at a reduced tuition cost. In this hands-on program, students learn the fundamentals of acting and how to apply them in front of the camera. Students will undergo the technical, emotional, and physical work necessary for film acting in just a few weeks.

No significant prior experience or knowledge is required to join the workshop, as the program brings everyone to the same level very quickly. The program begins with the fundamentals while also building on existing skills for those with prior experience. Many workshop graduates go on to enroll in longer, intensive NYFA acting programs.

NYFA also offers the possibility to learn acting for film from anywhere through a variety of online acting for film workshops.

To learn more, see NYFA’s Course Catalog or request more information.

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CLASS DETAILS

Acting for Film

Acting for Film provides students with an environment to get comfortable acting in front of the camera. The primary emphasis of the class is the practice of the subtlety and nuance of film acting including learning to adjust the performance for specific shot size, finding the arc of the character, and learning to maintain the integrity of the script while shooting out of sequence. Film set terminology and etiquette are also addressed. Students participate in a Production Workshop with film students. In the Production Workshop, students experience on-set shoots in collaboration with student filmmakers. Students are introduced to a first-hand experience in set etiquette, shooting out of sequence, and understanding the actor’s role in a shoot. 

Scene Study

Students learn to analyze scripts and break them down into units or “beats”. They develop a grounding in establishing a character based on their own experiences and imagination. Students will incorporate all of the disparate disciplines learned in all other Areas of Study in an in-class, filmed scene presentation. Scheduled rehearsals average five hours per week. 

Acting Technique

Students will practice the tools necessary to hone and focus their acting skills when they do not have a scene partner on which to rely. Students will work on monologues from theatre and film sources that will help them learn how to command attention at auditions and professional performances. Exercises will be taped for in-class critique.

Voice & Movement 

Students learn to access their natural voice through relaxation exercises designed to improve alignment and alleviate habitual tension. They will also experiment with different ways of becoming physically “present” in their work. Elements of various approaches will be taught to help the students find expression and freedom within the physical instrument.

Monologues

Students will work on assigned and chosen monologues to practice text analysis, and character creation skills learned thus far. Students will understand the structure and particular elements that make a successful monologue and prepare pieces to be audition ready.

Special Topics

Students will have the opportunity to attend special lectures, which illuminate current topics in the Industry and Craft. These lectures will be announced in advance and rotate on a seasonal basis.

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TIMES AND BREAKDOWN BY WEEK

These programs typically run Monday through Friday 2 x 3hr sessions, however schedules can vary depending on instructor availability. There are breaks in between sessions. Students will need to anticipate extra time outside of class to complete assignments, projects, and exercises. Daily class times may vary, and there may be occasional Saturday classes. Request information to learn more.

PROGRAM & SOFTWARE REQUIREMENTS

This course requires the following software and equipment:

  • External hard drive (generally costs $30-$200)
  • An SD Card

6-Week Holiday Acting for Film Workshop

Location Program Start Date and End Date Tuition
New York City

December 7, 2026 – January 30, 2027

Tuition and Equipment & Technology Fee

Tuition:$2,598

Departmental Program Fee:$15

Los Angeles

December 7, 2026 – January 30, 2027

Tuition and Equipment & Technology Fee

Tuition:$2,598

Departmental Program Fee:$15

During this workshop, there is a two-week holiday break. 

Please note: Equipment, curriculum, and projects are subject to change and may vary depending on location. Students should consult the most recently published campus catalog for the most up-to-date curriculum.

6-Week Acting for Film Workshop

6-Week Acting for Film Workshop

Hands-on Acting Classes

In NYFA’s 6-Week Acting for Film Program, students learn the fundamentals of acting and live performance. Through technical, emotional, and physical coursework and projects, students build confidence in acting for film, monologues, voice and movement, improvisation, audition technique, and film craft.

Workshop DescriptionWorkshop Name: 6-Week Acting for Film Workshop

At NYFA’s Acting for Film School, students learn the fundamentals of acting and how to apply them to screen acting. As our workshop continues, students will apply the techniques they learn to more elaborate scene work, on-camera exercises, and film shoots—all designed to develop and hone their screen-acting abilities.

No significant prior experience or knowledge is required for this workshop, as the program brings everyone to the same level very quickly. Many graduates of the six-week acting classes enroll in more extended NYFA programs at campuses and locations worldwide, such as the 1-Year Acting for Film Certificate.

NYFA also offers the possibility to learn acting for film from anywhere through a variety of online acting for film workshops.

To learn more about the NYFA’s acting classes, see NYFA’s Course Catalog, or request more information.

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CLASS DETAILS

Acting For Film

In this course, students learn the basics of film acting: calibrating performances based on shot size and angle, eye line, hitting marks, emotional and physical continuity, and strength and imagination in acting choices. Students are assigned scenes from produced screenplays, which are then shot and edited together. 

Monologues

This course develops the student’s understanding of the delivery of the monologue: a technique that can be applied to everything from auditions to stage readings to film work. Screenplays often incorporate monologues into their dramatic structure, but more importantly, actors must learn the self-discipline to work individually, without relying on a scene partner for inspiration. The focus of this course includes: choosing monologues that are truthful, meaningful, and revealing; performing script analysis on monologues; staging and directing oneself; and developing both outer and inner focal points. 

Voice and Movement

An actor’s body is his or her instrument. It must be tuned to perform expertly whenever and however needed. In addition to expanding body flexibility and developing the student’s ability to relax and tense when needed, movement classes focus on breaking down inhibitions, building ensemble spirit, and providing the necessary tools to bring physical dimension to all roles. A primary tool for the actor is an expressive and free voice. In voice classes, students gain insight into the power of how to nurture and control their voices by exercising various resonators and muscles, enabling them to release emotional impulses.

Improvisation

The ability to improvise can never be underestimated when it comes to acting, especially on camera where there is usually very little rehearsal. Whether in comedy or drama, actors improvise well when they are fully engaged, listening to their partners, and releasing their inhibitions about failing. In this course, through games and exercises, students learn how to let their imaginations run wild, how to play well with others, and how to live in the moment, free from anticipating or planning what to do next. 

Audition Technique

Acting is as much of a business as it is a craft. In addition to training, successful actors must develop strong marketing skills in order to build a career. This course focuses on cold reading techniques, key audition skills, and developing a career strategy. Additionally, students have the opportunity to get live auditioning experience in class.

Film Craft

In this series of classes, students learn directing and editing from the actor’s perspective. Learning the roles of the player on the film set dramatically increases the actor’s ability to collaborate with the filmmakers in developing dynamic performances.

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TIMES AND BREAKDOWN BY WEEK

These programs typically run Monday through Friday 2 x 3hr sessions, however schedules can vary depending on instructor availability. There are breaks in between sessions. Students will need to anticipate extra time outside of class to complete assignments, projects, and exercises. Daily class times may vary, and there may be occasional Saturday classes. Request information to learn more.

PROGRAM & SOFTWARE REQUIREMENTS

This course requires the following software and equipment:

  • External hard drive (generally costs $30-$200)
  • An SD Card

6-Week Acting for Film Workshop

Location Program Start Date and End Date Tuition
Florence, Italy

June 28, 2026 – August 8, 2026

May 16, 2027 – June 26, 2027

June 27, 2027 – August 7, 2027

Tuition and Equipment & Technology Fee

Tuition:$5,559

Departmental Program Fee:$15

Acting for
Film Alumni

Matty Cardarople  

Matty Cardarople

Actor

 
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Please note: Equipment, curriculum, and projects are subject to change and may vary depending on location. Students should consult the most recently published campus catalog for the most up-to-date curriculum.

6-Week Documentary Filmmaking Workshop

6-Week Documentary Filmmaking Workshop

Hands-On Documentary Filmmaking Training

In NYFA’s intensive 6-Week Documentary Filmmaking Workshop, offered at our NYFA New York and Los Angeles campuses, students rapidly learn the fundamental tools and techniques of documentary filmmaking.

Through a combination of in-class instruction and production workshops, students study producing, directing, camera, lighting, sound recording, and editing, applying their knowledge and skills to the creation their own short films.

Workshop DescriptionWorkshop Name: 6-Week Documentary Filmmaking Workshop

This hands-on workshop allows students learn the art and craft of documentary filmmaking through a comprehensive regimen of lectures, discussions, and workshops. Our practical approach enables students to quickly learn how to develop, produce, and direct their own short documentary films. Students also learn to work independently and collaboratively in a high-pressure creative environment.

NYFA also offers the possibility to learn documentary filmmaking from anywhere through a variety of online documentary filmmaking workshops.

To learn more, see NYFA’s Course Catalog or request more information.

Projects

During the six-week workshop, students create a series of short films, including the Verite Film, Interview Film, as well as a Final Film. Students may crew on their classmates’ documentary films. To learn more, visit our projects page.

Class Details

Directing The Documentary
Introducing students to the craft of documentary filmmaking, Directing the Documentary prepares students to create their own films and provides the venue for screening and work-shopping their projects throughout the course. Instructors challenge and collaborate with students to find the most effective and expressive visual means to tell their stories. Class participation, consistent work, and collaborative workshopping are emphasized.

Digital Editing
Editing is one of the skills most fundamental to documentary filmmaking. Ultimately, documentaries are almost always truly made in the edit. This course focuses on students’ basic mastery of industry-standard editing software, as well as basic editing techniques and theory. In this course, students learn to understand not only the how of editing but also the why. Classes consist of demonstrations, lectures, and hands-on practice.

Hands-on Camera, Lighting, and Sound
Digital camera and lighting classes are designed to help students master the many elements of cinematography, including the use of camera menus, white balance, shutter speed, focus, apertures, and frame rates. Through hands-on exercises, students explore the possibilities of digital cinematography. Camera technique, image control, framing, and composition are emphasized. Lighting class helps students learn to maximize available and natural light and to use 3-point lighting in controlled situations. Additionally, students learn the basic principles and use of microphones and recording techniques, as well as strategies for capturing high-quality sound in a variety of situations.

Production Workshop
Production Workshop is designed to demystify the craft of documentary filmmaking. It functions as a sort of dry run in which students practice the skills they learn for each film before they go out to shoot it. Providing students an opportunity to experiment with their new technological and film language skills under the supervision of the instructor, the Production Workshop builds competence and confidence.

Documentary Storytelling and Writing
Documentaries have been so much more successful in recent years mostly because most documentary filmmakers now practice narrative non-fiction storytelling rather than simply trying to convey information. This course covers storytelling basics in a documentary context, as well as the role of writing as a storytelling and planning tool. Students explore the use of three-act storytelling, character, conflict, and story structure. Then, by using these elements as a guide, students learn to both find and express the underlying story in the reality they are exploring. Narration, pre-scripting, loglines, paper cuts, and story development are also studied.

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TIMES AND BREAKDOWN BY WEEK

These are intensive, full-time Monday through Friday programs that typically run in three x 3hr sessions from 9 AM-6:30 PM. There are breaks in between sessions. Depending on the workshop, there may be shoots held on the weekend. Students will need to anticipate extra time outside of class to complete assignments, projects, and exercises. Daily class times may vary. Request information to learn more.

PROGRAM AND SOFTWARE REQUIREMENTS

The anticipated expenses for this course include:

  • SD Cards (Your camera instructor will be able to provide the specific card information in your first camera class.)
  • External Hard Drive (HDD or SSD – You will receive specifics on the hard drive from the department prior to the program start.) A backup hard drive is recommended.
  • AA Batteries
  • USB Drive (Thumb Drive)

6-Week Documentary Filmmaking Workshop

Location Program Start Date and End Date Tuition
New York City

September 14, 2026 – November 3, 2026

Tuition and Equipment & Technology Fee

Tuition:$4,666

Departmental Program Fee:$901

Documentary School Alumni

During the six-week workshop, students create a series of short films, including the Verite Film, Interview Film, as well as a Final Film. Students may crew on their classmates’ documentary films. To learn more, visit our projects page.

Kendall Ciesemier  

Kendall Ciesemier

Journalist | Producer | Writer

 
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Please note: Equipment, curriculum, and projects are subject to change and may vary depending on location. Students should consult the most recently published campus catalog for the most up-to-date curriculum.

4-Week Filmmaking Workshop

4-Week Filmmaking Workshop

Hands-On Film Workshops at NYFA’s Film School

In NYFA’s 4-Week Filmmaking Workshop, students are immersed in the language and craft of filmmaking. Students study the traditional concepts of shooting films and can apply this knowledge to various hands-on film projects.

Workshop DescriptionWorkshop Name: 4-Week Filmmaking Workshop

NYFA’s 4-Week Filmmaking Workshop is an introduction and exploration of the visual language and techniques of cinema. Throughout the four weeks, students learn how to create a shot, sequence, and scene, writing, directing, shooting, and editing a series of short film projects. Through this process, students learn to use digital cameras, film lighting packages, and digital editing software provided by NYFA. In total, students produce three short films of increasing complexity.

NYFA students each direct their own films, and crew on the short films of their peers, rotating amongst key crew positions. Through this, students gain experience not only in directing, but as the Director of Photography, Assistant Camera, and Gaffer/Grip. Classes in directing, writing, editing, cinematography, and production round out the curriculum.

Every week, students’ films are screened and critiqued in class with the instructor. When the workshop concludes, NYFA hosts an exclusive screening that students can invite family and friends to attend. NYFA’s workshop students often continue their studies in advanced filmmaking programs.

NYFA also offers the possibility to learn filmmaking from anywhere through a variety of online filmmaking workshops.

To learn more about NYFA’s workshops, see NYFA’s Course Catalog or request more information.

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CLASS DETAILS

Directing
At the core of the Four Week Program, this Area of Study introduces students to all major aspects of filmmaking. Students will learn concepts to help achieve maximum psychological impact by studying the director’s decisions in camera placement, blocking, staging, and visual image design. Students will be challenged to think comprehensively about their film projects in terms of the economic realities of low-budget student production. Using their own film projects as prototypes, students will learn to break down their film scripts in terms of story and emotional beats, shot selection and composition, and budgeting and scheduling. This Area of Study will be the forum for preparing, screening, and critiquing three short films.

Hands-on Camera and Lighting
Students undergo intensive training in the use of HD digital video cameras and their accessories. Through hands-on workshops and film tests, they will also learn fundamental lighting techniques. As they progress through the workshop, they learn how to support the mood of the story with lighting choices and  experiment with expressive lighting styles. 

Hands-on Editing
This Area of Study presents students with multiple aesthetic approaches to editing film and video. Students will learn how to apply concepts such as temporal continuity and spatial continuity, as well as less traditional discontinuous editing techniques to their work. The Area of Study will also discuss the psychological and emotional effects of editing on the overall story. Additionally, students will learn to operate digital editing software which they will use to edit their own films. Classes are supplemented with individual consultations at the computer. 

Screenwriting
This Area of Study introduces the established tools and language used in writing a film project. Students will take a story from the initial idea to script with an emphasis on the fundamentals of visual storytelling. The intersection of story structure, theme, character, tension, and conflict is examined through detailed scene analysis. The in-class discussion provides students with constructive analysis and support. Students are encouraged to tell their stories visually, rather than relying on dialogue.

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TIMES AND BREAKDOWN BY WEEK

These are intensive, full-time Monday through Friday programs that typically run in three x 3hr sessions from 9 AM-6:30 PM. There are breaks in between sessions. Depending on the workshop, there may be shoots held on the weekend. Students will need to anticipate extra time outside of class to complete assignments, projects, and exercises. Daily class times may vary. Request information to learn more.

PROGRAM AND SOFTWARE REQUIREMENTS

This course requires the following software and equipment:

  • External hard drive (costs $30-$200)
  • An SD Card

4-Week Filmmaking Workshop

Location Program Start Date and End Date Tuition
New York City

May 11, 2026 – June 6, 2026

June 1, 2026 – June 27, 2026

July 6, 2026 – August 1, 2026

August 3, 2026 – August 29, 2026

September 14, 2026 – October 10, 2026

Tuition and Equipment & Technology Fee

Tuition:$3,899

Departmental Program Fee:$599

Los Angeles

May 11, 2026 – June 6, 2026

June 1, 2026 – June 27, 2026

July 6, 2026 – August 1, 2026

August 3, 2026 – August 29, 2026

September 14, 2026 – October 10, 2026

Tuition and Equipment & Technology Fee

Tuition:$3,899

Departmental Program Fee:$599

Florence, Italy

May 17, 2026 – June 13, 2026

June 28, 2026 – July 25, 2026

September 20, 2026 – October 17, 2026

February 14, 2027 – March 13, 2027

May 16, 2027 – June 12, 2027

June 27, 2027 – July 24, 2027

September 19, 2027 – October 16, 2027

Tuition and Equipment & Technology Fee

Tuition:$3,899

Departmental Program Fee:$599

Alumni

Tracy Oliver  

Tracy Oliver

Filmmaker

 
Jonathan Jakubowicz  

Jonathan Jakubowicz

Filmmaker

 
More  

Please note: Equipment, curriculum, and projects are subject to change and may vary depending on location. Students should consult the most recently published campus catalog for the most up-to-date curriculum.

 

4-WEEK FILMMAKING WORKSHOP IN BEIJING, CHINA

4-Week Filmmaking Workshop in Beijing, China

Overview of New York Film Academy Beijing

The New York Film Academy Beijing’s workshops respond to a growing number of international students who want to experience living and learning in China, where the media industry is growing exponentially. NYFA Beijing now offers our acclaimed four-week workshops in filmmaking, where students benefit from intensive, hands-on, project-based education under the guidance of working industry professionals. All courses are taught in English.

Study Abroad at the New York Film Academy

Beijing is an exciting and bustling city with a history of culture and power that extends back thousands of years. Visitors to Beijing will be inspired by the Forbidden City and Summer Palace, which were homes of the emperors of the Ming and Qing dynasties.

Near Beijing the Great Wall of China, one of the world’s wonders, can be easily visited, as well as treasured attractions including the Temple of Heaven, Ming Tombs, Hutongs, Tiananmen Square, Beijing Opera, and Panda House. Modern Beijing is a city with vibrant night-life and world-class restaurants and a center of a burgeoning entertainment industry where hundreds of films and television shows are produced.

BEIJING FILMMAKING WORKSHOP FORMAT

4-WEEK FILMMAKING WORKSHOP IN BEIJING – DESCRIPTION

Students will produce their films using professional equipment, taking on multiple roles. Each student writes, directs, shoots, and edits their projects alongside classmates. Over the four weeks, students also serve in key crew positions on films directed by their peers. This intensive, hands-on program demands total commitment to a challenging curriculum in filmmaking, with hours often extending beyond a traditional class day. Classes and practical workshops occur throughout the week, while weekends may include additional classes or on-set shooting. Evenings are dedicated to writing, location scouting, casting, and editing. Participants in this workshop should be prepared to fully immerse themselves in filmmaking.

Contacts

For those interested in applying to the workshop in Beijing, please contact the following:

Irene Yu
Email: [email protected]

Sarah Wu
Email: [email protected]

Tuition

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Dates

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Disclaimer: Please note that tuition does not cover housing, health insurance, or other associated fees. Additionally, students are responsible for securing their tourist visas and arranging transportation from other countries to Beijing, China.

4-Week Music Video Workshop

4-Week Music Video Workshop

Learn How To Film A Music Video at NYFA

NYFA’s 4-Week Music Video Workshop teaches students how to direct, shoot, and edit a music video. As music videos are stylistic, expressive, and evocative, students undergo intensive creative and technical coursework and projects to create their own original music videos in an immersive, hands-on program.

Workshop DescriptionWorkshop Name: 4-Week Music Video Workshop

The 4-Week Music Video Workshop is designed to teach students to create their own music video. Throughout the program, students learn practical and creative skills in music video projects, receiving hundreds of hours of rigorous instruction. Each student completes two projects, starting with the Music and Image Project. Students are also introduced to subjects such as how to work with a record label and collaborating with a recording artist. They study treatment writing, and learn to design their own pitch deck. Similar to the professional arena, students also submit a pitch deck to the artist for the chance to direct a second project. On the second music video project, students work as one large crew, getting a sense of what it’s like to work on a professional set.

The curriculum also includes hands-on experience in cinematography, directing, producing, and editing. Students use more advanced cameras and a G&E package to shoot their video projects. Students also have courses in sound recording and playback.

NYFA also offers the possibility to learn filmmaking from anywhere through a variety of online filmmaking workshops.

To learn more, see NYFA’s Course Catalog or request more information.

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CLASS DETAILS

Music Video Craft
Music Video Craft covers all the essentials of producing a successful music video. From finding bands, working with musicians and labels, creating exciting concepts, and branding, to the logistics of hiring crew, working with locations, striking permits, and obtaining insurance, Music Video Craft will give you the tools necessary to oversee every aspect of your production. 

Directing
The core of the Music Video Program, this Area of Study introduces students to all major aspects of directing film with an emphasis on creating performance-based material. Students will study concepts to help achieve maximum psychological impact by studying the director’s decisions in camera placement, blocking, staging, and visual image design. Students will be challenged to think comprehensively about their music video projects in terms of the branding of the music and the marketing of the musician. Using their own and collaborative class projects as prototypes, students will learn to break down their ideas and videos in terms of story and emotional beats, shot selection and composition. This Area of Study will be the forum for preparing, screening and critiquing short exercises, as well as 2 music videos (1 performance and 1 non-performance).

Cinematography
In Cinematography, students undergo intensive training in the use of the HD digital video cameras and their accessories. Through hands-on workshops and camera tests, they will also learn fundamental lighting techniques. As they progress through the workshop, they learn how to support the mood of their music videos with lighting choices and they experiment with expressive lighting styles. 

Playback
A hands-on tutorial on music video, on-location playback, this session teaches students how to use a time code slate for the important task of syncing footage to sound during the post-production process. 

Editing
This Area of Study presents students with multiple aesthetic approaches to editing film and video, as specifically related to the “Music Video.” Students will learn how to apply concepts such as temporal continuity and spatial continuity (as well as less traditional discontinuous editing techniques) to their work. The Area of Study will also discuss the psychological and emotional effects of editing and music on the overall story. Additionally, students will learn to operate a digital editing software, which they will use to edit their own films. Classes are supplemented with individual consultations at the computer.

Business of Music Videos/Music Industry
Once your video is created, where will it play? Who will see it? What is its market? And, who has final say: the band, the label, or you? This Area of Study will explore the market for your projects and how to get maximum exposure in today’s ever-changing and dynamic world of multi-media.

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TIMES AND BREAKDOWN BY WEEK

These are intensive, full-time Monday through Friday programs that typically run in three x 3hr sessions from 9 AM-6:30 PM. There are breaks in between sessions. Depending on the workshop, there may be shoots held on the weekend. Students will need to anticipate extra time outside of class to complete assignments, projects, and exercises. Daily class times may vary. Request information to learn more.

PROGRAM AND SOFTWARE REQUIREMENTS

This course requires the following software and equipment:

  • External hard drive (costs $30-$200)
  • An SD Card

4-Week Music Video Workshop

Location Program Start Date and End Date Tuition
Los Angeles

July 6, 2026 – August 1, 2026

Tuition and Equipment & Technology Fee

Tuition:$3,899

Departmental Program Fee:$599

Please note: Equipment, curriculum, and projects are subject to change and may vary depending on location. Students should consult the most recently published campus catalog for the most up-to-date curriculum.

4-Week Acting for Film Workshop

4-Week Acting for Film Workshop

Learn Introductory Film Acting Skills at NYFA

This hands-on workshop provides students with a thorough foundation of acting skills with a specific focus on film acting. Classes emphasize the essential elements of the craft of acting using a variety of American acting techniques which may include Method and Meisner as starting points.

Workshop DescriptionWorkshop Name: 4-Week Acting for Film Workshop

The 4-Week Acting for Film workshop is a full immersion into the craft of acting. In conjunction with these classes, students also participate in courses designed to train the actor for the technical requirements of acting on a film set.

No significant prior experience or knowledge is assumed. This acting workshop brings everyone to the same level quickly, beginning with the fundamentals and filling the inevitable gaps in understanding of those with some prior experience. Many students who complete the 4-Week Acting for Film Workshop join longer programs, such as our 8-Week Acting for Film Workshop or the 1-Year Acting for Film Certificate, intensifying their studies and gaining more experience in front of the camera.

NYFA also offers the possibility to learn acting for film from anywhere through a variety of online acting for film workshops.

To learn more about the NYFA’s acting classes, see NYFA’s Course Catalog or request more information.

Read More

CLASS DETAILS

Acting For Film

Acting for Film provides students with an environment to get comfortable acting in front of the camera. The primary emphasis of the class is the practice of the subtlety and nuance of film acting including learning to adjust the performance for specific shot size, finding the arc of the character, and learning to maintain the integrity of the script while shooting out of sequence. Film set terminology and etiquette are also addressed. Students participate in a Production Workshop with film students. In the Production workshop, students experience on-set shoots in collaboration with student filmmakers. Students are introduced to a first-hand experience in set etiquette, shooting out of sequence, and understanding the actor’s role in a shoot. 

Scene Study

Students learn to analyze scripts and break them down into units or “beats”. They develop a solid grounding in establishing a character based on their own experiences and imagination. Students will incorporate all of the disparate disciplines learned in all other Areas of Study in an in-class, filmed scene presentation. 

Acting Technique

Students will practice the tools necessary to hone and focus their acting skills when they do not have a scene partner on which to rely. Students will work on monologues from theatre and film sources that will help them learn how to command attention at auditions and professional performances. Exercises will be taped for in-class critique.

Voice & Movement

Students learn to access their natural voice through relaxation exercises designed to improve alignment and alleviate habitual tension. They will also experiment with different ways of becoming physically “present” in their work. Elements of various approaches will be taught to assist students in finding freedom and expression in the physical instrument. 

Monologues

Students will work on assigned and chosen monologues to practice text analysis, and character creation skills learned thus far. Students will understand the structure and particular elements, which make a successful monologue and prepare pieces to be audition ready.

Special Topics

This course offers students the opportunity to explore key acting topics. Topics covered relate to the craft and/or industry and give students current insights to apply to a career or further studies.

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TIMES AND BREAKDOWN BY WEEK

There are breaks in between sessions. Students will need to anticipate extra time outside of class to complete assignments, projects, and exercises. Daily class times may vary, and there may be occasional Saturday classes. Request information to learn more.

PROGRAM & SOFTWARE REQUIREMENTS

This course requires the following software and equipment:

  • External hard drive (generally costs $30-$200)
  • An SD Card

4-Week Acting for Film Workshop

Location Program Start Date and End Date Tuition
New York City

May 11, 2026 – June 6, 2026

June 1, 2026 – June 27, 2026

July 6, 2026 – August 1, 2026

August 3, 2026 – August 29, 2026

September 14, 2026 – October 10, 2026

October 5, 2026 – October 31, 2026

Tuition and Equipment & Technology Fee

Tuition:$4,491

Departmental Program Fee:$10

Los Angeles

May 11, 2026 – June 6, 2026

June 1, 2026 – June 27, 2026

July 6, 2026 – August 1, 2026

August 3, 2026 – August 29, 2026

September 14, 2026 – October 10, 2026

October 5, 2026 – October 31, 2026

Tuition and Equipment & Technology Fee

Tuition:$4,491

Departmental Program Fee:$10

Florence, Italy

May 17, 2026 – June 13, 2026

June 28, 2026 – July 25, 2026

September 20, 2026 – October 17, 2026

February 14, 2027 – March 13, 2027

May 16, 2027 – June 12, 2027

June 27, 2027 – July 24, 2027

September 19, 2027 – October 16, 2027

Tuition and Equipment & Technology Fee

Tuition:$4,491

Departmental Program Fee:$10

Please note: Equipment, curriculum, and projects are subject to change and may vary depending on location. Students should consult the most recently published campus catalog for the most up-to-date curriculum.

4-Week Online Acting for Film Workshop

4-Week Online Acting For Film Workshop

Develop Your Acting Skills at NYFA

The 4-Week Acting for Film Workshop is an immersive, full-time workshop that takes students from the basic principles of the craft through a working understanding of the aesthetic and technical aspects of the medium. In this intensive course, aspiring performers develop the skills needed to compete in the business of professional acting, learning under the guidance of professional actors. Through hands-on projects and exercises, students build upon their natural talents and abilities on camera.

Program Description Program Name: 4-Week Online Acting Workshop

In the 4-Week Online Acting Workshop, the principal area of concentration is acting for film, which culminates in creating short, filmed scenes. Technique and Scene Study, Voice and Speech, and movement serve as support courses. Audition Technique exposes students to cold reading techniques, and students are also introduced to the business of acting and its essential tools. Film Craft introduces students to the roles of the director and the cinematographer, the language of film, how films are made, and the effects that these roles have on the choices an actor makes.

The objectives of this workshop are to:

  • Modulate a performance to fit the framing of shots, from establishing to close-up; put to use dramatic action, observation, and characterization through scene work; apply text analysis to scripted material.
  • Break a scene down into beats, create an emotional arc, establish an objective, and develop strategies toward overcoming obstacles to achieve that objective; define a playable action.
  • Prepare one to two (contrasting) monologues; connect the body and voice to scripted material; increase flexibility through body awareness and physical exercises; recognize the essential choices needed for effective cold readings; and make effective use of physical and emotional life.
  • Examine the roles of the director and cinematographer with an emphasis on how these roles affect the choices an actor makes in performance.

The program brings everyone to the same level very quickly, beginning with the fundamentals while also filling the inevitable gaps in the understanding of those with prior experience.

Prerequisites – This is an introductory workshop, no prerequisites are required, nor any prior experience expected. 

To learn more, request more information.

Class Details

Text in Action

This course teaches core skills necessary for maintaining the integrity of a performance. Text in Action focuses on the analysis and mapping skills required while shooting out of sequence. Students examine contemporary playwrights and screenwriters, examining plot structure and extracting given circumstances, and learn to utilize these fundamental tools for rehearsal and performance.

Voice and Speech

In this course, students will begin to hone a vocal technique that is open, free, flexible, lively, and possessing an extensive and colorful range.

Monologue

In this 2-week intensive course, you will learn how to choose a monologue that showcases your individual type, playing to your unique strengths as an actor. You will learn how to shape and craft the monologue by choosing specific objectives, actions, and personalized points of view to ultimately create a monologue that can be used for auditions and showcases alike.

Audition Technique

This class focuses on the fundamentals of crafting material for on-camera TV and film auditions so that you can create unique, compelling auditions that showcase your strengths as an actor. You will also learn what to expect in a professional audition setting and how to master self-tape auditions successfully.

New Media

This course explores burgeoning new media forms, including web series, creating online media content, and sketch production. Students explore what it means to produce their own work with materials available to them at low or no cost. The class will culminate in a sharing of self-written and produced short videos.

Performance Analysis

Students will view and participate in discussions of pivotal film performances and develop an appreciation and technical understanding of the methods, choices, and effects of various acting styles.

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Times and Breakdown by Week

These are intensive, full-time Monday through Friday programs that typically run in three x 3hr sessions from morning to evening. There are breaks in between sessions. Students will need to anticipate extra time outside of class to complete assignments, projects, and exercises. Daily class times may vary, and there may be occasional Saturday classes. Request information to learn more.

Total Course Hours = 80

Program and Software Requirements

This course requires the following software and equipment:

  • Laptop or desktop computer 
  • Smartphone with a camera

Suggested Resources

  • Blue or grey backdrop (optional)
  • Lapel microphone (attaches to a smartphone, optional)
  • Ring light (optional)

4-Week Online Acting for Film Workshop

Location Program Start Date and End Date Tuition
Online

September 28, 2026 – October 23, 2026

2025 Tuition and Equipment & Technology Fee

Tuition:$2,200

Departmental Program Fee:N/A

Program Duration: 4-Week

Please note: Equipment, curriculum, and projects are subject to change and may vary depending on location. Students should consult the most recently published campus catalog for the most up-to-date curriculum.

4-Week Photography Workshop

4-Week Digital Photography Workshop

Learn Digital Photography at NYFA

In this workshop, students learn the essentials of photography through hands-on experience, creative photographic projects, and rigorous coursework. This program is designed for individuals with various experience levels in photography, and is a great fit for beginners or aspiring photographers who wish to refresh their skills.

Workshop DescriptionWorkshop Name: 4-Week Photography Workshop

The 4-Week Photography Workshop is an intensive exploration of photography in the modern age. As all introductory skills are covered, no prior experience is required to enroll. Students learn how to capture and refine great images, developing the skills necessary to research, compose, and capture compelling digital photographic projects.

As the workshop goes on, students expand their repertoire of techniques with light and shadow as they work with lighting and grip hardware, as well as inexpensive and unconventional practical sources of light and shadow. All students are required to bring a digital camera with manual exposure control.

Many students who take this program enroll in more extensive NYFA photography programs, such as the 1-Year Photography Certificate. NYFA also offers the possibility to learn photography from anywhere through a variety of online photography workshops.

To learn more about the 4-Week Photography Workshop, see NYFA’s Course Catalog or request more information.

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CLASS DETAILS

Photography
This Area of Study encompasses lecture, demonstration, critique, and shooting assignments on location or in the studio. Students learn the components of exposure and mechanics of cameras and lenses. They are taught to be aware of the unique characteristics that light can take: direct, diffused, reflected and/or tempered by atmosphere.

Imaging
An intensive introduction to Adobe Lightroom as a RAW digital editing and image library management system. Students will immerse themselves in Adobe Lightroom, and will acquire key digital darkroom techniques from nondestructive editing to unparalleled color and tonal control over their own images. They will also learn the entire process of digital workflow, from RAW processing through output for a web page and print. Along with lectures and demonstrations, Imaging I allows plenty of lab time to practice and perfect their image-editing skills.

Ways of Seeing
Intensive study, analysis, and critique of the work of master photographers, their techniques, aesthetics and
approaches help to equip students to choose the most effective means of realizing their own projects. The history of photography is studied from its beginning through 1960. Students are guided to analyze the cultural and societal impact of photography, and the evolution of the medium from the original assumed veracity of photographs to the exploitation of a viewer’s acceptance of the photograph as “truth,” given the use of modern photographic manipulation with tools such as Photoshop. Additionally, students become intimately familiar with a particular photographer’s body of work through written research projects.
Discussions include composition, traditional and non-conventional framing, color theory, design, semiotics (signs and symbols), the effect of technological changes on photography, the surprisingly long history of using viewer assumptions to distort the truth, and the use and limitations of photography as a documentary and personal record.

Vision & Style
This course teaches students critical thinking skills, the visual language of photography, and pushes them to explore their personal interests in photography as they conceptualize, execute, refine, and critique. Students will define and develop a personal, iconic visual style and specific area of interest, studying master bodies of work across both genres as examples. The primary focus will be on still photography, but the use of moving images will also be explored through in-class assignments. Students will become familiar with principles of graphic design, composition, color, editing, sequencing and presentation. Through writing, journaling, drawing, research and photographic assignments, students will gain a level of self-awareness necessary to understand the most salient origins for their ideas, and conceive how their work might fit into the context of current practices and attitudes.

Shooting Lab
A unique, hands on opportunity for the student to develop core professional skills and techniques during weekly in-studio and on-location photo shoots with real-time guidance. Covering a wide range of genres along with aesthetic, logistical and technical challenges, the student will have the opportunity to work directly with their instructor, applying new skills in still photography across a range of assignments of increasing complexity.

Gallery Tour
Students will be taken on a weekly guided tour of current gallery and museum exhibitions of photo-based work and studio visits, becoming familiar with current curatorial standards and practices. They will browse exhibition catalogues, and become acquainted with print prices and editioning as a key factor, while taking advantage of opportunities to directly meet with and hear from exhibition curators and artists. Students will see firsthand the true finished product of the medium, using a diverse array of substrates, mounting and framing techniques and sequencing and presentation ideologies. Instructors lecture and lead guided discussions about artistic practices and bodies of work both contemporary and throughout the history of the medium

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TIMES AND BREAKDOWN BY WEEK

The 4-Week Photography Workshop is a full time workshop. To learn more, request information.

PROGRAM AND SOFTWARE REQUIREMENTS

This course requires the following software and equipment:

  • External hard drive (generally costs $30-$200)
  • An SD Card
  • Digital camera with manual exposure controls

4-Week Photography Workshop

Location Program Start Date and End Date Tuition
New York City

June 1, 2026 – June 27, 2026

September 14, 2026 – October 10, 2026

Tuition and Equipment & Technology Fee

Tuition:$4,253

Departmental Program Fee:$305

Please note: Equipment, curriculum, and projects are subject to change and may vary depending on location. Students should consult the most recently published campus catalog for the most up-to-date curriculum.